A reader shares a report from Space.com: It's been an incredible 54 years since "Star Trek" first debuted. On Tuesday (Sept. 8), actors from across the multi-decade franchise will celebrate an online "Star Trek" day with panels and discussions, while discussing the series' emphasis on diversity. More than three hours of free virtual panels will play at the Star Trek Day website here starting at 12 p.m. PDT (3 p.m. EDT or 1900 GMT). The multi-hour online event comes in the wake of a CBS announcement Sept. 2 that "Star Trek" will feature its first nonbinary and transgender characters in Season 3 of "Star Trek: Discovery," which premieres Oct. 15. Adira will be a nonbinary character played by non-binary actor Blu del Barrio, while transgender actor Ian Alexander will play Gray.

CBS All Access also pledged to donate $1 for every person who tweets the hashtag #StarTrekUnitedGives on Tuesday between 12 a.m. and 11:59 a.m. PDT (between 3 a.m. Tuesday, Sept. 8 and 2:59 a.m. Wednesday, Sept. 9 EDT, or between 0700 Tuesday, Sept. 8 and 0659 Wednesday, Sept. 9 GMT). The donations will go to "organizations who do the real-world work of championing equality, social justice and the pursuit of scientific advancements," CBS said in a statement. The organizations include the NAACP Legal Defense and Educational Fund, the National Action Council for Minorities in Engineering and the Equal Justice Initiative. The article has included the full schedule for the event.

Entrepreneur magazine writes: Although his days are presumably filled with Tesla, SpaceX, cyber pigs and lots and lots of tweeting, it seems Elon Musk also finds the time to make reading part of his routine. The billionaire businessman is known for sharing (and oversharing) all his recommendations and thoughts on Twitter, so it's no surprise that books are part of that.

Most Recommended Books compiled a list of all the books Musk has commented on in the past several years, and you can see all 61 here. But if you're short on time today, click through to see 11 of the most interesting picks from his list.
The list includes Peter Thiel's 2014 best-seller Zero to One: Notes on Startups, or How to Build the Future, as well as business magnate Richard Branson's 2011 book Screw Business As Usual.

Musk also calls a 2004 biography of Howard Hughes "a cautionary tale," and a 2005 biography of Stalin "One of the few books so dark I had to stop reading." And for a 2011 biography of Catherine the Great, he wrote "I know what you're probably thinking ... did she really f* a horse?"

His favorite books about space include John Drury Clark's Ignition! as well as Modern Engineering for Design of Liquid Propellant Rocket Engines. But there's also Robert A. Heinlein's science fiction novel The Moon Is a Harsh Mistress and Douglas Adams' The Hitchhiker's Guide to the Galaxy. ("My favorite spaceship ever is in [this book].") And he calls Isaac Asimov's Foundation series "fundamental to [the] creation of SpaceX."

Also on the list is Life 3.0: Being Human in the Age of Artificial Intelligence (which Bill Gates also named as one of his 10 favorite books about technology) as well as Frank Herbert's Dune, which Musk calls "Brilliant," while noting that Herbert "advocates placing limits on machine intelligence." In fact, for eight different books on the list he'd added the same cautionary warning: "Hopefully not too optimistic about AI."

He also says he read Karl Marx's Das Kapital at the age of 14, and also read Ayn Rand's Atlas Shrugged (which Musk called "a counterpoint to communism and useful as such, but should be tempered with kindness.")

But Musk says his favorite book ever is J.R.R. Tolkien's The Lord of the Rings.

Either Rotten Tomatoes was destroying the film industry, or it didn't matter much at all, writes The Ringer, noting competing storylines about the influence of the film review-aggregating web site.

But they've now performed a statistical deep dive to try to answer the question, and concluded that "The truth likely lies in the middle: Rotten Tomatoes wasn't tanking the industry or single-handedly exposing that Baywatch was bad, but it wasn't irrelevant, either." In fact, our analysis reveals that Rotten Tomatoes scores are reliably correlated with box office performance, especially for certain genres. But the aggregator's influence may have been on the wane before the coronavirus struck, and it may matter less than ever in the present uncertain circumstances...

Our first finding is that the average Rotten Tomatoes critic score has increased over time. Maybe movies have improved — or at least grown closer to critics' liking — or maybe the rise reflects changes in the makeup of Rotten Tomatoes' pool of reviewers... Whatever the reason(s) for the increasing scores, there's no evidence of greater negativity that could be turning off ticket buyers (which probably doesn't displease Fandango). The site bestows a "Fresh" rating on any movie with a 60 percent score or higher, and the average movie now clears that threshold....

Action movie earnings are the least closely associated with review scores, maybe because when people just want to see stuff blow up, they're willing to lower their standards in certain respects. Comedies and horror movies — particularly the latter — are far more consistent with the critical consensus. A perfectly scored action movie's earnings might double its budget, but a perfectly scored comedy can quadruple its budget, while a perfectly scored horror flick can beat its budget by 10 or 20 times...

The mystery of most interest to studio execs is whether Rotten Tomatoes has strengthened the relationship between the critical consensus and box office performance, which also existed in the pre-internet age. The evidence suggests that the studios were a tad too intimidated in 2017... However, there are some signs that increased attention to the critical consensus may have affected whether movies' earnings got out to fast or slow starts, even if it didn't dramatically lower or raise their final ticket tallies.

An anonymous reader quotes a report from TorrentFreak: Every day, millions of people download or stream pirated content including movies, TV-shows, games, MP3s, and books. Many of these files originate from a small and tightly organized 'community' commonly known as The Scene, which is made up of dozens of smaller 'release groups.' These groups tend to operate in the shadows with little or no public profile. At least, that's what the unwritten rules dictate. That's for good reason as the people involved risk high prison sentences when caught. It's very rare for Scene group members to get busted but last week the US Government claimed a major victory. With help from international law enforcement partners, several raids and arrests were carried out, with the SPARKS group at the center of it all.

As soon as the first rumors about the raids started spreading on Tuesday, the number of Scene releases started to drop. A day later, when confirmation came in, it became even quieter. With data provided by Predb.org we take a closer look at these dropoffs, showing that some categories are affected more than others. Before delving into detailed groups, it's worth pointing out the overall impact, which can be summarized in two numbers. On Wednesday, August 19, there were 1944 new releases. A week later, a day after the first raids, this number was down to 168 releases. The drop in new releases happened across all categories.

An anonymous reader shares a report: "Mulan" producer Jason Reed was in Mexico City last March promoting his soon-to-be-released film when he got the call that Walt Disney was postponing its debut due to the coronavirus. What followed was a summer of discussions between Disney, Reed and director Niki Caro as the company wrestled with when and how to release the $200 million live-action remake of its 1998 animated hit. This weekend they'll all get to see if they made the right call. Disney is making "Mulan" available on its Disney+ streaming service for an extra $30 starting Friday. The film now joins others, including Universal's "Trolls World Tour" and Warner Bros.' "Scoob!," in bypassing theaters and going directly to consumers. It's a trend that has many in Hollywood concerned about the future of films in theaters. They might be worrying too much. Without theaters, Disney and other studios would struggle to replace the revenue they have historically gotten from releasing big-budget films first in cinemas, then home video and later TV.

"They understand how important the theater is as a channel for distribution," said Steve Nason, research director at the consulting firm Parks Associates. "They just couldn't wait any longer." Prior to the pandemic, "Mulan" had been scheduled to hit theaters March 27. The company had already held the red-carpet premiere and spent heavily on advertising. But the film was postponed three times before its Disney+ debut was set. Reviews so far are fairly strong. "Disney's spectacular do-over deserves the biggest screen possible," read the headline in Variety. Rotten Tomatoes gives the movie a 79% fresh rating, showing most critics agree. Disney is trying a hybrid approach. It's releasing the film in theaters in Asia, where cinemas have been back open longer and the Asian cast and story are likely to have strong appeal. In the U.S. and Europe, "Mulan" will be online, where Disney+ has already built a sizable subscriber base.

AmiMoJo shares a report from the BBC: Sci-fi franchise Star Trek is set to introduce its first transgender and non-binary characters. The characters are to appear in the third series of Star Trek: Discovery, producers said on Wednesday. The trans character, Gray, will be played by trans actor Ian Alexander, and likewise non-binary Adira will be portrayed by Blu del Barrio. "Star Trek has always made a mission of giving visibility to underrepresented communities," said a producer. The show's co-runner and executive producer Michelle Paradise added: "It believes in showing people that a future without division on the basis of race, gender, gender identity or sexual orientation is entirely within our reach."

Data from the nonprofit National UFO Reporting Center, which records UFO-related events, shows that sightings are up 51 percent so far this year compared to the same period in 2019, the Wall Street Journal reported Tuesday. The New York Post reports: Among the 5,000 sightings recorded this year, 20 percent of them occurred in April -- the height of the COVID-19 crisis and lockdown, according to the news outlet. Peter Davenport, 72, who has directed the organization since 1994, says his phone has been ringing off the hook with reports of extraterrestrial accounts. Davenport of the city of Harrington in Washington state, collects firsthand accounts through his website and by phone and has been answering 25 to 50 calls a day.

Beginning today, Animal Crossing: New Horizons players can add official Biden-Harris campaign signs to their island yards. Engadget reports: At the moment, there are four sign designs -- the official Biden-Harris logo, the Team Joe logo, a "Joe" Pride logo and an image of red, white and blue aviators. To add the signs to their yards, players will scan QR codes through the Nintendo Switch Online app. The campaign has also sent the signs to a handful of gaming influencers, who will share them throughout the day tomorrow. Campaign staffer Christian Tom said this is just the beginning. The team is planning more "digital swag," voter education tools and organizing efforts for Animal Crossing and other platforms. That makes sense considering Animal Crossing's popularity -- the game has sold more than 22 million units.

Netflix today announced its plans to turn Cixin Liu's "Three-Body Problem" trilogy into an original, English-language science fiction series. From a report: The show will be executive produced and written by David Benioff and D.B. Weiss (the "Game of Thrones" showrunners signed a multi-year deal with Netflix last year that is reportedly worth more than $200 million), along with Alexander Woo, who previously served as showrunner for "The Terror: Infamy." "The Last Jedi" director Rian Johnson and his producing partner Ram Bergman are on board as executive producers (Benioff and Weiss spent some time working on a since-abandoned Star Wars trilogy), while Liu and his American translator Ken Liu (no relation) will serve as consulting producers. "I have the greatest respect for and faith in the creative team adapting The Three-Body Problem for television audiences," said Cixin Liu in a statement. "I set out to tell a story that transcends time and the confines of nations, cultures and races; one that compels us to consider the fate of humankind as a whole. It is a great honor as an author to see this unique sci-fi concept travel and gain fandom across the globe and I am excited for new and existing fans all over the world to discover the story on Netflix."

Jeff Grubb, writing for VentureBeat: One of the things I would like you to associate with me is a skepticism of 4K gaming. I play in 4K on my PC using a 32-inch monitor that I sit a few feet away from, and that is great. But outside of that scenario, the 2160p resolution is wasted on our feeble human eyes -- especially when it comes with a sacrifice to framerate and graphical effects. And yet, I admit that Nvidia's marketing got to me when it showed gamers playing 8K games using the new RTX 3090. The idea of gaming at such fidelity is exciting. One of the elements that makes exploring 3D worlds so enthralling are the details, and -- well, you can get a lot of that at 4320p. But 8K gaming is still, of course, absurd. And the lengths that Nvidia had to go to show it off is evidence of that.

In its RTX 3090 promotional video, Nvidia had a number of livestreamers and influencers sit down to experience gaming at 4320p. The results seemed to impress everyone involved. The participants provided a lot of gasps and exclamations. But to get that reaction, the event had those influencers sitting just feet away from an 80-inch 8K LG OLED. And it takes something that extreme to get even the minimal benefits of that resolution. Even at 80 inches, you'd have to sit within 3 feet of the panel to notice a difference in pixel density between 4K and 8K. Now, I'm not saying I don't want to play games this way. I'd love to try it. And if I had an unlimited budget, maybe I'd dedicate a room in my manor to something like this. But even then, I would know that is silly.

Kelerei writes: Microsoft Flight Simulator players spotted a giant mountain-high obelisk in Australia last month. While Flight Simulator has done a great job at recreating the real world, this unusually huge structure doesn't exist in real life. Players have now discovered that its existence stems from a simple typo. University student Nathan Wright made an edit to OpenStreetMap data for part of his degree work last year, adding more than two hundred stories to a building that's actually just two stories. Wright meant to type 2, but instead he typed 212 in the data section for floors. "I think it's so funny as it was the first time I was using OpenStreetMap," says Wright in an email to The Verge. "I was using it for a university task and had to add data for class. I didn't think I would have to see it again." His university work is now internet famous, especially with the Microsoft Flight Simulator community. The typo made its way into Microsoft's Bing Maps data, which Asobo Studio, the developers behind Microsoft Flight Simulator, uses to map out the world in the game. Flight Simulator uses Azure-powered procedural generation technology, combined with Bing Maps data, to recreate virtual buildings like this 212-story obelisk.

In Christopher Nolan's new thriller, "Tenet," the fate of humanity pivots on characters moving back and forth through time. It is an epic, brain-bending exploration of ideas the filmmaker has spent decades examining. But now, as "Tenet" opens after multiple delays in cinemas around the world, it comes loaded with symbolism that its writer and director could never have foreseen. From a report: As the first big-budget theatrical release since Covid-19 struck, "Tenet" represents one of the biggest gambles in Hollywood history -- from the studio wagering it can release the movie amid the pandemic, to long-dormant theater chains banking on it spurring a recovery for their business, to potential ticket buyers balancing safety concerns with their urge to get back to the big screen. Mr. Nolan, though known as a champion of the theatrical experience, is somewhat uneasy with all the significance assigned to his sci-fi spy picture. "This is the most radical shift in my career, my lifetime, between the making of a film and the world it goes out into, and I'm still grappling with that," he says.

Starting with an Aug. 26 opening in parts of Europe and elsewhere, the rollout of "Tenet" reaches the U.S. Sept. 3. It is the fourth domestic release date for the movie -- which was delayed repeatedly as studio and theater executives dealt with shifting lockdown measures -- yet it is still unclear when it will open in regions where indoor theaters remain closed. That includes two cities that are normally first to get new movies, New York City and Los Angeles. When coronavirus lockdowns descended in March, Mr. Nolan says, his team's first challenge was to use remote methods to put the final touches on "Tenet" and turn it in on time to AT&T's Warner Bros. studio. Meanwhile, every big movie on deck for the season, starting with the James Bond installment "No Time To Die," retreated on the calendar to fall or next year. By contrast, Warner Bros. pushed back the July 17 release of "Tenet" by only two weeks, and later pushed it again. The studio never seriously considered an online premiere for "Tenet," a Warner Bros. executive says, even as others experimented with online releases, as Disney has done this summer with "Hamilton" and "Mulan." The movie enjoyed a strong $53 million debut overseas. "We are off to a fantastic start internationally and couldn't be more pleased," said Toby Emmerich, Warner Bros. Pictures Group chairman. "Christopher Nolan has once again delivered an event-worthy motion picture that demands to be seen on the big screen, and we are thrilled that audiences across the globe are getting the opportunity to see 'Tenet.'"

Yahoo News reports: On Friday, Chadwick Boseman's family posted a final tweet on his Twitter account, announcing that he had died after a four-year battle with colon cancer. Twitter confirmed on Saturday afternoon that this tweet from Boseman's account is now the most-liked tweet on Twitter of all time...
"The 43-year-old's death shocked many in Hollywood who were unaware he had spent the last four years fighting colon cancer," notes the Los Angeles Times. But the tweet confirmed that the nine movies he'd filmed over the last four years — including four Marvel movies — "all were filmed during and between countless surgeries and chemotherapy."

That tweet has now risen to over 7.1 million likes — 65% more than the previous record-holder. Variety reports: Previously, the most-liked tweet on Twitter was from former President Barack Obama, who shared the Nelson Mandela quote, "No one is born hating another person because of the color of his skin or his background or his religion." The tweet was posted on Aug. 12, 2017, the same day as the deadly Charlottesville, Va., car attack at a protest against white supremacists. Obama's former record-holding tweet has 4.3 million likes and 1.6 million retweets.

After Boseman's death, Obama was one of the countless people to post a tribute to the actor, who played Jackie Robinson in the film 42. "Chadwick came to the White House to work with kids when he was playing Jackie Robinson," the former president wrote. "You could tell right away that he was blessed. To be young, gifted, and Black; to use that power to give them heroes to look up to; to do it all while in pain — what a use of his years."
CNET reports: Many on social media expressed both shock and admiration that the actor continued to produce films during his illness, and many were deeply touched by a video circulating widely Saturday in which Boseman speaks of Ian and Taylor, two children with terminal cancer he'd been in touch with during filming for Black Panther. The kids' parents, Boseman said in the video, relayed that Ian and Taylor were trying to hold on until the 2018 Marvel superhero film came out. We now know Boseman was waging his own cancer fight as he spoke of the children, making the footage all the more poignant.
Twitter has now restored its #BlackPanther emoji for fans organizing watch parties of the 2018 movie, reports Variety, and while some remembered his commencement address at Howard or his impact on other actors, others are sharing stories closer to home: "I keep thinking about my 3-year-old in his Black Panther costume," the writer Clint Smith tweeted. "How he wore it almost every day when he got it, refused to take it off. The way he walked around saying. 'I'm the Black Panther.' How happy it made him. What Chadwick gave us was immeasurable. What an enormous loss."

An anonymous reader quotes a report from Gizmodo: It's been months since HBO Max and Peacock officially launched, and still, neither streaming service currently appears on the Roku platform (or Amazon, for that matter). The companies have said discussions about support were ongoing, but now we know why they're still absent: Roku's support fees are expensive as hell. In a deep-dive report on Roku's ascent to dominance in the streaming space, Variety reported Thursday that the streaming platform and hardware brand is asking for 30% of ad inventory and 20% of subscription costs from third-party streaming services hoping to find a home on Roku. In other words, Roku is making Apple-level demands of its channel partners -- terms HBO Max and Peacock aren't willing to agree to, clearly. Another point of contention in the discussions appears to be support for standalone apps, as opposed to subscriptions sold through the Roku Channel.

The official premiere of Tenet has drawn many people to the movie theaters this week. On pirate sites, there's been plenty of interest too, as thousands of people are being tricked into downloading fake copies. Pirates are not the only ones being fooled though, as Warner Bros. has its eyes set on fake releases too. TorrentFreak reports: All around the world, millions of people have waited in anticipation for the release of Christopher Nolan's sci-fi thriller 'Tenet.' The film was initially scheduled to be released in July but, after several pandemic-related delays, Warner Bros. moved the premiere ahead to the end of August. [...] According to one anti-piracy expert, Tenet's release has all the ingredients for a "perfect storm for piracy." This prediction prompted us to take a look at how Tenet is doing on pirate sites today. This question is not hard to answer, as there is no 'real' pirated copy of the film out there. Instead, sites are overwhelmed with fake Tenet releases.

We didn't have to look far. Most torrent sites and other download portals have plenty of Tenet copies. Or at least, that's what uploaders lead users to believe. This includes The Pirate Bay, which faces a moderation backlog, by the looks of it. Most seasoned pirates will know how to avoid these fake torrents. That said, major titles such as Tenet often attract the attention of many novice users too, who will undoubtedly be disappointed. And not just because they can't see the film. These suspicious releases can lead to all sorts of malware, viruses, and worse. The two we downloaded appeared relatively harmless. They included a 700MB video file that shows a still image, asking people to check the readme file. The readme message itself sends people to a suspicious site that requests credit card details "for verification purposes." Needless to say, we declined that offer.

An anonymous reader quotes a report from Ars Technica: Ever since the hype campaigns began for the Xbox Series X and PlayStation 5, we've gotten apparent teases of real-time next-gen gameplay, enough to convince us that these systems are adequately powerful. But the full-blown execution of what "only on PlayStation 5" can look like finally crystallized for the first time on Thursday. It came in the form of six uninterrupted minutes of live gameplay from Insomniac Games' Ratchet & Clank: Rift Apart, which will debut on the PS5 during the console's "launch window," we learned today. Sony couldn't have rolled out a better, more convincing sense of what top-to-bottom next-gen gaming architecture can deliver than this shiny, explosive, SSD-powered sequence -- and so far, it's more stunning than anything we've seen from Xbox Series X-exclusive fare.

Comcast wants to turn the software running on its set-top boxes into an operating system for smart TVs, Protocol reported Friday, citing multiple industry insiders with knowledge of the company's plans. From the report: The company began pitching TV manufacturers on the idea in recent months and had some conversations on the subject at CES in January. It's unclear how far these talks have progressed, but the push underlines the growing importance of smart TVs as a major platform for the future of entertainment. At the center of these discussions has been Comcast's X1 platform, which the company built as an operating system for its own set-top boxes over the past decade. In addition to running on the company's cable boxes, X1 also powers Flex, the Roku-like streaming hardware launched by Comcast last year. Comcast has also for some time pitched X1 to fellow cable operators. Cox, for instance, runs X1 hardware and software under its Contour brand, and Charter executives have publicly acknowledged that the two companies have been negotiating a similar licensing deal.

Lockdown measures enforced due to the Covid-19 pandemic brought about a surge in TV watching and online streaming, according to media watchdog Ofcom. From a report: Its annual study into UK media habits suggested adults -- many stuck indoors -- spent 40% of their waking hours in front of a screen, on average. Time spent on subscription streaming services also doubled during April. At the height of lockdown, adults spent an average of six hours and 25 minutes each day staring at screens. Screen time overall was up almost a third (31%) on last year. People watched streaming services, such as Netflix, Amazon Prime Video and Disney+, for one hour 11 minutes per day, and 12 million people joined a service they hadn't used previously. Three million of these viewers had never subscribed to any service before.

An upcoming feature in development at Spotify aims to help artists who have been struggling to make ends meet after the coronavirus pandemic restricted their ability to perform live performances and concerts. The new feature will connect artists with their fans through ticketed live "virtual events." TechCrunch reports: The feature was first discovered by reverse engineer Jane Manchun Wong and isn't yet available in the public-facing version of the Spotify app. Wong's photos of the feature show the Spotify profile page for the artist BTS, where a new "Upcoming Virtual Events" section now appears. After tapping on the event, fans are informed that BTS will appear at a virtual concert on September 19. The event here is the 2020 iHeartRadio Music Festival, where BTS is scheduled to perform. In the example photos, Songkick is listed as the ticketing partner for this event.

A shift to include virtual event listings instead of live concerts wouldn't be difficult for Spotify to implement. The company already works with ticketing partners including Ticketmaster, Songkick, Resident Advisor, Eventbrite, AXS and eplus in Japan. These ticketing sites have embraced virtual events amid the pandemic as way to keep their businesses afloat while in-person events were delayed and shut down over health concerns -- or even became illegal under government lockdowns. [...] What's less clear is whether Spotify considers the addition of virtual events a temporary measure to help artists manage their income before things return to normal, or if it believes there's room to grow in the virtual events market in the long-term.

According to Variety, the sci-fi series "Altered Carbon" has been canceled at Netflix, after airing just two seasons. From the report: The second season of the sci-fi series aired on the streaming service back in February, while the first season aired in 2018. An anime special titled "Resleeved," which was set before the events of Season 1, was released in 2019. The series was based on the novel of the same name by Richard K. Morgan. It followed the adventures of interstellar warrior Takeshi Kovacs, who was played by Joel Kinnaman in Season 1 and by Anthony Mackie in Season 2. "Altered Carbon" took place in a futuristic world where the human mind has been digitized and a person can transfer their consciousness from one body to the next. According to an individual with knowledge of the decision, the decision to cancel the show was made due to Netflix's traditional approach of cost versus viewership of a series.