As a young rapper, Jay-Z once teamed up with Damon Dash to sell CDs of his music out of a car in the Brooklyn projects. Today, the co-founders of Roc-A-Fella Records are embroiled in a legal fight involving one of the most cutting-edge investments: non-fungible tokens. From a report: The lawsuit is among a flurry involving NFTs as U.S. courts begin to grapple with the novel legal issues surrounding ownership and regulation of the assets, which have recently exploded in value. More than half a dozen suits citing NFTs have been filed in federal courts alone since the start of 2020, as monthly trading volume in the world's biggest NFT marketplace, OpenSea, soared from $8 million six months ago to more than $1 billion in August.

The dispute began in June, when Roc-A-Fella sued Dash, seeking to stop him from auctioning off the copyright to Jay-Z's debut album, Reasonable Doubt, as an NFT, which represents ownership of a digital object on a blockchain. Roc-A-Fella says that while Dash holds a one-third stake in the company, it owns the album itself, and he has no legal right to sell the NFT. The Jay-Z suit should serve as a warning to buyers and sellers of NFTs to make sure both sides know exactly what's being sold, said Christopher A. Cole, a partner with Crowell & Moring LLP in Washington. "They need to be very careful up front, when the NFT is created, to ensure that it's a valid instrument and the creators had the rights they needed to what's being sold, so that it's not attacked down the road," Cole said. More litigation involving NFTs is likely, from lawsuits on behalf of consumers who didn't understand the nature of the rights they were acquiring to government enforcement actions to protect them, said Pratin Vallabhaneni, a partner with White & Case in Washington.

Comcast is gearing up to launch its own smart TVs: The company has struck a partnership with Chinese TV manufacturer Hisense to sell two smart TV models under the XClass TV brand, Protocol reported Tuesday. From the report: A number of clues left online suggests that a launch is imminent. XClass TVs run a version of Comcast's X1 operating system, which also powers the company's set-top boxes as well as its Xfinity Flex streaming box. However, unlike those devices, XClass TVs will be available to anyone, regardless of whether they subscribe to the company's cable services. The Wall Street Journal reported earlier this summer that Comcast had struck a partnership with Walmart to sell its smart TVs; Protocol was first to report about Comcast's plans to enter the smart TV platform business a year ago. While under development for some time, Comcast's smart TV efforts have picked up steam in recent months: The company registered a trademark for "X Class TV" in February. The official XClasstv.com website remains inaccessible, but the company inadvertently left a temporary staging site accessible to the public that reveals many details about the initiative.

"XClass TV is a smart TV that brings all your favorite apps, live channels, and On Demand movies and shows together in one place," that site explains in a FAQ. " XClass TV ... gives you thousands of free movies, shows, music, and more. And to find what you love faster, XClass TV comes with a voice remote that lets you control your TV and search across apps with just your voice." Among the tidbits leaked through this staging site: Hisense is making two 4K TV models, with screen sizes of 43 and 50 inches, respectively, for Comcast.

Facebook announced their long-awaited foray into the smart glasses space Thursday morning, launching the Ray-Ban Stories smart glasses in partnership with eyewear giant EssilorLuxottica. From a report: The svelte frames are some of the most low-profile yet available to consumers and will allow users to snap photos and videos with the two onboard 5 MP cameras, listen to music with in-frame speakers and take phone calls. The glasses need to be connected to an iOS or Android device for full functionality, though users can take and store hundreds of photos or dozens of videos on the glasses before transferring media to their phones via Facebook's new View app. The twin cameras will allow users to add 3D effects to their photos and videos once they upload them to the app.

The lightweight glasses weigh less than 50 grams and come with a leather hardshell charging case. The battery lift is advertised as "all-day" which TechCrunch found to be accurate during our review of the frames. Users will be able to control the glasses with a couple physical buttons including a "capture" button to record media and an on-off switch. A touch pad on the right arm of the glasses will allow users to perform functions like swiping to adjust the volume or answering a phone call. An onboard white LED will glow to indicate to the people around the wearer that a video is being recorded. The glasses will start at $299, with polarized and transition lens options coming in at a higher price point.

A 22-year-old Bitcoin millionaire wants Republicans to ditch their iPhones for a low-end handset that he hopes to turn into a political tool. From a report: It was a pitch tuned for a politically polarized audience. Erik Finman, a 22-year-old who called himself the world's youngest Bitcoin millionaire, posted a video on Twitter for a new kind of smartphone that he said would liberate Americans from their "Big Tech overlords." His splashy video, posted in July, had stirring music, American flags and references to former Presidents Abraham Lincoln and Donald J. Trump. Conservative pundits hawked Mr. Finman's Freedom Phone, and his video amassed 1.8 million views. Mr. Finman soon had thousands of orders for the $500 device. Then came the hard part: Building and delivering the phones. First, he received bad early reviews for a plan to simply put his software on a cheap Chinese phone. And then there was the unglamorous work of shipping phones, hiring customer-service agents, collecting sales taxes and dealing with regulators.

"I feel like practically I was prepared for anything," he said in a recent interview. "But I guess it's kind of like how you hope for world peace, in the sense you don't think it's going to happen." For even the most lavishly funded start-ups, it is hard to compete with tech industry giants that have a death grip on their markets and are valued in the trillions of dollars. Mr. Finman was part of a growing right-wing tech industry taking on the challenge nonetheless, relying more on their conservative customers' distaste for Silicon Valley than expertise or experience. [...] To make a smartphone, however, he had to rely on Google. The company's Android software already works with millions of apps, and Google makes a free, open version of the software for developers to modify. So Mr. Finman hired engineers to strip it of any sign of Google and load it with apps from conservative social networks and news outlets. Then he uploaded the software on phones he bought from China. To unveil the phone, he recorded an infomercial in which he cast the tech companies as enemies of the American way. "Imagine if Mark Zuckerberg banned MLK or Abraham Lincoln," he said in the video. "The course of history would have been altered forever."

[...] Thousands of people bought the $500 phone. Others, including some conservatives, quickly panned the animated pitch. Quickly, news outlets reported that the Freedom Phone was based on a low-cost handset from Umidigi, a Chinese manufacturer that had used chips shown to be vulnerable to hacks. Mr. Finman, who marketed the device as "the best phone in the world," was on the defensive. In an interview in July, Mr. Finman admitted that Umidigi made the phone but still said he was "100 percent" sure it was more secure than the latest iPhone. Apple has tens of thousands of engineers. Mr. Finman said he employed 15 people in Utah and Idaho.

Qualcomm says it's figured out a way to deliver lossless audio over Bluetooth, yielding quality that should be indistinguishable from uncompressed sources. And it's calling it aptX Lossless, the next generation of Qualcomm's proprietary audio format. From a report: Taking a "systems level approach," was the key, the company says, as it's "optimized a number of core wireless connectivity and audio technologies, including aptX Adaptive, which work together to auto detect and scale-up and are designed to deliver CD lossless audio when a user is listening to a lossless music file and the RF conditions are suitable." So, yes, there are a few caveats, and you'll need new hardware to get the full aptX Lossless experience -- that goes for the device you're streaming from (a phone, for instance), as well as your listening device, typically a pair of headphones. Qualcomm says devices that support aptX Lossless are expected to be available in early 2022. Its key specs are: Supports 44.1kHz, 16-bit CD lossless audio quality
Designed to scale-up to CD lossless audio based on Bluetooth link quality
User can select between CD lossless audio 44.1kHz and 24-bit 96kHz lossy
Auto-detects to enable CD lossless audio when the source is lossless audio
Mathematically bit-for-bit exact
Bit-rate : ~1Mbps

Today, Apple announced that it has acquired Primephonic, a service that specializes in streaming the classical genre, and will incorporate the app's functionality and playlists into Apple Music. The result will be "a significantly improved classical music experience," Apple said in a press release. There will also be a standalone Apple Music classical app coming sometime in 2022. The Verge reports: Effective immediately, Primephonic is no longer accepting new customers, and the service as it exists today will shut down on September 7th. Apple says Primephonic's playlists and "exclusive audio content" will be first to be integrated into Apple Music. Down the line, it'll add "the best features of Primephonic, including better browsing and search capabilities by composer and by repertoire, detailed displays of classical music metadata, plus new features and benefits." In a show of how serious Apple is about appealing to classical fans, the company says "a dedicated classical music app" will launch next year that will use Primephonic's "classical user interface that fans have grown to love."

YouTube has issued a cease-and-desist order against the creator of Groovy, who has agreed to shut down the widely-popular music bot on August 30th. PC Gamer reports: Effectively a tool for adding background tunes to a chat room, Groovy worked by pulling audio directly from YouTube videos, joining voice calls, and playing music queued up by users [...]. It was ridiculously popular, reportedly installed on over 16 million servers. But it seems Google wasn't so hot on the bot, with a spokesperson for the company told The Verge that Groovy violated YouTube's terms of service for "modifying the service and using it for commercial purposes."

In that same report, Groovy creator Nik Ammerlaan (who made the bot because "my friend's bot sucked and I thought I could make a better one") admitted that this was likely a long-time coming. Groovy circumvents YouTube's front-end and advertising entirely. "I'm not sure why they decided to send it [a cease and desist] now," said Ammerlaan. "They probably just didn't know about it, to be honest. It was just a matter of seeing when it would happen."

Nearly half of the U.S. (47.5%) has migrated to IPv6, ranking the U.S. sixth in percentage of users who have migrated to the latest version of the Internet Protocol. That estimate is based on an analysis of data about Google users — which also finds that India leads the world, with a 61.67% adoption rate. Inside.com's developer newsletter reports: The figures come from the latest Google IPv6 Statistics data organized and ranked by BBC Radio and Music's Lead Technical Architect for his blog. Malaysia and French Guiana came in second and third, respectively...

IPv6 is considered far more secure, faster, and powerful than its predecessor, IPv4, while offering more IP addresses. Test your IPv6 connectivity here.
After third place there's a close three-way race, where the U.S. has dropped from the #4 position earlier this week. As of today the U.S. is now in 6th place...

Fourth is France (48.38%) and Fifth is Taiwan (48.0%).

Canada ranks #20 (36.59%) and the UK ranks #24 (33.27%).

An anonymous reader quotes a report from Ars Technica: Sonos scored an early victory in its case against Google Friday, when the US International Trade Commission ruled that Google infringed five of Sonos' smart speaker patents. The ruling is preliminary and subject to a full ITC review, but it could lead to a ban on Google smart speakers. In January 2020, Sonos brought a patent infringement case against Google targeting Google's smart speakers, the Google Home, and later the Nest Audio line. Sonos is the originator of Internet-connected speakers that easily hook up to streaming services, while Google speakers combine a similar feature set with voice-activated Google Assistant commands. To hear Sonos tell the story, Google got a behind-the-scenes look at Sonos' hardware in 2013, when Google agreed to build Google Play Music support for Sonos speakers. Sonos claims Google used that access to "blatantly and knowingly" copy Sonos' audio features for the Google Home speaker, which launched in 2016.

TechCrunch got statements from both sides of the fight. First up, Sonos Chief Legal Officer Eddie Lazarus told the site, "Today the ALJ has found all five of Sonos' asserted patents to be valid and that Google infringes on all five patents. We are pleased the ITC has confirmed Google's blatant infringement of Sonos' patented inventions. This decision re-affirms the strength and breadth of our portfolio, marking a promising milestone in our long-term pursuit to defend our innovation against misappropriation by Big Tech monopolies." Meanwhile, Google said, "We do not use Sonos' technology, and we compete on the quality of our products and the merits of our ideas. We disagree with this preliminary ruling and will continue to make our case in the upcoming review process." A final ruling should happen on December 13, and it's not just speakers that could be banned if the two companies don't make nice. The products that connect to those speakers, like Pixels and Chromecasts, could also be banned.

There's something new in the world of expensive high-performance sportscars (or "hypercars".) Italian carmaker Automobili Pininfarina "has debuted the Battista, the first pure-electric hyper GT, on the streets of California as part of Monterey Car Week," reports Newsweek. (Alternate URL here.) The debut will give U.S. clients the chance to experience the 1,900 horsepower hypercar... [In a video] the Battista, crafted at Automobili Pininfarina's manufacturing facility in Italy, glides smoothly and quickly through California roads at speeds of over 100 miles per hour. The drive shows off the agility of the polished Impulso forged aluminum alloy wheels and exposed bodywork. Pulling off the road, the scissor doors swing open, highlighting the Black Exposed Signature Carbon bodywork.

Supplying the 1,900 hp is a 120-kilowatt-hour battery that powers four electric motors, one in each wheel, that gets about 1696 pound-feet of torque. On a single charge, the car is expected to get a range of over 310 miles.

With an emphasis on the company's "Pure Sound" philosophy and drawing from music theory, the bespoke design of the car is built to have a core frequency of 54 hertz (hz). Wanting to provide an emotional experience for the driver, the organic frequency will rise in multiples of 54 hz as the speed increases.
The company's product platform director of sports cars explains on their web site that "Every driver has an emotional bond with a car and the sound of Battista will nurture this connection, not by replicating a familiar car sound, but with one that radiates the beauty of Battista's design both inside and out. This way, the Battista will not only impress with its aesthetic appeal and performance, but also on a new emotional level enhanced through the sound."

The company's web site also calls it "the most powerful road-legal Italian sports car ever produced."

Ezra Klein, writing at The New York Times: Think about it this way: The internet we have allows for the easy transfer of information. We costlessly swap copies of news articles, music files, video games, pornography, GIFs, tweets and much more. The internet is, famously, good at making information nearly free. But for precisely that reason, it is terrible at making information expensive, which it sometimes needs to be. What the internet is missing, in particular, are ways to verify identity, ownership and authenticity -- the exact things that make it possible for creators to get paid for their work (for more on this, I highly recommend Steven Johnson's article "Beyond the Bitcoin Bubble").

That's one reason the riches of the web haven't been more widely shared: You get rich selling access to the internet or by building companies that add convenience and features to the internet. So Facebook got rich by building a proprietary infrastructure for identity, and Spotify created a service in which artists could eke out payment from works that were otherwise just being pirated. The actual creators who make the internet worth visiting are forced to accept the exploitative, ever-changing terms of digital middlemen.

This is the problem that the technology behind crypto solves, at least in theory: If the original internet let you easily copy information, the next internet will let you easily trade ownership of digital goods. Crypto lets you make digital goods scarce, which increases their value; it lets you prove ownership, which allows you to buy and sell them; and it makes digital identities verifiable, as that's merely information you own. Together, they unlock the potential for a true economy for digital goods, where creators actually get rewarded for what they make. I will admit to some skepticism that this is how it'll play out, because many of the financiers funding crypto also founded and sit on the boards of the companies that set the terms of today's internet, but we'll see.

Sonos became a favorite with audiophiles by selling sleek, wireless speakers for streaming music long before technology titans such as Alphabet''s Google entered the market with cheaper, internet-connected models. Now Sonos is hoping a U.S. trade judge finds Friday that its partner turned foe, Google, infringed its patents for multiroom audio systems. From a report: Sonos is asking U.S. International Trade Commission Judge Charles Bullock to support its bid to block imports of Google's Home and Chromecast systems and Pixel phones and laptops, which are made in China. "Google has thrown everything at us in this case, but we believe that the evidence before the ITC demonstrates Google to be a serial infringer of Sonos' valid patents and that the ITC case represents just the tip of the iceberg," Sonos Chief Legal Officer Eddie Lazarus said in an earnings call Wednesday.

The dispute has caught the attention of regulators and Congress who are investigating whether the big Silicon Valley tech companies have become too powerful. Sonos officials urged politicians to beef up antitrust laws and enforcement against companies like Google and Amazon.com. Sonos and Google have each accused the other of bad behavior, and suits have been filed in California, Texas, Canada, France, Germany and the Netherlands. A federal judge last year said the legal fees being incurred in the global battle "will likely have been able to build dozens of schools, pay all the teachers, and provide hot lunches to the children." Sonos is fighting over what CEO Patrick Spence says is the "Golden Age of Audio." Buoyed by consumers who buy more audiobooks, streaming music and podcasts and are looking for "theater-like" sound while watching movies from home, the focus on home sound systems is likely to survive even after the Covid-19 pandemic and work-from-home orders end.

WhatsApp users will finally be able to move their entire chat history between mobile operating systems -- something that's been one of users' biggest requests to date. From a report: The company today introduced a feature that will soon become available to users of both iOS and Android devices, allowing them to move their WhatsApp voice notes, photos, and conversations securely between devices when they switch between mobile operating systems.

The feature WhatsApp introduced today works with Samsung devices and Samsung's own transfer tool, known as Smart Switch. Today, Smart Switch helps users transfer contacts, photos, music, messages, notes, calendars, and more to Samsung Galaxy devices. Now, it will transfer WhatsApp chat history, too. WhatsApp showed off the new tool at Samsung's Galaxy Unpacked event, and announced Samsung's newest Galaxy foldable devices would get the feature first in the weeks to come. The feature will later roll out to Android more broadly. WhatsApp didn't say when iOS users would gain access.

"GitHub has announced a partnership with the Stanford Law School to support developers facing takedown requests related to the Digital Millennium Copyright Act (DMCA)," reports VentureBeat: While the DMCA may be better known as a law for protecting copyrighted works such as movies and music, it also has provisions (17 U.S.C. 1201) that criminalize attempts to circumvent copyright-protection controls — this includes any software that might help anyone infringe DMCA regulations. However, as with the countless spurious takedown notices delivered to online content creators, open source coders too have often found themselves in the DMCA firing line with little option but to comply with the request even if they have done nothing wrong. The problem, ultimately, is that freelance coders or small developer teams often don't have the resources to fight DMCA requests, which puts the balance of power in the hands of deep-pocketed corporations that may wish to use DMCA to stifle innovation or competition. Thus, GitHub's new Developer Rights Fellowship — in conjunction with Stanford Law School's Juelsgaard Intellectual Property and Innovation Clinic — seeks to help developers put in such a position by offering them free legal support.

The initiative follows some eight months after GitHub announced it was overhauling its Section 1201 claim review process in the wake of a takedown request made by the Recording Industry Association of America (RIAA), which had been widely criticized as an abuse of DMCA... [M]oving forward, whenever GitHub notifies a developer of a "valid takedown claim," it will present them with an option to request free independent legal counsel.

The fellowship will also be charged with "researching, educating, and advocating on DMCA and other legal issues important for software innovation," GitHub's head of developer policy Mike Linksvayer said in a blog post, along with other related programs.
Explaining their rationale, GitHub's blog post argues that currently "When developers looking to learn, tinker, or make beneficial tools face a takedown claim under Section 1201, it is often simpler and safer to just fold, removing code from public view and out of the common good.

"At GitHub, we want to fix this."

H_Fisher writes: Only one copy exists of the Wu-Tang Clan album Once Upon a Time in Shaolin, and it was owned by "Pharma Bro" Martin Shkreli. Now, NPR reports that this album has been sold by the U.S. government to an unnamed buyer in order to pay Shkreli's civil forfeiture judgment following his conviction for securities fraud. The album, which was originally sold for $2 million, exists only as one physical CD copy. It was seized along with other assets in 2018, and while the sale price and buyer weren't identified, Shkreli's attorney says that his client has now repaid the $7.4 million forfeiture judgement.

"Fans of Japanese video games couldn't believe their ears as Olympic athletes paraded into Tokyo's National Stadium during the opening ceremony for the 2020 Games on Friday..." reports the Huffington Post. During the Parade of Nations section of the ceremony, "The orchestra was playing tunes from some of their favorite games." In a celebration of Japanese popular culture that is appreciated worldwide, the entry parade was set to tunes from games developed by Sega, Capcom and Square Enix. It kicked off with "Overture: Roto's Theme" from Dragon Quest. Next up was "Victory Fanfare" from Final Fantasy. The parade featured more tunes from Monster Hunter, Soulcaliber and Sonic the Hedgehog. According to Classic FM, the music from Kingdom Hearts was composed by Yoko Shimomura, who is responsible for the music for some of the biggest video games ever made. Fans were delighted to hear her work being incorporated into the ceremony.

While the list didn't feature widely recognized tunes from cultural juggernauts like Mario Bros. or The Legend of Zelda, the music helped give a sense of atmosphere to the ceremony, which was held in almost an empty stadium due to coronavirus restrictions.
There's even an elaborate doodle at Google.com commemorating the Opening Ceremonies with an anime animation that leads to a multi-level 1980s-style videogame in which Lucky the cat competes in various sporting events. (Though the Huffington Post notes that in the real world, about 1,000 people sat in the 68,000-capacity stadium.)

The Washington Post reports the Japanese public "overwhelmingly opposed hosting the Olympics as a new wave of the pandemic hit the country." But unfortunately, host city Tokyo signed a contract agreeing the event could only be cancelled by the International Olympic Committee, and now "There's the possibility — once utterly remote — that Japanese voters could kick Prime Minister Yoshihide Suga out of power in parliamentary elections later this year."

Clubhouse announced Wednesday that it would end its waitlist and invite system, opening up to everyone. TechCrunch reports: Clubhouse is also introducing a real logo that will look familiar -- it's basically a slightly altered version of the waving emoji the company already used. Clubhouse will still hold onto its app portraits, introducing a new featured icon from the Atlanta music scene to ring in the changes. "The invite system has been an important part of our early history," Clubhouse founders Paul Davison and Rohan Seth wrote in a blog announcement. They note that adding users in waves and integrating new users into the app's community through Town Halls and orientation sessions helped Clubhouse grow at a healthy rate without breaking, "but we've always wanted Clubhouse to be open."

According to new data SensorTower provided to TechCrunch, Clubhouse hit its high point in February at 9.6 million global downloads, up from 2.4 million the month prior. After that, things settled down a bit before perking back up in May when TikTok went live on Android through the Google Play Store. Since May, new Android users have accounted for the lion's share of the app's downloads. In June, Clubhouse was installed 7.7 million times across both iOS and Android -- an impressive number that's definitely in conflict with the perception that the app might not have staying power.

Clubhouse's success is a double-edged sword. The app's meteoric rise came as a surprise to the team, as meteoric rises often do. The social app is still a wild success by normal metrics in a landscape completely dominated by a handful of large, entrenched platforms, but it can be tricky to maintain healthy momentum after such high highs. Opening up the app to everybody should certainly help.

An anonymous reader quotes a report from Ars Technica: Muse Group -- owner of the popular audio-editing app Audacity -- is in hot water with the open source community again. This time, the controversy isn't over Audacity -- it's about MuseScore, an open source application that allows musicians to create, share, and download musical scores (especially, but not only, in the form of sheet music). The MuseScore app itself is licensed GPLv3, which gives developers the right to fork its source and modify it. One such developer, Wenzheng Tang ("Xmader" on GitHub) went considerably further than modifying the app -- he also created separate apps designed to bypass MuseScore Pro subscription fees. After thoroughly reviewing the public comments made by both sides at GitHub, Ars spoke at length with Muse Group Head of Strategy Daniel Ray -- known on GitHub by the moniker "workedintheory" -- to get to the bottom of the controversy.

While Xmader did, in fact, fork MuseScore, that's not the root of the controversy. Xmader forked MuseScore in November 2020 and appears to have abandoned that fork entirely; it only has six commits total -- all trivial, and all made the same week that the fork was created. Xmader is also currently 21,710 commits behind the original MuseScore project repository. Muse Group's beef with Xmader comes from two other repositories, created specifically to bypass subscription fees. Those repositories are musescore-downloader (created November 2019) and musescore-dataset (created March 2020). Musescore-downloader describes itself succinctly: "download sheet music from musescore.com for free, no login or MuseScore Pro required." Musescore-dataset is nearly as straightforward: it declares itself "the unofficial dataset of all music sheets and users on musescore.com." In simpler terms: musescore-downloader lets you download things from musescore.com that you shouldn't be able to; musescore-dataset is those files themselves, already downloaded. For scores that are in the public domain or that users have uploaded under Creative Commons licenses, this isn't necessarily a problem. But many of the scores are only available by arrangement between the score owner and Muse Group itself -- and this has several important implications.

Just because you can access the score via the app or website doesn't mean you're free to access it anywhere, anyhow, or redistribute that score yourself. The distribution agreement between Muse Group and the rightsholder allows legitimate downloads, but only when using the site or app as intended. Those agreements do not give users carte blanche to bypass controls imposed on those downloads. Further, those downloads can often cost the distributor real money -- a free download of a score licensed to Muse Group by a commercial rightsholder (e.g., Disney) is generally not "free" to Muse Group itself. The site has to pay for the right to distribute that score -- in many cases, based on the number of downloads made. Bypassing those controls leaves Muse Group on the hook either for costs it has no way to monetize (e.g., by ads for free users) or for violating its own distribution agreements with rightsholders (by failing to properly track downloads).

An anonymous reader shares a report: Earlier this week, I bought a month of Starz for a fraction of its typical asking price. Instead of paying $9 per month, I paid $3.24. Then I added a subscription to Spotify for $3.49, and a Disney Plus subscription for just $3. All told, my bill comes to about $10 per month for $28 worth of services. Those cut-rate subscriptions come courtesy of Together Price, a service that lets people rent out access to a share of their digital subscriptions. In exchange for a cut of each transaction, Together Price essentially serves as a marketplace for organized password sharing. The service, which started five years ago in Europe and has 80,000 paying customers, just launched in the U.S. last week.

While Together Price isn't the first service to make password sharing easier, it's definitely the most brazen. Still, CEO Marco Taddei insists that the service is legal and that it technically honors each subscription's terms of use. He also believes the service is helping companies retain users that they'd otherwise lose. "We are targeting the very specific audience that needs to share," he says. "If [subscription providers] are not going to allow them do so so, they are going to drop the subscriptions." After signing up for Together Price, you can browse a "network" of users offering to share their subscriptions. Most major streaming video and music services are available, including Netflix, Spotify, Disney Plus, HBO Max, and Hulu, but sharing isn't limited to media. Some users are also peddling subscriptions to software tools such as Canva Pro and Surfshark VPN, and the site lets you set up custom subscriptions for pretty much anything by listing the service name, price, and sharing rules. For each service, you send a request to the subscription owner and submit credit card information to Together Price. Once the owner accepts the request, Together Price processes the payment, and you're allowed into a group where you can view login details and chat with the other members.

Long-time Slashdot reader phalse phace writes: 2021 is turning out to be an even stronger year for vinyl album sales than in 2020.

In the first six months of 2021, 19.2 million vinyl albums were sold, outpacing CD volume of 18.9 million, according to MRC Data, an analytics firm that specializes in collecting data from the entertainment and music industries. That is a 108% increase from the 9.2 million that were sold during the same period in 2020.

And according to MRC Data, Record Store Day 2021 helped to sell 1.279 million vinyl albums in the U.S. in the week ending June 17, a record for a Record Store Day week and the third-largest week for vinyl album sales since MRC Data began electronically tracking sales in 1991. Further, with 942,000 vinyl albums sold at independent record stores in the week ending June 17, that marks the largest week ever for the format at the indie sector in MRC Data history.