Pandora Paying Artists $0.0001 More Per Stream Than It Was Last Year 124
journovampire writes: Pandora has revealed that it's paying a 10,000th of a dollar more to music labels and artists than it was in 2014. From the article: "Pandora has revealed that its royalty payments to SoundExchange, the US licensing body which collects performance royalties on behalf of record labels and artists, have just increased by 8%. The news was confirmed in a call with investors following Pandora’s Q1 fiscal results announcement on Thursday (April 23), in which it posted a three-month net loss of $48.3m. In what Pandora CEO Brian McAndrews called a scheduled annual step-up, Pandora has from January 1 been paying out an average $0.0014 per ad-funded stream and $0.0024 per premium stream to SoundExchange."
BAh, (Score:2)
Why should they pay to provide free advertisement of the artists music?
The artists should be paying them to carry their music...
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Re:BAh, (Score:4, Interesting)
At what point did Pandora explicitly ask the artists if they wanted their work advertising? At which point did the artists explicitly agree to Pandora advertising their works?
When you build a product which is specifically built around using other peoples works to satisfy your customers requirements, at some point you have to pay the piper - so stop with the fucking advertising "argument", Pandora is taking money from subscribers and advertisers on the back of the works of third parties, so of course there should be recompense to those third parties where those parties require recompense.
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At what point did Pandora explicitly ask the artists if they wanted their work advertising
Since most artists don't own the rights to their work, they didn't need to ask.
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Ok, so lets be pedantic then - substitute "artist" with "rights holder" in my post then. It's still a valid question.
The advertising "argument" is a fucking ludicrous one.
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If Pandora makes an agreement with SoundExchange about the fee per song, there's no reason why they can't include publicity/advertising as a component of that price.
Broadcast radio pays nothing, so the notion isn't so crazy as you think.
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> Broadcast radio pays nothing
In the US, they pay BMI and ASCAP.
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In the US, only song writers are paid for radio play.
Performers are not.
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That's not true for satellite radio.
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Pretty sure Pandora has to as well...(besides also paying the 'performer')
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Most indie and small label artists actually own the copyright to their music and just license it to the label for a term usually with options on future work in exchange for the label's services. Indie artists tend to be very protective of their merchandising as even if you can hold a high position on the cmj chart generally your income is not from spins or album sales, it's from performances and merchandising.
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At what point did Pandora explicitly ask the artists if they wanted their work advertising? At which point did the artists explicitly agree to Pandora advertising their works?
Pandora is just radio "on the Internet", with the logical efficiencies that unicast delivery can provide. Demanding a different licensing scheme is as much bullshit as every one of the patents that demanded rent for some existing thing and then added "on the Internet" on the end.
It's only lawyers who benefit from re-litigating establi
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...just radio "on the Internet", with the logical efficiencies that unicast delivery can provide.
...as much bullshit as every one of the patents that demanded rent for some existing thing and then added "on the Internet" on the end.
What, exactly, are these "logical efficiencies" that can be applied to "just radio" ?
Can I tune my old car radio to it? I have some of those nice pop-out buttons for the 8-track, AM, FM... is there now a button labeled "IP"? No? Do I perhaps need some other device, like an FM transmitter on my cell phone? I suppose we should consider the cell phone, towers, multiplexers, phone OS, and various interfaces as well... those certainly aren't simple enough to be ignored. On the "just radio" side, there are the
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No, they don't deserve anything except when they perform really. CDs are just another from of advertising their so called "talent".
Play live for your money. The End
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So if a developer writes a new program on their own and publishes it. Should they not get paid every time someone uses it and only get paid for the time they spent writing it? Would you tell a developer if they want to get paid they should continuously write new stuff instead of expecting to get paid for what they already wrote? Should an author only get paid while they are writing a book and not expect to get paid when a copy of the book is sold?
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Most developers are only paid for the hours they are actually working, and are not getting paid for actual use of their product.
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Words Mean Things:
"So if a developer writes a new program on their own and publishes it".
So to clarify the question, if a developer writes a program on their own time and self publishes it, should they not reap the rewards of the program and only get paid for writing it?
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So to clarify the question, if a developer writes a program on their own time and self publishes it, should they not reap the rewards of the program and only get paid for writing it?
When one sets out to fix someone's grammar, one should tread carefully. In English usage it is unclear whether your "not" is distributive over your "and". It is therefore better to write: "So to clarify the question, if a developer writes a program on their own time and self publishes it, should they get paid only for writing it and not reap the rewards of the program?"
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Yep. do you pay the builders of your house after they build and keep paying them even though they are done building it? No.
Do you keep paying Ford/GM/Fiat/whoever for your car after you buy it? No.
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So when should a software developer get paid for software that he wrote on his own time and self publishes?
When should an author of a book get paid?
A builder and a car manufacturer gets paid for each house they sell or each car they make respectively. Why shouldn't a developer get paid for each piece of software they write or a book publisher get paid for each copy of a book they sell?
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They wrote it once, the rest are just copies, requiring no work on the authors part
Re: BAh, (Score:2)
Still didn't answer the question. How should an independent developer get paid and who decides?
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The market decides.
People will pay you what they think your program is worth. It happens with surprising regularity.
Re: BAh, (Score:2)
Going back to your car analogy....
Can a person randomly decide how much they want to pay for a car and just walk out with the car based on the price they decide to pay?
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Car analogy doesn't work. A car is a physical object, if you take it, it isn't still there.
A copy is just a copy, the original is still there.
Re: BAh, (Score:2)
You made the car analogy. It took a programmer or group of programmers time to write the program. Are you willing to use your time for free and come over to cut my grass?
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This free music, idea work with high-school garage bands... But once they are old enough to make a living, they need to charge for their work. Now do you want your paycheck for the work that you do? So you have money for things like food, shelter, and supporting a family?
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Now do you want your paycheck for the work that you do? So you have money for things like food, shelter, and supporting a family?
Sure, but most people only get a paycheck for the work they did that month, not for the work they did 5 years ago.
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Ding ding ding!
We have a winner.
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I love playing video games, doing things with my daughter and wife, and playing with my dogs, doesn't mean I'm entitled to get paid for it.
Music (among other art) is just a hobby that some get paid for, it's not an occupation...
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Music (among other art) is just a hobby that some get paid for, it's not an occupation...
Interesting opinion. I happen to disagree. Instead, I think that YOUR chosen profession is just a hobby and you don't deserve to get paid for it.
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Yet I don't have some artificial "copyright" nonsense regulating my income...
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Look, you're clearly one of these guys who (for some reason) has a problem with the idea that people can make money creating art, which evidently is something that you think is easy, trivial, and virtually superfluous (Plato, among others, would disagree with you). I can assum
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Sorry you are a pathetic fool.
You can fix that, but you refuse.
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Sincerely, fuck you. Go suck a dick.
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That's your hobby, not that there's anything wrong with that.
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That's way too much (Score:5, Funny)
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Don't worry, it really doesn't go to the artist, it goes to the owner of their work.
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Actually it seems to be a pay cut, since it's less than inflation in most countries.
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Actually it seems to be a pay cut, since it's less than inflation in most countries.
It is about a 7% increase. Inflation in most of the developed world is between -1% and 1%. So, no, it is not at "pay cut".
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Damn, came here to say that inflation is more like 2% (the rate the Fed is supposed to maintain),
Sought data to back me up: http://www.tradingeconomics.com/country-list/inflation-rate
Saw that it backed you up instead :(.
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You must work for Columbia Records (Score:2)
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I thought that was Liam Neeson's line in every "Taken" movie.... ;)
Lars owes him money if he uses it
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It is probably $0.0014 as well.
This is why.. (Score:1)
.. I'm never going to buy any music.
I'd send money directly to artists, tho.
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Or, failing the artists, Sound Exchange could set up a credit card payment system. Pay $10 a year (which is what Pandora pays per user if they're all listening to an average of 20 songs a day) and you can pirate with impunity.
Sure, it would still use the same dubious mechanism for divvying up the profits, but you'd get the convenience of commodity torrent websites, tools and players rather than whatever the commercial offerings are peddling and you would guarantee that a larger percentage of the money would
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and you can pirate with impunity.
Arrghh, ye be takin' all the fun out of it, matey.
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How frickin hard is it set up a webserver to distribute their own music in this day and age? Protecting the music from pirate distributions once it leaves the server is quite hard though, as is marketing their songs.
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Not really, when you consider the price of ads has dropped considerably in the past 2 decades, and that an average subscriber listens to.
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>> Population of Earth: 7 billion X a generous 1% of all humans, so 700,000,000 users
Are you sure SlashDot is the right forum for you?
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It is a very generous 1%.
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Coffee cleanup on keyboard 1, please.
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Notwithstanding the dodgy 1% calculation, Pandora is only available in three countries:
USA: population ~318M
Australia: population ~24M
New Zealand: population ~4M
So you only have a total population of ~346 million people who could even ~potentially~ be Pandora subscribers.
Artists don't make money from music sales. (Score:5, Interesting)
They never really have. Middlemen who constantly keep them relevant with advertising, publish/distribute their music, etc. make all of that money.
Artists make money by going on tour, and by using their fame to get into other business ventures. They don't bank on Pandora making them money, because of Pandora paid more, the middlemen would get that money. All Pandora does is keep them relevant.
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Incorrect. (Score:5, Informative)
Pandora is paying record labels via ASCAP and BMI that much more. Artists are probably getting less because the record labels and ASCAP/BMI are charging an extra processing fee.
The artists only lose because of the leeches that grab onto them and suck them dry.
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The best metaphor I could come up with was Indentured Servitude... that oddball period of time in colonial days where you sold yourself for a few years for someone to give you a ticket to the Colonies.
In music, you get an advance, and the studio sets up all the people you need to produce your record. But, the advance comes out of future sales. and all those production people take a cut of your ability to pay back the advance. You're property of the music label for a few years until everything gets settled
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Most (indie) musicians like my self, use CDBaby (for almost 15 years) it's the easiest path to getting your music on iTunes (and about 50 other online digital sites). Their for artists website is here: http://members.cdbaby.com/
We literally can just upload .WAV files and the cover photo for our album (for my last one, I didn't even print a physical CD) it gets onto iTunes (and those other sites) within a week. They charge about $100 one time, and they give you 91% of the money that those sites payout.
They'
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Sure, but you certainly don't have to act like Def Leppard in the process. If you're good enough, even a 50s style recording will be perfectly adequate. If you're not a real musician then you're kind of f*cked regardless.
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If you're not a real musician then you're kind of f*cked regardless.
Well, real musicians can't get much rotation for all the fakes, gyrating more-or-less naked on video, even if they're faking the f*cking too.
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And many do. Cake for example started as a bar band, and never really changed their lifestyle much.
No bathing in pools full of CrySTAL or snorting coke of the backs of $2000 a night hookers.
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Or maybe musicians should just stop selling out to the publishers in hopes of fame and quick money. It seems to me that we don't hear similar stories about authors losing the rights to the books they write when they get a book published. Maybe I'm wrong here, and authors get it just as bad, but it certainly seems to me like they get a much better deal.
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How could that person make "balls-ton of money" when you say its a "non-profit"? They should be charging cost and nothing more.
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Let's not forget... (Score:2)
....that's 100% more than radio stations are paying to play the same songs.
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....that's 100% more than radio stations are paying to play the same songs.
ahhh no. Radio stations pay licensing fees too. some of those fees for commercial stations can be pretty sizable too.
Commercial radio has a sweet deal (Score:5, Informative)
Radio stations pay exactly zero to the performing artists. What they pay are royalties to the songwriters. And compared to Pandora, those rates are insanely low per "stream" - i.e. per event coming out of a receiver. They may be paying $0.60-$1.00 a spin at a large metro station, but with 100,000+ average listeners for a top-of-market station, that's less than 1/10 of what Pandora pays.
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So radio stations pay $0.0007? Or are you trying to say they pay $0?
I don't think either of those is true...
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Terrestrial radio pays only the songwriter, not the performing artist. And the songwriter fees are exceptionally low per listener (far lower than Pandora). Worse yet, only the top n songwriters get paid at all based on total plays; if you're not in high rotation, there's no distribution to you.
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Radio stations pay BMI and ASCAP.
I wish articles like this would provide some context. How much do the rights holders get per play on terrestrial radio? Satellite radio? Is internet radio higher or lower?
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FM radio stations pay (the company that represents) the songwriter. Internet radio pays both (the company that represents) the songwriter and (the company that represents) the recording artist.
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What world are you living on? On the real world that kind of crazy talk might fly, but this is MAFIAA town we're talking about.
Alternatives for Artists? (Score:2)
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But it seems like an entire revenue stream (music sales) is drying up in favor of tours.
What? Most artists never make anything on record sales, they get their money from tours, doing commercials...
Reverse revenue stream (Score:2)
Since most of the artists I listen to on streaming services are dead, should they be paying me?
Increased royalties are proven necessary (Score:2)
You should pay more, didn't you know. Without an and increase in copyright royalties, those dead authors will have no incentive to write any new songs.
I mean, have you heard anything new from those dead songwriters since internet streaming took off? Of course not - that's proof that the royalties aren't high enough to make it worth their while.
Big Spenders! (Score:2)
How much is Sound Exchange skimming off the top? (Score:2)
.
The money trail in the music industry is long, crooked and complex. Unless you are a big enough act that the records companies accept the contract you write, the only money you will see appears in your upturned hat.....
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How much of the money Sound Exchange collects goes to the artists, how much of the money Sound Exchange collects goes to music publishers? How much of the money Sound Exchange collects goes to song writers?
.The money trail in the music industry is long, crooked and complex. Unless you are a big enough act that the records companies accept the contract you write, the only money you will see appears in your upturned hat.....
How much money does SoundExchange keep for itself? I bet they aren't doing this for free.
Grandpa (Score:1)
As my grandpa would say, when he gave me a quarter:
"Try not to spend it all in one place."
He thought it was hilarious.
(This was circa 1975, admittedly. Back when a quarter could still buy something of value.)
And... (Score:2)
It's more of a raise than most people got, so stop bitching.
And to think, if they broadcast over the air (Score:2)