Amazon has closed its $8.5 billion acquisition of MGM, the companies said Thursday. From a report: The pact was first announced in May and has been winding its way through the regulatory process. Per Amazon, "The storied, nearly century-old studio -- with more than 4,000 film titles, 17,000 TV episodes, 180 Academy Awards, and 100 Emmy Awards -- will complement Prime Video and Amazon Studios' work in delivering a diverse offering of entertainment choices to customers." The completion of the transaction comes two days after the Amazon-MGM deal received clearance from the European Union's antitrust regulator, which "unconditionally" approved Amazon's proposed acquisition of MGM, in part because "MGM's content cannot be considered as must-have." The European Commission, in its antitrust review, found that the overlaps between the Amazon and MGM businesses are "limited."

Winamp will sell a non-fungible token (NFT) linked to its media player's original 1997 graphical skin, becoming the latest company to blend nostalgia and crypto. The Verge reports: Winamp will put the NFT up for auction through OpenSea between May 16th and May 22nd, followed by a separate sale of 1997 total NFTs based on 20 artworks derived from the original skin. The proceeds will go to the Winamp Foundation, which promises to donate them to charity projects, starting with the Belgian nonprofit Music Fund.

The NFT sale appears to be a combination of a publicity move and a fundraising effort. Winamp is sourcing the derivative art NFTs by asking artists to submit Winamp-based works between now and April 15th, then giving selected artists 20 percent of the proceeds from each sale of their image as an NFT. Nineteen of the pieces will sell in editions of 100 copies, and the remaining one will have 97; they'll all sell for 0.08 Ethereum -- around $210 at current exchange rates. The artists will get 10 percent of any royalties on later sales, where the seller will set their own price.

Winamp's head of business development Thierry Ascarez tells The Verge that buyers will get a blockchain token linked to an image of either the original skin seen above or one of its derivatives, which is a common setup for NFTs. Buyers will have the right to "copy, reproduce, and display" the image, but they won't own the copyright. Likewise, selected artists will agree to transfer all intellectual property for their work to Winamp, according to a page of terms and conditions (PDF).

Netflix will soon launch a test letting primary account holders pay an additional fee for users outside their households -- a new attempt by the company to address illicit password-sharing. From a report: According to the Netflix terms of service, a customer's account "may not be shared with individuals beyond your household." After years of turning a blind eye to password-sharing behavior that falls outside that requirement, the company last year ran a limited test prompting users to enter their account credentials as a way to nudge freeloaders into paying for their own accounts. Now, in an upcoming test launching in three countries -- Chile, Costa Rica and Peru -- Netflix will let members who share their accounts with people outside their household do so "easily and securely, while also paying a bit more," according to Chengyi Long, director of product innovation at Netflix. The new options will roll out in the next few weeks in the three countries (and may or may not expand beyond those markets).

Dust off those plastic binders that lived in the back seat of your car and fire up the boombox, because compact discs are back. From a report: CD sales enjoyed year-over-year growth for the first time since 2004, according to the Recording Industry Association of America's annual sales report. Combined with the decade-long vinyl sales explosion, overall physical music sales grew for the first time since 1996. Physical music sales exploded to the tune of $1.65 billion in the U.S. last year, according to the RIAA data. CD sales grew to $584.2 million nationally last year, up more than $100 million from 2020. By comparison, 2021 vinyl sales increased to $1 billion annually, up from $643.9 million.

LimeWire has announced it will relaunch as a "mainstream-ready, digital collectibles marketplace for art and entertainment, initially focusing on music" in May, confirming a Tuesday scoop by Slashdot that reported precisely the same thing. Engadget adds: Its backers believe that it will be a place for artists and fans to create and sell digital trinkets without the "technical hurdles of the current NFT landscape." It is hoping to partner with a raft of high-profile musicians in the hope of spreading word about LimeWire's resurrection in the hope of getting a million willing buyers signed up before the first year is done. The phrase of the day is ensuring that "NFT newbies" are well catered-for, offering easy signup, pricing in US dollars and a lack of any crypto-based gatekeeping. Users will be able to buy straight from their credit cards (or any other regular money) via Wyre's payment platform, which is also used by OpenSea. The company added that it is working with "top-tier artists" from the music world who will create content for the platform and also open lines of communication with willing fans.

LimeWire, a hugely popular peer-to-peer file sharing service that shut down more than a decade ago, plans to relaunch as soon as May as a digital collectibles marketplace for music, Slashdot has learned. The firm is currently engaging with artists for exclusive partnerships, we are told.

According to Deadline, Prime Video is turning PlayStation's mythology-themed game franchise God of War into a live-action TV series. From the report: I hear the series adaptation comes from The Expanse creators/executive producers Mark Fergus and Hawk Ostby and The Wheel of Time executive producer/showrunner Rafe Judkins as well as Sony Pictures Television and PlayStation Productions, which collaborate on all TV series based on PlayStation games. This would mark the latest big deal for a TV series based on a popular video game title in a red-hot streaming marketplace for gaming IP. Peacock just landed another SPT/PlayStation property, Twisted Metal, with a series order and Anthony Mackie starring. HBO has coming up the high-profile PlayStation game-based series The Last of Us, starring Pedro Pascal and Bella Ramsey. Netflix has a Resident Evil TV series in the works, while Paramount+ is about to debut Halo.
[...]
The God of War franchise from Sony's Santa Monica Studio spans a total of seven games across four PlayStation consoles. The action game series launched in 2005 on the PlayStation 2, with the first God of War. At the center is ex-Spartan warrior Kratos and his perilous journey to exact revenge on the Ares, the Greek God of War, after killing his loved ones under the deity's influence. After becoming the ruthless God of War himself, Kratos finds himself constantly looking for a chance to change his fate. Following several titles on various PlayStation consoles including the PS3 and the handheld PSP, Santa Monica Studio brought new life to the franchise with the 2018 game on the PlayStation 4. In it, Kratos comes to the Norse wilds where he gets a second chance at fatherhood with his son Atreus. The installment a slew of honors at the 2018 Game Awards, including Game of the Year. An eighth God of War installment, God of War: Ragnorok, is in the works for PlayStation 4 and PlayStation 5 and is set to drop this year.

Disney+ will be introducing an ad-supported subscription tier later this year, Disney announced on Friday. From a report: The company didn't provide a launch date or pricing, but says it will release specific details about the new offering later this year. The new tier will roll out in the United States in late 2022, with plans to expand internationally next year. The streaming service's current ad-free plan costs $7.99 per month or $79.99 per year. Adding a cheaper ad-supported tier for the streaming service will likely help the company further expand its subscriber base. In a press release, Disney said the new tier will be a "building block" in its path to achieve its long-term target of 230-260 million Disney+ subscribers by 2024.

"Expanding access to Disney+ to a broader audience at a lower price point is a win for everyone -- consumers, advertisers, and our storytellers," said Kareem Daniel, the chairman of Disney Media and Entertainment Distribution, in a statement. "More consumers will be able to access our amazing content. Advertisers will be able to reach a wider audience, and our storytellers will be able to share their incredible work with more fans and families." Following the launch, the streaming service will join several other streaming services that offer ad-supported tiers, including HBO Max, Paramount+ and Discovery+. Hulu, which Disney owns and operates, also offers an ad-supported tier for $6.99 per month.

Longtime Slashdot reader tlhIngan writes: As reported in many outlets, Epic Games has acquired indie music store Bandcamp to build out a "creator marketplace." Bandcamp will continue to be run as it is. "The products and services you depend on aren't going anywhere," wrote Bandcamp co-founder and CEO Ethan Diamond in a statement. "We'll continue to build Bandcamp around our artists-first revenue model (where artists net an average of 82% of every sale), you'll still have the same control over how you offer your music, Bandcamp Fridays will continue as planned, and the Daily will keep highlighting the diverse, amazing music on the site."

Diamond says the company will be working with Epic in the background to expand internationally and "push development forward" across its services, "from basics like our album pages, mobile apps, merch tools, payment system, and search and discovery features, to newer initiatives like our vinyl pressing and live streaming services."

Bandcamp adds to the long list of companies under the Epic Games umbrella, notes Eurogamer. "Since 2018, Epic Games has, alongside ArtStation and Sketchfab, acquired the likes of Cloudgine, Quixel, SuperAwesome, Hyprsense, RAD Games Tools, Tonic Games Group -- which includes Fall Guys developer Mediatonic and Fortitude Games -- plus Rocket League studio Psyonix, and Rock Band developer Harmonix."

Sony Pictures Entertainment is consolidating its anime businesses under the Crunchyroll banner to better compete in the growing streaming market for Japanese animation. From a report: The company is adding hundreds of hours of programming and dozens of titles, including "Cowboy Bebop," to the Crunchyroll streaming service that were previously available through its Funimation outlet, the company said Tuesday. Culver City-based Sony Pictures, the film and TV entertainment arm of Tokyo electronics giant Sony Corp., made a big bet on the anime market last year when it bought streaming service Crunchyroll from AT&T for $1.175 billion. The problem was that Sony then had two subscription streamers focused on the market for Japanese animation. Fans had to subscribe to both Crunchyroll and Funimation to get everything they wanted, in addition to Netflix and other services, said Colin Decker, who runs Sony's anime businesses.

Disney World's "Star Wars: Galactic Starcruiser" hotel will be expensive and immersive, writes SFGate. ("For two adults, the starting price is about $5,000. For three adults and one child, it's nearly $6,000.")

And while the hotel doesn't open to paid guests until Tuesday, free previews have already been given to online influencers: Reviews so far are generally positive — particularly praised are the character actors who carry the experience — with a few caveats. Because the hotel itself, called the Halcyon, is supposed to be a luxury cruise ship in space, the biggest complaint is that rooms are small and cramped...

For some, the lack of windows may add to a sense of claustrophobia. Hotel rooms have a digital display showing outer space and no view of the real outside world. Folks needing some fresh air can, however, visit an outdoor communal space called a "climate simulator." Reporters from the YouTube channel Disney Food Blog, which has nearly 800,000 subscribers, were invited to the media preview. In their review of the hotel, they put it thusly: "Disney went all-in on an experience that seemingly puts only the wealthiest guests inside a windowless bunker for two full days."

But most reviewers agreed that guests will be spending minimal time in their room anyway. The two days are packed with lightsaber training, clandestine rendezvous, elaborate entertainment and exploration of the ship. Guests need to download an app for their smartphone to chat with characters on board, receive their missions and learn their storylines. This was the other major drawback: If you're an introvert, this may be the wrong trip for you.

A fourth movie in the rebooted Star Trek franchise will be produced by J. J. Abrams and star Chris Pine and Zachary Quinto, according to an announcement this week by Paramount.

But Variety remembers how Quentin Tarantino once approached Paramount with his own Star Trek idea with a "Pulp Fiction vibe" in 2017 — and both Paramont and J.J. Abrams loved it. Tarantino ultimately partnered with "The Revenant" screenwriter Mark L. Smith, who was tasked with writing a "Star Trek" film script based on Tarantino's idea while Tarantino was busy finishing post-production and touring the world for "Once Upon a Time in Hollywood." Smith revealed on the "Bulletproof Screenwriting" podcast in April 2021 that J.J. Abrams' production company Bad Robot gave him a call on Tarantino's behalf. "They just called me and said, 'Hey, are you up for it? Do you want to go? Quentin wants to hook up.' And I said, 'Yeah,'" the screenwriter said. "And that was the first day I met Quentin, in the room and he's reading a scene that he wrote and it was this awesome, cool gangster scene, and he's acting it out and back and forth. I told him, I was so mad I didn't record it on my phone. It would be so valuable. It was amazing."

Tarantino intended to bring a "Pulp Fiction" vibe to "Star Trek" with an idea that was a largely earthbound story set in a 1930s gangster setting. Tarantino's pitch appeared to take inspiration from "A Piece of the Action," the 17th episode of the second season of "Star Trek: The Original Series." The installment, which aired in 1968, followed the Enterprise crew as they visit a planet with an Earth-like 1920s gangster culture.... According to Smith, Tarantino's "Star Trek" idea was "really wild" and like "its own very cool episode." The plot included "a little time travel stuff going on" and "had a lot of fun" with Chris Pine's Captain Kirk.

He produced the science fiction film THX 1138 — George Lucas's first movie — in 1971. 28 years later he supervised the re-editing of the science fiction film Supernova.

But now 82-year-old Francis Ford Coppola — who has also made a second fortune in the wine business — has an even grander vision. GQ reports: It is a film called Megalopolis, and Coppola has been trying to make it, intermittently, for more than 40 years. If I could summarize the plot for you in a concise way, I would, but I can't, because Coppola can't either. Ask him. "It's very simple," he'll say. "The premise of Megalopolis? Well, it's basically... I would ask you a question, first of all: Do you know much about utopia?"

The best I can do, after literally hours talking about it with him, is this: It's a love story that is also a philosophical investigation of the nature of man; it's set in New York, but a New York steeped in echoes of ancient Rome; its scale and ambition are vast enough that Coppola has estimated that it will cost $120 million to make. What he dreams about, he said, is creating something like It's a Wonderful Life — a movie everyone goes to see, once a year, forever. "On New Year's, instead of talking about the fact that you're going to give up carbohydrates, I'd like this one question to be discussed, which is: Is the society we live in the only one available to us? And discuss it."

Somehow, Megalopolis will provoke exactly this discussion, Coppola hopes. Annually....

[T]his is Coppola's plan. He is going to take $120 million of his own fortune, at 82 years of age, and make the damn movie himself.
The article describes it as the kind of "personal" movie that Coppola had wanted to make back when his studio had insisted he instead direct The Godfather. This, of course, is the paradox of Coppola's career: that for all his success, he has, to some extent, been waiting to make his own films, rather than someone else's, for practically his entire life.... "If you're going to make art, let it be personal. Let it be very personal to you."
Megalopolis "remains in development for now," reports Variety. "Coppola has not yet announced a production start date."

Roku, the leading supplier of smart TV OS in North America, is looking at possibly building its own TV sets. Nexttv reports: According to Business Insider, Roku convened a focus group earlier this month in which participants were shown "different models, feature sets and names, sizes, price points," of smart TVs, according to an individual "familiar" with the event. This unnamed person told the news site that the moderator made it clear that Roku is exploring the possibility of "going it alone" with its own "manufacturing operation," and not merely attaching its brand to an existing smart TV manufacturer's product line.

An anonymous reader quotes a report from Bloomberg: The newest entrant in the fight for EV market share is going back to the future with an all-electric DeLorean. The infamous gull-winged car is being resurrected in Texas by a group of executives who most recently spent time at China-backed EV startup Karma Automotive. They're working with Stephen Wynne, who acquired the DeLorean branding rights in the 1990s and supplies parts for the 6,000 or so remaining vehicles. [...] The new company is called DeLorean Motors Reimagined LLC and its chief executive officer is Joost de Vries, Texas business records and LinkedIn postings show. The firm will set up a headquarters and an engineering outfit in San Antonio, with potential to bring 450 jobs, the city's development arm said in a statement.

It's not the first time the idea of a DeLorean redux has surfaced -- web searches turn up stories every few years about how Wynne has tried to revive the brand or produce low-volume models -- but using an electric powertrain is a new twist on the idea. The original car gained notoriety in the early 1980s both for its quality problems and for the legal woes of its creator, the late John DeLorean, before the "Back to the Future" film franchise turned it into a pop-culture icon.

The replicants are heading to the small-screen as Amazon Studios has put a live-action series set in the Blade Runner universe into development. Deadline reports: Ridley Scott, who directed the original 1982 Blade Runner movie, is executive producing the series, Blade Runner 2099, a follow-up to the feature film sequel Blade Runner 2049, which was released in 2017 and directed by Denis Villeneuve. Silka Luisa, showrunner of Apple TV+'s upcoming Elisabeth Moss-fronted drama series Shining Girls, is writing and exec producing Blade Runner 2099, which comes from Alcon Entertainment in association with Scott Free Productions and Amazon Studios. The project, which would mark the first Blade Runner live-action series, is in priority development at Amazon Studios, which is fast tracking scripts and eyeing potential production dates. Staffing is currently underway for writers to join a room. Scott may direct if the series moves forward, sources said.

As indicated by Blade Runner 2099's title, the latest installment of the neo-noir sci-fi franchise will be set 50 years after the film sequel. [...] Blade Runner 2099 is the latest extension in the Blade Runner franchise since Alcon Entertainment in 2011 acquired the film, television and ancillary franchise rights to produce prequels and sequels to the 1982 sci-fi classic. Kosove and his Alcon co-founder Broderick Johnson are exec producing the series along with Michael Green, who wrote Blade Runner 2049, Ben Roberts and Cynthia Yorkin as well as Scott Free Productions' David W. Zucker and Clayton Krueger. z

An anonymous reader shares a report: Chinese fans of U.S. sitcom "Friends" have expressed dismay online after noticing censorship in recently released episodes of the beloved show, including of LGBT issues. Several major Chinese streaming sites, including Tencent, Baidu's IQiyi, Alibaba's Youku, and Bilibili, started showing a version of the first season of the show on Friday, its first re-release in China for several years. But fans soon noticed parts of the long-running show were different to what they had seen before and complained of censorship which included the removal of lesbian, gay, bisexual and trans-related content, as well as mistranslations. In one example, a conversation where a main character, Ross, explained his wife was a lesbian, was deleted. Another scene where another character, Joey, suggested going to a "strip joint" was translated as "go out to play" on the version shown on Tencent Video. As users started to notice the changes, they began discussing and "boycotting" the move. The discussion was a "hot search topic" on Weibo on Sunday. Reuters adds: But in a sign the discussion itself may have caught the attention of censors, searches on Weibo on Sunday for several variations on the hashtag or search term #Friendshasbeencensored produced either zero or limited recent results. The development follows a similar treatment of David Fincher's 1999 cult classic "Fight Club." Fans were shocked to find that a version of the movie that was made available on Tencent Video had a new ending where the authorities win. After much uproar, the original ending for the movie was restored.

DevNull127 writes: More bad news for Spotify from Conde Naste via their music site Pitchfork:

Last month, in the tone of a band reluctantly summoned from some deep seabed, My Bloody Valentine issued a prickly public service announcement: "Just noticed that Spotify has put fake lyrics up for our songs without our knowledge," the Irish shoegazers tweeted. "These lyrics are actually completely incorrect and insulting." Cocteau Twins' Simon Raymonde chimed in to report that they, too, had found gibberish transcriptions of their famously elliptical songs on streaming services.

The lyric snafu was not limited to Spotify. Over the past decade, a data platform called Musixmatch has assumed dominion over the world of lyrics, securing sub-licensing deals with the major publishing companies. The lyrics you see on Spotify, Tidal, and Amazon Music usually come through Musixmatch, via a data pipeline that links the platform's enormous transcriber community with a small core of paid quality-control monitors. (Apple Music has a dedicated lyrics team handling most of its transcriptions.)

The affair illustrates tech capitalism's discombobulation when faced with a key element in art, which is the inexplicable. I think the problem, though, is not Musixmatch and its protocol so much as the service's unilateral rollout, with quasi-official imprimatur, on platforms already under fire for flattening artistic identity and repackaging music as scaleable content. Having sub-licensed the rights, Musixmatch is perfectly entitled to crowd-source transcriptions and sell them on. But artists should know whose words are being put in their mouths—and that, should they wish, they have the right to opt out.

MoviePass, the defunct discount ticketing service, will return this summer without the firm that ran it into the ground, says co-founder Stacy Spikes. The Verge reports: The company, recently bought by Spikes after his unceremonious ouster from MoviePass in 2018, held its launch event today at the Walter Reade Theater Lincoln Center in NYC. Spikes began by wasting absolutely no time addressing the Helios and Matheson Analytics-shaped elephant in the room. The firm is now infamous for being the parent company of MoviePass that managed to blow the entire thing up shortly after the firm bought the startup, which became famous for offering unlimited movie tickets for a monthly fee.
"A lot of people lost money, a lot of people lost trust," Spikes said, claiming he was among those who were hurt by the company's mismanagement. During the opening moments of the event, Spikes oscillated between addressing the disappointment of being pushed out of his company, joking about MoviePass' loyal consumers -- as well as its power users, who Spikes cracked are the reason the company went out of business -- and finally, the process of snapping the company back after its parent company went bankrupt in 2020. "We're looking at this from another point of view," Spikes said of the company's relaunch, adding that he now plans to run the business like a "co-op." Spikes added that MoviePass users will be able to hold partial ownership of the company, with its most premium tier inclusive of a lifetime subscription.

The company's original engineering team is returning for the business's relaunch, according to Spikes, and the service will launch this summer. Under the new model, MoviePass will run on tradable credits that roll over month to month. Subscribers will also be able to use their credits to bring a friend, a markedly different approach from the single-user card system that MoviePass used previously, which could prove annoying for non-cardholders. MoviePass 2.0 will also work on a tiered system, Spikes said. Spikes shared images of a beta version of the new app and the credit-based system, which will vary based on things like peak moviegoing hours. MoviePass' ambitions for subscribers are, charitably, ambitious. Spikes wants to claim 30 percent of the moviegoer market by 2030, MoviePass' "moonshot" goal. Somewhat unsurprisingly, MoviePass will incorporate aspects of Spikes' existing business PreShow, a technology that has been used to allow gamers to trade ad views for in-game currency. [...] Spikes told attendees at the event that MoviePass' most loyal fans will be "deputized" to beta users and will be able to use the experience for its first year for free. At some point during the summer, these users will be contacted about the beta programming.

"Hulu has ordered a(nother) revival of Futurama," writes Slashdot reader aitikin, sharing a report from Variety. From the report: Variety has learned that the streaming service has ordered 20 new episodes of the adult animated sci-fi comedy series. The revival hails from David X. Cohen and Matt Groening. Cohen developed the original series with Groening, the series creator.

Original series cast members Billy West, Katey Sagal, Tress MacNeille, Maurice LaMarche, Lauren Tom, Phil LaMarr and David Herman will all return. John DiMaggio, who voiced Bender and several minor characters, is not currently attached. According to an individual with knowledge of the project, the producers are hopeful DiMaggio will return. Should that not happen, Bender will be recast. Production will begin this month with an eye towards a 2023 premiere. "I'm thrilled to have another chance to think about the future... or really anything other than the present," said Cohen. "It's a true honor to announce the triumphant return of 'Futurama' one more time before we get canceled abruptly again," added Groening.