As Comic-Con hits San Diego, "part of the big news in 2024 is that the con won't have a corresponding virtual or online event this year," according to Polygon, "for the first time since 2019."

But there's still some big scifi media news, according to CNET's Comic-Con coverage: Disney revealed a new Doctor Who addition to the franchise that will jump back to the 1970s with the Sea Devils, an ancient group of beings who arise from the sea. Made in partnership with the BBC, the series... will air on Disney Plus, where fans can currently stream season 14 of Doctor Who starring Ncuti Gatwa.
And there's also an upcoming Doctor Who Christmas special.

Meanwhile, Saturday night, USA Today ran a special article with late-breaking announcements about Marvel's Cinematic Universe: Marvel has already won Comic-Con, with a raucous screening of "Deadpool & Wolverine" followed by a high-tech drone show, and the box office, with the new movie on track to have one of the best openings of all time... Robert Downey Jr. returns to the MCU as Doctor Doom in Avengers: Doomsday. Kevin Feige says the Fantastic Four will be in the next two Avengers movies... And here comes the Fantastic Four [movie] a year from now. It starts filming Tuesday in the UK...
The article says Marvel's Fantastic Four presentation included "a Fantasti-Car that hovers across the stage — and that castmembers also appeared from the upcoming Thunderbolts* movie.

More geeky news:

• Amazon Prime showed a new four-minute trailer with clips from season two of its J.R.R. Tolkein prequel, "The Rings of Power". (And there was also a three-minute blooper reel for Season 4 of Prime's superhero-themed series, "The Boys".)

• Paramount+ showed a trailer for the Star Trek universe's first streaming movie, Section 31. There was also a trailer for season 5 of the animated comedy Star Trek: Lower Decks — plus a particularly strange clip from the fourth season of Star Trek: Strange New Worlds.

• Keanu Reeves accepted the Inkpot award for his contribution to the world of film and comics — partly because since 2021 Reeves has been co-authoring a Kickstarter-funded comic book called BRZRKR. (Netflix plans to adapt it into a movie.)

• Next February will see the release of Captain America: Brave New World, in which the Incredible Hulk may get some competition from Harrison Ford, who's been cast as the Red Hulk.

But things got a little too real Friday when a fire at a nearby steakhouse forced the evacuation of the immersive "Penguin Lounge" — which was promoting Max's new prequel series to 2022's movie The Batman.

An anonymous reader quotes a report from The Guardian: The prestigious Hugo awards for science fiction and fantasy writing has revealed that almost 400 votes -- about 10% of all votes cast in this year's awards -- were fraudulently paid for to help one finalist win. The Hugo administration subcommittee, which tallies the votes for the annual awards, issued a statement on Monday saying that they had determined that 377 votes had been cast by individuals with "obvious fake names and/or other disqualifying characteristics." These included voters with almost identical surnames, with just one letter changed and placed in alphabetical order, and some whose names were "translations of consecutive numbers."

The voting pattern was "startlingly and obviously different" to anything the members of the current Hugo administration subcommittee had ever seen, and most of the votes favored one finalist, who the subcommittee called "Finalist A." "We have no evidence that Finalist A was at all aware of the fraudulent votes being cast for them, let alone in any way responsible for the operation. We are therefore not identifying them," the subcommittee said. Only members of the World Science Fiction Society (WSFS) can nominate works for the Hugos and vote on finalists, which costs a minimum of 45 pounds each year. Based on the Hugo administration subcommittee's tally, paying for 377 memberships would have cost at least $22,000. The Hugo administration subcommittee said they received "a confidential report that at least one person had sponsored the purchase of WSFS memberships by large numbers of individuals, who were refunded the cost of membership after confirming that they had voted as the sponsor wished." The subcommittee said the finalist has not been disqualified but didn't win their category without the invalid votes.

"We want to reassure 2024 Hugo voters that the ballots cast were counted fairly," their statement said. "Most of all, we want to assure the winners of this year's Hugos that they have won fair and square, without any arbitrary or unexplained exclusion of votes or nominees and without any possibility that their award had been gained through fraudulent means."

In February, the Hugo awards came under fire over censorship accusations that it was excluding several authors at its event in China.

Robin McKie writes via The Guardian: Scientists with Breakthrough Listen, the world's largest scientific research program dedicated to finding alien civilizations, say a host of technological developments are about to transform the search for intelligent life in the cosmos. These innovations will be outlined at the group's annual conference, which is to be held in the UK for the first time, in Oxford, this week. Several hundred scientists, from astronomers to zoologists, are expected to attend. "There are amazing technologies that are under development, such as the construction of huge new telescopes in Chile, Africa and Australia, as well as developments in AI," said astronomer Steve Croft, a project scientist with Breakthrough Listen. "They are going to transform how we look for alien civilizations."

Among these new instruments are the Square Kilometer Array, made up of hundreds of radio telescopes now being built in South Africa and Australia, and the Vera Rubin Observatory that is being constructed in Chile. The former will become the world's most powerful radio astronomy facility while the latter, the world's largest camera, will be able to image the entire visible sky every three or four nights, and is expected to help discover millions of new galaxies and stars. Both facilities are set to start observations in the next few years and both will provide data for Breakthrough Listen. Using AI to analyze these vast streams of information for subtle patterns that would reveal evidence of intelligent life will give added power to the search for alien civilizations, added Croft.

"Until now, we have been restricted to looking for signals deliberately sent out by aliens to advertise their existence. The new techniques are going to be so sensitive that, for the first time, we will be able to detect unintentional transmissions as opposed to deliberate ones and will be able to spot alien airport radar, or powerful TV transmitters -- things like that." [...] Croft remains optimistic that we will soon succeed in making contact. "We know that the conditions for life are everywhere, we know that the ingredients for life are everywhere. I think it would be deeply weird if it turned out we were the only inhabited planet in the galaxy or in the universe. But you know, it's possible."

It's been adapted into a graphic novel, a videogame, a radio play, and an opera, according to Wikipedia — which also describes years of trying to adapt Neuromancer into a movie. "The landmark 1984 cyberpunk novel has been on Hollywood's wishlist for decades," writes Gizmodo, "with multiple filmmakers attempting to bring it to the big screen." (Back in 2010, Slashdot's CmdrTaco even posted an update with the headline "Neuromancer Movie In Your Future?" with a 2011 story promising the movie deal was "moving forward....")

But now Deadline reports it's becoming a 10-episode series on Apple TV+ (co-produced by Apple Studios) starring Callum Turner and Brianna Middleton: Created for television by Graham Roland and JD Dillard, Neuromancer follows a damaged, top-rung super-hacker named Case (Turner) who is thrust into a web of digital espionage and high stakes crime with his partner Molly (Middleton), a razor-girl assassin with mirrored eyes, aiming to pull a heist on a corporate dynasty with untold secrets.
More from Gizmodo: "We're incredibly excited to be bringing this iconic property to Apple TV+," Roland and Dillard said in a statement. "Since we became friends nearly 10 years ago, we've looked for something to team up on, so this collaboration marks a dream come true. Neuromancer has inspired so much of the science fiction that's come after it and we're looking forward to bringing television audiences into Gibson's definitive 'cyberpunk' world."
The novel launched Gibson's "Sprawl" trilogy of novels (building on the dystopia in his 1982 short story "Burning Chrome"), also resurrecting the "Molly Millions" character from Johnny Mnemonic — an even earlier short story from 1981...

The Roddenberry Foundation — named for Star Trek creator Gene Roddenberry — "announced Tuesday that this year's biennial award would focus on artificial intelligence that benefits humanity," reports the Los Angeles Times: Lior Ipp, chief executive of the foundation, told The Times there's a growing recognition that AI is becoming more ubiquitous and will affect all aspects of our lives. "We are trying to ... catalyze folks to think about what AI looks like if it's used for good," Ipp said, "and what it means to use AI responsibly, ethically and toward solving some of the thorny global challenges that exist in the world...."

Ipp said the foundation shares the broad concern about AI and sees the award as a means to potentially contribute to creating those guardrails... Inspiration for the theme was also borne out of the applications the foundation received last time around. Ipp said the prize, which is "issue-agnostic" but focused on early-stage tech, produced compelling uses of AI and machine learning in agriculture, healthcare, biotech and education. "So," he said, "we sort of decided to double down this year on specifically AI and machine learning...."

Though the foundation isn't prioritizing a particular issue, the application states that it is looking for ideas that have the potential to push the needle on one or more of the United Nations' 17 sustainable development goals, which include eliminating poverty and hunger as well as boosting climate action and protecting life on land and underwater.
The Foundation's most recent winner was Sweden-based Elypta, according to the article, "which Ipp said is using liquid biopsies, such as a blood test, to detect cancer early."

"We believe that building a better future requires a spirit of curiosity, a willingness to push boundaries, and the courage to think big," said Rod Roddenberry, co-founder of the Roddenberry Foundation. "The Prize will provide a significant boost to AI pioneers leading these efforts." According to the Foundation's announcement, the Prize "embodies the Roddenberry philosophy's promise of a future in which technology and human ingenuity enable everyone — regardless of background — to thrive."

"By empowering entrepreneurs to dream bigger and innovate valiantly, the Roddenberry Prize seeks to catalyze the development of AI solutions that promote abundance and well-being for all."

Space.com calls it a movie "adding more combustible material to the inferno of AI unease sweeping the globe." Its director tells them James Cameron was a huge inspiration, saying Atlas "has an Aliens-like vibe because of the grounded, grittiness to it." (You can watch the movie's trailer here...)

But Tom's Guide says "the reviews are just as shocking as the movie's AI." Its "audience score" on Rotten Tomatoes is 55% — but its aggregate score from professional film critics is 16%. The Hollywood Reporter called it "another Netflix movie to half-watch while doing laundry." ("The star plays a data analyst forced to team up with an AI robot in order to prevent an apocalypse orchestrated by a different AI robot...") The site Giant Freakin Robot says "there seems to be a direct correlation between how much money the streaming platform spends on green screen effects and how bad the movie is" (noting the film's rumored budget of $100 million)...

But Tom's Guide defends it as a big-budget sci-fi thriller that "has an interesting premise that makes you think about the potential dangers of AI progression." Our world has always been interested in computers and machines, and the very idea of technology turning against us is unsettling. That's why "Atlas" works as a movie, but professional critics have other things to say. Ross McIndoe from Slant Magazine said: "Atlas seems like a story that should have been experienced with a gamepad in hand...." Todd Gilchrist from Variety didn't enjoy the conventional structure that "Atlas" followed...

However, even though the score is low and the reviews are pretty negative, I don't want to completely bash this movie... If I'm being completely honest, most movies and TV shows nowadays are taken too seriously. The more general blockbusters are supposed to be entertaining and fun, with visually pleasing effects that keep you hooked on the action. This is much like "Atlas", which is a fun watch with an unsettling undertone focused on the dangers of evolving AI...

Being part of the audience, we're supposed to just take it in and enjoy the movie as a casual viewer. This is why I think you should give "Atlas" a chance, especially if you're big into dramatic action sequences and have enjoyed movies like "Terminator" and "Pacific Rim".

Police officers in Britain could be armed with Ghostbusters-style devices that fire electromagnetic rays to shut down the engines of ebikes being used in a crime. From a report: Gavin Stephens, chair of the National Police Chiefs' Council (NPCC), said the weapon was in development and could be months away from being available, though it is expected to be longer than that. He said it would be housed in a backpack, reminiscent of the equipment used in the Ghostbusters series of movies. It could tackle crime linked to newer vehicles such as electric bikes and electric scooters.

The device is being developed with the Defence Science and Technology Lab, which is overseen by the Ministry of Defence, alongside other technological innovations that British police are hoping to use. It would fire an electromagnetic pulse at a vehicle that an officer wants to stop because the rider is suspected of involvement in a crime. The electromagnetic weapon works by tricking the engine into thinking it is overheating, which shuts down the engine and brings the vehicle to a stop. It requires a line of sight to work, Stephens said.

Stephens told a media briefing: "Basically, it interferes with the electric motor, to trick the electric motor into thinking it is overheating. It sends a signal to confuse the electric motor. All these electric motors apparently have an inbuilt safety system that if it thinks it's overheating, it shuts down. At the minute, it's like a ginormous backpack." The equipment was demonstrated to police leaders at the Farnborough technology show earlier this year. Stephens said: "They were also telling me it has the potential to be useful with normal combustion engine vehicles."

This year's Free Comic Book Day coincided with Star Wars Day. So there's two new free Star Wars titles being handed out today in comic shops around the world.

They're among several geek-friendly titles among the 48 free comics that fans will get to choose from during this once-a-year event, including:

- Street Fighter vs Final Fight
- Jonny Quest
- Teenage Mutant Ninja Turtles
- Conan the Barbarian
- Flash Gordon

And, of course, four from Marvel Comics.

More details from IGN: DC is about to kick off Absolute Power, a major crossover event that involves Amanda Waller teaming with Batman's rogue android Failsafe and the Brainiac Queen to drain the world's heroes of their power. This prologue issue serves as a primer for the event...

Alongside their Conan issue, Titan is also releasing a new Doctor Who comic that has the distinction of being the first story to feature Ncuti Gatwa's Fifteenth Doctor...

Robert Kirkman's Skybound has been busy establishing a new shared Energon Universe, one which comprises Kirkman and Lorenzo De Felici's Void Rivals as well as the Transformers and G.I. Joe franchises... This issue features new stories for all three series and is designed to be an easy gateway into this rapidly growing comic book line.
There's a Stranger Things story, an Archie Horror comic, and the story of how Popeye lost his eye.

The event is designed to help the industry by attracting comic book readers to independent comic book stores -- and in 2017 NPR offered this advice for visiting comics fans. "While you're there, buy something... The comics shops still have to pay for the 'free' FCBD books they stock, and they're counting on the increased foot traffic to lift sales."

Disneyland is a proposing part of its park be dedicated to James Cameron's Avatar, reports SFGate. "The rendering isn't a carbon copy of the Pandora land in Disney World's Animal Kingdom; instead, it's themed more closely to the recent sequel, Avatar: The Way of Water." The teaser was dropped as part of Wednesday's company shareholders meeting. The concept art shows a large lake in the middle of the land, surrounded by the signature floating mountains that loom over Animal Kingdom's Pandora. Boats filled with guests can be seen in the water, suggesting some sort of ride. No attractions have been announced for the land yet. Animal Kingdom has two: the spectacular flight simulator Flight of Passage and bucolic indoor boat ride Na'vi River Journey...

There's no timeline for construction to begin. Disney officials have consistently referred to it as a "potential" project, often calling it an "experience" rather than a land.

An anonymous reader writes: Variety reports that following the massive box office success of Dune: Part Two, Legendary has tapped Denis Villeneuve for a third installment that would presumably continue the story of how Paul Atreides goes on to conquer the galaxy. Earlier this year, Villeneuve told Empire that he had already "put words on paper" thinking about where he would like to take the Dune franchise going forward. Legendary has yet to announce any sort of timeline for when production on Dune 3 might begin. But the studio intends for the movie to debut before its next project with Villeneuve -- an adaptation of Nuclear War: A Scenario, Annie Jacobsen's 2024 Pulitzer Prize-nominated nonfiction book about how nuclear war scenarios would likely play out.

An anonymous reader writes: In the early 70s, young filmmakers John Carpenter and Dan O'Bannon created a spaceship tale for a graduation project -- little knowing it would influence Alien and many other works. Made for $60,000 by film school students, horror maestro John Carpenter's directorial debut Dark Star is now regarded as a sci-fi cult classic. Having just turned 50 years old, it's a world away from much of the sci-fi that came before it and would come after, neither space odyssey nor space opera, rather a bleak, downbeat and often absurd portrait of a group of people cooped together in a malfunctioning interstellar tin can. Arguably its most famous scene consists of an existential debate between an astronaut and a sentient bomb. Dark Star was a collaboration between Carpenter, who directed and scored the film, and Dan O'Bannon, who in addition to co-writing the script, acted as editor, production designer, and visual effects supervisor, as well as playing the volatile, paranoid Sergeant Pinback. They met as budding filmmakers at the University of Southern California. "While [Carpenter and O'Bannon] couldn't be more dissimilar in personality, they were both very energetic and focused," says Daniel Griffiths, director of Let There Be Light: The Odyssey of Dark Star (2010), the definitive documentary about the making of the film.

The sci-fi films of this period tended to be bleak and dystopian, explains John Kenneth Muir, author of The Films of John Carpenter -- films like Silent Running (1972), in which all plant life on Earth is extinct, or George Lucas's 1971 debut THX-1138, in which human emotion is suppressed. "Dark Star arrived in this world of dark, hopeless imaginings, but took the darkness one step further into absurd nihilism." Carpenter and O'Bannon set out to make the "ultimate riff on Stanley Kubrick's 2001: A Space Odyssey," says Griffiths. While Kubrick's 1968 film, explains Muir, was one "in which viewers sought meaning in the stars about the nature of humanity, there is no meaning to life in Dark Star". Rather, says Muir, it parodies 2001 "with its own sense of man's irrelevance in the scheme of things". Where Kubrick scored his film with classical music, Dark Star opens with a country song, Benson, Arizona. (A road in the real-life Benson is named in honor of the film). The film was even released with the tagline "the spaced-out odyssey." Dark Star captured the mood of the time in which it was made, says Muir, the atmosphere of Nixon's America. "The 1960s was all about utopian dreaming and bringing change to America in the counterculture. The 1970s represent what writer Johnny Byrne called 'The wake-up from the hippie dream', a reckoning with the fact that the more things change, the more they stay the same." [...]

When Dark Star premiered at the FILMEX expo in 1974, the audience response was largely positive. "They recognized the film's absurdist humor and celebrated its student film roots," says Griffiths. It had a limited theatrical release in 1975, but it was not a commercial success. "The film met with negative reviews from critics, and general disinterest from audiences," says Muir. "Both Carpenter and O'Bannon realized that all the struggles they endured to make the film did not matter to audiences, they only cared about the finished product. I think they were discouraged," says Griffiths. The growth of the VHS market, however, helped it find its audience and propelled it towards cult status. Its influence can still be felt, perhaps most directly in Ridley Scott's Alien, for which O'Bannon, who died in 2009, wrote the screenplay. The two films share DNA. Alien is also set on a grotty working vessel with a bickering crew, only this time the alien wasn't played for laughs.

Deadline: Drew Goddard, the Oscar-nominated screenwriter of The Martian who also directed The Cabin in the Woods, has been set to write and direct a new Matrix movie at Warner Bros. The franchise's original co-scribe and co-director Lana Wachowski is executive producing. It's still early days in regards to whether core cast members Keanu Reeves, Carrie Anne-Moss, Laurence Fishburne, Hugo Weaving and Jada Pinkett Smith are coming back.

Goddard will produce with partner Sarah Esberg (Moonlight, If Beale Street Could Talk) via their Goddard Textiles banner. "Drew came to Warner Bros with a new idea that we all believe would be an incredible way to continue the Matrix world, by both honoring what Lana and Lilly began over 25 years ago and offering a unique perspective based on his own love of the series and characters," said Jesse Ehrman, Warner Bros Motion Pictures President of Production. "The entire team at Warner Bros Discovery is thrilled for Drew to be making this new Matrix film, adding his vision to the cinematic canon the Wachowskis spent a quarter of a century building here at the studio."

AmiMoJo writes: In a major surprise, all twenty episodes of the second season of the animated series 'Star Trek: Prodigy' have suddenly been made available in France thanks to broadcaster France Televisions.

According to TrekCentral it seems France.TV, the online streaming service for the national public broadcaster, has released the entirety of the second season all at once and without any prior warning or announcement.

This has led to questions online as to how this happened. Paramount+ unexpectedly canceled the series in June last year -- even as a second season had almost finished production and was completed shortly after. It took numerous fan campaigns and social media protests but ultimately Netflix picked up both completed seasons in October 2023. The streamer has confirmed the twenty episode second season will arrive this year but hasn't set a specific date as yet.

Today's unexpected release in France has many wondering if this a mistake, or is this the result of a specific licensing deal with that country and distributor. Either way, spoilers for the new season are already flooding online along with a lot of people calling for fans to wait for the official release and support the creators.

Whether intentional or not, it's not clear if Netflix will shift its release strategy for the new season in the wake of this.

"It was three years of my, life you know?" a 93-year-old William Shatner tells the Guardian when asked about playing Captain Kirk on the original Star Trek series from 1967 to 1969: It gladdens him to see how much joy the series has brought its many fans, but the richest rewards came in his introduction to science fiction, which activated and nurtured a lifelong curiosity about our species. He reminisces about meeting the great writers of the genre fondly yet frankly, honest enough to sort Ray Bradbury into "the category right below friend, I think". He devoured their novels and developed a fascination with the principle of defamiliarization, that concepts taken for granted can be understood anew when viewed through the vantage of a stranger in a strange land. "Good science fiction is humanity, moved into a different milieu," he says.
Even on a grander scale, "The universe charms him with its mysteries," writes the Guardian, calling it "the key to maintaining wonder through nearly a century of life. He likes the not-knowing."

You can see this at play when the TV starship captain became a real-life spacefarer in 2021: Liberated by weightlessness, he found himself utterly transformed by the rush of perspective one can only assume miles above the Earth. "It's very personal, what you see from up there, what you read into the stillness," he says. "I saw the blankness of space as death, but an astronaut will see something else entirely. And when I looked back at the Earth, I saw life."

The question of mortality hangs over Shatner, albeit not in a morbid way. He's entranced by the paradox of death, that the absolute unknowability of what happens will be inevitably supplanted by the certainty of finding out... For a man accustomed to boldly going where no man has gone before, it's all just the next phase of a single ongoing adventure.
In fact, Shatner told Jimmy Kimmel Friday that he was always disappointed by the way he'd performed Captain Kirk's death. "I think you die the way you live," Shatner says. "So Captain Kirk always had these grotesque things happening... but without fear. But with joy, and love, and an opportunity to see what's better." So when performing Kirk's death, he'd imagined him actually gazing upon death itself — and looking upon it with wonder. "I ad libbed the 'Oh my'." Shatner's regret? That it "sounded fearful. And I didn't want to be fearful."

"Would you like a do-over?" Kimmel asks. (Adding "I've got some debris...") And Shatner agrees, performing — one more time — the death of Captain Kirk.

The video also includes an appropriate clip from a newly-released documentary about Shatner's life. "Don't do it half-heartedly," Shatner says at one point. "Whatever it is you do — do it fully. Do it passionately. Do it with your whole being."

It was March 24, 1999 that The Matrix premiered, premembers the Wall Street Journal. "To rewatch The Matrix is to be reminded of how primitive our technology was just 25 years ago. We see computers with bulky screens, cellphones with keypads and a once-ubiquitous feature of our society known as 'pay phones,' central to the plot of the film."

But the article's headline warns that "25 Years Later, We're All Trapped in 'The Matrix'". [I]n a strange way, the film has become more relevant today than it was in 1999. With the rise of the smartphone and social media, genuine human interaction has dropped precipitously. Today many people, like Cypher, would rather spend their time in the imaginary realms offered by technology than engage in a genuine relationship with other human beings.

In the film, one of the representatives of the AI, the villainous Agent Smith, played by Hugo Weaving, tells Morpheus that the false reality of the Matrix is set in 1999 because that year was "the peak of your civilization. I say your civilization, because as soon as we started thinking for you it really became our civilization." Indeed, not long after "The Matrix" premiered, humanity hooked itself up to a matrix of its own. There is no denying that our lives have become better in many ways thanks to the internet and smartphones. But the epidemic of loneliness and depression that has swept society reveals that many of us are now walled off from one another in vats of our own making...

For today's dwellers in the digital cave, the path back into the light doesn't involve taking a pill, as in "The Matrix," or being rescued by a philosopher. We ourselves have the power to resist the extremes of the digital world, even as we remain linked to it. You can find hints of an unplugged "Zion" in the Sabbath tables of observant Jews, where electronic devices are forbidden, and in university seminars where laptops are banned so that students can engage with a text and each other.

Twenty-five years ago, "The Matrix" offered us a modern twist on Plato's cave. Today we are once again asking what it will take to find our way out of the lonely darkness, into the brilliance of other human souls in the real world.

"My favorite kind of science fiction involves stories rooted in real science..." writes NPR's reviewer. "[T]here is something special about seeing characters wrestle with concepts closer to our current understanding of how the universe works."

The Verge calls it an "impressive" and "leaner" story than the book, arguing "it's a good one — and very occasionally a great one" that introduces the author's key ideas, though channelling "the book's spirit but not its brilliance."

And Slate calls it a "downright transformative" adaptation, "jettisoning most of the novel's characters and plucking scenes from all three books," while accusing it of "making the trilogy's expansive and philosophical story into something much more pedestrian and digestible."

But Reuters notes there's huge interest in China over this adaptation (by the co-creator of Mem>Game of Thrones) for the first Asian novel to win the Hugo Award for best science fiction novel. "The new series was trending on Chinese social media platform Weibo on Friday," reports Reuters, "with 21 million views so far." (The show came in first on Weibo's "top hot" trend rankings, they add, "despite Netflix being officially inaccessible in China. Chinese viewers would have had to watch the Netflix series from behind a VPN or on a pirate site.")

So what was their verdict? CNN reports Netflix's adaptation "has split opinions in China and sparked online nationalist anger over scenes depicting a violent and tumultuous period in the country's modern history." Among the country's more patriotic internet users, discussions on the adaptation turned political, with some accusing the big-budget American production of making China look bad. The show opens with a harrowing scene depicting Mao Zedong's Cultural Revolution, which consumed China in bloodshed and chaos for a decade from 1966... "Netflix you don't understand 'The Three Body Problem' or Ye Wenjie at all!" read a comment on social media platform Weibo. "You only understand political correctness!"

Others came to the show's defense, saying the scene closely follows depictions in the book — and is a truthful reenactment of history. "History is far more absurd than a TV series, but you guys pretend not to see it," read one comment on Douban, a popular site for reviewing movies, books and music.

Author Liu said in an interview with the New York Times in 2019 that he had originally wanted to open the book with scenes from Mao's Cultural Revolution, but his Chinese publisher worried they would never make it past government censors and buried them in the middle of the narrative. The English version of the book, translated by Ken Liu, put the scenes at the novel's beginning, with the author's blessing... Various other aspects of the show, from its casting and visual effects to the radical changes to the story's original setting and characters, also attracted the ire of Chinese social media users. Many compared it to a Chinese television adaptation released last year — a much lengthier and closer retelling of the book that ran to 30 episodes and was highly rated on Chinese review platforms.

The Netflix adaptation featured an international cast and placed much of the action in present-day London — thus making the story a lot less Chinese.

The desert planet Arrakis in Frank Herbert's science fiction novel Dune is plausible, says Alexander Farnsworth, a climate modeler at the University of Bristol in England. According to Science News, the world would be a harsh place for humans to live, and they probably wouldn't have to worry about getting eaten by extraterrestrial helminths. From the report: For their Arrakis climate simulation, which you can explore at the website Climate Archive, Farnsworth and colleagues started with the well-known physics that drive weather and climate on Earth. Using our planet as a starting point makes sense, Farnsworth says, partly because Herbert drew inspiration for Arrakis from "some sort of semi-science of looking at dune systems on the Earth itself." The team then added nuggets of information about the planet from details in Herbert's novels and in the Dune Encyclopedia. According to that intel, the fictional planet's atmosphere is similar to Earth's with a couple of notable differences. Arrakis has less carbon dioxide in the atmosphere than Earth -- about 350 parts per million on the desert planet compared with 417 parts per million on Earth. But Dune has far more ozone in its lower atmosphere: 0.5 percent of the gases in the atmosphere compared to Earth's 0.000001 percent.

All that extra ozone is crucial for understanding the planet. Ozone is a powerful greenhouse gas, about 65 times as potent at warming the atmosphere as carbon dioxide is, when measured over a 20-year period. "Arrakis would certainly have a much warmer atmosphere, even though it has less CO2 than Earth today," Farnsworth says. In addition to warming the planet, so much ozone in the lower atmosphere could be bad news. "For humans, that would be incredibly toxic, I think, almost fatal if you were to live under such conditions," Farnsworth says. People on Arrakis would probably have to rely on technology to scrub ozone from the air. Of course, ozone in the upper atmosphere could help shield Arrakis from harmful radiation from its star, Canopus. (Canopus is a real star also known as Alpha Carinae. It's visible in the Southern Hemisphere and is the second brightest star in the sky. Unfortunately for Dune fans, it isn't known to have planets.) If Arrakis were real, it would be located about as far from Canopus as Pluto is from the sun, Farnsworth says. But Canopus is a large white star calculated to be about 7,200 degrees Celsius. "That's significantly hotter than the sun," which runs about 2,000 degrees cooler, Farnsworth says. But "there's a lot of supposition and assumptions they made in here, and whether those are accurate numbers or not, I can't say."

The climate simulation revealed that Arrakis probably wouldn't be exactly as Herbert described it. For instance, in one throwaway line, the author described polar ice caps receding in the summer heat. But Farnsworth and colleagues say it would be far too hot at the poles, about 70Â C during the summer, for ice caps to exist at all. Plus, there would be too little precipitation to replenish the ice in the winter. High clouds and other processes would warm the atmosphere at the poles and keep it warmer than lower latitudes, especially in the summertime. Although Herbert's novels have people living in the midlatitudes and close to the poles, the extreme summer heat and bone-chilling -40C to -75C temperatures in the winters would make those regions nearly unlivable without technology, Farnsworth says. Temperatures in Arrakis' tropical latitudes would be relatively more pleasant at 45C in the warmest months and about 15C in colder months. On Earth, high humidity in the tropics makes it far warmer than at the poles. But on Arrakis, "most of the atmospheric moisture was essentially removed from the tropics," making even the scorching summers more tolerable. The poles are where clouds and the paltry amount of moisture gather and heat the atmosphere. But the tropics on Arrakis pose their own challenges. Hurricane force winds would regularly sandblast inhabitants and build dunes up to 250 meters tall, the researchers calculate. It doesn't mean people couldn't live on Arrakis, just that they'd need technology and lots of off-world support to bring in food and water, Farnsworth says. "I'd say it's a very livable world, just a very inhospitable world."

Netflix's new sci-fi drama Spaceman centers on Czech astronaut Jakub Procházk, described by Polygon as "painfully introverted, emotionally repressed, and above all, quiet... so muted and compressed, he seems like a trauma victim." The film, adapted from the 2017 novel Spaceman of Bohemia written by Czech author Jaroslav KalfaÅ(TM), is a solemn drama in the mold of Andrei Tarkovsky's Solaris, or to some degree, Christopher Nolan's Interstellar. The story revolves around Jakub's disintegrating frame of mind after eight months alone in space as he investigates a glowing cosmic phenomenon that's become visible from Earth. Meanwhile, his wife Lenka (Carey Mulligan), heavily pregnant and going through her own breakdown back home, decides to leave Jakub, and his handlers (Isabella Rossellini among them) work to keep him from finding out. And then the giant spider appears, and Jakub worries that he's losing his mind.
CNN says Sandler's deal with Netflix "means pretty much doing whatever he wants, which, in the case of Spaceman, means traveling to the furthest reaches of space as the near-solitary star of a pretentious, message-heavy drama."

You can watch a trailer here. The movie enjoys a "limited theatrical release" this weekend, and will stream on Netflix starting March 1.

samleecole shares a report from 404 Media: A trove of leaked emails shows how administrators of one of the most prestigious awards in science fiction censored themselves because the awards ceremony was being held in China. Earlier this month, the Hugo Awards came under fire with accusations of censorship when several authors were excluded from the awards, including Neil Gaiman, R. F. Kuang, Xiran Jay Zhao, and Paul Weimer. These authors' works had earned enough votes to make them finalists, but were deemed "ineligible" for reasons not disclosed by Hugo administrators. The Hugo Awards are one of the largest and most important science fiction awards. [...]

The emails, which show the process of compiling spreadsheets of the top 10 works in each category and checking them for "sensitive political nature" to see if they were "an issue in China," were obtained by fan writer Chris M. Barkley and author Jason Sanford, and published on fandom news site File 770 and Sanford's Patreon, where they uploaded the full PDF of the emails. They were provided to them by Hugo Awards administrator Diane Lacey. Lacey confirmed in an email to 404 Media that she was the source of the emails. "In addition to the regular technical review, as we are happening in China and the *laws* we operate under are different...we need to highlight anything of a sensitive political nature in the work," Dave McCarty, head of the 2023 awards jury, directed administrators in an email. "It's not necessary to read everything, but if the work focuses on China, taiwan, tibet, or other topics that may be an issue *in* China...that needs to be highlighted so that we can determine if it is safe to put it on the ballot of if the law will require us to make an administrative decision about it."

The email replies to this directive show administrators combing through authors' social media presences and public travel histories, including from before they were nominated for the 2023 awards, and their writing and bodies of work beyond just what they were nominated for. Among dozens of other posts and writings, they note Weimer's negative comments about the Chinese government in a Patreon post and misspell Zhao's name and work (calling their novel Iron Widow "The Iron Giant"). About author Naseem Jamnia, an administrator allegedly wrote, "Author openly describes themselves as queer, nonbinary, trans, (And again, good for them), and frequently writes about gender, particularly non-binary. The cited work also relies on these themes. I include them because I don't know how that will play in China. (I suspect less than well.)"

"As far as our investigation is concerned there was no reason to exclude the works of Kuang, Gaiman, Weimer or Xiran Jay Zhao, save for being viewed as being undesirable in the view of the Hugo Award admins which had the effect of being the proxies Chinese government," Sanford and Barkley wrote. In conjunction with the email trove, Sanford and Barkley also released an apology letter from Lacey, in which she explains some of her role in the awards vetting process and also blames McCarty for his role in the debacle. McCarty, along with board chair Kevin Standlee, resigned earlier this month.

Halo — the TV series — launches its second season on February 8th. But today a trailer premiered during halftime of the pre-Super Bowl football playoff.

Gizmodo reports: Even though the Covenant are the other side of Halo's ongoing conflict, the first season of Paramount+'s TV series largely represented them through a human proxy named Makee. With the upcoming second season, the coalition of alien races is set to become a more prominent threat, and that means they'll be getting more proper screentime.
IGN had written that Season 1 "isn't a perfect adaptation of the games, but it ultimately succeeds in expanding the series' mythology and taking a more character-driven approach to Master Chief's adventures." This week Paramount+ also released a 28-minute compilation of "Epic Battle Scenes from Season 1, a season which reportedly cost $200 million to film.

And now the entertainment site Collider reports on what comes next: While on the set for Halo Season 2, Collider's Steve Weintraub and some other reporters got the chance to sit down with stars Schreiber and Kate Kennedy to discuss how the show will further flesh out the Covenant in the upcoming episodes. Part of that involves expanding their arsenal with new vehicles like the corvette, a class of ships used in the Halo canon by the Covenant for reconnaissance, stealth, and much more. Kennedy placed it among her favorite Season 2 set designs, saying... "It's huge, and what the set guys did for it, and the art department, is really, really impressive. They turned it around so quickly, and it's, like, awe-inspiring, it's huge."

Aside from making the Covenant more formidable, Season 2 will also focus on making them more understandable. Part of that involves diving into the thought process of key players within the alien faction, including two that Schreiber could tease. "Yeah, we definitely go into the Covenant mind-state, mentality," he said... In future seasons, Schreiber believes Halo will only continue to develop the Covenant, their motives, and the relationships and allegiances within the coalition as the story of intergalactic war unfolds.