Sam Machkovech from Ars Technica reviews the game Engare, describing it as a "clever, deceptively simple, and beautiful rumination on geometry and Islamic art-making traditions." The game consists of relatively simple puzzles and a freeform art toy that unlocks its puzzles' tools to allow you to make whatever patterns you please. From the report: The game, made almost entirely by 23-year-old Iranian developer Mahdi Bahrami, starts with a 2D scene of a circle repeatedly traveling along a line. Above this, an instructional card shows a curved-diagonal line. Drop a dot on the moving circle, the game says, and it will generate a bold line, like ink on a page. As the ball (and thus, your dot) rolls, the inked line unfurls; if you put the dot on a different part of the circle, then your inked line may have more curve or angle to it, based on the total motion of the moving, rotating circle. Your object is to recreate this exact curved-diagonal line. If your first ink-drop doesn't do the trick, try again. Each puzzle presents an increasingly complex array of moving and rotating shapes, lines, and dots. You have to watch the repeating patterns and rotations in a particular puzzle to understand where to drop an ink dot and draw the demanded line. At first, you'll have to recreate simple turns, curves, and zig-zags. By the end, you'll be making insane curlicues and rug-like super-patterns.

But even this jaded math wiz-kid couldn't help but drop his jaw, loose his tongue, and bulge his eyes at the first time Engare cracked open its math-rich heart. One early puzzle (shown above) ended with its seemingly simple pattern repeating over and over and over and over. Unlike other puzzles, this pattern kept drawing itself, even after I'd fulfilled a simple line-and-turn pattern. And with each pass of the drawing pattern, driven by a spinning, central circle, Engare drew and filled a new, bright color. This is what the game's creator is trying to shout, I thought. This is his unique, cultural perspective. This looks like the Persian rugs he saw his grandmother weave as a child.

According to Variety, Roku is looking to start streaming videos on devices made or controlled by competitors like Apple and Google. The company's first foray into streaming on third-party hardware will likely involve mobile devices. From the report: The move could further accelerate Roku's efforts to transition from a hardware-revenue-based to a services-based business model -- a transition that has been in progress for years. Now, it plans to also stream some content on devices that don't run its operating system, with mobile being a likely first step. Key to Roku's expansion into mobile video is going to be the company's existing mobile app, which has already been downloaded tens of millions of times on iOS and Android. The app's current primary function is remote control, as it allows owners of Roku streaming devices and Roku-powered TVs to control these devices directly from their phones. In fact, the app can't currently be operated if there is not a Roku device available on the same Wifi network. This could change soon, as Roku is looking to integrate video playback directly into its mobile app. A first step is likely going to be the integration of the Roku Channel, an ad-supported channel that the company launched last month. The Roku Channel currently offers free, ad-supported access to several hundred movies from major studios like Lionsgate, Metro-Goldwyn-Mayer, Sony Pictures and Warner Bros. as well as smaller publishers like American Classics, Fandor, FilmRise, Nosey, OVGuide, Popcornflix, Vidmark, and YuYu. However, Roku has been asking publishers to also grant the company the rights to stream their titles on mobile devices, according to a source familiar with these stipulations.

The FCC is planning to vote on rolling back landmark media ownership regulations that prohibit owning a television station and newspaper in the same market and making it easier to acquire additional TV or radio stations. Reuters reports: If approved at the FCC's November meeting, the move would be a win for newspapers and broadcasters that have pushed for the change for decades, but was criticized by Democrats who said it could usher in a new era of media consolidation. The FCC in 1975 banned cross-ownership of a newspaper and broadcast station in the same market, unless it granted a waiver, to ensure a diversity of opinions. The rule was made before the explosion of internet and cable news and Republican President Donald Trump and Pai have vowed to reduce government regulation.

"We must stop the federal government from intervening in the news business," Pai told a congressional panel, noting that many newspapers have closed and many radio and TV stations are struggling. Pai moved earlier this year to make it easier for some companies to own a larger number of local stations. Pai said the marketplace no longer justifies the rules, citing Facebook and Alphabet's dominance of internet advertising. "Online competition for the collection and distribution of news is greater than ever. And just two internet companies claim 100 percent of recent online advertising growth; indeed, their digital ad revenue this year alone will be greater than the market cap of the entire broadcasting industry," Pai said.

After dealing with all sorts of screen issues, another problem with Google's flagship smartphone is popping up. This time it's an audio issue: users on Google's official forums and elsewhere are reporting odd sounds coming from the Pixel 2 speakers. Ars Technica reports: Customers are complaining of "clicking" and a "high-pitched whine" coming from the Pixel 2 and Pixel 2 XL. Most reports on the forums say the noises are coming from the top or bottom speaker on the Pixel 2 and Pixel 2 XL. Some reports say the sounds come through during calls, while other users say the speaker noises happen any time the screen is on. A user made a recording of the sound, which can be heard here. Most users are being told to return their devices after contacting support, but at least one person claims they were told this issue would be patched in an upcoming update. One possible workaround is to turn off NFC, which some users say stops or lowers the noises.

Janko Roettgers, reporting for Variety: AT&T's DirecTV is getting ready to embrace internet-based content delivery beyond its DirecTV Now service: The company is about to introduce a new TV set-top box that's based on Google's Android TV platform and ditches satellite connectivity for over-the-top streaming, according to a new FCC filing. The new device, which goes by the model number C71KW-400, is being described by these documents as "the new AT&T/DirecTV Wireless 4K OTT Client." A user manual published as part of the filings specifies that the device won't be able to interact with any of DirecTV's existing Genie hardware, and hints at a future hardware product called HS27. Helpfully, the manual also supplies a definition of OTT as "the delivery of video via the internet directly into user-connected devices, allowing access to services anywhere, anytime, on any device." The manual also reveals that the set-top will shop with a voice remote with integrated touch pad, and photos show that it has Ethernet, digital audio, HDMI and USB ports, but no antenna connectivity -- meaning that any and all programming will indeed come over the internet.

The FCC on Tuesday voted to eliminate a rule that required broadcast station groups to maintain a physical presence in the community of their primary local coverage area, a move that critics say will help media companies further consolidate their operations and even be a boost to the ambitions of Sinclair Broadcast Group. Variety reports: But FCC Chairman Ajit Pai said the elimination of the rule has been a long time coming and will produce cost savings for stations. He said the "overwhelming majority" of public input favored the elimination of the rule, citing the support for such an action even from National Public Radio. "Continuing to require a main studio would detract from, rather than promote, a broadcaster's ability and incentive to keep people informed and serve the public interest," Pai said. The National Association of Broadcasters supports the rule's elimination, and has argued that it will free up funds for stations to spend on staff and programming. Commissioner Michael O'Rielly said the elimination reflects how the public currently interacts with local businesses -- not by visiting their facilities, but through telecommunications and social media. The rule dates to 1940. The two Democrats on the commission opposed the change. "There are many broadcasters who do an extraordinary job serving communities during disaster," said FCC Commissioner Jessica Rosenworcel. "But let's be honest -- they can only do so when they have a real presence in their area of license. That's not a retrograde notion -- it's a fact."

Engaget reports that CBS' Star Trek: Discovery series is being renewed for a second season. The show has reportedly been enough of a success to justify a second season of episodes. From the report: The move comes as a vote of confidence for both the show and its platform, since it has recently aired the sixth of its fifteen-episode first season. Now, a second run of Discovery will air, presumably at some point toward the back-half of 2018. Discovery has certainly benefited from plenty of hype, since it's the first Trek show to air as a TV show since 2005. The pull of the Star Trek name was always going to be a draw, but it wasn't clear how much of a draw given the saga's lackluster popularity at the box office. CBS refused to offer numbers, but did boast that Discovery's debut lead to the highest number of sign-ups in the history of its All Access service.

A new report from IGN this morning explains why it took so long for backwards compatibility to be supported on the Xbox One. Microsoft veteran Kevin La Chapelle says the answer to the question can be found in 2015 -- the year that Phil Spencer announced backwards compatibility at Microsoft's Xbox E3 media briefing. From the report: The fan-first feature has evolved from an experiment conducted by two separate Microsoft Research teams into a service planned for Xbox One's launch -- complete with hardware hooks baked into the Durango silicon -- until the well-publicized changes to the Xbox One policies (namely, stripping out the always-online requirement for the console) forced it to be pushed to the back burner. It's obviously back for good now, and expanding into original Xbox compatibility of select titles on Xbox One (the first batch of which we announced today). Even the Xbox One X is getting involved, with a handful of Xbox 360 games getting Scorpio-powered enhancements like 10-bit color depth, anisotropic filtering, and up to 9x additional pixel counts displayed on screen. [...]

It was 2007. One of [the research] teams was working on PowerPC CPU emulation -- getting 32-bit code, which the 360 uses, to run on the 64-bit architecture that the third-generation Xbox would be using. The other team, out of Beijing, started writing a virtual GPU emulator based on the Xbox 360 GPU architecture. "These were like peanut butter and chocolate," Microsoft VP of Xbox software engineering Kareem Choudhry recalled. "[So we thought,] 'Why don't we put them both together?'" Choudhry did just that, and so the first steps to Xbox One backwards compatibility were taken, long before the console had a name or anything remotely resembling final specifications. As Durango crystallized, so too did plans for Xbox 360 compatibility on the new machine. "This was primarily a software exercise, but we enabled that by thinking ahead with hardware," Gammill explained. "We had to bake some of the backwards compatibility support into the [Xbox One] silicon." This was done back in 2011. Preliminary tests showed that support for key Xbox middleware XMA audio and texture formats was extremely taxing to do in software alone, with the former, Gammill noted, taking up two to three of the Xbox One's six CPU cores. But a SOC (system on chip) -- basically an Xbox 360 chip inside every Xbox One, similar to how Sony put PS2 hardware inside the launch-era PS3s -- would've not only been expensive, but it would've put a ceiling on what the compatibility team could do. "If we'd have gone with the 360 SOC, we likely would've landed at just parity," he said. "The goal was never just parity." So they built the XMA and texture formats into the Xbox One chipset...

Denuvo, an anti-tamper technology and digital rights management scheme, isn't doing a very good job preventing PC games from being copied. According to Ars Technica, Denuvo releases are being publicly cracked within a day of their launch. From the report: This week's release of South Park: The Fractured but Whole is the latest to see its protections broken less than 24 hours after its release, but it's not alone. Middle Earth: Shadow of War was broken within a day last week, and last month saw cracks for Total War: Warhammer 2 and FIFA 18 the very same day as their public release. Then there's The Evil Within 2, which reportedly used Denuvo in prerelease review copies but then launched without that protection last week, effectively ceding the game to immediate potential piracy. Those nearly instant Denuvo cracks follow summer releases like Sonic Mania, Tekken 7, and Prey, all of which saw DRM protection cracked within four to nine days of release. But even that small difference in the "uncracked" protection window can be important for game publishers, who usually see a large proportion of their legitimate sales in those first few days of availability. The presence of an easy-to-find cracked version in that launch window (or lack thereof) could have a significant effect on the initial sales momentum for a big release. If Denuvo can no longer provide even a single full day of protection from cracks, though, that protection is going to look a lot less valuable to publishers.

Verizon announced on Thursday that its FiOS video service lost 18,000 net pay TV subscribers in the third quarter, compared with the addition of 36,000 subscribers in the year-ago period and 15,000 subscriber drop in the second quarter. Hollywood Reporter reports: The company said the drop in the latest quarter was "reflecting the ongoing shift from traditional linear video to over-the-top offerings." Verizon, led by chairman and CEO Lowell McAdam, ended the third quarter with a total of 4.6 million subscribers to its FiOS video service, which competes with cable and satellite TV companies. Asked about a planned over-the-top (OTT) TV service from Verizon, Ellis said that the company continues to feel that "there's an opportunity for us to play," but signaling a delay, he emphasized that the company "doesn't want to launch a me-too product." He didn't provide any guidance on when the OTT service would launch, saying that was still "TBD" (to be determined), or what content it could offer beyond saying it was likely to be built "around live programming." Verizon also reported Thursday that it added 66,000 net new FiOS broadband connections in the third quarter to end it with 5.8 million.

An anonymous reader shares a report from VentureBeat, written by Emil Protalinski: The most interesting Google Pixel 2 and Pixel 2 XL feature, to me, is Now Playing. If you've ever used Shazam or SoundHound, you probably understand the basics: The app uses your device's microphone to capture an audio sample and creates an acoustic fingerprint to compare against a central song database. If a match is found, information such as the song title and artist are sent back to the user. Now Playing achieves this with two important differentiators. First, Now Playing detects songs automatically without you explicitly asking -- the feature works when your phone is locked and the information is displayed on the Pixel 2's lock screen (you'll eventually be able to ask Google Assistant what's currently playing, but not yet). Secondly, it's an on-device and local feature: Now Playing functions completely offline (we tested this, and indeed it works with mobile data and Wi-Fi turned off). No audio is ever sent to Google.

New submitter EndlessNameless writes: If you like fair play, you might not like future Activision games. They will cross the line to encourage microtransactions, specifically matching players to both encourage and reward purchase. Rewarding the purchase, in particular, is an explicit and egregious elimination of any claim to fair play. "For example, if the player purchased a particular weapon, the microtransaction engine may match the player in a gameplay session in which the particular weapon is highly effective, giving the player an impression that the particular weapon was a good purchase," according to the patent. "This may encourage the player to make future purchases to achieve similar gameplay results." Even though the patent's examples are all for a first-person-shooter game, the system could be used across a wide variety of titles. "This was an exploratory patent filed in 2015 by an R&D team working independently from our game studios," an Activision spokesperson tells Rolling Stone. "It has not been implemented in-game." Bungie also confirmed that the technology isn't being used in games currently on the market, mentioning specifically Destiny 2.

An anonymous reader quotes a report from The Verge: Google's AI subsidiary DeepMind has unveiled the latest version of its Go-playing software, AlphaGo Zero. The new program is a significantly better player than the version that beat the game's world champion earlier this year, but, more importantly, it's also entirely self-taught. DeepMind says this means the company is one step closer to creating general purpose algorithms that can intelligently tackle some of the hardest problems in science, from designing new drugs to more accurately modeling the effects of climate change. The original AlphaGo demonstrated superhuman Go-playing ability, but needed the expertise of human players to get there. Namely, it used a dataset of more than 100,000 Go games as a starting point for its own knowledge. AlphaGo Zero, by comparison, has only been programmed with the basic rules of Go. Everything else it learned from scratch. As described in a paper published in Nature today, Zero developed its Go skills by competing against itself. It started with random moves on the board, but every time it won, Zero updated its own system, and played itself again. And again. Millions of times over. After three days of self-play, Zero was strong enough to defeat the version of itself that beat 18-time world champion Lee Se-dol, winning handily -- 100 games to nil. After 40 days, it had a 90 percent win rate against the most advanced version of the original AlphaGo software. DeepMind says this makes it arguably the strongest Go player in history.

Visceral Games, the studio behind games like Battlefield Hardline and Dead Space, is being shut down by EA. The Star Wars game in development at Visceral will be revamped and moved to a different studio. Kotaku reports: "Our Visceral studio has been developing an action-adventure title set in the Star Wars universe," EA's Patrick Soderlund said in a blog post. "In its current form, it was shaping up to be a story-based, linear adventure game. Throughout the development process, we have been testing the game concept with players, listening to the feedback about what and how they want to play, and closely tracking fundamental shifts in the marketplace. It has become clear that to deliver an experience that players will want to come back to and enjoy for a long time to come, we needed to pivot the design." Soderlund added that Visceral will be "ramping down and closing" and that "we're in the midst of shifting as many of the team as possible to other projects and teams at EA." "Lastly," he said, "while we had originally expected this game to launch late in our fiscal year 2019, we're now looking at a new timeframe that we will announce in the future."

Movies studios, Netflix, and Amazon have teamed up to file a lawsuit against a streaming media player called TickBox TV. The device in question runs Kodi on top of Android 6.0, and searches the internet for streams that it can make available to users without actually hosting any of the content itself. An anonymous reader quotes a report from Ars Technica: The complaint (PDF), filed Friday, says the TickBox devices are nothing more than "tool[s] for mass infringement," which operate by grabbing pirated video streams from the Internet. The lawsuit was filed by Amazon and Netflix Studios, along with six big movie studios that make up the Motion Picture Association of America: Universal, Columbia, Disney, Paramount, 20th Century Fox, and Warner Bros.

"What TickBox actually sells is nothing less than illegal access to Plaintiffs' copyrighted content," write the plaintiffs' lawyers. "TickBox TV uses software to link TickBox's customers to infringing content on the Internet. When those customers use TickBox TV as Defendant intends and instructs, they have nearly instantaneous access to multiple sources that stream Plaintiffs' Copyrighted Works without authorization." The device's marketing materials let users know the box is meant to replace paid-for content, with "a wink and a nod," by predicting that prospective customers who currently pay for Amazon Video, Netflix, or Hulu will find that "you no longer need those subscriptions." The lawsuit shows that Amazon and Netflix, two Internet companies that are relatively new to the entertainment business, are more than willing to join together with movie studios to go after businesses that grab their content.

Netflix shows no signs of slowing down. The company announced its third quarter results, adding more subscribers in both the U.S. and abroad than expected. Variety reports: The company gained 850,000 streaming subs in the U.S. and 4.45 million overseas in the period. Analysts had estimated Netflix to add 784,000 net subscribers in the U.S. and 3.62 million internationally for Q3. "We added a Q3-record 5.3 million memberships globally (up 49% year-over-year) as we continued to benefit from strong appetite for our original series and films, as well as the adoption of internet entertainment across the world," the company said in announcing the results, noting that it had under-forecast both U.S. and international subscriber growth. Netflix also indicated that its content spending may be even higher next year than previously projected. The company had said it was targeting programming expenditures of $7 billion in 2018; on Monday, Netflix said it will spend between $7 billion and $8 billion on content (on a profit-and-loss basis) next year. For 2017, original content will represent more than 25% of total programming spending, and that "will continue to grow," Netflix said.

Microsoft has released the next big "Fall" update for the Xbox One, which focuses on speed and simplicity. Engadget reports: The first "Fluid Design" interface comes with a redesigned Home page, which is all about simplicity and customization. The top-level section has four shortcuts (your current game, two personalized suggestions, and a deal from the Microsoft store) and a horizontal carousel underneath. The biggest change, however, is the new "Content Blocks" that sit below this screen. Scroll down and you'll find a series of large, visual panels dedicated to games and friends. These are completely customizable and act like miniature hubs for your favorite titles and communities. The quick-access Guide has been tweaked for speed, with small, horizontal tabs that you can slide between with the Xbox controller's LB and RB bumpers, D-pad or left thumbstick. If you launch the Guide while you're streaming or part of an active party, you'll also see the corresponding broadcast and party tabs by default. Other Guide tweaks include a new Tournaments section in the Multiplayer tab, which will summarize any official, professional or community tournaments that you've entered. In addition, Microsoft has overhauled the Community tab with a modern, grid-based layout. It's also tweaked the idle and screen dimming features that kick in when you walk away from the console momentarily. Larry Hryb, Xbox Live's Major Nelson and Mike Ybarra, the Platform Engineer, have posted a walkthrough video on YouTube highlighting all the major new changes.

Long-time Slashdot reader troublemaker_23 quotes ITWire: German Linux company SUSE Linux is well-known for its Linux and other open source solutions. It is also known for producing videos for geeks and debuting them at its annual SUSECon conference. This year, in Prague, was no different. The company, which marked its 25th year on 2 September, came up with two videos, one to mark the occasion and the other all about Linux and open source. Both videos are parodies of well-known songs: the video Linus Said is based on "Momma Said", while 25 Years is a parody of "7 Years". Some of the lyrics in both SUSE videos would be meaningless to the average person -- but every word will ring a bell, sometimes a very poignant one, with geeks. And that's the primary audience it targets.
The article embeds both videos -- and also links to the music videos they're parodying. And it includes links to SUSE's two previous annual music video parodies -- Uptime Funk (based on Bruno Mars' blockbuster hit "Uptown Funk"), and Can't Stop the SUSE, a parody of Justin Timberlake's "Can't Stop the Feeling".

An anonymous reader quotes the Washington Post: On Wednesday, AT&T told regulators that it expects to finish the quarter with about 90,000 fewer TV subscribers than it began with. AT&T blamed a number of issues, including hurricane damage to infrastructure, rising credit standards and competition from rivals. The report also shows AT&T lost more traditional TV customers than it gained back through its online video app, DirecTV Now. And analysts are suggesting that that's evidence that cord-cutting is the main culprit... "DirecTV, like all of its cable peers, is suffering from the ravages of cord-cutting," said industry analyst Craig Moffett in a research note this week. Moffett added that while nobody expected AT&T's pay-TV numbers to look good, hardly anyone could have predicted they would look "this bad."

The outlook doesn't look much healthier for the rest of the television industry. Over the past year, cable and satellite firms have collectively lost nearly 3 million customers, according to estimates by market analysts at SNL Kagan and New Street Research. The number of households with traditional TV service is hovering at about the level it was in 2000, according to New Street's Jonathan Chaplin, in a study last week. Other analysts predict that, after factoring in AT&T's newly disclosed losses, the industry will have lost 1 million traditional TV subscribers by the end of this quarter.

At its hardware event last week, Google unveiled its two new flagship smartphones: the Pixel 2 and Pixel 2 XL. While these devices feature high-end specifications and the latest version of Android, they both lack headphone jacks, upsetting many consumers who still rely heavily on wired headphones. To add insult to injury, Google announced a USB-C adapter for a whopping price of $20 -- that's $11 more than Apple's Lightning to 3.5mm adapter. This resulted in some minor outrage and caused Google to rethink its decision(s). As reported by 9to5Google, Google decided to slash the price of the dongle by over 50%. It is now priced at a more reasonable $9.

In a recent essay published on the Hollywood Reporter, Martin Scorsese inveighs against two conjoined trends -- the widespread reporting of box-office results and the grading of movies by consumers on CinemaScore and by critics on Rotten Tomatoes -- and blames it for "a tone that is hostile to serious filmmakers." In particular, he contends that this hostile environment is worsening "as film criticism written by passionately engaged people with actual knowledge of film history has gradually faded from the scene." Richard Brody, a movie critic at the New Yorker, thinks Scorsese is missing the mark. He writes: I think that film criticism is, over all, better than ever, because, with its new Internet-centrism, it's more democratic than ever and many of the critics who write largely online are more film-curious than ever. Anyone who is active on so-called Film Twitter -- who sees links by critics, mainly younger critics, to his or her work -- can't help but be impressed by the knowledge, the curiosity, and the sensibility of many of them. Their tastes tend to be broader and more daring than those of many senior critics on more established publications. And, even if readers of the wider press aren't reading these more obscure critics, the critics whom general readers read are often reading those young critics (and if they're not, it shows). This is, of course, not universally so, any more than it ever was. The Internet is democratic in all directions -- it's also available to writers of lesser knowledge, duller taste, and dubious agendas, and it may be their work that's advertised most loudly -- but the younger generation of critics is present online and there for the finding. [...] What Scorsese doesn't exactly say, but what, I think, marks a generation gap in movie thinking that his essay reflects, is the appearance of an increasing divide between artistically ambitious films and Hollywood films -- the gap between the top box-office films and the award winners. For filmmakers ready to work on lower budgets, the gap is irrelevant. The filmmakers whose conceptions tend toward the spectacular are the ones whose styles may, literally, be cramped by shrinking budgets -- filmmakers such as Scorsese and Wes Anderson, whose work has both an original and elaborate sense of style and a grand historical reach.

There may be a grand unifying service to make accumulating a large digital cinematic library feasible, or so is the hope anyway. From a report: For several years now, Disney has been the only Hollywood studio with a digital movie locker worth using, but a host of other industry heavyweights have now jumped on board to launch an expanded version of the service called Movies Anywhere. It's both a cloud-based digital locker and a one-stop-shop app: customers connect Movies Anywhere to their iTunes, Amazon Video, Google Play, or Vudu accounts, and all of the eligible movies they've purchased through those retailers appear as part of their Movies Anywhere library. Given that the Movies Anywhere app works across a number of platforms, it basically allows them to take their digital film library with them no matter what device or operating system they're using. [...] The launch of Movies Anywhere should be the merciful, final blow that puts an end to UltraViolet, one of the entertainment industry's first attempts at putting together a comprehensive digital locker service. That service flailed due to a poor customer experience and lack of adoption on the part of big digital retailers like Apple. The team behind Movies Anywhere seems to have learned from UltraViolet's mistakes, however, as well as Disney's previous successes.

Gerry Smith, reporting for Bloomberg: Comcast is trying to restrict cable operators' sales of low-cost TV service to ensure its regional sports networks don't lose too many subscribers, according to a trade group of about 750 smaller companies that have taken their complaint to regulators. Comcast has tried to limit the availability of sports-free offerings in contract talks with pay-TV operators, according to the American Cable Association, whose members have about 7 million subscribers. In addition to being the largest U.S. cable provider, Comcast owns regional sports channels in markets such as Boston, Chicago and Philadelphia. The claim shows programmers are fighting back as more consumers seek TV options that don't include sports. Cable operators are trying to stem subscriber losses by offering a "basic" service with just a few channels and internet access for fans of Netflix or Amazon.

Baron_Yam shares a report from TechCrunch, which details PornHub's use of machine learning to ID actors and acts in its videos: The computer vision system can identify specific actors in scenes and even identifies various positions and attributes. While it is obviously very difficult to describe the feature set for a family audience, the system can identify individual performers in real time -- in the demo here it recognizes one performer even from the side -- and it can also identify sex acts. Facial detection is nothing new, even for mobile devices, but this system goes one step further by categorizing videos and images based on various attributes. This means you'll be able find favorites by name or characteristics, a feat that once require prodigious amounts of data entry.

"So far we've used the model on about 500k featured videos which includes user submitted and we plan to scan the whole library in the beginning of 2018," said Price. "Very shortly, the technology will also be used to detect various sex positions / categories and be able to properly tag them as well."

dryriver writes: When I first read William Gibson's Neuromancer and then his other novels as a young man back in the 1990s, I was blown away by Gibson's work. Everything was so fresh and out of the ordinary in his books. The writing style. The technologies. The characters and character names. The plotlines. The locations. The future world he imagined. The Matrix. It was unlike anything I had read before. A window into the far future of humanity. I had great hopes over the years that some visionary film director would take a crack at creating film versions of Neuromancer, Count Zero and Mona Lisa Overdrive . But that never happened. All sorts of big budget science fiction was produced for TV and the big screen since Neuromancer that never got anywhere near the brilliance of Gibson's future world. Gibson's world largely stayed on the printed page, and today very few people talk about Neuromancer, even though the world we live in, at times, appears headed in the exact direction Gibson described in his Sprawl trilogy. Why does hardly anybody talk about William Gibson anymore? His books describe a future that is much more technologically advanced than where we are in 2017, so it isn't like his future vision has become "badly dated." To get the conversation going, we rephrased dryriver's question... What is your favorite William Gibson novel?

An anonymous reader shares a report: While legal "pirating" exists in Iran, six administrators of the Iranian pirate movie site TinyMoviez have been arrested by Iranian authorities. This was a website the Iranian national broadcaster had used to download and nationally air movies in the past. The exact date of the arrests are unknown, but Tehran's Prosecutor General announced the arrests on September 26, 2017. The website is still online, but users haven't been able to download content from it since September 19, 2017. Now TinyMoviez administrators are finding themselves on the wrong side of Iran's odd and often pirating friendly copyright laws. Iran's copyright law is a quagmire when it comes to understanding what rights exists for creators of an original piece of work, and what rights exist for those wanting to re-distribute original works, such as movies. Meanwhile, Article 8 gives the government broad powers to reproduce work that is not its own. This means that the government is exempt from Article 23, which criminalizes the theft of another's work.

Why is Blade Runner called Blade Runner? Though the viewer is told in the opening text of Ridley Scott's 1982 original that "special Blade Runner units" hunt renegade replicants -- and though the term "Blade Runner" is applied to Harrison Ford's Rick Deckard a few times in the film -- we're never given an explanation of where the proper noun comes from. The novel upon which Blade Runner was based, Philip K. Dick's Do Androids Dream of Electric Sheep?, offers no clues either.

Coincidentally, as Netflix raised their prices last week, Hulu decided to lower theirs. The streaming service is now offering a plan, which includes commercials, for $5.99 per month for the first year -- a short-term promotion aimed at luring new subs with the kickoff of the fall television and Hulu's expanded TV library lineup. Variety reports: Hulu's special offer for the limited-commercials plan is available through Jan. 9, 2018, only to new or returning Hulu subs. After one year, the regular $7.99 monthly price will kick in. Hulu offers a commercial-free option for $12 per month, and a live TV service (which includes access to original series like Emmy-winning "The Handmaid's Tale" and on-demand titles) for $40 monthly. A Hulu rep said the company's new promo is intended to draft off the fall 2017 TV season. As it looks for another original series on the order of "Handmaid's Tale" -- so far its only breakout hit -- Hulu has inked deals to bring thousands of current and older TV shows to the platform to armor-up in its battle with rivals Netflix and Amazon Prime.

Readers share a Motherboard article: There are seemingly two inescapable realities for big-budget filmmakers in 2017: you have to use existing intellectual property and you must provide spectacle that can lure massive domestic and foreign audiences to the the theater. It seemed that Denis Villeneuve chose wisely when he selected the IP that he would ride into the mainstream. [...] There is much to admire, but as a whole, Blade Runner 2049 works best as a case for why filmmakers like Villeneuve should be given big budgets to try out new concepts rather than retread what's come before them. Just like Arrival was at its best when we saw the elegance of how the space ship and the aliens within it actually functioned, this version of Blade Runner shines when we get to watch how Villeneuve's dystopia operates. Moments of technical brilliance small and large are at the soul of this film. Whether you're watching the creation of robot memories, the execution of an air strike from an effortless, detached distance, or even something as simple as a stroll through a hall of records, the mechanics of this world are jaw-dropping. Ryan Gosling (K) wisely opts for a muted, brooding performance, allowing the world to steal the show while still illustrating the burden of living in it. Even with all of this technical brilliance on display (the costumes, sound, and special effects are brilliant), the baggage of the original film's mythology weighs down Blade Runner 2049. The most burdensome baggage for Villeneuve to carry, sadly, is the Blade Runner story itself.

An anonymous share a WSJ article: The latest televisions have more pixels than ever. But can your eyes detect the difference? The answer is yes -- if you sit close enough. Old TVs had 349,920 pixels. High-definition flat screens bumped up the total to 2 million. Ultrahigh-definition sets inflated it to 8 million. And manufacturers are now experimenting with 8K TVs that have an astounding 33 million pixels. More pixels render hair, fur and skin with greater detail, but the benefit depends on viewing the screen from an ideal distance so the sharpness of the images is clear, but the tiny points of illumination aren't individually distinguishable. According to standards set by the International Telecommunication Union, that ideal distance is 3 times the height of an HDTV screen, 1.5 times the height of a UHDTV screen and .75 times the height of an 8K screen (Editor's note: the link could be paywalled; here's a PDF copy of the newspaper). Given those measurements, viewers should sit 6 feet away from a 50-inch HDTV with a 24.5-inch tall screen. But they should sit just 3 feet from a UHDTV of the same size, closer than most Americans prefer.

In 1979 the followers of J. R. "Bob" Dobbs founded a satirical religion called the Church of the Subgenius. (Slackware Linux reportedly drew its name from the "pursuit of Slack", a comfort-seeking tenet of the 38-year-old parody religion.) Combining UFOs and conspiracy theories with some social critiques (and a few H.P. Lovecraft characters), the strange group is now re-emerging online with an official Facebook page -- and a slick new video channel.

In "Adventures in the Forbidden Sciences," former church CEO K'taden Legume announces that in January of 2016, "the Subgenius Foundation received an overdue bill for a storage locker in the Pacific Northwest registered under the name J. R. Dobbs. Behind the steel door was a freight elevator leading deep underground to what was long considered to be a myth: The church's long-abandoned forbidden science laboratories. Hidden in a forgotten cavern, packed floor-to-ceiling with thousands of crates dating back to the mid-19th century." Eighteen months of experimentation lead to clues about a flying saucer arriving on "the Black Day" -- and one last chance at eternal salvation and everlasting Slack: the construction of an alien-contacting beacon. Legume calls it "our best last hope for getting off of this planet. We have the tech. We have the moxie to do this, but to finish the beacon -- we need your help."

"The Beacon will be constructed by a team of 'Forbidden Scientists' led by former church CEO Dr. K'taden Legume," writes new Slashdot reader Ktaden Legume, touting a new $25,000 campaign to crowdfund the beacon's construction.

So far it's raised $294.

Last year, when it was rumoured that the then upcoming iPhone models -- 7 and 7 Plus -- won't have the 3.5mm audio jack, The Verge's Nilay Patel wrote that if Apple does do it, it would be a user-hostile and stupid move. When those iPhone models were official announced, they indeed didn't have the audio jack. Earlier this week, Android-maker Google announced the Pixel 2 and Pixel 2 XL smartphones that also don't feature the decades-old audio jack either, a move that would likely push rest of the smartphone makers to adopt a similar change. The rationale behind killing the traditional headphones jack, both Apple and Google say, is to move to an improved technology: Bluetooth. But there is another motive at play here, it appears. Patel, writes for The Verge: As the headphone jack disappears, the obvious replacement isn't another wire with a proprietary connector like Apple's Lightning or the many incompatible and strange flavors of USB-C audio. It's Bluetooth. And Bluetooth continues to suck, for a variety of reasons. Newer phones like the iPhone 8, Galaxy S8, and the Pixel 2 have Bluetooth 5, which promises to be better, but 1. There are literally no Bluetooth 5 headphones out yet, and 2. we have definitely heard that promise before. So we'll see. To improve Bluetooth, platform vendors like Apple and Google are riffing on top of it, and that means they're building custom solutions. And building custom solutions means they're taking the opportunity to prioritize their own products, because that is a fair and rational thing for platform vendors to do. Unfortunately, what is fair and rational for platform vendors isn't always great for markets, competition, or consumers. And at the end of this road, we will have taken a simple, universal thing that enabled a vibrant market with tons of options for every consumer, and turned it into yet another limited market defined by ecosystem lock-in. The playbook is simple: last year, Apple dropped the headphone jack and replaced it with its W1 system, which is basically a custom controller chip and software management layer for Bluetooth. The exemplary set of W1 headphones is, of course, AirPods, but Apple also owns Beats, and there are a few sets of W1 Beats headphones available as well. You can still use regular Bluetooth headphones with an iPhone, and you can use AirPods as regular Bluetooth headphones, but the combination iPhone / W1 experience is obviously superior to anything else on the market. [...] Google's version of this is the Pixel Buds, a set of over-ear neckbuds that serve as basic Bluetooth headphones but gain additional capabilities when used with certain phones. Seamless fast pairing? You need Android N or higher, which most Android phones don't have.

The biggest Netflix-related news today is that the company is raising its streaming videos prices, from $9.99 a month to $10.99. But there is another interesting nugget of information to consider: Netflix still has 3.7 million DVD subscribers in the U.S. who get their discs delivered through the mail for the same $7.99 a month it had previously cost. Recode reports: That's down 17 percent from a year ago, and is much smaller than Netflix's nearly 52 million domestic streaming subscribers, but it's still sizable. Netflix first separated out its DVD and streaming subscription services in July 2011, charging $7.99 each ($15.98 for both). Streaming was originally an added bonus for DVD subscribers at no extra cost. Are you one of the 3.7 million Netflix users who still get DVDs sent in the mail? If so, what's keeping you from embracing the digital age and streaming movies via the internet?

Jason Abbruzzese, writing for Mashable: Get ready to pay just a bit more for your Netflix subscription. The streaming video service will be raising prices on its middle and top tier plans in the U.S. starting in November. Subscribers who currently pay for the standard $9.99 service will be charged $10.99. The price of the premium tier will rise from $11.99 to $13.99. Good news for people on the basic $7.99 plan -- that price is staying put, for now. The U.S.-only price hikes will begin to go into effect in November, varying depending on individuals' billing cycles. Starting on Oct. 19, subscribers will be notified and given at least 30 days notice about the increase.

At its hardware event today, Google debuted new wireless earbuds, dubbed "Pixel Buds." These are Google's first wireless earbuds that give users access to Google Translate so they can have conversations with people who speak a different language. Ars Technica reports: Unlike Apple's AirPods, the Pixel Buds have a wire connecting the two earpieces. However, that wire doesn't connect to a smartphone or other device. Pixel Buds will pair via Bluetooth to the new Pixel smartphones -- and presumably any other devices that accept Bluetooth wireless earbuds. All of the Pixel Buds' controls are built in to the right earpiece, which is a common hardware solution on wireless earbuds. You can access Google Assistant by tapping or pressing on the right earbud, and the Assistant will be able to read notifications and messages to you through the Buds.

But the most intriguing feature of the Pixel Buds is the integrated Google Translate feature. Demoed on stage at Google's event today, this feature lets two Pixel Bud wearers chat in their native languages by translating conversations in real time. In the demo, a native English speaker and a native Swedish speaker had a conversation with each other, both using their native languages. Google Translate translated the languages for each user. There was barely any lag time in between the speaker saying a phrase and the Buds' hearing those words and translating them into the appropriate language. The Pixel Buds will use Google Translate to comprehend conversations in 40 different languages. Some other features include a 5-hour battery life, and a charging case that can hold up to 24 hours of battery life. They're available for preorder today for $159.

In addition to the Pixel 2 and Pixel 2 XL, Google debuted a $400 speaker, called Home Max, that looks to compete directly with Apple's recently announced HomePod. The Home Max is a larger Google Home that features stereo speakers and more premium looks and materials. It's expected to go on sale in December in the U.S. TechCrunch reports: It can tune its audio to its own space, analyzing the sound coming from the speaker using its built in microphones to determine the best equalizer settings. This is called Smart Sound, and it evolves over time and based on where you move the speaker, using built-in machine learning. It has Cast functionality, as well as input via stereo 3.5 mm jack. Home Max can output sound that's up to 20 times more powerful than the standard version of Home, Google says, and it has two 4.5 inch woofers on board with two 0.7 inch custom-built tuners. It can sit in either vertical or horizontal orientation, and it comes in both 'chalk' and 'charcoal.' Of course, this bigger speaker also includes a noise isolating array that makes it work even in open rooms with background noise, and it's Assistant-enabled, so you can use it to control your music playback via voice, or manage your smart home devices, set yourself reminders, alarms, and timers and much more. Google also launched a budget-friendly Google Home Mini that features the Google Assistant but in a smaller form factor. 9to5Google reports: Google touts the Home Mini as having a powerful speaker with "crisp" 360 degree sound. The Mini can also be connected to any Chromecast wireless speaker, but there is no 3.5mm jack like Amazon's Echo Dot. In the center, there are four white lights that note when the Home Mini is listening or responding. Besides saying the "Ok, Google" hotword, users can tap on the Home Mini to issue a command. Google also retained the Home's original button for disabling the microphone with a toggle next to the charging port. The Google Home Mini will be go on sale later this month for $49, with pre-orders starting today.

AmiMoJo shares a report from The Verge: The third episode of Star Trek: Discovery aired this week, and at one point in the episode, Sonequa Martin-Green's Michael Burnham is tasked with reconciling two suites of code. In the show, Burnham claims the code is confusing because it deals with quantum astrophysics, biochemistry, and gene expression. And while the episode later reveals that it's related to the USS Discovery's experimental new mycelial network transportation system, Twitter user Rob Graham noted the code itself is a little more pedestrian in nature. More specifically, it seems to be decompiled code for the infamous Stuxnet virus, developed by the United States to attack Iranian computers running Windows.

T-Mobile says it will continue to claim it has the country's fastest LTE network even after the National Advertising Division, a telecom industry watchdog group, "recommended" that it stop doing so in print, TV, and web advertisements. In a statement given to Ars Technica, "NAD previously recognized third-party crowdsourced data as a way to look at network performance, so we looked at the latest results, and verified what we already knew. T-Mobile is still the fastest LTE network and we'll continue to let consumers know that." The Verge reports: The dispute arose earlier this year as part of a T-Mobile ad campaign that insinuated that Verizon's network was older and slower, and that its service did not feature unlimited plans. Verizon then filed a complaint with the NAD, which is a self-regulatory body of the telecom industry designed to settle disputes, avoid litigation, and protect against unwanted government regulation. Verizon said at the time that because T-Mobile was relying on crowdsourced data from third-party speed test providers Ookla and OpenSignal, the data was skewed in favor of T-Mobile. The data was pulled from a one-month period after Verizon first reintroduced its unlimited plans. Verizon's logic wasn't super bulletproof: the company claimed that because it had never before offered unlimited plans, T-Mobile customers -- who were familiar with the concept of throttling after a certain data threshold -- were more likely to be sampled in the crowdsourced data set provided to the NAD. Still, T-Mobile discontinued the disputed commercial, and the NAD felt the need to offer guidelines last week, advising the company not to claim its network was faster or newer. In addition, the NAD also told T-Mobile to modify its claim that it covered 99.7 percent of Verizon customers to make clear that the coverage is by population and not geographic area.

Microsoft announced today that it will soon shutter both its Groove Music Pass streaming service and the ability to purchase songs and albums in the Windows Store. The biggest surprise isn't that the service never took off, it's that Microsoft has partnered with Spotify to move all its Groove Music Pass customers over to Spotify. TechCrunch reports: Starting December 31, the Groove Music app will lose its features for streaming, purchasing and downloading music. Microsoft promises that moving to Spotify will be pretty seamless and that virtually all the songs and playlists that Groove users created over the years will transfer to the new service. Windows Insiders will be able to test this out with the next update, which is scheduled to roll out next week. Users will have until at least January 31, 2018 to make the move, though. For the most part, Spotify offers a superset of Groove's music catalog, so except for a few edge cases, there's no reason to believe that moving to Spotify would be a great loss for Groove Music Pass customers. And because Spotify is available on Windows Phone, too, even the few users still left on Microsoft's failed mobile platform won't miss out. As for Groove Music itself, Microsoft says the actual app won't go away anytime soon. It'll still be available for playing back and managing music that's stored locally.

Mozilla-backed researchers are working on a real-time noise suppression algorithm using a neural network -- and they want your noise! Long-time Slashdot reader jmv writes: The Mozilla Research RRNoise project combines classic signal processing with deep learning, but it's small and fast. No expensive GPUs required -- it runs easily on a Raspberry Pi. The result is easier to tune and sounds better than traditional noise suppression systems (been there!). And you can help!
From the site: Click on this link to let us record one minute of noise from where you are... We're interested in noise from any environment where you might communicate using voice. That can be your office, your car, on the street, or anywhere you might use your phone or computer.
They claim it already sounds better than traditional noise suppression systems, and even though the code isn't optmized yet, "it already runs about 60x faster than real-time on an x86 CPU."

An anonymous reader quotes the EFF: In the past few years, the sale of pre-configured Kodi boxes, and the availability of a range of plugins providing access to streaming media, has seen the software's popularity balloon -- and made it the latest target of Hollywood's copyright enforcement juggernaut. We've seen this in the appearance of streaming media boxes as an enforcement priority in the U.S. Trade Representative's Special 301 Report, in proposals for new legislation targeting the sale of "illicit" media boxes, and in lawsuits that have been brought on both sides of the Atlantic to address the "problem" that media boxes running Kodi, like any Web browser, can be used to access media streams that were not authorized by the copyright holder...

The difficulty facing the titans of TV is that since neither those who sell Kodi boxes, nor those who write or host add-ons for the software, are engaging in any unauthorized copying by doing so, cases targeting these parties have to rely on other legal theories. So far several legal theories have been used; one in Europe against sellers of Kodi boxes, one in Canada against the owner of the popular Kodi add-on repository TVAddons, and two in the United States against TVAddons and a plugin developer... These lawsuits by big TV incumbents seem to have a few goals: to expand the scope of secondary copyright infringement yet again, to force major Kodi add-on distributors off of the Internet, and to smear and discourage open source, freely configurable media players by focusing on the few bad actors in that ecosystem.
The EFF details the specific lawsuits in each region, and concludes that their courts "should reject these expansions of copyright liability, and TV networks should not target neutral platforms and technologies for abusive lawsuits."

An anonymous reader quotes the Verge: Battery life on smartwatches is, in a word, bad. And while most of today's watches can more or less make it through a day without dying, they're still a far cry from the months or even years that traditional watches can run for. What if you never had to charge your smartwatch? That's the promise of Lunar, a new Kickstarter project that claims to be the world's first solar-powered smartwatch... The company says that the watch can charge off both indoor and outdoor light, and can run off as little as one hour of exposure a day. (The company also includes a traditional inductive charger as a backup.)

As for the watch itself, it's a pretty standard hybrid smartwatch, solar power aside. It'll be able to do basic activity and sleep tracking, offer some limited notification support through a colored LED, and automatically set time zones through a connected smartphone app. Also, given the need for low power consumption for the solar charging to feasibly work, there's no screen on the Lunar. Instead, there's just a ring of LED lights located where hour markers would be.
The campaign reached its funding goal wIthin two days of launching -- and one week later had double that amount, raising a total of $101,987 from 564 backers.

It's not clear if Slashdot readers love or hate smartwatches. Does it make a difference if the watch is solar powered?

An anonymous reader quotes a report from Exstreamist: Comcast announced this week that they plan on rolling out their streaming service, "Xfinity Instant TV" as an option for broadband-only customers. At our very first glance, it seemed like a pretty good deal, a live-streaming service for $18 a month, not bad right? But once we actually looked into the offering, we noticed something funny. Almost the entirety of what they're planning on charging $18 a month for could be viewed free with an antenna. According to the Wall Street Journal, the antenna as an option is apparently a long lost TV option for many consumers. Variety is reporting, "Xfinity Instant TV" intro packages, the ones that are $18, will only include a handful of broadcast channels, and a few "freebies" like the Home Shopping Network, and CSPAN So we're not exactly talking about getting access to ESPN, CNN, FX, or other more desirable channels for cord cutters, those will cost you at least $45 more a month, so basically the cost of your current cable television package. The report notes that the service is only available to Comcast internet subscribers and does include access to on-demand services.

Yesterday was the season premiere of the first new Star Trek TV series in 12 years. While the first episode aired on the CBS broadcast network Sunday night, the second episode -- and all the rest to come -- was made available exclusively on the CBS All Access streaming service for $6 a month. Naturally, this upset Trekkies and led many of them to find alternative methods to watch the show. EW reports that Star Trek: Discovery "is on the verge of cracking Pirate Bay's Top 10 most illegally downloaded shows in less than 24 hours." From the report: The Discovery pilot is currently at No. 11 on the list (apparently at No. 15 just a few hours ago), the pilot is up there with the likes of HBO's Game of Thrones, Adult Swim's Rick and Morty and, for some reason, TNT's The Last Ship. The show's second episode is at No. 17, which is a tad surprising as that was the one that wasn't free. Ever since the distribution plan was first announced fans have resisted with some vehemence the idea of paying for "yet another streaming service just to watch a single show" (there's more than one show on All Access, CBS is quick to point out, and then a debate over the relative merits of NCIS and MacGyver repeats ensues).

An anonymous reader shares a report: One of the many announcements at Apple's keynote a couple weeks ago was that 4K movies would be added to iTunes at the same price as HD content. Previously purchased HD movies would also be upgraded to 4K for free, though for streaming only. In response, Amazon Video has drastically slashed the prices of its own 4K content to match iTunes. As Pocket Lint notes, Amazon Video's 4K selection is not only limited in comparison to Apple's, but was incredibly expensive with purchases running over $30. (This price was comparable to services like Vudu and Google, but Apple's worked out deals to offer 4K HDR movies at $19.99.) Over the weekend, it appears prices for 4K titles on Amazon Video are now starting at around $5, with newer releases in the range of $7 to $19.

An anonymous reader quotes EW.com: Tonight CBS will premiere the first new Star Trek TV series in 12 years at 8:30 p.m. on the company's regular broadcast network. Immediately afterward, the second episode of Star Trek: Discovery will stream exclusively on CBS All Access -- the company's $6 per month streaming service... CBS saw an opportunity to leverage the built-in popularity of Star Trek to help fuel its fledgling All Access streaming service. The service currently has about 1 million subscribers and the company's goal is to grow it to 4 million by 2020...

But once fans watch Discovery, they'll notice the show's production values aren't like a typical broadcast show, but more reminiscent of a premium cable or streaming show. CBS was able to justify spending a bit more money on Discovery since it's going onto the paid tier. Sometimes, you really do get what you pay for.
The Los Angeles Times reports each episode costs $8 million -- though Netflix is paying $6 million for each episode's international broadcast rights. The show's main title sequence has been released, and the Verge reports that the show is set before the original 1966 series (but after Star Trek: Enterprise) along with some other possible spoilers.

Space.com asked one of the show's actors who his favorite Star Trek captain was. "I mean, Kirk," answered James Frain, who plays the Vulcan Sarek in Discovery. "That's like, 'Who's your favorite James Bond?', and if you don't say 'Sean Connery,' really? Come on."

Long-time Slashdot reader Mikkeles quotes the BBC: Saudi Arabia's education minister has apologised for the production of a school textbook in which the Star Wars character Yoda is seen superimposed on a photograph of the late King Faisal... The image, which shows the diminutive Jedi Master sitting beside King Faisal as he signs the UN Charter in 1945, was created by the Saudi artist Shaweesh. He told the BBC it was not yet clear how it had ended up in the textbook... The 2013 artwork, entitled United Nations (Yoda), is part of a series in which symbols of American pop culture -- ranging from Captain America to Darth Vader -- are superimposed onto archive photos of historical events... Shaweesh said he included Yoda because, like King Faisal, he was "wise, strong and calm".
"Someone should have checked the image before printing," he added.

An anonymous reader shares a report: NVIDIA's Shield TV promised to be an Android set-top box for gamers, and in that sense, it delivered. The company first released it in 2015, but its updated version cut down on price by bundling the $50 remote in to make the base-tier $200 version more cost-efficient. Now they're dropping that price down to $180, which is an even better deal. NVIDIA is keeping the $200 tier by bundling in its normally $60 controller alongside the included remote.

An anonymous reader shares a report: With Google's user-generated content loophole firmly in lawmaker's sights, global music trade body IFPI has published new research looking at demand for music streaming. The research confirms YouTube's pre-eminence as the world's de facto jukebox. 46 percent of on-demand music streaming is from Google's video website. 75 percent of internet users use video streaming to hear music. The paid-for picture is bullish: 50 percent of internet users have paid for licensed music in the last six months, in one form or another, of which 53 per are 13- to 15-year-olds. Audio streaming is split between 39 percent who stream for free and 29 percent who pay. [...] So what's the problem? European policy makers have become convinced by the "value gap" argument: compensation doesn't reflect usage. Google finds itself with a unique advantage here, thanks to YouTube's "user-generated content" exception, as we explained last year.

SmartAboutThings shares a report from Windows Report: If you installed the "Steam Inventory Helper" on your computer, you may want to uninstall it as soon as possible. Recent reports suggest that this extension used to buy and sell digital goods on Steam is spying on its users. Redditor Wartab made a thorough analysis of the tool and reached the following conclusions: The spyware code tracks your every move starting from the moment you visit a website until you leave. It also tracks where you are coming from on the site; Steam Inventory Helper tracks your clicks, including when you are moving your mouse and when you are having focus in an input; When you click a link, it sends the link URL to a background script; Fortunately, the code does not monitor what you type. Apparently, the purpose of this spyware is to collect data about gamers for promotional purposes.