Nieman Lab: In a paper summarizing 30 years of sports coverage on televised news and highlights shows, researchers began by quoting a short segment dedicated to a WNBA game between the L.A. Sparks and the Atlanta Dream. The broadcast was unusual, authors Cheryl Cooky, LaToya D. Council, Maria A. Mears, and Michael A. Messner pointed out, in that women's sports were mentioned at all. They found that 80% of the televised sports news and highlights shows included zero stories on women's sports. The overall portion of sports coverage featuring women had been low for decades and, in 2019, an overwhelming 95% of the sports coverage included in their study focused on men's sports. But, they wrote, the WNBA segment was typical in other ways. The 23-second-long clip was the only mention of women's sports in the six-minute long sports segment -- and it was also the shortest. Other coverage included Major League Baseball games and the men's Wimbledon final, but also segments on a celebrity golf tournament and a competitive hot-dog eating contest. "In short, the WNBA story -- the shortest in duration of the six in the broadcast -- was eclipsed by five longer reports on men's sports, stories ranging from in-season sports (MLB, pro tennis), an out-of-season sport (NBA), to human interest and comedic entertainment only tangentially connected to what most people think of as sports news," the report found.

The study analyzed sports coverage on local network television (the Los Angeles affiliates KCBS, KNBC, and KABC) as well as highlight shows like ESPN's SportsCenter over the 30 years. In 2019 -- after sport media producers and others suggested televised news and highlights shows were not as relevant as they once were -- the researchers started to include online and social media sources, like Twitter accounts for the networks. The proportion of coverage dedicated to women's sports in email newsletters and Twitter was higher than TV news and SportsCenter, but only if the researchers included espnW and its online newsletter. ESPN stopped producing espnW's weekly newsletter, however, and, when researchers removed the data from their sample, the proportions dedicated to women's sports mirrored that found on TV news and highlights shows.

CIStud writes: Sonos notes it first added Qobuz 16-bit FLAC streaming back in 2013, but now the company has expanded its relationship with Qobuz to stream 24-bit/48kHz content. Some of the ways Qobuz supports the audiophile market includes curated content, liner notes and a download store. In addition to the United States, the 24-bit option is also available in Austria, Belgium, Germany, Spain, France, Ireland, Italy, Luxembourg, Netherlands, Switzerland, and the United Kingdom.

According to Deadline, Warner Bros. will return to releasing its theatrical films exclusively in theaters next year, ending the studio's 2021 experiment of releasing major films simultaneously on its HBO Max streaming service and in theaters for the first 30 days they're released. The Verge reports: The news comes as part of an announcement from Warner Bros. of a new deal with Regal cinemas owner Cineworld, the second largest theater chain in the world. After over six months of shutdowns, Regal's theaters will reopen in April, and they'll begin showing Warner Bros. films like Kong vs. Godzilla and Mortal Kombat alongside their HBO Max debuts. When Warner Bros. films come back to theaters in 2022, Regal theaters will once again have full exclusivity (with no HBO Max or paid streaming rental competition). But that exclusivity window will be for a much shorter amount of time: Regal will only have a 45-day theatrical exclusivity window, half of the 90-day standard that existed in years past.

As VGC notes, the preservation group Hidden Palace has obtained 752 PS2 game prototypes and demos from collectors, shuttered developers and defunct media outlets as part of a Project Deluge initiative. Engadget reports: The mix includes prototypes of classics like God of War II, Katamari Damacy, Okami and the Ratchet & Clank series. There are also E3 demos, including big titles like Shadow of the Colossus, as well as very rough alpha previews for titles like Def Jam: Fight for New York and Tony Hawk's Pro Skater 3. It's not a complete look at the PS2's history, but it could easily make you nostalgic. Hidden Palace stressed it checked for differences from retail versions, and that most of these prototypes will run in emulators.

There's no tentative release date. Another batch is coming "real soon," though. If nothing else, this is already useful as a snapshot of gaming culture in the early 2000s. You can see breakthrough games before they were finished, or remember just how many extreme sports games were on store shelves.

An anonymous reader quotes a report from The Guardian: U.S. military pilots and satellites have recorded "a lot more" sightings of unidentified flying objects, or UFOs, than have been made public, Donald Trump's former intelligence director John Ratcliffe said. Asked on Fox News about a forthcoming government report on "unidentified aerial phenomena," Ratcliffe said the report would document previously unknown sightings from "all over the world." "Frankly, there are a lot more sightings than have been made public," he said. "Some of those have been declassified. And when we talk about sightings, we are talking about objects that have been seen by navy or air force pilots, or have been picked up by satellite imagery, that frankly engage in actions that are difficult to explain, movements that are hard to replicate, that we don't have the technology for. Or traveling at speeds that exceed the sound barrier without a sonic boom."

The UFO report must be published by early June, pursuant to a clause in a Covid relief and spending package signed by Trump before he left office. [...] The forthcoming report is to be issued by the defense department and intelligence agencies. When an unidentified aerial phenomena is identified, Ratcliffe said, analysts try to explain it as a potential weather disturbance or other routine spectacle.

"We always look for a plausible application," he said. "Sometimes we wonder whether our adversaries have technologies that are a little but farther down the road than we thought or that we realized. But there are instances where we don't have good explanations. So in short, things that we are observing that are difficult to explain -- and so there's actually quite a few of those, and I think that that info has been gathered and will be put out in a way the American people can see." Asked by Bartiromo where the unidentified phenomena were sighted, Ratcliffe replied, "actually all over the world, there have been sightings all over the world. "Multiple sensors that are picking up these things. They're unexplained phenomenon, and there's actually quite a few more than have been made public."

New submitter dkoneill writes: A soon-to-be-released, crowdfunded book based on the personal archives of Douglas Adams (author of the Hitchhiker's Guide to the Galaxy, episodes of Doctor Who and other beloved science fiction), reveals that he occasionally found writing torturous. In a "General note to myself" the author states, "Writing isn't so bad really when you get through the worry. Forget about the worry, just press on. Don't be embarrassed about the bad bits. Don't strain at them." "Writing can be good...You can get pleasure out of it."

His sister Jane responded to the General note, "I love it, but I just wish he'd read it to himself more often. I think it [writing] was a tortuous process for him, not all the time, but when it was difficult for him it was really difficult." When stuck, the author would even tear down his own work. On another page of notes, he wrote, "Arthur Dent is a burk. He does not interest me. Ford Prefect is a burk. He does not interest me. Zaphod Beeblebrox is a burk. He does not interest me. Marvin is a burk. He does not interest me. The Hitchhiker's Guide to the Galaxy is a burk. It does not interest me."

When the Star Trek franchise was awarded a special Emmy in 2018, it was William "Captain Kirk" Shatner who'd co-delivered its acceptance speech, remembers ComicBook.com. "Thank you so much. 52 years. What a gift. We're grateful... Star Trek has endured because it represents an idea — one that's greater than the sum of our parts... we watch and we reach to see the best version of ourselves..."

And now three years later, they report that Shatner "will celebrate his 90th birthday back on the bridge of the USS Enterprise." Sort of... Shatner will partake in a two-day event at the Star Trek: The Original Series Set Tour site in Ticonderoga, New York. The exhibit is famed among fans for its replica of the bridge set where Shatner gave orders as Captain James T. Kirk in Star Trek: The Original Series.

The two-day event begins on July 23rd (a belated celebration coming a few months after his actual birthday in March), with the COVID-19 mask and social distancing rules still in effect... The limited $1500 all-inclusive packages will let fans participate in Shatner's 90th Birthday Dinner Celebration, take a set tour with Shatner, plus a Bridge Chat, a photo, and an autograph. Regular admission is $80 for a standard tour with a la carte photos and autographs available... The replica set is likely the closest fans will ever come to seeing Shatner return to a Starfleet bridge.
So what is William Shatner doing on Monday, the actual date of his 90th birthday? The New York Daily News reports: He's got a series airing on the History channel, he's heading overseas to shoot an episode of a television show, and is in the middle of promoting his latest feature film, a romantic comedy called "Senior Moment..."

The indie film features Shatner as Victor, a former test pilot who dates younger women and loves burning rubber behind the wheel of his beautiful 1955 Porsche.
The movie also stars Watchmen actress Jean Smart, along with Christopher Lloyd (who memorably played a Klingon in the 1984 movie Star Trek III: The Search for Spock.)

And meanwhile Priceline.com plans a special series of deals this week to honor Shatner's years as their spokesperson (as well as his singing in their earliest dotcom-era commercials, which revived Shatner's spoken-word singing career).

In Captain Kirk's final appearance in 1994's Star Trek: Generations, one of the last things he says is "It was fun." But it looks like in real life, William Shatner is living long and prospering.

Here's that great moment in Slashdot history when Shatner actually answered questions from Slashdot's readers. Have your own favorite William Shatner memory? Share it in the comments to help celebrate his 90th birthday!

The New York Times reports: Along with baking and jigsaw puzzles earlier in the pandemic, model trains are among the passions being rediscovered while people are cooped up indoors. Several companies that make trains are reporting jumps in sales. For many people, the chance to create a separate, better world in the living room — with stunning mountains, tiny chugging locomotives and communities of inch-high people where no one needs a mask — is hard to resist.

"Outside, there is total chaos, but inside, around my little train set, it is quiet, it is picturesque," said Magnus Hellstrom, 48, a high school teacher in Sweden, who has indulged in his hobby while working from home during lockdowns.

"It's a little piece of a perfect world," he said.
The Times visits Märklin, the 162-year-old German maker of model trains, whose engines now include "tiny speakers that reproduce scores of digital chugging noises and whistles (recorded, if possible, from the original), and interior and exterior lights that can be controlled separately... Real steam coming out of the steam locomotives has been a feature for years." The company's owner tells the newspaper "What's really changed during the last 20 years is the focus on truly replicating the original." The trains can be controlled by computer console or by a phone app, with different trains on the same track going different speeds or traveling different circuits. Märklin even added the option of controlling the trains via train engineer simulator software, allowing devotees to control their little model train as though they were sitting in the engineer's chair.

"It is a traditional toy that through digital functions, like sound and light, has become more and more like a real train," said Uwe Müller, who was a product manager at Märklin for 15 years and now runs the Märklineum, the company's museum.
Just 12 years ago the company had declared bankruptcy. But now one 64-year-old employee (who's assembled models trains for the company for over 38 years) tells the Times "We're booming so much it's hard to keep up."

From a report: On Saturday, Zack Snyder himself will head to Twitch to unveil the first look at Justice League: Justice Is Gray... the grayscale version that will soon arrive on HBO Max. The "pre-show" for the event kicks off at 2:30 p.m. Pacific Time on the MANvsGAME channel, with the Snyder and and Justice League star Joe Manganiello joining the broadcast for the big reveal at 4:00 p.m. Pacific. StreamElements designed audience tools to use during the stream, including an engaging donation functionality that will benefit the American Foundation for Suicide Prevention.
The Chicago Tribune argues all you needed to know about Joss Whedon's original 2017 version is encapsulated in the 68-second YouTube video "Sad Affleck." (An SFGate columnist calls the new version "vastly better.") But the Tribune calls Snyder's four-hour director's cut "a 14-year-old's idea of gravitas. Epic, violent, full of naughty words, told with the lyricism of a pharmaceutical ad about bloating. And more importantly, for now, it's complete."

Yahoo Entertainment's Insider has compiled "The 45 biggest differences between 'Zack Snyder's Justice League' and the 2017 theatrical version." But Variety just specifically asked Zack Snyder, "Why is Justice League so violent?" [T]he violence in "Justice League" is bloodier and more violent than audiences are typically accustomed to with superhero movies, which are almost always rated PG-13 — and therefore largely bloodless. Snyder wanted to push the envelope. "It's a pure exercise in creative freedom," the director told Variety this week... Snyder says knowing his film would be streaming on HBO Max freed him from having to make his "Justice League" work for a PG-13 rating.

"Let's just do it the exact way we would if there was no ratings board," he said of his team's thinking. "Let's not use any second guessing. Let's just do it the way we think is the coolest. That was the philosophical approach." Part of the reason that "Justice League" is so violent is to realistically demonstrate what it would be like to actually face off against god-like superheroes.
ComicBook.com reports that Snyder is now also planning "a multi-day SnyderVerse movie marathon later in 2021, where showings of Man of Steel and Batman v Superman: Dawn of Justice will culminate in a theatrical IMAX screening of Zack Snyder's Justice League. The filmmaker is a "huge admirer" of the Justice Is Gray Edition in IMAX, calling it the "ultimate version" of Justice League that is "sort of the penultimate ridiculous movie that shouldn't exist at its highest most fetishistic level."
Snyder tells Esquire his four-hour re-edit was "a labor of love and I would do it again in a second. I wouldn't hesitate. And look, we were doing it for free. I really didn't care. I just wanted to get it, fix it."

Esquire adds that "Even if you decide not to dive into a four hour super hero movie, at least take away a lesson from the making of the Snyder Cut: in a time when so much of us have experienced wrongs and tragedy, sometimes wrongs can be righted, and sometimes your biggest visions find a way to get out into the world."

An otherwise meaningless game during Monday's preliminary stage of the $200,000 Magnus Carlsen Invitational left a pair of grandmasters in stitches while thrusting one of chess's most bizarre and least effective openings into the mainstream. From a report: Norway's Magnus Carlsen and Hikaru Nakamura of the United States had already qualified for the knockout stage of the competition with one game left to play between them. Carlsen, the world's top-ranked player and reigning world champion, started the dead rubber typically enough by moving his king's pawn with the common 1 e4. Nakamura, the five-time US champion and current world No 18, mirrored it with 1 ... e5. And then all hell broke loose. Carlsen inched his king one space forward to the rank where his pawn had started. The self-destructive opening (2 Ke2) is known as the bongcloud for a simple reason: you'd have to be stoned to the gills to think it was a good idea.

The wink-wink move immediately sent Nakamura, who's been a visible champion of the bongcloud in recent years, into an uncontrollable fit of laughter. Naturally, the American played along with 2 ... Ke7, which marked the first double bongcloud ever played in a major tournament and its official entry to chess theory (namely, the Bongcloud Counter-Gambit: Hotbox Variation). "Don't do this!" cried the Hungarian grandmaster Peter Leko from the commentary booth, looking on in disbelief as the friendly rivals quickly settled for a draw by repetition after six moves. "Is this, uh, called bongcloud? Yeah? It was something like of a bongcloud business. This Ke2-Ke7 stuff. Please definitely don't try it at home. Guys, just forget about it." Why is the bongcloud so bad? For one, it manages to break practically all of the principles you're taught about chess openings from day one: it doesn't fight for the center, it leaves the king exposed and it wastes time, all while eliminating the possibility of castling and managing to impede the development of the bishop and queen. Even the worst openings tend to have some redeeming quality. The bongcloud, not so much. What makes it funny (well, not to everyone) is the idea that two of the best players on the planet would use an opening so pure in its defiance of conventional wisdom.

After a year in which most people were stuck indoors, it should come as little surprise that streaming platforms skyrocketed in popularity over the past 12 months. For the first time ever, subscriptions to streaming services surpassed one billion, reaching 1.1 billion globally. From a report: At the same time, box office receipts plummeted because movie theaters across the world were closed for a significant part of 2020. Global ticket sales tapped out at $12 billion, with North America accounting for $2.2 billion of that haul. Though the circumstances aren't comparable, worldwide box office receipts totaled $42.5 billion in 2019, with $11.4 billion coming from domestic theaters. Still, it marks a 72% year-over-year decline. These statistics come from the Motion Pictures Association's annual theme report, which is conducted by the entertainment industry trade group and intends to analyze how film, television and streaming content performs yearly.

The 2020 study covers a year that was overshadowed by the coronavirus pandemic, making some of the data understandably skewed and difficult to compare box office totals between countries. In Asian countries, particularly in China, the box office has already returned to pre-pandemic levels. That hasn't been the case in the U.S. and Canada, where new movies are few and far between and audiences are returning to theaters at a glacial pace. Outside of North America, the top three box office markets were China ($3 billion), Japan ($1.3 billion), and France ($500 million). Combined, the global theatrical business and home and mobile entertainment market totaled $80.8 billion in revenues in 2020, shrinking by 18% from the $98.3 billion amassed last year. The success of digital home entertainment, which grew 23% to $68.8 billion, helped offset the depleted theatrical box office numbers. In the U.S., subscriptions reached 308.6 million, representing a 32% increase from 2019.

A Brooklyn-based film director is simultaneously mocking and attempting to profit off the cryptocurrency craze for non-fungible tokens (NFTs) by selling a year's worth of fart audio clips recorded in quarantine. The New York Post reports: "If people are selling digital art and GIFs, why not sell farts?" Alex Ramirez-Mallis, 36, told The Post of his dank addition to the blockchain-based NFT market. His NFT, "One Calendar Year of Recorded Farts," began incubating in March 2020 when, at the beginning of the global coronavirus lockdown, Ramirez-Mallis and four of his friends began sharing recordings of their farts to a group chat on WhatsApp.

On the one-year anniversary of the US's COVID-19 quarantine this month -- by which point Ramirez-Mallis said he could darn near identify members of the group by their farts alone -- Ramirez-Mallis and his fellow farters compiled the recordings into a 52-minute "Master Collection" audio file. Now, the top bid for the file is currently $183. Individual fart recordings are also available for 0.05 Ethereum, or about $85 a pop. The gassy group has so far sold one, to an anonymous buyer.

Intel has hired Apple's former "I'm a Mac" actor Justin Long to create new ads praising PCs. From a report: Long starts each commercial with "Hello I'm a... Justin," with the typical white background you'd find on Apple's Mac vs. PC ads from the 2000s. Naturally, the ads focus on Mac vs. PC again, with Long mocking Apple's Touch Bar, lack of M1 multiple monitor support, and the "gray and grayer" color choices for a MacBook. One even goes all-in on Apple's lack of touchscreens in Macs or 2-in-1 support by mocking the fact you have to buy a tablet, keyboard, stylus, and even a dongle to match what's available on rival Intel-based laptops. Another ad also points out that "no one really games on a Mac." Intel has put out more ads where they point out that Mac doesn't have the gaming ecosystem that Windows laptops enjoy.

Microsoft has once again reiterated that VR support for Xbox was not a focus for the company, following reports earlier today that hinted it was working on a VR headset compatible with the Xbox Series X/S. The Verge reports: The rumor first surfaced after IGN Italy reported that some Italian Xbox users received messages, which translated to "[a]n update for the VR headset is available" and "[u]pdate VR headset," when connecting the recently released Xbox Wireless Headset to their Xbox Series X or Series S consoles. A Microsoft representative told The Verge that "the copy in this error message is inaccurate due to a localization bug," while again reiterating that "VR for console is not a focus for us at this time."

Microsoft has yet to explore the VR space for its Xbox consoles. In 2018, the company pulled back on plans to support virtual reality headsets for Xbox in 2018, explaining that it wanted to focus "primarily on experiences you would play on your TV." In late 2019, Xbox boss Phil Spencer tweeted out that although he played "some great VR games" such as Half-Life: Alyx, console VR was not Xbox's focus ahead of the Xbox Series X / S release.

An anonymous reader shares a report: Apple has discontinued its original HomePod after four years. It says that it will continue to produce and focus on the HomePod mini, introduced last year. The larger HomePod offered a beefier sound space but the mini has been very well received and clearly accomplishes many of the duties that the larger version was tasked with. The sound is super solid (especially for the size) and it offers access to Siri, Apple's assistant feature.

Elon Musk is getting in on the NFT gold rush by selling a new electronic music track he's apparently produced as an NFT. The Verge reports: Yes, you've heard that right -- it's a song about non-fungible tokens, which Musk appears to have minted (or plans to mint) on the blockchain. Musk did not include a link to the NFT, so it's not clear if it's already live or if Musk plans to initiate the sale at a later date. It's also not clear on which platform Musk intends to sell the NFT.

We also don't know if the song has a name, but we have some clues. The looping video attached to the song Musk posted to Twitter on Monday displays the words "Vanity Trophy" orbiting around a golden orb affixed to the top of a literal trophy reading "HODL," short for the phase "hold on for dear life." [...] At various points in the short video, the words along the trophy shift from "computers" to "never sell" while a female vocalist sings lyrics over top like "NFT for your vanity" and "computers never sleep." Did I mention that the trophy also has little gold dogs, or "doges" if you will, rotating around it, too? The techno song drop is appropriate considering Musk named himself the "technoking" of Tesla in a filing with the U.S. Securities and Exchange Commission on Monday. Meanwhile, chief financial officer Zach Kirkhorn's new position is "Master of Coin."

Both Elon and Zach "will also maintain their respective positions as Chief Executive Officer and Chief Financial Officer," the filing concludes.

ComicBook.com reports: Back in 2019, Avengers: Endgame hit theatres and after a couple of months, it ended up knocking Avatar out of the highest-grossing film spot. The James Cameron movie was number one for an entire decade before the Marvel film came along, but thanks to a recent re-release in China, Avatar is back on top...

When the news broke yesterday, many people took to social media to point out that the "real" winner was actually Zoe Saldana, who plays Gamora in the Marvel Cinematic Universe and Neytiri in Avatar. No matter which movie ultimately wins the box office wars, Saldana can't lose... Saldana is expected to return for both Guardians of the Galaxy Vol. 3 and Avatar 2.
Deadline reports the directors of Marvel's Avengers: Endgame, Joe and Anthony Russo, "have graciously saluted James Cameron's film Avatar for edging past them in the all-time worldwide box office totals," by tweeting a custom piece of artwork merging the Avatar and Avengers logos. James Cameron himself shared the tweet he'd received from Marvel Studios congratulating "ALL of Na'vi Nation for reclaiming the box office crown" (which also included a memorable line from Avengers: Endgame).

Deadline says it's part of a long-standing Hollywood tradition: A practice of taking out ads to pat each other on the back began in 1977 when Steven Spielberg congratulated buddy George Lucas after Star Wars overtook Jaws at the domestic box office. It carried on from there including when Lucas later gave a shout-out to Cameron as Titanic unseated Star Wars in 1998.

In 2015, Disney/Marvel and The Avengers paid tribute to Universal's Jurassic World and its record-smashing opening weekend. Later that year, Uni returned the hat tip as Disney/Lucasfilm's The Force Awakens rode past the dinosaurs, moving to social media for the first time. Then in 2019, Cameron saluted Endgame for overtaking Titanic and in July that year Cameron again said bravo when Endgame crossed Avatar.

On Friday, NPD Group analyst Mat Piscatella tweeted that the PS5 is currently the fastest selling hardware platform" in U.S. history, in terms of total dollar sales. CNET reports: Piscatella didn't share an exact dollar amount for the PS5 but noted that consumer spending across video game hardware, software and accessories has already totaled $9.3 billion this year. Sony didn't include specific sales figures in its earnings report last month, but the company did indicate it shipped 4.5 million PS5 consoles in 2020 alone. Chief Financial Officer Hiroki Totoki said at a February news conference that Sony is aiming to sell upward of 14.8 million units in the coming fiscal year, which begins this month.

The PS5 did fall to second place for the month of February, according to NPD. It was superseded only by the Nintendo Switch, which may have seen a sales boost on the heels of Super Mario 3D World -- Bowser's Fury, the latest Switch title, released last month.

Netflix is testing a new feature that could signal the start of an effort to crack down on password sharing. Hollywood Reporter reports: Spotted by GammaWire, some viewers attempting to use somebody else's account are now being stopped by a screen that says, "If you don't live with the owner of this account, you need your own account to keep watching." Netflix confirmed the new feature, which is getting a limited rollout at this time. "This test is designed to help ensure that people using Netflix accounts are authorized to do so," a Netflix spokesperson said.

In order to continue watching, the viewer is given the option of either verifying their identity (with a texted or emailed code to the account's owner), or opting to "verify later," which gives the viewer an unspecified additional amount of time to continue watching and later confirm they are a valid account user. A source familiar with the tests said the extent of the rollout varies from country to country, but noted that one reason for the feature is a desire to help protect subscribers from security concerns that can arise from unauthorized use of their account.

TV makers are leaving no stone -- or ad spot -- unturned. From a report: This afternoon, I was updating the streaming apps on my 2020 LG CX OLED TV, something I do from time to time, but today was different. Out of nowhere, I saw (and heard) an ad for Ace Hardware start playing in the lower-left corner. It autoplayed with sound without any action on my part. Now I'm fully aware that it's not unusual to see ads placed around a TV's home screen or main menu. LG, Samsung, Roku, Vizio, and others are all in on this game. We live in an era when smart TVs can automatically recognize what you're watching, and TV makers are building nice ad businesses for themselves with all of the data that gets funneled in.

But this felt pretty egregious even by today's standards. A random, full-on commercial just popping up in LG's app store? Is there no escape from this stuff? We're just going to cram ads into every corner of a TV's software, huh? Imagine if an autoplay ad started up while you were updating the apps on your smartphone.