Long-time Slashdot reader destinyland writes: 40 years ago the Rolling Stones released the song "Start Me Up" as part of their album Tattoo You. Then over the next four decades they built a reputation as a surprisingly tech-savvy band...

In 1994 they became the first major recording artists to broadcast live online using the experimental "Mbone" backbone/virtual network built on top of the Internet, and made one of their new songs available for download on an FTP site. In 1995 they licensed "Start Me Up" for an ad campaign promoting Microsoft's Windows 95 (the first version of Windows including a Start button). Now on the 40th anniversary of Tattoo You, the Rolling Stones have re-released the album with nine previously unreleased tracks from the same era, "recently completed and enhanced with additional vocals and guitar." And, according to Rolling Stone magazine, they've also collaborated with Boston Dynamics to recreate the "Start Me Up" music video "with the tech company's robot dogs....the first time Boston Dynamics have employed the technology to reenact a music video."

"Pout. Prance. Repeat," quips a headline at CNET. "Robo-dog Spot performs a rollicking Rolling Stones tribute..." noting there's also additional Spot robots standing in for the other members of the band. ("There's a Spot-Jagger, a Spot-Keith Richards, a Spot-Ronnie Wood and a Spot-Charlie Watts..." Though for some reason there's no robot for bassist Bill Wyman.)

It's being billed as a collaboration between Boston Dynamics and the Rolling Stones, and Friday the band's official Twitter account tweeted a highlight from the video — along with their reaction.

"Thank you to the Boston Dynamics team for making this happen."

An anonymous reader quotes a report from The Conversation: On October 23, 2001, Apple released the iPod -- a portable media player that promised to overshadow the clunky design and low storage capacity of MP3 players introduced in the mid-1990s. The iPod boasted the ability to "hold 1,000 songs in your pocket". Its personalized listening format revolutionized the way we consume music. And with more than 400 million units sold since its release, there's no doubt it was a success. Yet, two decades later, the digital music landscape continues to rapidly evolve.

The iPod expanded listening beyond the constraints of the home stereo system, allowing the user to plug into not only their headphones, but also their car radio, their computer at work, or their hi-fi system at home. It made it easier to entwine these disparate spaces into a single personalized soundtrack throughout the day. [...] The rise of touchscreen smartphones ultimately led to the iPod's downfall. Interestingly, the music app on the original iPhone was called "iPod." The iPod's functions were essentially reappropriated and absorbed into the iPhone. The iPhone was a flexible and multifunctional device: an iPod, a phone and an internet communicator all in one -- a computer in your pocket. And by making the development tools for their products freely available, Apple and Google allowed third-party developers to create apps for their new platforms in the thousands.

As of this year, mobile devices are responsible for 54.8% of web traffic worldwide. And while music piracy still exists, its influence has been significantly reduced by the arrival of streaming services such as Spotify and YouTube. These platforms have had a profound effect on how we engage with music as active and passive listeners. Spotify supports an online community-based approach to music sharing, with curated playlists. [...] As of February this year, more than 60,000 tracks were being uploaded to Spotify each day. The experience of listening to music will become increasingly immersive with time, and we'll only find more ways to seamlessly integrate it into our lives.

Amazon is next on the list of companies getting into the live audio game. The company is building a new app, codenamed "Project Mic," that gives anyone the ability to make and distribute a live radio show, complete with music, according to a presentation viewed by The Verge. From a report: This project's big goal is to democratize and reinvent the radio. The app will be focused on the US initially. Listeners will be able to tune in through the app, as well as through Audible, Amazon Music, Twitch, and Alexa-equipped devices. With the Alexa devices, listeners will be able to interact with shows using just their voice. The app experience will also be optimized for the car, playing into Amazon's idea of trying to reinvent radio. A mockup app image viewed by The Verge depicts a screen listing shows that are currently live; trending topics, like #NBA or #hot100; and featured creators. Users will also be able to search for content by topic, name, or music.

An anonymous reader quotes a report from TechCrunch: After already targeting verticals like hotels and apartment complexes, Amazon announced today it's now rolling out new solutions for healthcare providers and senior living centers. The solutions, which are a part of Alexa Smart Properties, are designed specifically to meet the needs of deploying Alexa devices at scale and will allow the facility's administrators to create customized experiences for their residents or patients. In senior living centers, the residents would be able to use Alexa devices to call their family members and other loved ones, as well as keep up with the goings-on at their community and other community news. The devices could also be used to make announcements, allow the residents to communicate with each other through direct audio messages and make voice and video calls, and they can streamline other center activities -- like check-ins, maintenance requests and various administrative tasks. Amazon believes this could help make facilities more efficient and productive. Amazon says senior living communities include Atria and Eskaton will integrate with its new solution.

With Amazon's new solution for hospitals, patients will be able to use Alexa to communicate with care staff, control the devices in their room, and stay entertained with news and music. Healthcare providers can also communicate with their patients using Alexa features like calling and Drop-In, without having to enter the patient rooms. This could also help hospitals be more productive and conserve their medical supplies and protective equipment like gloves, masks and gowns, notes Amazon. (PPE shortages had been an ongoing issue in some locations as COVID spiked during the pandemic.) Though Amazon has struggled with privacy issues related to its use of voice recordings and transcriptions, the healthcare and senior living center solutions will not save the voice recordings and don't require users to share personal info with Alexa to use the device, the company explains. Users can also mute the Echo's microphone at any time with the button on top. Amazon also claims it safeguards protected health information received through HIPAA-eligible Alexa skill interactions. Both of the new Alexa Smart Properties solutions will roll out in the U.S. starting next month, Amazon says.

The latest version of macOS, Monterey, is now available to download, according to Apple. The software has been available in public beta for several months, but today's release means Apple thinks the software is ready for everyday use. From a report: As is tradition, Apple announced its latest version of macOS at WWDC in June. New features include the ability to set Macs as an AirPlay target to play content from iPhones and iPads, as well as Shortcuts, Apple's iOS automation software. There have also been improvements made to FaceTime, as well as a new Quick Note feature. For a full rundown of what's on the way, check out our preview from July, as well as Apple's own feature list.

Unfortunately, some of Monterey's biggest new additions, Universal Control and SharePlay, don't seem to be available at launch. Apple notes that both features will be available "later this fall." Universal Control allows files to be dragged and dropped between several different machines, as Apple's Craig Federighi demonstrated at WWDC. It also will let you control multiple Apple devices including Macs, MacBooks, and iPads, with the same mouse and keyboard. SharePlay will enable shared experiences of music, TV shows, movies, and more while connected over FaceTime. Once it's available, Apple says you can use the feature with Apple Music, Apple TV+ and unnamed "popular third-party services." It's better news when it comes to Safari's redesign, which by default now uses a more traditional interface rather than the controversial new tab design introduced at WWDC.

"Vinyl was nearly at death's door not that long ago. After CDs came out, the predictions of vinyl's demise were an every day occurrence," writes Slashdot reader smooth wombat. "And for a time it looked like the vinyl record, something which had been around since the 1930s, would meet its end as so many other yesteryear products have. Except the COVID-19 pandemic changed all that. Now, with the sudden resurgence and demand for vinyl records, the few remaining manufacturers are struggling to meet the growing demand." The New York Times reports: In the first six months of this year, 17 million vinyl records were sold in the United States, generating $467 million in retail revenue (PDF), nearly double the amount from the same period in 2020, according to the Recording Industry Association of America. Sixteen million CDs were also sold in the first half of 2021, worth just $205 million. Physical recordings are now just a sliver of the overall music business -- streaming is 84 percent of domestic revenue -- but they can be a strong indication of fan loyalty, and stars like Taylor Swift and Olivia Rodrigo make vinyl an important part of their marketing.

Yet there are worrying signs that the vinyl bonanza has exceeded the industrial capacity needed to sustain it. Production logjams and a reliance on balky, decades-old pressing machines have led to what executives say are unprecedented delays. A couple of years ago, a new record could be turned around in a few months; now it can take up to a year, wreaking havoc on artists' release plans.

Music and manufacturing experts cite a variety of factors behind the holdup. The pandemic shut down many plants for a time, and problems in the global supply chain have slowed the movement of everything from cardboard and polyvinyl chloride -- the "vinyl" that records (and plumbing pipes) are made from -- to finished albums. In early 2020, a fire destroyed one of only two plants in the world that made lacquer discs, an essential part of the record-making process. But the bigger issue may be simple supply and demand. Consumption of vinyl LPs has grown much faster than the industry's ability to make records. The business relies on an aging infrastructure of pressing machines, most of which date to the 1970s or earlier and can be costly to maintain. New machines came along only in recent years, and can cost up to $300,000 each. There's a backlog of orders for those, too.

Almost two years after a wave of complaints flooded Google's support forums about YouTube accounts getting hijacked even if users had two-factor authentication enabled, Google's security team has finally tracked down the root cause of these attacks. From a report: In a report published today, the Google Threat Analysis Group (TAG) attributed these incidents to "a group of hackers recruited in a Russian-speaking forum." TAG said the hackers operated by reaching out to victims via email with various types of business opportunities. YouTubers were typically lured with potential sponsorship deals. Victims were asked to install and test various applications and then publish a review. Apps typically used in these schemes involved antivirus software, VPN clients, music players, photo editors, PC optimizers, or online games.

But unbeknownst to the targets, the hackers hid malware inside the apps. Once the YouTube creators received and installed the demo app, the installer would drop malware on their devices, malware which would extract login credentials and authentication cookies from their browsers and send the stolen data to a remote server. The hackers would then use the authentication cookies to access a YouTuber's account -- bypassing the need to enter a two-factor authentication (2FA) token -- and move to change passwords and the account's recovery email and phone numbers. With the victims locked out of their accounts, the hackers would typically sell the hijacked YouTube channel on underground marketplaces for stolen identities.

Bloomberg: There was a sense that, without the moderating influence of the late Steve Jobs, perhaps Jony Ive started to prioritize aesthetics a little too much. Since he stepped down as chief designer at the end of 2019, Apple seems to have reemphasized function. From the iPhone to Apple TV to the Macbook, gone are the days of "The user be damned, we think this looks cool." Monday's unveiling of a new Macbook Pro lineup of laptops provides evidence of the shift. Headline features released five years ago under Ive's aegis have been scrapped. Gone is the so-called "butterfly" keyboard, which rendered the device thinner but whose clunky mechanics made typing more difficult; farewell too to the Touch Bar, a touch sensitive strip display along the top of the keyboard which could show functions for the web browser one moment and mixing tools for music apps the next, but was almost impossible to use without looking; back are HDMI ports, which let you plug the computer into high-definition displays without using an adapter. Perhaps this would have happened under Ive, but Evans Hankey, who now heads the industrial design team, has overseen plenty of other tweaks that seem to indicate a change of philosophy.

[...] But there is merit in sometimes listening to your customers, particularly when the pendulum has swung too far away from function and towards form. After all, you're liable to lose professional customers -- architects, musicians, film-makers -- if they can't plug their laptops into external monitors. And professional users can afford to pay for the top-of-the-range devices that are more profitable to Apple. Dieter Rams, a significant influence on Ive, compiled 10 principles for "Good Design." Number three was "good design is aesthetic." Apple seems to have remembered numbers two and four: "good design makes a product useful" and "good design makes a product understandable."

Along with new MacBook Pro models, Apple announced during its Mac event today that macOS Monterey will be available on Monday, Oct. 25. Gizmodo reports: As with macOS Big Sur before it, Monterey represents a renewed effort by Apple to streamline its operating systems, with new Focus profiles for limiting notifications and helping you be more productive just like in iOS 15 and iPadOS 15. Shortcuts, Apple's automation app, is now available on desktop for the first time. Monterey also represents the first time users will be able to AirPlay content from a Mac, a function that iPhone users have long enjoyed. If you've already downloaded iOS 15, updating to Monterey just makes sense -- these devices are so much more functional when they work seamlessly with each other.

But perhaps the most anticipated feature Monterey is supposed to bring us is Universal Control, which allows you to use a single mouse/trackpad and keyboard to control multiple Macs and iPads simultaneously. While the new feature wasn't initially included in the public beta rollout of Monterey, that omission has only allowed the hype to grow. It's unclear when Universal Control will come to macOS, only that it won't be available to use at launch. FaceTime's new SharePlay feature, which is also expected to arrive in iOS 15, will also not be ready to try at launch. That feature will allow you to share music or watch shows with folks over FaceTime. The devices that support macOS Monterey include: iMac (late 2015 and newer), iMac Pro (2017 and newer), Mac Pro (late 2013 and newer), Mac Mini (late 2014 and newer), MacBook Pro (early 2015 and newer), MacBook Air (early 2015 and newer), and MacBook (early 2016 and newer).

Further reading: macOS Monterey Release Candidate Undoes Safari Changes, Reintroduces Old Tab Design

At its Fall Mac event today, Apple announced the new third-generation AirPods, featuring a slightly revamped design with shorter stems and touch-based "force sensor" and support for spatial audio. Ars Technica reports: The new AirPods retain their usual hard plastic finish and do not have in-ear tips like the AirPods Pro, though Apple says they are now officially IPX4-rated for sweat and water resistance. Apple says the earbuds have six hours of battery life and up to 30 hours when including the charging case. (That's compared to five and 24 hours, respectively, on the second-gen model.) The included case supports MagSafe and wireless charging, though the earbuds do not feature active noise cancellation or a transparency mode like their pricier siblings.

Though the second-gen AirPods were renowned more for their ease of use than their audio quality, Apple says it has updated them with a redesigned driver and an adaptive EQ feature that automatically tunes your music based on the AirPods' fit in your ear. The earbuds will also use Apple's spatial audio tech, which makes audio sound like it is coming from around the user's head. To help with that, the new AirPods support dynamic head tracking like the AirPods Pro and the over-ear AirPods Max. The third-gen AirPods cost $179 and are available to order online today, with in-store availability starting October 26. Notably, Apple will continue to sell the existing second-gen AirPods for $129 alongside the new pair.

An anonymous reader quotes a report from ScienceAlert: At some point in life, you have probably enjoyed a 'flow' state -- when you're so intensely focused on a task or activity, you experience a strong sense of control, a reduced awareness of your environment and yourself, and a minimized sense of the passing of time. It's also possible to experience 'team flow,' such as when playing music together, competing in a sports team, or perhaps gaming. In such a state, we seem to have an intuitive understanding with others as we jointly complete the task at hand. An international team of neuroscientists now thinks they have uncovered the neural states unique to team flow, and it appears that these differ both from the flow states we experience as individuals, and from the neural states typically associated with social interaction.

Researchers found increased beta and gamma brain wave activity in the left middle temporal cortex. This region of the brain is typically associated with information integration and key functions like attention, memory, and awareness, which are "consistent with higher team interactions and enhancing many flow dimensions," the team writes. However, what was unique about team flow, was that participants' neural activity appeared to synchronize. When participants were performing the task as a unit, their brains would mutually align in their neural oscillations (beta and gamma activity), creating a "hyper-cognitive state between the team members." If brains can be functionally connected through inter-brain synchrony, does this mean it is not only our brain that contributes to our consciousness? It's a curious question, but the authors warn it is much too soon to tell. "Based on our findings, we cannot conclude that the high value of integrated information correlates with a modified form of consciousness, for instance, 'team consciousness'," they write. "Its consistency with neural synchrony raises intriguing and empirical questions related to inter-brain synchrony and information integration and altered state of consciousness." The study was published in the journal eNeuro.

An anonymous reader quotes a report from The Guardian: Across China's public parks and squares, in the early hours of the morning or late in the afternoon, the grannies gather. The gangs, made up mostly of middle-aged and older women who went through the Cultural Revolution, take to a corner of a local park or sporting ground and dance in unison to Chinese music. Loud music. The tradition has led to alarming standoffs, with the blaring music frequently blamed for disturbing the peace in often high-density residential areas. But many are too scared to confront the women. The dilemma of the dancing grannies has prompted some to seek out tech solutions. One went viral online this week: a remote stun gun-style device that claims to be able to disable a speaker from 50 meters away.

Reviews of the item were positive. "Downstairs is finally quiet. For two days the grannies thought their speaker is not working!", said one on Taobao, China's version of eBay. "Great invention, with this tool I will be the boss in the neighborhood now," said another. "This is not just a regular product, it is social justice!" China is home to an estimated 100 million dancing grannies. Square dancing allows older women, many of whom live alone or with younger family members who they accompanied on a move to the cities, to socialize. They form strong bonds, often shopping or doing other activities, including group investments, together, the South China Morning Post reported.

State media has described the square dancing, which has its roots in the Cultural Revolution of the 1960s, as a "positive and effective way to reduce the medical and financial burden as well as increase the life quality of older people." "Many participants are retired, their children are no longer around. Square dancing becomes a place for them to have a social life." But neighbors complain it has gotten out of control, with competing groups blasting their music over each other in small areas, and bullying those who try to intervene. Viral videos and reports have shown the groups arguing and fighting with basketball players to take over their court, or, in one case, breaking into a football field and stopping the game to dance in the space, prompting a police response and arrests.

An anonymous reader quotes a report from Ars Technica: On Monday, Nintendo of Europe announced a very region-specific -- and era-specific -- tweak for its upcoming collection of N64 games on Switch: an option to switch between the video standards PAL and NTSC. While the announcement may sound ho-hum to outsiders, anyone in Europe with a vested interest in classic gaming will appreciate what the toggle affords. The issue boils down to differences between NTSC and PAL, the leading video broadcast standards on CRT TVs during Nintendo's '80s and '90s heyday. North American and Japanese TV sets were configured for NTSC, which has a refresh rate standard of 60 Hz, while PAL sets dominated Europe with a slightly higher pixel resolution and a lower refresh rate standard of 50 Hz.

Should you merely watch TV series or films on both NTSC and PAL sets, the difference between each is noticeable yet mild. But for much of the '80s and '90s, many TV video games, especially the ones made by the largely Japanese console industry, suffered in PAL because they were coded specifically for NTSC standards. In order to port them to PAL, developers generally didn't go back and reconfigure all of the timings, especially in the case of early 3D games. Instead, their internal clock speeds were often slowed down to 83.3 percent to match European TV refresh rates. This meant both slower gameplay than originally coded and slower playback of music and sound effects. (These also often shipped with NTSC's pixel maximums in mind in such a way that they were squished to fit on PAL displays, as opposed to being optimized for them.)

Sure enough, last month's announcement of N64 games on Nintendo Switch Online put fear into European classic-gamer hearts. That region's reveal video included slightly slower timings of classic N64 games compared to videos posted by Nintendo of America and Nintendo of Japan, since they were emulating the original European retail releases. At that time, Nintendo of Europe did not immediately reply to social media questions about whether European Switch owners would get an option for 60 Hz N64 gameplay -- especially in an LCD TV era, where such CRT-related restrictions no longer technically apply to most EU and UK TV owners. Monday's announcement confirms that European players will get a 60 Hz option by default for every N64 game in the Nintendo Switch Online "Expansion Pack" collection, along with the option to access a game's original 50 Hz version if it launched with multi-language support. Reading between the lines, we believe this means that if a European N64 game only had English language support, its Switch Online version will be the North American NTSC ROM.

Epic Games CEO Tim Sweeney, whose high-profile antitrust lawsuit against Apple is now under appeal, is today calling out the iPhone maker for giving itself access to an advertising slot its competitors don't have: the iPhone's Settings screen. From a report: Some iOS 15 users noticed Apple is now advertising its own services at the top of their Settings, just below their Apple ID. The services being suggested are personalized to the device owner, based on which ones they already subscribe to, it appears. For example, those without an Apple Music subscription may see an ad offering a free six-month trial. However, current Apple Music subscribers may instead see a prompt to add on a service they don't yet have, like AppleCare coverage for their devices.

Sweeney suggests this sort of first-party advertising is an anticompetitive risk for Apple, as some of the services it's pushing here are those that directly compete with third-party apps published on its App Store. But those third-party apps can't gain access to the iPhone's Settings screen, of course --- they can only bid for ad slots within the App Store itself. Writes Sweeney: "New from the guys who banned Fortnite: settings-screen ads for their own music service, which come before the actual settings, and which aren't available to other advertisers like Spotify or Sound Cloud."

Japan's Fair Trade Commission will investigate whether Apple and Google are leveraging their dominance in the smartphone operating system market to eliminate competition and severely limit options for consumers. From a report: The study will involve interviews and surveys with OS operators, app developers and smartphone users, commission Secretary-General Shuichi Sugahisa told reporters Wednesday. The initiative will explore market conditions not only for smartphones, but for smartwatches and other wearables. The antitrust watchdog will compile a report outlining OS market structure and the reason why competition has remained static. The commission will work with the central government's Digital Market Competition Council, which is moving forward with its own market probe. Practices found to be anticompetitive will be itemized in the report, along with possible violations of Japan's law against monopolies. In February, the government implemented the Act on Improving Transparency and Fairness of Digital Platforms. If officials decide that the law applies to the OS market, OS operators will be told to submit regular reports on transactions to the Ministry of Economy, Trade and Industry. In Japan, Apple's iOS commands a nearly 70% share among smartphone operating systems while Android's share stands at 30%. Any developer of apps -- whether they specialize in music, streaming videos, e-books or mobile games -- need to match the software with specifications of the operating systems if they want to appear on smartphones.

Ahmed Elgammal, Professor and Director of the Art & AI Lab at Rutgers University, writes via The Conversation: When Ludwig von Beethoven died in 1827, he was three years removed from the completion of his Ninth Symphony, a work heralded by many as his magnum opus. He had started work on his Tenth Symphony but, due to deteriorating health, wasn't able to make much headway: All he left behind were some musical sketches. Ever since then, Beethoven fans and musicologists have puzzled and lamented over what could have been. His notes teased at some magnificent reward, albeit one that seemed forever out of reach. Now, thanks to the work of a team of music historians, musicologists, composers and computer scientists, Beethoven's vision will come to life. I presided over the artificial intelligence side of the project, leading a group of scientists at the creative AI startup Playform AI that taught a machine both Beethoven's entire body of work and his creative process. A full recording of Beethoven's 10th Symphony is set to be released on Oct. 9, 2021, the same day as the world premiere performance scheduled to take place in Bonn, Germany -- the culmination of a two-year-plus effort.
[...]
The AI side of the project -- my side -- found itself grappling with a range of challenging tasks. First, and most fundamentally, we needed to figure out how to take a short phrase, or even just a motif, and use it to develop a longer, more complicated musical structure, just as Beethoven would have done. For example, the machine had to learn how Beethoven constructed the Fifth Symphony out of a basic four-note motif. Four notes famously serve as the basis for Beethoven's Fifth Symphony. Next, because the continuation of a phrase also needs to follow a certain musical form, whether it's a scherzo, trio or fugue, the AI needed to learn Beethoven's process for developing these forms. The to-do list grew: We had to teach the AI how to take a melodic line and harmonize it. The AI needed to learn how to bridge two sections of music together. And we realized the AI had to be able to compose a coda, which is a segment that brings a section of a piece of music to its conclusion. Finally, once we had a full composition, the AI was going to have to figure out how to orchestrate it, which involves assigning different instruments for different parts. And it had to pull off these tasks in the way Beethoven might do so.

In November 2019, the team met in person again -- this time, in Bonn, at the Beethoven House Museum, where the composer was born and raised. This meeting was the litmus test for determining whether AI could complete this project. We printed musical scores that had been developed by AI and built off the sketches from Beethoven's 10th. A pianist performed in a small concert hall in the museum before a group of journalists, music scholars and Beethoven experts. We challenged the audience to determine where Beethoven's phrases ended and where the AI extrapolation began. They couldn't. The success of these tests told us we were on the right track. But these were just a couple of minutes of music. There was still much more work to do. At every point, Beethoven's genius loomed, challenging us to do better. As the project evolved, the AI did as well. Over the ensuing 18 months, we constructed and orchestrated two entire movements of more than 20 minutes apiece.

Amazon announced its long-rumored $999 Astro home robot on Tuesday. CNBC: I had a chance to check it out in a demo with Amazon last week and wanted to share a few thoughts on what Astro is, what it can and can't do and why Amazon decided to build a home robot. Astro seems like a strange gadget for Amazon to launch. The company is best known as an online store. And most of its operating profit comes from its AWS cloud business. Notably, Astro is a "Day 1 Edition" product, which means it won't be sold to everyone at first. [...] Astro is about the size of a small dog. It roams around your house on three wheels, including two big ones that prevent it from getting stuck and a smaller one for rotating. It has a camera that rises up on a 42-inch arm that can keep an eye on your home as Astro patrols while you're away. It can follow you around and play music or display TV shows on its 10-inch touchscreen. It can recognize faces (if you want it to) so you can load up two sodas in the back storage compartment and tell Astro to go to someone in the living room.

Astro is like a combo of lots of Amazon's other gadgets placed on wheels. The cameras can be used for home security or for video chat, sort of combining Amazon's Ring cameras with its Echo Show smart screens. The cameras are also used to create a map of your house when you set Astro up for the first time. You can talk to Astro much like you'd talk to an Echo or Alexa (you can change the name to Alexa if you want) to get sports scores or the weather. And you can play movies or TV shows like you would on an Amazon tablet or Fire TV.

An anonymous reader quotes a report from The Verge: Discord is starting to test YouTube integration, just weeks after Google-owned YouTube forced two popular Discord music bots offline. YouTube integration has started appearing in a small number of Discord servers today as part of what appears to be a new test of a collaboration between Discord and YouTube. The feature is called Watch Together, and as the name implies, it allows Discord members to watch YouTube videos together. A test of a similar Discord feature started 10 months ago before disappearing and resurfacing as Watch Together today, and we understand the company has re-prioritized this particular feature due to the recent music bot shutdowns.

Watch Together is very similar to the experience of someone broadcasting their screen in Discord, and the button to launch it even appears alongside the video and screen sharing options. It's designed specifically with YouTube in mind, allowing Discord server members to create a playlist of YouTube videos by searching or pasting in YouTube links. You can even toggle a remote button that lets other Discord server members share the ability to control playback. While it's not identical to the popular Rythm and Groovy Discord music bots, you can use Watch Together to listen to music through YouTube in Discord. You may end up hearing or seeing ads, though. Discord warns, when you first use the Watch Together feature, that "you may see ads during YouTube videos." [...] If you're interested in testing the feature, it's currently live in Discord's Game Labs server.

The Data Protection Commission in Ireland, Facebook's lead privacy regulator in Europe, has asked Facebook to demonstrate than an LED indicator light on its pair of "smart" Ray-Ban sunglasses -- which lights up when the user is taking a video -- is an effective way of putting other people on notice that they are being recorded by the wearer. TechCrunch reports: Italy's privacy watchdog, the Garante, already raised concerns about Facebook's smart glasses -- but Ireland has an outsized role as a regulator for the tech giant owing to where the company's regional base is located. The first Facebook Ray-Ban-branded specs went on sale earlier this month â" looking mostly like a standard pair of sunglasses but containing two 5 MP cameras mounted on the front that enable the user to take video of whatever they're looking at and upload it to a new Facebook app called View. (The sunglasses also contain in-frame speakers so the user can listen to music and take phone calls.) [...] The specs also include a front-mounted LED light which is supposed to switch on to indicate when a video is being recorded. However European regulators are concerned that what the DPC describes as a "very small" indicator is an inadequate mechanism for alerting people to the risk they are being recorded. Facebook has not demonstrated it conducted comprehensive field testing of the device with a view to assessing the privacy risk it may pose, it added.

"While it is accepted that many devices including smart phones can record third party individuals, it is generally the case that the camera or the phone is visible as the device by which recording is happening, thereby putting those captured in the recordings on notice. With the glasses, there is a very small indicator light that comes on when recording is occurring. It has not been demonstrated to the DPC and Garante that comprehensive testing in the field was done by Facebook or Ray-Ban to ensure the indicator LED light is an effective means of giving notice," the DPC wrote. Facebook's lead EU data protection regulator goes on to say it is calling on the tech giant to "confirm and demonstrate that the LED indicator light is effective for its purpose and to run an information campaign to alert the public as to how this new consumer product may give rise to less obvious recording of their images."

The 31st annual Ig Nobel Prizes were awarded at a special ceremony on September 9th, announced the magazine responsible for the event, the Annals of Improbable Research.

But this week they made another announcement. "YouTube's notorious takedown algorithms are blocking the video of the 2021 Ig Nobel Prize ceremony." We have so far been unable to find a human at YouTube who can fix that. We recommend that you watch the identical recording on Vimeo.

Here's what triggered this: The ceremony includes bits of a recording (of tenor John McCormack singing "Funiculi, Funicula") made in the year 1914.

YouTube's takedown algorithm claims that the following corporations all own the copyright to that audio recording that was MADE IN THE YEAR 1914: "SME, INgrooves (on behalf of Emerald); Wise Music Group, BMG Rights Management (US), LLC, UMPG Publishing, PEDL, Kobalt Music Publishing, Warner Chappell, Sony ATV Publishing, and 1 Music Rights Societies"