






MPAA Cracking Down on TV Torrent Sites 436
sallgeud writes "It appears the other shoe has dropped and the MPAA is now going after sites which link to torrents of TV shows. The beef with redistributing copyrighted material seems to make sense... but I'm wondering if it makes a difference in the world of DVR. The vast majority of downloads appeared to be of content that is broadcast free over the airwaves. I'm wondering how much different this is than going after Tivo? Would these sites have been hit with lawsuits if they had stuck to purely over-the-air broadcasts?"
Is Zonk the new Timothy? (Score:5, Funny)
I don't want to start a holy war here, but what is the deal with you cat fanatics? I've been sitting here on my sofa in front of a cat (a sealpoint siamese) for about 20 minutes now while attempting to get it's attention away from a bug on the floor. 20 minutes. At home, with my labrador cross, which by all standards should be a lot dumber than this cat, the same operation would take about 2 minutes. If that.
In addition, during this attention seeking attempt, my children's attention is also held by the cat. And everything else has ground to a halt. Even trying to get the remote from my partner fails.
I won't bore you with the laundry list of other problems that I've encountered while dealing with other cats, but suffice it to say there have been many, not the least of which is I've never seen a cat that fetches as much as it's canine counterpart, despite the cat's faster ambulatory system. My terrier with one ingrown toenail runs consistently faster than this siamese at times, as the cat is often completely asleep. From a productivity standpoint, I don't get how people can claim that the cat is a superior animal.
Re:Is Zonk the new Timothy? (Score:5, Interesting)
Zonk is not the new timothy. Check out his journal [slashdot.org]. He posts replys to other peoples comments, so he clearly reads a few comments on Slashdot at least once or twice a week. That can't be said of very many of the Slashdot editors.
But I couldn't help noticing that right now all except one posts of the posts on the main page are made by him...
Re:Is Zonk the new Timothy? (Score:4, Interesting)
I personly find this story intresting , don't know if its a dupe nor do i care(the only people who care about it being a dupe are the ones who have already read it , the others get an opertunity to discuss something they missed, and they ahve been rather good in avoiding dupes this past week or so).
On the issue
"The MPAA claims that since it began action against torrent sites, the amount of time required to download a pirated file has increased "exponentially."
"
*cough*sckollob*cough* , All the MPAA chasing after random sites has done is move people to new pastures , they kill one torrent site and another three pop up in various locations , it has exponentialy increased anon trackers and sites which link to external torrents.
I am no supporting or attacking people who choose to download Films
I am quite in support of TV downloads but that is another issue( i download alot of stuff from the UK and the USA which i dont get here in germany or its dubbed horribly , ala the simpsons and i do own every simpsons DVDs i just dont fancy waiting 5-14 years till it comes out on DVD to see it).
The MPAA and RIAA are begining to sound more and more like king Canute , You cant stop the tide . You either learn to work with it or you drown
Re:Is Zonk the new Timothy? (Score:3, Informative)
Re:Is Zonk the new Timothy? (Score:2)
Intrestingly also with this action on these sites of which i am sure some will close down soon perhaps
They will most likely shoot up in memberships
Re:Is Zonk the new Timothy? (Score:5, Interesting)
I really fail to understand why everyone is making this such a huge problem.
All these torrent website operators need to do is host their content in eastern European (Russian) networks and all their problems magically go away. Why is this so difficult to understand?
The other problem is the mentality of these operators. I have tried to help them on numerous occasions to realize the simple fix to their problems (by donating free bandwidth in eastern European networks to them). Have you been on any of these type of IRC channels? These guys all have enormous attitudes and think themselves on a level of no less of God himself. They tell me that I don't know what I'm talking about. As an owner and operator of a large ISP in eastern Europe, let's just say that indeed I do know what I'm talking about. I can host anything I want, completely free of worry of European or American jurisdiction and laws.
The networks here are the wild, wild west of the Internet. No local authorities (laws or jurisdictions) or higher level ISP's block or attempt to block content infringing on copyright and/or intellectual property.
So, until these website operators learn to host their content on webservers outside of American or European jurisdiction, their problems will never go away. Unfortunetly, their heads are too big to realize simple truth.
Re:Is Zonk the new Timothy? (Score:2)
Re:Is Zonk the new Timothy? (Score:2, Informative)
He is perhaps best remembered for the legend of how he commanded the waves to go back. According to the legend, he grew tired of flattery from his courtiers. When one such flatterer gushed that the king could even command the obedience of the sea, Canute proved him wrong by practical demonstration at Southampton, his point being that even a king's powers have limits. Unfortunately, this legend is sometimes misunderstood to mean that he believed himself so powerful that the natural elements would
Re:Is Zonk the new Timothy? (Score:2, Informative)
Unfortunately, many of his aforementioned idiot subjects failed to get the point, and just thought he was mental.
Usually, you can tell the socioeconomic class of a person in Britain by which variant they relate: if they're "ooh help I'm being represse
Re:Is Zonk the new Timothy? (Score:3, Informative)
also http://www.mythome.org/environ.html [mythome.org]
there are also two versions of the story , one by his enemys (the one which i cited ) and the one by his freinds , it has nothing to do with class.
So infact both are right and both are fables
There is no evidence to support either having actualy occured
So those who know the historic facts are in the know that it was a myth
Re:Is Zonk the new Timothy? (Score:4, Funny)
That just shows how stupid your dog is - it cares more about you and your "distractions" than itself. That's not smart, that's being easily suggestible.
In addition, during this attention seeking attempt, my children's attention is also held by the cat. And everything else has ground to a halt. Even trying to get the remote from my partner fails.
Thus demonstrating how much smarter and more attractive than you the cat is.
My terrier with one ingrown toenail runs consistently faster than this siamese at times, as the cat is often completely asleep.
Again, cat is smart, gets to spend significant amount of time sleeping and being lazy. "Productivity" is for chumps and slaves. Mind you, if your terrier decided to wake a cat, the cat could easily tear it to pieces. My cat slashed the fuck out of a large Pitbull once. Don't mess with cats.
Slashdot's Leper Colony (Score:2)
Re:Is Zonk the new Timothy? (Score:2)
Repost (Score:5, Informative)
slashback (Score:3, Insightful)
Re:So what? (Score:5, Insightful)
Stories aren't reposted because they're "important". They're reposted because the editors are careless and didn;t notice. If I can't read Slashdot for a few days, I just browse through the "Older Stuff" stories linked conveniently on the right side of the front page.
I get annoyed at this because Slashdot regularly asks me to moderate posts, to improve the quality of the site, but provides no usable mechanism to moderate the editors. Even the email address on is encouraged to send warnings of dupes and errors is rarely answered, sometimes bounces, and is ignored in almost all cases. So now I rarely boither to mod at all; why should I care about the quality of the site when the editors obviously don't? In work I've found it similarly disheartening to be concerned with quality when the managemnent doesn't give more than lip service to the concept.
Re:So what? (Score:5, Insightful)
It actually made Slashdot more fun; I am the honorable type and felt compelled to use the mod points responsibly (when not enjoying multi-K pileons), so I browsed at -1, etc. Since "the community" told me to screw off, I'm relieved of that responsibility.
Just chill and enjoy the ride. Barring a major change, Slashdot ought to be superceded or unrecognizable in two years. The owners are making a lot of very classic mistakes, and they refuse to recognize them as such because they result in this slow, long term degradation of respect, not the instantaneous loss of revenue. By the time they understand, it will be too late, Slashdot will already have passed the inflection point. Slashdot may never "die", but I'm sure it will make a hell of a lot less money.
Re:So what? (Score:3, Funny)
I get annoyed that it never asks me to moderate posts.
Re:OT: Sig (Score:3)
Firefox and Safari both remember it just fine. MSIE sucks.
MSIE respects the tag autocomplete="off" - if Firefox and Safari doesn't, they may or may not suck because of that - but GMail certainly does for putting it there in the first place. (And Firefox sucks for putting configs in 'my documents')
Re:So what? (Score:4, Informative)
I understand, and I don't care that you don't care. And so on. I think I understand why the editors dupe, it's because they're jaded and don't give a shit, not because they want to give you a second chance to read a story. (This isn't radio, you know. Stories don't need to be repeated on the hour, you can just page back and see every story ever posted if you feel like it.) I do care about the lack of professionalism. If you don't like that; put me on your foe/freak list, however that works (I've never bothered to find out), maybe it'll filter me out.
heh (Score:5, Funny)
The main issue (Score:3, Interesting)
Re:The main issue (Score:5, Interesting)
So how about the new series of Doctor Who [bbc.co.uk], aired on the BBC (so no advertisements)?
Can I, as a license paying Brit, download episodes which have already been broadcast without fear of legal action?
Re:The main issue (Score:5, Funny)
Long answer, nooooooooooooooooooooooooooooooooooo.
Re:The main issue (Score:2, Insightful)
Btefnet isn't closed (Score:2, Insightful)
Re:Btefnet isn't closed (Score:3, Informative)
The channel was back to normal before (with the latest Dr. Who ep), but has since been set +m.
Is that a serious question? (Score:5, Insightful)
IANAL, but I suspect that fair use allows for the former but not the latter. In either case, the difference should be clear, in both intent and in practice.
Re:Is that a serious question? (Score:2, Insightful)
I could either drive over to my mothers and pick up her video, or I can go and download it.
(Of course, there are other perks to going to your mothers on a Sunday afternoon, no bittorrent site I ever found offered a roast dinner)
Re:Is that a serious question? (Score:2)
No, they generally don't.
Re:Is that a serious question? (Score:3, Insightful)
Since discovering that particular bit of history (I'm too young to remember it personally) I tend to just play things by "no harm, no foul" rules. In this case, that would mean downloading Dr Who, since I was never going to watch it with adverts in place anyway (I'm at uni without a telly, so it's
Re:Is that a serious question? (Score:4, Insightful)
Taping audio/video and passing it among your friends has been going on for decades. Also, that couldn't expand very far due to generational losses. Technically copyright infringement, but way under their radar.
The difference now is your circle of friends has expanded to include everyone online (potentially millions), and the copies they receive are identical to the original, and can be distributed again and again.
Eventually they will come to terms with this, but the landscape is changing too fast for them to keep up.
One of the main problems is people have come to expect free downloading of music and video. Why should I pay when I can get it from eDonkey or BitTorrent for free? In the music realm, iTunes has made some inroads into legal, pay downloads. But free still trumps $1 per track for a lot of people.
Re:Is that a serious question? (Score:5, Insightful)
I think this is one of the fundamental misinterpretations of online music/video piracy.
I don't believe it's about price or "free" at all, I believe it's about convenience. The question that people ask themselves is, "What is the easiest way to get what I want? Which is the path of least resistance? What offers the most convenience?"
Traditionally it's been easier to just go out and buy the product rather than hunt out an illegal copy, but the internet has turned that on its head. The affected industries have to get their acts together and turn things back around to how they should be. Initiatives like the iTunes Music Store go a long way towards achieving that, but nothing practical is being offered for TV/movies as of yet.
Re:Is that a serious question? (Score:4, Informative)
In the near future, the entire library of BBC programs as broadcast will be available online.
It is already happening with the radio shows and other material.
At that point, most of the torrents and other p2p links for bbc material should begin to dry up.
I pay for the BBC, and find their attitude to the web refreshing in todays over commerialised world.
Some links:
bbc home page [bbc.co.uk]
News about opening archive [bbc.co.uk]
Re:Is that a serious question? (Score:2, Interesting)
Re:Is that a serious question? (Score:5, Interesting)
Nope. Every time you have a purported fair use, you run through the analysis again. There's no sort of numerical limit involved, nor a hard rule against any kind of infringement rather than any other.
MPAA, like RIAA, has just been going after people that are easy for it to find, and who are further up the chain.
I.e. getting rid of P2P networks (as they tried in Napster and are trying in Grokster) prevents or impairs lots of people downstream from sharing since they can't use that network any more. Getting rid of trackers affects lots of people further down as well. Getting rid of uploaders at least affects some downloaders and leechers. Getting rid of downloaders doesn't really have affects on others at all. It's a simple 'attack the head of the snake' principle.
Re:Is that a serious question? (Score:2)
Isn't this the same for movies and other media though : You -can- download movies/games, but you're not allowed to host it ; Thus http/ftp-downloads would have the preference over torrents.
Well, at least, that's how it works over here in the Netherlands.
Re:Is that a serious question? (Score:3)
You can see what's infringing at 17 USC 106, and how to determine whether there is a fair use by using the four listed factors at 17 USC 107.
Can you be sued if... (Score:3, Interesting)
Re:Can you be sued if... (Score:2, Informative)
"Can you be sued if you havn't downloaded any content, and havn't uploaded any content, but provide a website that hosts .torrent files?"
Well, not in Sweden [thepiratebay.org]. Not sure about other countries, though.
Re:Can you be sued if... (Score:4, Insightful)
YOU CAN BE SUED FOR ANYTHING BY ANYONE. Will they win the case, that is the important part?
.
Re:Can you be sued if... (Score:2, Insightful)
Before that comes the key question: Can you afford a lawyer? If the answer is no, then the rest is moot.
Re:Can you be sued if... (Score:3, Insightful)
They can sue you if they want to (Score:2)
Re:Can you be sued if... (Score:2)
Remember Napster? The old Napster?
They never downloaded any content, they never uploaded any content. Not one single solitary byte of music content ever touched their servers. All they did was put people who wanted music in touch with people who were willing to send it to them.
Nonetheless, they got nailed.
You run a website that hosts .torrent files, you're doing p
Re:Can you be sued if... (Score:2)
See, for example, Napster, which wasn't sued for downloading, and wasn't sued for uploading, but was sued for providing assistance to other people who were.
Much better solutions (Score:5, Insightful)
TV shows are about the only thing I download via bittorrent (and a few books), mainly because I can't watch when shows are on, and it is more convenient than my DVR. The shows I watch already have logos from TV stations, etc., why not run a "drink coke" banner at the bottom from time to time instead?
If they were really smart, they would also provide their own bittorrent tracker server (complete with Google/Overture ads), making it unnecessary for me to go to other sites and be "tempted" to download music and movies as well.
Re:Much better solutions (Score:5, Insightful)
affiliates are the answer.. (Score:3, Interesting)
That way local commericals are shown that matter to the advertisers in addition to the national ads.
Sure you could download an episode from another affiliate, but if you have one in your city, it would probably be faster download so why bother.
People who don't have an affiliate that airs said show can also watch it, but I'd hardly consider that a loss since your gaining a viewer w
Re:affiliates are the answer.. (Score:3, Insightful)
At least in my area, ALL of the broadcast stations owned by the network companies. Yet they still make a big deal out of local news. I imagine with the current ownership rules, this is a pretty common situation.
Re:affiliates are the answer.. (Score:3, Insightful)
This has also been an issue with "repeated" s
Re:Much better solutions (Score:2)
once you learn bittorrent once, you know how to use it. i doubt tv networks owned by the MPAA would appreciate helping bittorrent grow even bigger.
besides the fact that it'll be in competition with their affiliates as someone before mentioned, they'll also be competing against dvd sales (or
Death to Mickey Mouse, long live the Marx Brothers (Score:5, Insightful)
Mickey Mouse is the poster child for one part of the abuse. In Mickey's case, they are extending the copyright forever so that they can continue to milk the mouse. If you don't like mouse milk, that's just too effing bad. They have also greatly extended the coverage of copyright against derivative work, again to keep the mouse (and friends) alive and "uncontaminated".
The Marx Brothers represent a different kind of abuse. That's a case where they use (extended) copyright to suppress distribution of works that ought to be in the public domain. In this case, those works would compete very favorably with the tripe Hollywood produces--so they avoid the competition by suppressing those golden oldies.
Who said crime doesn't pay?
Re:Death to Mickey Mouse, long live the Marx Broth (Score:2)
Re:Death to Mickey Mouse, long live the Marx Broth (Score:2)
Oh, uh, wait. Hmmmmmm.
Re:Death to Mickey Mouse, long live the Marx Broth (Score:5, Interesting)
Well, Disney began at a time when terms, among other things, were much less than they were now. Clearly he didn't need additional encouragement later, so why should there be a retroactive copyright for his work, especially long after he's dead?
But this really ignores the main issue: we don't want to encourage creativity too much. What we want is to best serve the public interest. But the public has several, equal interests. First, they want original works created. Second, they want derivative works created. Third, they want works to be unencumbered -- this means free as in beer, and free as in freedom.
Without copyright, we have fully satisfied the third, somewhat satisfied the second, and slightly satisfied the first. We can sum this up and determine the net satisfaction of the public interest.
If we then offered a copyright of, say, 5 years, we'd reduce the immediate satisfaction of the third and second, but hopefully increase satisfaction of the first by a greater amount, and also some satisfaction of the second. We can sum these up too, and see if the net satisfaction is greater or lower than in other scenarios.
What we want is to find the scenario that involves the least restrictive laws and the greatest satisfaction of public interest. This will almost certainly not be the point at which we maximize the first interest -- which is what you were talking about -- because there are other interests at issue as well. (And plus copyright holders don't like competition, so they're known to use their rights as a sword, rather than a shield, and claim infringement to keep up-and-coming artists out of the marketplace; maximum creation of original works is thus probably impossible)
Given that most artists will never see economic value from their copyrights at all, and yet are encouraged to create, and given that in the rare cases that they do, this is almost always realized immediately (the vast majority of revenue for any medium is made when a work is first released in that medium, and dies off days-months afterwards), I think that we could still get the vast majority of creation we see now -- maybe more -- even if copyright terms were extremely short. And we'd all be better off too, since this would encourage more work in derivatives, and more freedom with regards to created works.
Preventing people from rehashing old ideas from the 30's and 40's is not necessarily a bad thing.
It is actually, all else being equal. A lot of the best work is derivative, where people spend more time on polish than the underlying concept. For example Shakespeare's plays were virtually all either based on history, or earlier plays and stories which he made new versions of. He was not a big original thinker. That shouldn't be held against him -- he was good.
Re:Death to Mickey Mouse, long live the Marx Broth (Score:3, Interesting)
Yes, but a great deal of art created under such systems were propaganda made for the benefit of patrons, which is not in the public's interest either. The best thing that happened to art was when it was turned into a viable career for anyone to pursue.
Besides, copyright harms culture too, by preventing people from getting copies for the lowest possible price (or free),
That's n
Re:Death to Mickey Mouse, long live the Marx Broth (Score:3, Insightful)
Well, that still happens today. And at any rate, it doesn't really matter. Copyright is concerned quantity, not quality. You don't want the government making decisions as to which pieces of art should get the most protection. Whether you see high art or low art, it should be the public that decides, and this is basically a matter of where money gets spent. (
Re:Death to Mickey Mouse, long live the Marx Broth (Score:4, Insightful)
Ah, but you see that's a different issue altogether. If I could solve world hunger, I could put farmers out of business and guarantee they'd always have enough to eat, and never worry again. The only way this connects to freely copying art is if any artist is able to walk into a restaurant, perform or deliver some kind of art, and freely take food without paying actual money.
Copyright isn't intended to help artists. It's intended to get them to create new works (by giving them the incentive of a monopoly)
I would argue that incentive is meant to help artists. If you don't help artists turn their work into money (if only briefly) then you reduce the number of artists dramatically. The majority of "great" art created over the years was done by those who were either paid to produce or were using their art to make a living. If you completely gutted their ability to monetize their work, none of them would have kept at it.
If someone had been in the audience during the first performance of "Hamlet" and taped and re-distributed the play to everyone who wanted it, free of charge, Shakespeare would never have existed the way he does now. The risk to the public interest is that by dismissing the value of creative works and their creators, they may be discouraging the most brilliant artist of all time from taking a shot. An artist is not necessarily someone who opts to starve for their art.
I myself often find derivatives that are excellent, perhaps even superior to their sources.
What would be truly useful would be a mindset that let the creators of derivative works communicate with the original artist so that they could bounce ideas off each other to make something far superior to the first product. That was one of the worst victims of modern copyright... the inability of artists to collaborate unofficially, for fear of being sued.
Yes, except that [$1 for a movie] way too high
Yeah, I would prefer to see a complete decoupling of the service and payment myself. If you can get access to the work, enjoy it. If you enjoy it, pay something to the artist. In some cases the medium will require an up-front fee (like DVDs), but you as the consumer set the price. Most people have no trouble supporting the artist that made their favourite show or song or book. I just wonder if $1 as a suggested starting point is a good way to kick it off. I find that people today need to be told what to pay, even if they'd prefer another price. That's a whole lot of social engineering right there.
after all, how many times over do they want to get paid for the single act of creating a single work
This was the biggest problem that drama faced when it started getting written down and reproduced. It used to be you had no choice but to see the artist hard at work to appreciate their art, because you had to see them live. Once we started recording things (especially movies and TV), that personal connection got lost. Someone making a TV show shouldn't expect to be paid seven times for the same work by the same person, but if ten million people watch their show and enjoy it, they should expect that some of those people appreciate it enough to pay for it.
People in that sort of work [colour correcting] aren't the kind of artists we're talking about here. They merely provide a service, and that has nothing to do with copyright.
Ah, but it does. If I create a show and I have a crew of 100 people making each episode, and I can't keep Company B from selling it for $1 on the street corner, I can't make my next episode, and those 100 people are out of work. And those people ARE artists... that's just the point: you can say that a singer is just one person able to make their own way, starving on
Re:Death to Mickey Mouse, long live the Marx Broth (Score:3, Insightful)
I think that's a bit bizarre.
If the marginal cost for everyone to create copies of material things is at or is very near zero, and
Re:Death to Mickey Mouse, long live the Marx Broth (Score:2, Interesting)
But that is NOT what copyrights are about. they are not about making tons of money at all, but to encourage creativity by allowing people a temporary monopoly on a work, but AFTER that LIMITED time it HAS to enter the public domain. What you are asking for an extention on, and what Disney has done will only end up stiflin
Re:Death to Mickey Mouse, long live the Marx Broth (Score:2)
If all the megacorps are running around bitching about how their precious intellectual property is being stolen, that's fine.
If it is real property, then it is subject to real property laws. They need to pay a tax on it, just like any other property. If someone buys a piece of their intellectual property, then t
Re:Death to Mickey Mouse, long live the Marx Broth (Score:2)
Copying someone else's work, or distributing someone else's work, isn't creative.
If you want to create a show, as opposed to copying one, nothing the MPAA is doing will stop you.
*YAWN* (Score:2, Offtopic)
Slashdot needs to eat its own dog food.
Well yes, they would... (Score:5, Insightful)
How many TV torrents still contain the original advertisements they aired with? I'm thinking in the region of.. hmm... zero? Now, how is all this "free to air" television subsidised? Oh? Advertisements?
Do you see now?
Re:Well yes, they would... (Score:5, Insightful)
Re:Well yes, they would... (Score:5, Informative)
Actually, I'm downloading the episode of Dr Who [bbc.co.uk] that I missed last night. The original contained no advertisiments, and is subsidised by the tax that I pay in the UK. Now the reason why I shouldn't download it again is
ALso I'm really not sure what the difference is between downloading an American show that I missed a few weeks ago on the Sci-fi channel (yup, again I pay for that), and recording it with a VCR, DVR, TiVo or whatnot.
Re:Well yes, they would... (Score:2)
Programming on the sci-fi channel is partly funded by adverts. By downloading the content instead, you are not figuring in their audience statistics[*] and therefore you reduce the value of those adverts, costing the channel money.
[*] - Yes, I know this is only _really_ true if you are part
Re:Well yes, they would... (Score:3, Insightful)
As opposed to the value that they would have if I were to legally record the show to VCR and fast-forward the ads?
Re:Well yes, they would... (Score:3, Informative)
The percentage of people that do that (along with the number of people that make a sandwich or go to the bathroom) is factored into their 'numbers of eyeballs' calculations. The advertisers, networks, and media survey people have surveys and stats on this going back decades.
Re:Well yes, they would... (Score:3, Insightful)
Maybe if they let those of us who are overseas watch it earlier, we wouldn't need to download it.
Just a thought.
Expats (Score:5, Interesting)
When I do try to play by the rules and order a DVD from the US of a movie I want to see (ie.. incredibles) It won't play on my player because of the region code.
I am not saying that downloading and watching the dailyshow everyday is right, but there is definitely a moral grey area. Even with the most expensive satellite package, I can only get this 'dailyshow weekly update' on CNN.
I mean I can see how shows ripped without commercials would be frowned upon, but they advertise products that aren't available here anyway.
Re:Expats (Score:3, Informative)
I have lived in quite many countries - Canada, USA, France, Sweden etc. While abroad, I learnt to love many programs we do not get in my native country, for example Leno, O'Brien and Daily Show with Jon Stewart. I have also adopted a lot of the other cultures along the way. For example, I find american political life hugely interesting (and slightly amusing).
Anyways, there is no way for me currently to obta
BtEfnet's torrents on ED2k (Score:2, Interesting)
ed2k://|file|torrents.tar.bz2|24171559|75405CBD
Bittorrent is shut down, ED2K Forever.
Re:BtEfnet's torrents on ED2k (Score:2)
PBS / Public TV re-broadcast (Score:2, Insightful)
Nature, I Claudius, Colonial House... c'mon you guys love this stuff too, right? Commercial TV is 60% crap, even without the commercials.
Stargate Atlantis got my cable service terminated. (Score:2, Interesting)
Stargate Atlantis was one of the T.V. shows. Back in December 2004, Adelphia terminated my cable service account (for forever -- blacklisted) for D.M.C.A. because I was sharing two Stargate Atlantis episodes over BitTorrent according to BayTSP and M.G.M.'s hardcopy letter copy ( http://www.google.com/search?q=baytsp+mgm+stargat e [google.com] for samples).
IRC? (Score:3, Interesting)
The issue is DVD sales (Score:3, Interesting)
Nonsense story ?! (Score:3, Interesting)
They broadcast them on TV under their terms (ads, logo,
People don't understand that. You can argue P2P helps shows. I'm ok with you. Still, it's illegal.
So please somebody start a company broadcasting TV shows WITH ads under a CC-by-nc-nd license and bittorrent.
That already exists for music albums : http://www.jamendo.com/ [jamendo.com] and it rocks !
Atleast there's hope... (Score:2, Interesting)
Re:Atleast there's hope... (Score:2)
I don't generally bother with TV downloads, but AFAICT they're saying "Don't download show X illegally now, we'd rathar you wait 6 months, pay us, download our specific DRM software then find that we've decided not to make show X available anyhow!"
Well. I'm sold on that idea. </sarcasm>
I can't wait (Score:4, Interesting)
Comment removed (Score:5, Interesting)
It's not so much about the content... (Score:5, Interesting)
Wake up folks. It's not about their stuff, it's abotu your freedom. Why the hell do you think you don't have enough upstream bandwidth to support an ad-hoc, real time distributed distribution system?
I'll tell you. Because the TeeVee, radio, and theatre middle men would become extinct....The artists? They'd thrive because the demand for material is independent of the mode of distribution.
unclear (Score:5, Interesting)
I don't understand how the MPAA could sue someone who has paid for their right to view the program. Arguably, the MPAA and its cohorts would prefer to peddle the DVD sets rather than have people simply download every episode for free. If people have already paid for the right to view the program by paying a dish/cable subscription fee, shouldn't they be allowed to view any network programming for which they have paid at any time?
As previously mentioned in other posts, how is this different from simply using a VCR or DVR? It's a more permanent medium, they might say. Well, so is DVR. Cassettes can copied with no more of an investment than an additional VCR. Thus, they could be considered permanent. How is this different?
I could still see lawsuits out of this. If someone downloads a show, gets caught, and doesn't pay for service, sue them until their arses bleed green. Conversely, for someone such as myself who pays US$45/month for cable, I should be able to download shows from the channels for which I pay all I want.
Tivo vs Torrents (Score:3, Interesting)
However, nothing gives anyone the right to redistribute the recorded shows. If I download a show, I didn't have to buy a tivo, and chances are good I'm not going to have to even skip through advertising. Studio makes no money off of me as the advertisers aren't going to consider downloaded commercial free shows in their rating calculations.
For fear of overextrapolating, should the trend continue unabashed, they choose not to embrace a new distribution medium and instead look for other ways to cut costs, they'll instead create more shows that have low overhead budgets and appeal to a demographic less likely to use computers for obtaining and watching television shows. That's right, you'll probably end up with more reality TV.
I'd personally prefer a different distribution model. Even a subscription based service would work. As the trek fans were pointing out in their ill-fated effort to save Enterprise, even with the abysmally low ratings the show was getting, if everyone who watched it paid slightly less than 50 cents per episode, they'd have enough to fully fund a season. That's pretty cheap entertainment, and far far less than they charge for the DVD sets of the same seasons years later. Heck, millions of people willingly pay more than 50 cents for a SONG. It's not out of the question to assume they'd do the same for a TV show that was worth watching. But as long as they want to stick with the old medium, you can expect them to fight it tooth and nail until they're forced to either adapt or die.
-Restil
Doesn't Really Matter (Score:3, Interesting)
Re:isohunt.com - gone? (Score:2, Informative)
Maybe they felt like a change?
Re:isohunt.com - gone? (Score:2)
Re:isohunt.com - gone? (Score:2)
Re:isohunt.com - gone? (Score:2)
Can anyone get on the channel? I thought you needed a key to join. :-)
Re:isohunt.com - gone? (Score:2)
Re:I was always wondering... (Score:2, Insightful)
Here are three (Score:5, Informative)
#2) Even if the commercials were kept in you could still fast forward through them.
#3) They don't control it. Nor would they probably want such a model because it wouldn't allow them the same amount of power as before (i.e. with these so called "television sets").
Re:Here are three (Score:2)
Re:Here are three (Score:3, Interesting)
I do that while watching LIVE tv. (sorta)
I start watching an hour show at 20 after the hour, and using my DVR, rewind to the beginning and FF thru the commercials. this way I am done watching it as it really ends. Also, when I just record and watch later, I do the same thing.
Re:Here are three (Score:2, Informative)
Re:I was always wondering... (Score:4, Informative)
Let's see:
So let's see section 106:
So yeah -- unless there's some applicable exception here (I wouldn't bet on it) -- it's illegal.
Re:Once again, they just don't get it... (Score:3, Interesting)
No commercial ads on it - at all.
Mind you, its paid for through a license fee, so wouldnt it be reasonable to assume that since its been paid for already through the license fee, that UK people have a right to watch anything on the BBC however they choose.
Even torrents of the shows.