Blade Runner at 25, Why the F/X Still Matter 454
mattnyc99 writes "Today marks the 25th anniversary of the release of Blade Runner, Ridley Scott's dark vision of the future that changed the future of filmmaking and still stands up today, argues Adam Savage of The MythBusters (and the F/X crews of The Matrix and Star Wars). Between the "lived-in science fiction," pre-CGI master models, futuristic cityscapes and tricked-out cars, don't you agree? And after we got the first official glimpse of him from Indiana Jones 4 this weekend, isn't Harrison Ford still the man?"
didn't know what a steier .222 looked like, found (Score:4, Informative)
Re:didn't know what a steier .222 looked like, fou (Score:2)
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. Their single-minded devotion to creating the exact prop from the film is a bit eerie, though.
Savage is (or was) a prop guy. That's what they do. I know one who made a working replica of the Logan's Run Blaster just for grins. (Working in that it spews green flames, not in that it terminates runners.)
Oddly, today I happened across some '04 Mayoral candidates that were given the Voight-Kampff test. [thewavemag.com] (The Nexus 7 won.)
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Too bad they didn't try to do the 'gun' in the movie Logan's Run more like the gun in the novel..it was MUCH more interesting, and deadly. Having the homer fired at a runner was a nasty thing....would have made for interesting special effects watching it unravel his entire nervous system.
That was one movie where the book was SO far ahead of it bet
[OT] Re:didn't know what a steier .222 looked like (Score:3)
I still enjoy watching the movie to this day, though. Perhaps this is because it holds a special place in my heart... it was the first
Re:[OT] Re:didn't know what a steier .222 looked l (Score:3, Insightful)
And at 36 too...
Special edition DVD? (Score:5, Interesting)
Re:Special edition DVD? (Score:5, Informative)
"Blade Runner: Final Cut will arrive in 2007 for a limited 25th-anniversary theatrical run, followed by a special-edition DVD with the three previous versions offered as alternate viewing."
Re:I want the voice over (Score:5, Informative)
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What so many people can't seem to get is that movies AREN'T TV. You don't need to fill every second with dialog. Movies work better when the story is told visually. Voice overs can work but
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Re:Special edition DVD? (Score:5, Interesting)
I've been wracking my brain trying to come up with reasons why I need to upgrade to an HD disc format. We love movies and have the A/V firepower to work with an HD disc player, but we use our DVD player for so much more than just movies, such as Firefly discs and videos for my kids. At best, then, any HD disc would be used for 1/3 of the things we use our current DVD player.
Not worth the money and time.
Re:Special edition DVD? (Score:5, Insightful)
Oops.
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DVD's gave us random access, computer compatibility, and data-storage possibilities, which VHS did not. You can't watch a videotape on a laptop (without a VCR nearby), and the special features on DVDs don't work on videotapes.
What's the difference between DVDs versus HD or Blu-ray? Size, right? So that means I can either get greater picture resolution (which matters to people with big TVs, but some of us don'
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HD & BLU ray are instantly recognizable as worse in terms of DRM and Cost and only marginally better in terms of playback.
You really need a 20' living room and a 60" screen for the difference to matter and even then the difference is more a matter of degree (it's mildly crisper-- but in some cases that exposes flaws and cheesy costuming in the movie that you couldn't see at lower resolutions).
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For some of those movies I originally saw in a butchered 4:3 VHS version, the Hi-Def widescreen presentation is like seeing another movie.
Dystopian future (Score:4, Funny)
Just remove the wires, OK? (Score:5, Interesting)
"All this will be lost, like tears in the rain"
"Time to die"
Re:Just remove the wires, OK? (Score:5, Funny)
Re:Just remove the wires, OK? (Score:5, Funny)
Re:Just remove the wires, OK? (Score:5, Interesting)
Less than 12 parsecs (Score:3, Informative)
The Kessel Run is close to the Maw, a collection of black holes, that is between Kessel, a prison/spice production planet, and Nar Shadda, the smugglers moon orbiting the Hutt homeworld. Because of the gravitational pull of the Maw, smuggler ships that pass between Kessel and Nar Shadda have to skirt around the black holes to avoid the event horizons (even if it would take infinitely long to fall
Re:Just remove the wires, OK? (Score:5, Funny)
Re:Just remove the wires, OK? (Score:5, Funny)
Poor, Harrison.
Re:Just remove the wires, OK? (Score:4, Funny)
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Maybe? (Score:4, Funny)
Oh, shit! Put a spoiler alert above that!
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Re:Maybe? (Score:4, Funny)
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Re:Maybe? (Score:4, Interesting)
Re:Maybe? (Score:5, Interesting)
Re:Maybe? (Score:4, Interesting)
i love blade runner (Score:5, Insightful)
the problem with most science fiction movies is that the sampling of the philosophical implications of their subject matter is too shallow (or they are outright fantasy riffs without any attempt at philosophisizing). you don't get that with a good sci fi book. a good sci fi book gets you to really think and wonder. a good science fiction movie just usually entertains you... sometimes entertains you REALLY well, but the thinking part isn't usually there
but blade runner really got to me. especially the scenes at the end, with deckard and batty, the movie collapsed all of the science fiction trappings into meaning: the essential human struggles with life and death and what is the whole damn point anyway? blade runner really sticks with you. every time i watch it i think of something new
i really don't know of a better example of how deeply a 2 hour scifi movie can really get to you in a deep way
well maybe contact [imdb.com], but contact comes second in my mind to blade runner
Re:i love blade runner (Score:4, Interesting)
Re:i love blade runner (Score:4, Insightful)
I agree that Blade Runner is one of the best science fiction movies of all time. And it stands up amazingly well to modern special effects and scenery. But the movie is still a movie-- entertainment with tunnel-vision, spoon-fed philosophy.
yup (Score:2)
however, like life, thought alone is nothing. thought must be combined with action in real life to have any meaning. we denigrate, for good reason, action without thought (in movies, politics, etc.). but i think the corollary: thought without action, is just as bad
the point being, movies are better than books. simply
Re:i love blade runner (Score:5, Insightful)
As for one being deeper than the other... personally, I find the movie's resolution of the synthetic/authentic dichotomy more satisfying. The book says that the synthetic is never as "good" as the authentic. The movie says it can be.
This analysis is consonant with my impression of Penrose re: AI's potential. Penrose says we can't simulate intelligence using Von Neumann computers because intelligence relies on quantum-mechanical nondeterministic computation to evade Godel's incompleteness theorem. I say that Penrose has made at least three significant errors: 1) his argument that human intelligence does successfully evade Godel's incompleteness theorem is pure speculation; 2) simple electrochemical models of brain operation include nondeterministic elements (neurotransmitter diffusion, etc.), without any need for quantum-level effects; and 3) that it would be difficult to add probabilistic operations to Von Neumann systems if nondeterministic elements were found to be necessary to simulate intelligence.
Don't get me wrong. I love reading PKD's stuff and am a huge fan. I just happen to disagree with his thesis in that story ("Do Androids Dream of Electric Sheep"), and that disagreement leads me to be more satisfied with Ridley Scott's variation on the story.
Regards,
Ross
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there is no more perfect science fiction movie to me
Except for those god-awful '80s hairdos and makeup... Barf.
Re:i love blade runner (Score:4, Insightful)
In Blade Runner, Scott mixes the two pretty effectively. Decker, Rachael, the police chief, etc. dress pretty conservatively, and they hold up pretty well. The extras and many of the replicants, on the other hand, look like leftovers from a Sex Pistols concert.
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Taken a trip to the mall lately? People are *still* dressing like that, and it's not too far til 2019!
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Uhhhh, Contact? Good lord. Okay book, awful movie, IMHO.
Sweet jesus on a fricken' pogo stick (Score:3, Informative)
Waste your damn mod points modding this troll, it's my honest opinion. I don't give a rat's ass what someone dumb enough to like Contact thinks anyway.
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You're right: Contact was abominable. That's one of only a few movies I disliked so much I actually want my two hours back.
Re:i love blade runner (Score:4, Funny)
Contact is definitely first in my list, because of the "my daddy is an alien" and "your mind can't bear how we actually look" cop-out ending.
You gotta be very brave to masterfully build suspence for hours in this otherwise great movie, and end with daddy talking condescendingly to the main protagonist "honey, you're too stupid to even have a look at me".
I mean, what the hell could they be? Really ugly fat green gelatinous blob monster? Seen that [darkhorse.com]. Gaseous purple clouds? Seen that, too (although the comic version [wikimedia.org] looks kinda different).
I mean WHAT, what the hell did it look like? Maybe they all looked like middle-aged average dads and this is why all the lies. Outer space jerks.
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A really nice echo of that theme was in the Venture Brothers episode "Twenty Years to Midnight". That was probably one of the best episodes of one of the best cartoons for geeks.
spoiler:
"Jonas": Alright, fine! You wanna see?! Here! ["Jonas" starts to rip open his face; we only see everyone's looks of horror and a bright light from "Jonas"'s direction] There! That woul
Re:i love blade runner (Score:4, Informative)
There is a lot of good "grown-up" science fiction in movies out there for those willing to look for it. I would add movies like "12 Monkeys" and "Primer" (rare serious looks at the ramifications of time travel) as personal favorites, as well as (of course) "2001: A Space Odyssey," one of the few science fiction films to treat alien/human (or is it God/human?) contact in any serious way. "Gattaca" was also good, but a bit heavy-handed for my tastes. A lot of people hated "The Fountain," but I thought it was an interesting meditation on human mortality.
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I have a rather soft spot for Dark City as well.
Ah well.
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Very interesting take on a comparison between the LA of Bladerunner and the current LA.
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Not meaning to flame, but ... if you're too dense to get it, you can't very well blame the filmmakers.
Re:A.I. (Score:4, Insightful)
Re:A.I. (Score:5, Interesting)
(First off, I know you didn't say this, but it'll inevitably come up--those aren't aliens, damnit! They're advanced mecha. One of them is even the narrator; the movie starts with him/it saying "Those were the days when..." It's unfortunate that so many people never realized this, but on the other hand it clicks if you watch it a second time and then you get a lot more out of it.)
Many people have called the movie a fairy tale, and they'd be right to do so. But you can take that even further; it's a fairy tale that advanced mecha tell each other, long after humans have gone extinct. What parts of the last half-hour were real, if any? When he went back to his house that seemed both real and eerily artificial, the visuals suggested to me that it was all a vision in his head. They read his mind anyways; they might as well have been feeding him these images, even as he was really still half-frozen at the bottom of the ice excavation. The time-space continuum excuse especially sounded like a fabricated lie... Was it inevitable that David would be woken up by *something* someday, simply because he was not mortal? Perhaps there are thousands of discarded robots like him, buried inside the frozen Earth. The advanced mechas eventually dig out and feed a similar story to each that finally satisfies and terminate its program. Is this compassion between robots? Why do they do it? Are they trying to make robots dream, or are they saying that death is just another dream?
The movie asked a lot of questions about what it means to be human--similar to BR, but focused on love. I remember a particular review of A.I. (it had quite good reviews) that summed it up quite well and it seems to me the message of the movie: "To be real is to be mortal; to be human is to love, to dream and to perish." Perhaps that's why the advanced mechas gave him the choice. Hmm...
Anyways, personally I found that the ending was incredibly sad and not a happy one at all. I disagree that it would have been at all satisfying for the movie to just end on the ocean's floor, and for David to truly never "die." But you could take it either way, and stuff like this is why I found it so fascinating. And then of course there was the (first "mature") Alternate Reality Game/viral marketing that was really neat in itself. Ultimately, of course, it's up to your own experience.
Re:i love blade runner (Score:4, Insightful)
I don't think that's a particularly accurate characterization of Blade Runner. While it's true that the big flashy action scenes were replicants killing people, the whole point was that they weren't just mindless or evil killing machines embodying a metaphor for technology gone too far. The point was nearly the opposite of that; they were, fundamentally, human. Humans whose situation and capabilities exceeded their emotional maturity, and who were failing to deal with that in the way that humans are wont to do.
They were in fact the most terrifying of all things: extremely powerful children. Blade Runner has less in common with Terminator than with Lord of the Flies.
For a 50 year old guy... (Score:4, Funny)
Oh...what? Damn!
On today's Mythbusters... (Score:5, Funny)
Re:On today's Mythbusters... (Score:4, Funny)
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Plausible, but only if it involves a photo shoot of Kari Bryon.
But Is Deckard A Replicant? Or Not? (Score:5, Interesting)
"Knowing" Phillip K. Dick (through reading most of his works) I think personally the answer is a yes, but the debate has raged on for a long time, at least when the subject comes up. Others say no, and that's the greatness of the movie: you can't be completely sure.
Read #14 of the Blade Runner FAQ here [faqs.org] and ponder it for yourself.
For...
Ridley Scott and Harrison Ford have stated that Deckard was meant to be a
replicant. In Details magazine (US) October 1992 Ford says:
"Blade Runner was not one of my favorite films. I tangled
with Ridley. The biggest problem was that at the end, he wanted the
audience to find out that Deckard was a replicant. I fought that
because I felt the audience needed somebody to cheer for."
Against...
- Could you trust a replicant to kill other replicants? Why did the police
trust Deckard?
- Having Deckard as a replicant implies a conspiracy between the police and
Tyrell.
And so forth and so on...
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Re:But Is Deckard A Replicant? Or Not? (Score:5, Informative)
http://slashdot.org/article.pl?sid=00/07/09/20582
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* Deckard was an older, presumably more reliable, model.
* When the sergeant tells Deckard that replicants have a life expectancy of 4 years, he looks at him and apologizes.
* The unicorn dread that Deckard has. The cop makes an origami unicorn as well. How the heck did he know what he was dreaming? A little too coincidental to me.
* There's a
Re:But Is Deckard A Replicant? Or Not? (Score:5, Insightful)
If Ridley Scott does alter that, I think we're going to hear a lot of cries to the effect of "you ruined my childhood memories!" or rather, the memories of my angst-filled adolescence when late at night, watching TV alone in the dark, I stumbled across Blade Runner on TV...
Re:But Is Deckard A Replicant? Or Not? (Score:4, Interesting)
I think Deckard was the replicant that they caught trying to sneak into Tyrell Corporation. They erased his memories, implanted new ones, and set him off to kill his comrades. The other replicants react oddly towards him. I think they recognize him and realize something isn't quite right and play along until they figure it out.
Re:How does that get modded up? (Score:5, Insightful)
That said, Deckard's a robot and you're a douche.
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Found it... (Score:3, Informative)
http://news.bbc.co.uk/2/hi/entertainment/825641.s
Slashdot Story Pointing to article:
http://slashdot.org/article.pl?sid=00/07/09/20582
Gritty non-scifi scifi (Score:5, Insightful)
Edge (Score:2, Insightful)
REALLY looking forward to the super-duper-mega box set coming out, my HD to DVD conversion of the DC is nice but the 5.1 audio doesn't sound much better than the original 2.0 fed through Pro-Logic II, and getting a proper copy of theatrical version is going go to be great (no more putting up with the laserdisc transfer) - I just hope they don't copy Lucas and make it a 4:3 letterbox release like the OOT.
Dr. Jones (Score:5, Funny)
Indiana Jones: Depends....
Need I Say It? (Score:2)
If you were born before 1970, chances are you that you "get" why this is such a great film on so many levels:
1. Based on a story by the master of science fiction for the thinking person: Philip K. Dick (PKD)
2. Got the approval of PKD when he saw the portion that was in production before he died
3. It was the very beginning of the cyberpunk model for all scifi films in this genre to come.
4. Directed by Ridley Scott who has an incredible sense of visual artistry and does nearly everything very
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Visual density (Score:5, Interesting)
Movies that try to imitate the Bladerunner look fail because they lack the commitment and/or resources to achieve that same visual density. They end up looking like sets.
Alien was like a test run for Bladerunner's set design. The command area is very dense, control panels are studded with screens and controls, as well as personal items, signs that the area is in use and has been for some time.
After seeing Bladerunner in the theater when it first came out all other movies I see will be compared to it, and very few have come close to the strange combination of realism and science fiction, two words that should in a sense be mutually exclusive, but Ridley Scott brought them together better than anyone before or since.
Re:Visual density (Score:5, Insightful)
I disagree. I think when you can blend the two successfully, you achieve a much more believable effect. This is why we don't buy the Star Trek future quite as readily as the Bladrunner (or Alien or Outland) future. We inherently believe that in our real future, things will be more or less the same as they are now. It will be the little things that will be different. We'll use cellphones instead of payphones. We'll pay with "credits" instead of "dollars". We'll have voice-controlled appliances instead of switches. We'll have a few flying cars in the air, but mostly it'll still be ground traffic. These are the things that Bladerunner brought to the table and they are partly why it's believable sci fi, even today. Especially today, when some of the little things in the film have already come to pass.
Movies like this always remind me of those old Tom Selleck AT&T commercials: "Imagine taking a college course from the beach. You will!" Realism + Sci Fi.
Printable version (Score:2, Informative)
Link to printable [popularmechanics.com] version without 4 pages of ads.
The reason (Score:5, Insightful)
Blade Runner was subtle; it used environmental effects and models to create a sense of the future that the viewer could fill in with his own imagination.
Had to track it down from europe (Score:2)
PITA that was.
That aside, the F/X are very good, and given that it wasn't done in CGI, more believeable and realistic IMO.
CGI attempts to emulate reality more cheaply than can be done by traditional F/X, but with the state of CGI advancing so rapidly, older CGI flicks look worse than if they'd been done the trad
Are we talking FX (Score:5, Insightful)
Or are they the same thing?
One of the most convincing Sci Fi movies of all time was The Day the Earth Stood Still. The key to that movie is the relentless ordinariness of the sets, the way the scenes are short, and the actors (other than Michael Rennie whose phsyiogamy is a special effect in itself).
It seems to me that (relying on my twenty five year old memory of the movie) Blade Runner's hybrid noir/ginza landscape works in the same way, suggesting that the people who inhabit it are overstimulated on the outside and empty on the inside. The most human people are those who are the replicants, who at least aspire to something.
Maybe I'm too young - I didn't find BR special (Score:3, Informative)
Do other younger
Re:Maybe I'm too young - I didn't find BR special (Score:5, Insightful)
The point about BR (at least for me) is that it was one of the last Sci-Fi movies that had a great plot, which meant the special effects were really secondary. Even without any special effects, its still a great story. It was also largely responsible for a whole new dark dystopian view of the future, which still feels infinitely more probable than the standard sterile white corridors and ray guns of nearly all the other Sci-Fi movies of the same period.
Its sad but it seems video games and most movies have all gone the same way of relying on ever-more dramatic graphics/CGI/effects to make up for the lack of a decent plot (or in the case of games, intellectually challenging gameplay).
Re:Maybe I'm too young - I didn't find BR special (Score:4, Insightful)
I think a major problem with Alien for younger viewers is that Alien was so groundbreaking for its day. It was so groundbreaking that it became a cliché. We live in a cinematic world that was changed by Alien and thus its impact is blunted.
Also, pacing has changed remarkably. I was surprised by how long the scenes in the original Exorcist were shot. Jump cuts were unheard-of. Small wonder if movies before 1984 or thereabouts seems slow.
No, he isnt 'still the man' (Score:3, Funny)
I've always kind of wished (Score:5, Insightful)
Models and F/X still "Real" (Score:5, Insightful)
Also, consider the more modern pseudo-sci-fi movie Children of Men. Now there's a fantastic example of F/X and set design over CGI. Every shot feels like it comes from a real place because every shot is a "real" set piece or "real" in-camera F/X. Don't get me wrong, CGI has made movies explode into our imagination (Lord of the Rings, for example), but real models and in-camera F/X shouldn't be lost to the ages. Yes, they're more expensive and time-consuming, but the long-term effect is worth it.
Why is it a good movie? (Score:3, Insightful)
And, wow, was it a waste of my time. It's moody, it has nice special effects, but it's such a flimsy and boring show. I actually kept losing interest and hoping something would happen to move it along. The characters were flat. The ending was generic action movie stuff, but less exciting than most action movies, and I still cared nothing for the characters.
I don't understand the fawning all over this one. Please don't say it's "deep," and I'm too pop-culture. I watch art films all the time. I just don't get what makes this an interesting movie. In 1982, maybe, purely because the effects (think "TRON"), but today?
Re:it would have been way better (Score:5, Insightful)
Re:it would have been way better (Score:5, Insightful)
Re:it would have been way better (Score:5, Interesting)
The emphasis, as I read it, of Dick's novel was that no matter how real something seems, it is never as good as the real thing. No matter how realistically a replicant could look or act, it would never - ever - really be human.
The movie took the opposite stance. We created the replicants as slaves, but we made them too human - quite possibly "More human than human". Replicants were harsh, violent, and angry - which makes sense considering that they had the emotional experience of a 4 year old. They knew fear - not the reflexive mechanical fear of the book's replicants, but wild animal fear of a human who doesn't want to die. In the book, a replicant that knew it was screwed just gave in - in the movie, they did anything... anything they could... to escape and survive another day. I also don't recall replicants really caring for eachother in the book - whereas in the movie is was a primary driving force. The pictures they kept in the book were mostly to keep up appearances, while in the movie it was a sad attempt at building a past.
Also you have to admit - Batty as he was in the book wouldn't have been that memorable a villain. In the movie, he was one of the most memorable fictional villains ever. A ruthless poetic madman who was getting a crash course in emotions and ethics, and who didn't really understand life until the very end.
The book was good, but I'll take the movie any day - not just for cool factor, but because I feel the movie had far greater literary value (watered down as it was to suit the needs of a 90-minute action movie).
Re:it would have been way better (Score:5, Insightful)
That's interesting because Batty isn't a bad guy at all - what changes is our perceptions about who is good and who is bad. We are prejudiced against Batty because of what he was created to do, and all of the other replicants. We think that Deckard is the good guy - except that it was Batty, not Deckard, that showed mercy, love and compassion.
"Aren't you supposed to be the good guy, Deckard?"
In the end, the real monstrosity is mankind, willing to create a slave race of people who think, feel and remember just like we can - and then give them only four years to live and a single dreadful task to perform for that time - and be grateful to their Creator for this?
"I've done...questionable things" says Batty. This isn't a robot, its a thinking sentient being asking "Why am I here? Is this all there is?" But Tyrell couldn't see it. And we can't see it - until its too late.
Blade Runner is one of the greatest movies of all time - a genuine classic whose philosophical themes will be discussed for decades to come - long after trash like Indiana Jones is forgotten.
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Re:Some things stand up, some don't (Score:5, Interesting)
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Re:CGI is nice, but let's not forget ... (Score:5, Funny)
Re:CGI is nice, but let's not forget ... (Score:5, Funny)
And its strange English-to-Chinese-to-English subtitle:
"Do Not Want".
Re:Stupid movie then and now. (Score:5, Funny)
And what would you like for your tenth birthday?
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On the other hand, most fans of real science fiction (the kind in books) are fans because of the interesting implications of technology extrapolated into the distant (or not-so-distant) future, the philosophical overtones, and the thought-provoking scenarios, and the unforgett
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Gentlemen, if he is, I think we may have just found the man who keeps giving Keanu Reeves new roles.
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...Decker shot first?
You kiddin' me? Decker always shot first.
Any sort of “Special Edition” release is only going to emphasize that point; he had a job to do, and it meant shooting at something. (Coincidentally, it looks/feels/acts human in every way, even down to the blood.)
If this were truly to fall in the footsteps of “Lucas-ized” video releases, then...