An anonymous reader shared this report from CNN: Netflix will start phasing out its Basic plan, its cheapest advertising-free plan, which costs $11.99 per month in the United States, the company said on Thursday. The company had previously stopped accepting new sign-ups for the Basic plan, instead pushing customers to Netflix's ad-supported plan, which costs $6.99 per month. However, existing users were allowed to keep the basic plan. In January, the company said it would retire its cheapest ad-free tier in Canada and the UK. On Thursday, the company said the US and France are next.

Basic users in the US who want an ad-free viewing experience on Netflix will now have two choices: Netflix's Standard plan, which costs $15.49 per month, and its Premium plan, which costs $22.99 per month...

The company reported a record-high 277.65 million subscribers on its streaming platform Thursday, far outpacing streaming competitors like Disney+, Peacock and Max... Overall, Netflix added 8.05 million new subscribers in its second quarter. Netflix's surge in new subscribers has been fueled in part by the company's effort to push users who share passwords to create their own accounts.
The article adds that Netflix's stock has climbed more than 35% in 2024.

Long-time Slashdot reader theodp writes: Bob Newhart, whose stammering, deadpan unflappability carried him to stardom as a standup comedian and later in television and movies, has died at age 94. He remains best known for the television shows, "The Bob Newhart Show" (1972-78) and "Newhart" (1982-90), both of which were built around his persona as a reasonable man put-upon by crazies. A younger crowd may remember Newhart from his roles in the movie "Elf" (2003) and TV's "The Big Bang Theory" (2013-18).

Less known about Newhart is that he was an early Commodore PET owner, recalling for the LA Times in 2001: "I remember leafing through a copy of Popular Science magazine and seeing an ad for a Commodore computer that had 8- or 16 kilobytes [in 1977]. It had an awful-looking screen, and it was $795. I thought I'd better get one because I had sons who were going to be in high school and might want to know about computers. Later, I moved up to the 64 KB model and thought that was silly because it was more memory than I would ever possibly need.

"I got them for the kids and then found I was fascinated by them. The first ones had tape drives. You would get a program like a word processor, put the tape in and then walk away for about a half an hour while the computer loaded it. But the first time I used a spell checker and it corrected a word, I thought, 'We are getting close to God here."

Master Chief has fought his last battle at Paramount+. The streamer has canceled its video game adaptation Halo after two seasons. The show originally debuted in 2022. From a report: The series, based on the Xbox franchise and starring Pablo Schreiber as Master Chief John-117, finished its second season in March. "We are extremely proud of this ambitious series and would like to thank our partners at Xbox, 343 Industries and Amblin Television, along with showrunner and executive producer David Wiener, his fellow executive producers, the entire cast led by Pablo Schreiber as Master Chief and the amazing crew for all their outstanding work," Paramount+ said in a statement. "We wish everyone the best going forward."

Sources say the show's producers -- Amblin, Xbox and 343 Industries -- will look to land the series at another outlet for a third season. Paramount+ is said to be supportive of a possible move. "We deeply appreciate the millions of fans who propelled the Halo series to be a global success, and we remain committed to broadening the Halo universe in different ways in the future," reads a statement from 343 Industries. "We are grateful to Amblin and Paramount for their partnership in bringing our expansive sci-fi universe to viewers around the world."

J. Michael Cline, the co-founder of Fandango, died from suicide this week after falling from the twentieth floor of a Manhattan hotel. The New York Times reports: Mr. Cline, who was 64, co-founded Fandango in 2000 and left the company in 2011, according to his LinkedIn profile. The company -- familiar to many from its splashy logo, an orange "F" in the shape of a ticket stub -- was later acquired by Comcast and is currently owned by NBCUniversal and Warner Bros. For years, the company dominated movie-ticket sales, handling ticketing for several major theater chains and making money by charging a processing fee for online ticket sales and by selling advertising on its site.

At the time of its launch, Mr. Cline offered a pithy explanation for the company's name: "A Fandango is fast and fun," he told Variety. "Fandango is the perfect match to a service designed to make going to the movies easier and more enjoyable than ever before." Art Levitt, the co-founder and former chief operating officer and president of Fandango, remembered Mr. Cline as brilliant, creative and loyal, sticking it out even in "tough" times. TechCrunch provides additional information about Mr. Cline: He left the company in 2011, roughly four years after the company was acquired by Comcast. Some early investors in the online ticketing service were General Atlantic and TCV. Cline was also managing partner of Accretive, a venture capital firm he founded in 1999. He built startups throughout his career, including R1 RCM, Accumen, Accolade, Everspring, Dresr and Insureon. Starting in 2018, Cline served as the executive chairman at the venture firm Juxtapose, which invests in technology businesses. During his time there, Cline enjoyed investing in healthcare companies, according to his staff page. Some of Juxtapose's portfolio companies include Tend, Nectar and Great Jones.

Robin McKie writes via The Guardian: Scientists with Breakthrough Listen, the world's largest scientific research program dedicated to finding alien civilizations, say a host of technological developments are about to transform the search for intelligent life in the cosmos. These innovations will be outlined at the group's annual conference, which is to be held in the UK for the first time, in Oxford, this week. Several hundred scientists, from astronomers to zoologists, are expected to attend. "There are amazing technologies that are under development, such as the construction of huge new telescopes in Chile, Africa and Australia, as well as developments in AI," said astronomer Steve Croft, a project scientist with Breakthrough Listen. "They are going to transform how we look for alien civilizations."

Among these new instruments are the Square Kilometer Array, made up of hundreds of radio telescopes now being built in South Africa and Australia, and the Vera Rubin Observatory that is being constructed in Chile. The former will become the world's most powerful radio astronomy facility while the latter, the world's largest camera, will be able to image the entire visible sky every three or four nights, and is expected to help discover millions of new galaxies and stars. Both facilities are set to start observations in the next few years and both will provide data for Breakthrough Listen. Using AI to analyze these vast streams of information for subtle patterns that would reveal evidence of intelligent life will give added power to the search for alien civilizations, added Croft.

"Until now, we have been restricted to looking for signals deliberately sent out by aliens to advertise their existence. The new techniques are going to be so sensitive that, for the first time, we will be able to detect unintentional transmissions as opposed to deliberate ones and will be able to spot alien airport radar, or powerful TV transmitters -- things like that." [...] Croft remains optimistic that we will soon succeed in making contact. "We know that the conditions for life are everywhere, we know that the ingredients for life are everywhere. I think it would be deeply weird if it turned out we were the only inhabited planet in the galaxy or in the universe. But you know, it's possible."

From The New York Times: The key to "Eno" comes near the beginning of the film — at least, the beginning of the first version I saw. The musician Brian Eno, the documentary's subject, notes that the fun of the kind of art he makes is that it's a two-way street. "The audience's brain does the cooking and keeps seeing relationships," he says.

Most movies are made up of juxtapositions of scenes, carefully selected and designed by the editor. But "Eno," directed by Gary Hustwit, turns that convention on its head. Writ large, it's a meditation on creativity. But every version of the movie you see is different, generated by a set of rules that dictate some things about the film, while leaving others to chance. (I've seen it twice, and maybe half the same material appeared across both films.)

Eno, one of the most innovative and celebrated musicians and producers of his generation, has fiddled with randomness in his musical practice for decades, often propelled along by new technologies. He agreed to participate in "Eno" only if it, too, could be an example of what he and others have long called generative art... "Brain One", programmed by the artist Brendan Dawes, generates a new version of the film on the fly every time the algorithm is run. Dawes's system selects from a database of 30 hours of new interviews with Eno and 500 hours of film from his personal archive and, following a system of rules set down by the filmmakers with code, creating a new film. According to the filmmakers, there are 52 quintillion (that is, 52 billion billion) possible combinations, which means the chances of Brain One generating two exact copies of "Eno" are so small as to be functionally zero.
"But the ambitions of Eno are greater than the film itself," writes the Verge, with director Hustwit hoping for a cinematic future exploring generative filmmaking with their software and hardware package. "We have a patent pending on the system, and we just launched a startup called Anamorph that is basically exploring this idea further with other filmmakers and studios and streamers."

In an interview with the Verge, Hustwit points out that Brian Eno did the soundtrack for his previous film. "I was having these thoughts about, well, why can't showing a film be more performative? Why does it have to be this static thing every time?"


The film just began a two-week run at Greenwich Village's nonprofit theatre Film Forum, and in the U.K. is appearing this week at 17 Picturehouse Cinemas across England and Scotland. Check this online schedule for upcoming dates this week in Nashville (Thursday), Austin (Friday), Dallas (Saturday) — with later dates this month including Toronto, San Francisco, and Los Angeles, and more cities in August.

DVD kiosk-rental business Redbox is all set to close the shutter. LowPass: The judge overseeing the bankruptcy case of Redbox's corporate parent Chicken Soup for the Soul Entertainment granted the debtors request to convert it from a Chapter 11 bankruptcy to a Chapter 7 bankruptcy, effectively paving the way for shutting down the company and liquidating its assets. Chicken Soup for the Soul Entertainment's CEO Bart Schwartz, who had only joined the company two weeks ago, stepped down this morning for unrelated reasons, according to the attorney representing the debtors in the case.

Companies use Chapter 11 bankruptcy cases to reorganize, allowing them to continue to operate while they rid themselves of debt, while a Chapter 7 bankruptcy generally results in a trustee selling off company assets to pay creditors, and winding down the company. "There is no means to continue to pay employees, pay any bills, otherwise finance this case. It is hopelessly insolvent," United States bankruptcy judge Thomas Horan determined during a hearing Wednesday, adding: "Given the fact that there may also be at least the possibility of misappropriation of funds that were held in trust for employees, there is more than ample reason why this case should be converted. So I am going to grant the motion." The firm operates a network of 24,000 DVD rental kiosks.

An anonymous reader quotes a report from TorrentFreak: With dozens of millions of monthly visits, Animeflix positioned itself as one of the most popular anime piracy portals. The site also has an active Discord community of around 35k members, who actively participate in discussions, art competitions, even a chess tournament. While rightsholders take no offense at these side-projects, the site's core business was streaming pirated videos. That hasn't gone unnoticed; last December Animeflix was listed as one of the shutdown targets of anti-piracy coalition ACE.

Whether these early enforcement efforts were responsible for the site's closure is unclear. In May, rightsholders increased the pressure through the High Court of India, obtaining a broad injunction that effectively suspended Animeflix's main domain name; Animeflix.live. This follow-up action didn't seem to hurt the site too much. It simply moved to new domains, Animeflix.gg and Animeflix.li, informing its users that the old domain name had become "unavailable." Yesterday, the site became unreachable again, initially returning a Cloudflare error message. This time, the domain wasn't the problem but, for reasons unknown, the team decided to shut down the site without prior notice.

"It is with a heavy heart that we announce the closure of Animeflix. After careful consideration, we have decided to shut down our service effective immediately. We deeply appreciate your support and enthusiasm over the years." "Thank you for being a part of our journey. We hope the joy and excitement of anime continue to brighten your days through other wonderful platforms," the Animeflix team adds. The Animeflix team doesn't provide any insight into its reasoning, but it's clear that keeping a site like that online isn't without challenges. And, when a pirate site shuts down, voluntarily or not, copyright issues typically play a role. It's clear that rightsholders were keeping an eye on the site, and were actively seeking out options to take it offline. That might have played a role in the shutdown decision but without more information from the team, we can only speculate.

Amazon has introduced new advertising strategies for its Fire TV platform, displaying full-screen ads before screensavers activate on idle devices, CordCutters reports. Users have observed ads from various brands during these pre-screensaver intervals, the report added.

An anonymous reader quotes a report from TorrentFreak: Hikari-no-Akari, a long-established and popular pirate site that specializes in Japanese music, is being targeted in U.S. federal court by Sony Music. [...] The music download portal, which links to externally hosted files, has been operating for well over a decade and currently draws more than a million monthly visits. In addition to the public-facing part of the site, HnA also has a private forum and Discord channel. [...] Apparently, Sony Music Japan has been keeping an eye on the unauthorized music portal. The company has many of its works shared on the site, including anime theme music, which is popular around the globe.

For example, a few weeks ago, HnA posted "Sayonara, Mata Itsuka!" from the Japanese artist Kenshi Yonezu, which is used as the theme song for the asadora series "The Tiger and Her Wings." Around the same time, PEACEKEEPER, a song by Japanese musician STEREO DIVE FOUNDATION, featured in the third season of the series "That Time I Got Reincarnated as a Slime", was shared on the site. Sony Music Japan is a rightsholder for both these tracks, as well as many others that were posted on the site. The music company presumably tried to contact HnA directly to have these listings removed and reached out to its CDN service Cloudflare too, asking it to take action. [...] They are a prerequisite for obtaining a DMCA subpoena, which Sony Music Japan requested at a California federal court this week.

Sony requested two DMCA subpoenas, both targeted at hikarinoakari.com and hnadownloads.co. The latter domain receives the bulk of its traffic from the first, which isn't a surprise considering the 'hnadownloads' name. Through the subpoena, the music company hopes to obtain additional information on the people behind these sites. That includes, names, IP-addresses, and payment info. Presumably, this will be used for follow-up enforcement actions. It's unclear whether Cloudflare will be able to hand over any usable information and for the moment, HnA remains online. Several of the infringing URLs that were identified by Sony have recently been taken down, including this one. However, others remain readily available. The same applies to private forum threads and Discord postings, of course.

Netflix is following through on its plan to phase out its cheapest ad-free tier for existing subscribers. From a report: As spotted in numerous posts on Reddit, Netflix is now asking some basic plan subscribers to choose a new plan to stay subscribed to Netflix. One Reddit user received a notification on their Netflix app, saying "Your last day to watch Netflix is July 13th. Choose a new plan to keep watching." Subscribers paying $11.99 / month for the basic plan will have to choose either the $6.99 ad-supported tier, the $15.49 ad-free tier, or the $22.99 ad-free 4K premium plan.

Chicken Soup for the Soul Entertainment, the parent of DVD rental operator Redbox, has filed for Chapter 11 bankruptcy protection after months of financial struggles and piling unpaid bills. The Associated Press reports: Chicken Soup for the Soul has accumulated nearly $1 billion in debt, the Chapter 11 filing submitted Friday in Delaware bankruptcy court shows, after reporting loss after loss over recent quarters. The filing also discloses that Chicken Soup for the Soul owes millions to over 500 creditors -- which range from big names in the entertainment world like Sony Pictures and Warner Bros, to major retailers like Walgreens and Walmart. As of March of this year, Friday's filing shows, Chicken Soup for the Soul had about $414 million in assets and $970 million in debts. Shares for the public company have fallen more than 90% over the last year. "Redbox, founded in 2002, is best known for red-colored, self-serve machines that sit outside of pharmacies or groceries stores to rent or sell DVDs," notes the report. It was acquired by Chicken Soup for the Soul in 2022. There are currently about 27,000 Redbox kiosks across the U.S. -- down from 36,000 at the Redbox acquisition was finalized in August 2022.

It's been adapted into a graphic novel, a videogame, a radio play, and an opera, according to Wikipedia — which also describes years of trying to adapt Neuromancer into a movie. "The landmark 1984 cyberpunk novel has been on Hollywood's wishlist for decades," writes Gizmodo, "with multiple filmmakers attempting to bring it to the big screen." (Back in 2010, Slashdot's CmdrTaco even posted an update with the headline "Neuromancer Movie In Your Future?" with a 2011 story promising the movie deal was "moving forward....")

But now Deadline reports it's becoming a 10-episode series on Apple TV+ (co-produced by Apple Studios) starring Callum Turner and Brianna Middleton: Created for television by Graham Roland and JD Dillard, Neuromancer follows a damaged, top-rung super-hacker named Case (Turner) who is thrust into a web of digital espionage and high stakes crime with his partner Molly (Middleton), a razor-girl assassin with mirrored eyes, aiming to pull a heist on a corporate dynasty with untold secrets.
More from Gizmodo: "We're incredibly excited to be bringing this iconic property to Apple TV+," Roland and Dillard said in a statement. "Since we became friends nearly 10 years ago, we've looked for something to team up on, so this collaboration marks a dream come true. Neuromancer has inspired so much of the science fiction that's come after it and we're looking forward to bringing television audiences into Gibson's definitive 'cyberpunk' world."
The novel launched Gibson's "Sprawl" trilogy of novels (building on the dystopia in his 1982 short story "Burning Chrome"), also resurrecting the "Molly Millions" character from Johnny Mnemonic — an even earlier short story from 1981...

Lego teamed up with the European Space Agency to make Lego pieces from actual meteorite dust, writes Engadget.

"It's a proof of concept to show how astronauts could use moondust to build lunar structures." Consider the sheer amount of energy and money required to haul up building materials from Earth to the Moon. It would be a game changer to, instead, build everything from pre-existing lunar materials. There's a layer of rock and mineral deposits at the surface of the Moon, which is called lunar regolith...

However, there isn't too much lunar regolith here on Earth for folks to experiment with. ESA scientists made their own regolith by grinding up a really old meteorite. [4.5 billion years, according to Lego's site, discovered in Africa in 2000.] The dust from this meteorite was turned into a mixture that was used to 3D print the Lego pieces. Voila. Moon bricks. They click together just like regular Lego bricks, though they only come in one color (space gray obviously.)
"The result is amazing," says ESA Science Officer Aidan Cowley on the Lego site (though "the bricks may look a little rougher than usual. Importantly the clutch power still works, enabling us to play and test our designs.")

"Nobody has built a structure on the Moon," Cowley said in an ESA statement. "So it was great to have the flexibility to try out all kinds of designs and building techniques with our space bricks." And the bricks will also be "helping to inspire the next generation of space engineers," according to the ESA's announcement — since they'll be on display in select Lego stores in the U.S., Canada, the U.K., Spain, France, Germany, the Netherlands, and Australia through September 20th.

An anonymous reader shares a report: If you've been mindlessly scrolling through streaming services and have been feeling even less enthused than usual, you may not be entirely to blame: almost all major US streamers have been cutting their original TV output this year, according to new analysis (paywalled) from Variety.

From content monolith Netflix, which released 203 original shows in the first half of 2023 compared with 174 in H1 '24, to Disney+, which has halved its already-slim original TV library as it continues an apparent shift to quality over quantity, shrinkage has hit the streaming world hard. Indeed, of the 8 major streamers Variety studied from Luminate data, only Max and Peacock maintained their output level year over year. All told, the number of original seasons fell 19% at the 8 streamers tracked.

YouTube is negotiating with major record labels to license songs for AI tools that clone popular artists' music, according to Financial Times. The Google-owned platform is offering upfront payments to Sony, Warner, and Universal to secure rights for training AI software, aiming to launch new features this year. But there are roadblocks to the deal, the story adds: However, many artists remain fiercely opposed to AI music generation, fearing it could undermine the value of their work. Any move by a label to force their stars into such a scheme would be hugely controversial. [...]

YouTube last year began testing a generative AI tool that lets people create short music clips by entering a text prompt. The product, initially named "Dream Track," was designed to imitate the sound and lyrics of well-known singers. But only 10 artists agreed to participate in the test phase, including Charli XCX, Troye Sivan and John Legend, and Dream Track was made available to a just small group of creators.

Researchers from UC Santa Cruz, UC Davis, LuxiTech, and Soochow University have developed a new method to run AI language models more efficiently by eliminating matrix multiplication, potentially reducing the environmental impact and operational costs of AI systems. Ars Technica's Benj Edwards reports: Matrix multiplication (often abbreviated to "MatMul") is at the center of most neural network computational tasks today, and GPUs are particularly good at executing the math quickly because they can perform large numbers of multiplication operations in parallel. [...] In the new paper, titled "Scalable MatMul-free Language Modeling," the researchers describe creating a custom 2.7 billion parameter model without using MatMul that features similar performance to conventional large language models (LLMs). They also demonstrate running a 1.3 billion parameter model at 23.8 tokens per second on a GPU that was accelerated by a custom-programmed FPGA chip that uses about 13 watts of power (not counting the GPU's power draw). The implication is that a more efficient FPGA "paves the way for the development of more efficient and hardware-friendly architectures," they write.

The paper doesn't provide power estimates for conventional LLMs, but this post from UC Santa Cruz estimates about 700 watts for a conventional model. However, in our experience, you can run a 2.7B parameter version of Llama 2 competently on a home PC with an RTX 3060 (that uses about 200 watts peak) powered by a 500-watt power supply. So, if you could theoretically completely run an LLM in only 13 watts on an FPGA (without a GPU), that would be a 38-fold decrease in power usage. The technique has not yet been peer-reviewed, but the researchers -- Rui-Jie Zhu, Yu Zhang, Ethan Sifferman, Tyler Sheaves, Yiqiao Wang, Dustin Richmond, Peng Zhou, and Jason Eshraghian -- claim that their work challenges the prevailing paradigm that matrix multiplication operations are indispensable for building high-performing language models. They argue that their approach could make large language models more accessible, efficient, and sustainable, particularly for deployment on resource-constrained hardware like smartphones. [...]

The researchers say that scaling laws observed in their experiments suggest that the MatMul-free LM may also outperform traditional LLMs at very large scales. The researchers project that their approach could theoretically intersect with and surpass the performance of standard LLMs at scales around 10^23 FLOPS, which is roughly equivalent to the training compute required for models like Meta's Llama-3 8B or Llama-2 70B. However, the authors note that their work has limitations. The MatMul-free LM has not been tested on extremely large-scale models (e.g., 100 billion-plus parameters) due to computational constraints. They call for institutions with larger resources to invest in scaling up and further developing this lightweight approach to language modeling.

MTVNews.com has been shut down, with more than two decades' worth of content no longer available. "Content on its sister site, CMT.com, seems to have met a similar fate," adds Variety. From the report: In 2023, MTV News was shuttered amid the financial woes of parent company Paramount Global. As of Monday, trying to access MTV News articles on mtvnews.com or mtv.com/news resulted in visitors being redirected to the main MTV website.

The now-unavailable content includes decades of music journalism comprising thousands of articles and interviews with countless major artists, dating back to the site's launch in 1996. Perhaps the most significant loss is MTV News' vast hip-hop-related archives, particularly its weekly "Mixtape Monday" column, which ran for nearly a decade in the 2000s and 2010s and featured interviews, reviews and more with many artists, producers and others early in their careers. "So, mtvnews.com no longer exists. Eight years of my life are gone without a trace," Patrick Hosken, former music editor for MTV News, wrote on X. "All because it didn't fit some executives' bottom lines. Infuriating is too small a word."

"sickening (derogatory) to see the entire @mtvnews archive wiped from the internet," Crystal Bell, culture editor at Mashable and one-time entertainment director of MTV News, posted on X."decades of music history gone... including some very early k-pop stories."

"This is disgraceful. They've completely wiped the MTV News archive," longtime Rolling Stone senior writer Brian Hiatt commented. "Decades of pop culture history research material gone, and why?"

The report notes that some MTV News articles may be available via internet archiving services like the Wayback Machine. However, older articles aren't available.

An anonymous reader shares a report: We're at a transitional moment in streaming -- user growth is slowing and major players are looking to consolidate, but the long-promised dream of profitability finally seems within reach (especially if you're Netflix). The perfect time, then, for The New York Times to interview many of the industry's big names -- including Netflix co-CEO Ted Sarandos, Amazon's Prime Video head Mike Hopkins, and IAC chairman Barry Diller -- about what they think comes next.

There seemed to be broad agreement on most of the big themes: More ads, higher prices, and fewer big swings on prestige TV. These changes are all united by the shift towards profitability, rather than growth-at-all-costs. If the initial prices of many streaming services seemed unsustainably low at launch, it turns out they were -- prices have been steadily rising, while the streamers have also introduced more affordable subscription tiers for viewers who are willing to watch ads. In fact, some execs told The Times that streamers will keep raising prices for the ad-free tiers with the aim of pushing more customers to sign up for ad-supported subscriptions instead. The growth of ad-supported streaming could also affect the kinds of movies and shows that get produced, since advertisers generally want to reach a mass audience -- think of the heyday of ad-supported network TV, with its endless shows about doctors and cops, compared to the more ambitious fare on subscription-supported HBO.

A group of record labels including the big three -- Universal Music Group (UMG), Sony Music Entertainment, and Warner Records -- are suing two of the top names in generative AI music making, alleging the companies violated their copyright "en masse." From a report: The two AI companies, Suno and Udio, use text prompts to churn out original songs. Both companies have enjoyed a level of success: Suno is available for use in Microsoft Copilot though a partnership with the tech giant. Udio was used to create "BBL Drizzy," one of the more notable examples of AI music going viral.

The case against Suno was filed in Boston federal court, and the Udio case was filed in New York. The labels say artists across genres and eras had their work used without consent. The lawsuits were brought by the Recording Industry Association of America (RIAA), the powerful group representing major players in the music industry, and a group of labels. The RIAA is seeking damages of up to $150,000 per work, along with other fees.