The Music Industry Is Begging the US Government To Change Its Copyright Laws (theverge.com) 209
An anonymous reader shares an article on The Verge: Christina Aguilera, Katy Perry, deadmau5, and dozens of other musicians are asking the U.S. government to revamp the Digital Millennium Copyright act (DMCA), the piece of law that governs access to copyrighted work on the internet. Musicians, managers, and "creators" from across the industry co-signed petitions sent to the U.S. Copyright Office arguing that tech companies -- think YouTube and Tumblr, sites with vast reserves of content that infringes on some copyright -- have "grown and generated huge profits" on the backs of material that's illegally hosted. "The growth and support of technology companies should not be at the expense of artists and songwriters," reads the letter signed by Aguilera, Perry, and their peers. "The tech companies who benefit from the DMCA today were not the intended protectorate when it was signed into law two decades ago."
They want people to pay for backround music on (Score:5, Informative)
They want people to pay for background music on tv, streaming, sporting events, movies and more. And to have auto take downs expand.
Re: They want people to pay for backround music on (Score:2)
Background music can already get you nastygrams on YouTube. I uploaded video of an event I attended where some song was being played. YouTube silenced the video because the music that happened to be playing in the background was under copyright. Ironically, it was probably licensed for the event but there's little room for recourse with them.
Re: They want people to pay for backround music on (Score:5, Insightful)
I have absolutely no sympathy for people profiting off of other's work.
Then you should really hate capitalists.
Re: They want people to pay for backround music on (Score:5, Insightful)
Sorry, these are NOT capitalists. They are monopolists. Their whole business model is based around a government granted monopoly on the production and distribution of creative materials - and in NO WAY reflects any of the principles of capitalism. What they want is for their monopoly to be complete and without recourse by a public forced to purchase their wares at what ever rate and pricing scheme they have dreamt up in some drug induced haze in sleazy Thai brothel. There is not one ounce of competitive spirit within these organizations and never has been. They have fought against every technological advancement since the invention of the printing press (which is how we were saddled with copyright in the first place) and have waged a centuries long campaign to convince everyone that our very language, music, and art should be owned by someone - usually a king or giant company.
Capitalist have their own problems, but these are not capitalists.
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The purpose of capitalism is to acquire more capital. This would include creating monopolies, destroying the environment and using slave labour if it increased profit. It's why we need laws to keep a check on them.
Re: They want people to pay for backround music on (Score:4, Insightful)
But they go more then just that say NBC in that football game our song was played in the background (not by you but it was picked up) and you did not pay use for that use.
Or they take to make BS like we own E-flat.
Re: They want people to pay for backround music on (Score:5, Funny)
Lawyer: But don't use A-flat or G-natural. Those are owned by Disney.
Homer: (moans)
Lawyer: That's A-flat.
Homer: (moans in a higher key)
Lawyer: That's better!
Re: They want people to pay for backround music on (Score:5, Insightful)
And why shouldn't they? You use someone else's property, you should pay them for it. End of story.
I have absolutely no sympathy for people profiting off of other's work.
Then they need go bring copyright terms back to a reasonable length of time. Copyrights need to be retroactively returned to pre 1972 terms, if not further.
#freemickey
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I agree with your sentiment but I have an extreme dislike for retroactive laws of *any* type as for the precedent they set in doing so. Yes, yes it really is a slippery slope - that's not always just a logical fallacy.
Sure, it's good this time - but what about when they make something illegal and that's retroactive?
So, shorten the damned things to 20 years and allow a single extension at a reasonable cost. I say 20 years but I'm not stuck on that number. I'm pretty much good with 15 to 25. The extension sho
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I didn't like it then. :/
Yes, yes it is a bit of a mental conundrum but I have to stand reasonably fast on this one. Even though, like I said, it might be good in this case - it sets a bad precedent and leaves a bad taste in my mouth. Retroactive goodness to you is retroactive badness to another. Keep that in mind and realize that you might not always be on the positive side of that equation.
I'm not sure if that makes much sense to you but it does to me. Yeah, a part of me would love for it to fix the mess
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10 years from creation for the initial term; no fee, but simple registration. Additional coverage on a per-year basis from 11-20, with an annual $100 registration fee. Demonstrate you're using the copyright, or release it.
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To give a very small smidge of credit to Disney, they are transformative when they steal. Their adaptations are frequently unfaithful. Sometimes things are so blended, it's difficult to see the source https://www.youtube.com/watch?... [youtube.com].
That being said, culture is a blender, and holding it hostage for 100 years cripples the next Disney. I like 20 years as a good baseline.
We do have to be careful. I believe copyright is enforced in certain treaties, so we would need to possibly fight the world if we revert
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They've managed to make it happen the other way. That is, extending copyright on already existing works that were created under previous rules, and even managed to retroactively restore copyright back onto works that had fallen into the public domain. So I don't see why it couldn't go the other way for a change.
Re: They want people to pay for backround music on (Score:5, Insightful)
I have absolutely no sympathy for people profiting off of other's work.
Then you must hate all musicians.
The "creators" did not invent harmony, the mathematics of musical scales, nor did they discover the act of rhyming or pleasant lyrical composition and accompaniment themselves. They are using languages, instruments, culture nor even pentameter or tempo that they are using to appeal to those of Earth's culture. Indeed, if they were to make something truly original it would be so alien that it would have little to no cultural relevance and thus not be valued by any of Earth's peoples (except a vanishingly small minority of xenocultural researchers).
Nearly all of the content in a "new" musical creation has been taken from the public domain. Musicians merely remix the existing themes and sounds of our culture and are thus truly and primarily "profiting off of other's work".
Your opinions are cancerous and destructive to the culture which gives new creations a basis for existence. Humans are information duplication machines, as indeed Life itself is. We are born with the purpose to carry forward and duplicate the information of our ancestors and current culture so that we may all survive into the future. Your foolish standpoint is counter to your very existence, nay contrary to the existence of life itself.
I suggest you jump in a tarpit, lest your ill conceived shortsighted tendency towards greed further hinder the herd.
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Then you must hate all musicians.
Why? It's not like the average musician is making a profit, after all.
Re: They want people to pay for backround music on (Score:5, Insightful)
Neither is the average file sharer making any money whatsoever on what they download.
The only thing harsher laws will net the content industry is next-generation youtube-esque infrastructure untouchable by the law (see, for example, zeronet).
One must start to rethink this entire information business. Control of copies does not matter anymore. Control of distribution does not matter anymore. Internet has made both of these obsolete. Control of publishing (the act of making private information public) is more important than ever though.
So start there. :)
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Neither is the average file sharer making any money whatsoever on what they download.
They are certainly saving money if they're not paying for their downloads while others are. If I found a source of free beer I might not make any money on selling it, but I would certainly cut my living costs dramatically.
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This is a legitimate point of view in some sort of utopian post-scarcity society like Star Trek, but it doesn't really apply to current reality.
What's rather more likely is that you want an excuse to download music for free.
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Indeed, if they were to make something truly original it would be so alien that it would have little to no cultural relevance and thus not be valued by any of Earth's peoples (except a vanishingly small minority of xenocultural researchers).
In other words, Dubstep?
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I really hope you're self employed. Else you're just a hypocrite.
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I really hope you're self employed. Else you're just a hypocrite.
Self employed people also work off the backs of others. They didn't build the roads or lay the water pipes or start the banking system or fund the armed forces that protect them.
Unless you're some sort of Robinson Crusoe figure living alone in a cave you are inextricably bound up with everything in human society.
Re: They want people to pay for backround music on (Score:4, Interesting)
"I have absolutely no sympathy for people profiting off of other's work."
If we were to take that statement seriously, we could clean up the copyright mess by making IP a personal right of the creator of work, and for no longer than that person's lifetime. This right would be inalienable, like free speech - no more 'rights holders' who created nothing holding other people's copyrights for generations. Any studio or other business that wanted to profit from an artist's work would have to maintain a contract with that person.
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Or hunt them down and kill them.
need to stop IP/trade mark trolls also abandonware (Score:2)
need to stop IP / trademark trolls also need to do something about abandonware.
There are to many places who buy up IP / trademarks don't really sell them but they do sue others who try to stuff with the old stuff.
Just think if the car manufacturers sued people makeing replacement parts and 3rd party repair shops.
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Because copyright law is very specific in what can be copyrighted and what can't. This is a free speech issue, they want to silence all critique, derivatives and academic use of their material, things that are completely legal in copyright law except when it's done on a computer (due to DMCA). On YouTube many are using DMCA processes to silence opposition views like atheistic channels without any legal grounds even though they are committing perjury by legal definitions. They want to get rid of any repercus
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And why shouldn't they? You use someone else's property, you should pay them for it. End of story.
I have absolutely no sympathy for people profiting off of other's work.
The founding fathers apparently didn't see it that way.
http://www.victorianweb.org/au... [victorianweb.org]
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And why shouldn't they? You use someone else's property, you should pay them for it. End of story.
I have absolutely no sympathy for people profiting off of other's work.
The founding fathers apparently didn't see it that way.
http://www.victorianweb.org/au... [victorianweb.org]
Oh, please, pirating books was just a way for the publisher to make more money by not having to pay the author royalties. It has nothing to do with the morality (or otherwise) of downloading freely copiable digital material over the internet.
Re: What about my brother's first dance? (Score:5, Insightful)
I'm fine with us paying more for their music if they are willing to pay me and everyone I know for advertising their music. Every time I olay a song other people around me hear it and I advertise it. Every time I share a song or comment on a video I am helping to promote their music. If I talk to my friends about an artist guess who is benefitting from the free advertising? They should have to pay royalties to me for advertising their product the same way they want me to lay royalties everyone I hear their suck ass music.
Re:What about my brother's first dance? (Score:5, Insightful)
Not do away with, just require Google to pay a licensing fee if they intend to show it.
Keep in mind Google makes money off your videos via advertising. They absolutely should pay for music used in that content.
So why should music be singled out? Why not pay the guests at the wedding for appearing in the video? What about the creator of the wedding dress? What about the 15 million other people and things that went into making that dance possible? Everything is built on everything else. We are all standing on the shoulders of giants. I have no problem with the people who write music getting paid but there should be large areas of fair use and even with that, I'm not sure perpetual royalties are the best method. The creator of C++, the pc, ram, harddrive, the internet, etc.... don't get perpetual royalties and if they did it would probably break the internet. In order for society to advance we need to be able to build from and expand on what came before.
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For (insert deity of choice) sake man! Don't give them ideas!!!
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I'll agree with you on a single point. The length of royalties is obscene....I'm no fan of RIAA, MPAA, or any other monopoly.
So, do the video without that music if it's of such relatively insignificant value. Guests at a wedding are, by law in public, and they're not dancing to make money. Fair use is fine, but fair use doesn't allow you to make money off of other's work. You can use it for educational, news, or parody purposes. And seriously, please learn the difference between copyright and patented m
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Fair use is fine, but fair use doesn't allow you to make money off of other's work.
In the U.S. fair use is not clearly defined (the best the courts have come up with is a 4-factor test). Whether you "didn't profit" is one of the factors, but it is not a requirement. I.e. Siskel and Ebert can show clips as fair use and also profit on it.
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I think... in very strained English pub= advertiser
he is trying to say that he buys things from vendors that advertise on slashdot, and advertising pays for slashdot, so he has paid for it. But many people buy things from those vendors who don't frequent slashdot.
So he is kind of proving he is the exact thing he hates, as he is profiting from the other buyers who don't frequent slashdot, but whose same money went to that vendor to pay for advertising
Else if partial and indirect financial contributions count
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> (IMO, all listed in the story are pure crap)
Too funny. I concur. When I first opened the thread, I was going to comment how I was going to go download* some of this music to spite the artists.** Then, I looked more closely at who was involved and I decided to not bother opening a KAT tab.
* Amusingly so - I'm actually a fairly staunch supporter of copyright BUT not copyright as it exists currently.
** The term "artists" is being used loosely as it is, after all, a subjective thing. I'm quite positive tha
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You miss the historical point.
Art was not always seen as a money-making proposition. Before technology allowed mass production of creative works, you only sold what you made with your own hands (or with hired help).
In other words, the industry explicitly redefined artistic expression as 'property' so that they could make money off artists.
I have absolutely no sympathy for the publishers, recording studios and movie studios profiting off of others' work.
(captcha: slaver)
In the past if you were an artist you needed to either (a) be independently wealthy or (b) suck up to someone to be your patron.
Mass production allowed people like Dickens to earn a living from his writing as an independent artist, dependent only on how many people read his work.
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> and usually goes after gamers first.
Are you sure about that? My understanding is that they "go after" things in the order/way they're reported. I'd speculate that you're suffering from selection bias or confirmation bias. It'd be akin to me saying that they go after the documentary uploaders (they exist, they are my favorite people on the 'net) first. It's almost certainly not true that they go after them first - or with any greater zeal than any other subject.
I kind of doubt they go after gamers firs
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Shit, I didn't know I've been watching 10 year old movies in the theatre!
I wonder what is in production... surely they have to have planned ahead and made at least three sequels to batman vs superman.
Same Music Industry that sues bars and arcades (Score:5, Insightful)
Same Music Industry that sues bars and arcades as they have pinball and video games that have there music in them and they want to double dip on the fees.
Re:Same Music Industry that sues bars and arcades (Score:5, Interesting)
I own and operate a movie theatre and I pay a yearly per-seat fee for the music that's in the movies, believe it or not.
I questioned this once since I have difficulty believing that the film companies don't own the rights to the music that's in their own product (and most of the film companies are music publishing houses), and this is what I was told:
QUOTE:
The movie company does not own the public performance rights. Generally speaking they will have negotiated the âoereproductionâ right â" or the separate right to reproduce the musical work in their films. Once a film is shown in theatres, this engages the âoeperformingâ right, or the right to perform the work in public.
END OF QUOTE
Re:Same Music Industry that sues bars and arcades (Score:5, Insightful)
Just like the mob days. You have a nice place here now you don't want something bad to happen so pay up.
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But if i watch a movie at home, do I need to pay?
This seems like a bad Kafka novel. "yes, you bought the car, but you need to pay the tire rolling fee, the windshield wiper water disposal fee, the breathe air from the vent fee..."
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But if i watch a movie at home, do I need to pay?
You do if you are charging other people to see it.
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Something isn't right here... I took two semesters of copyright law in college, and cinemas specifically are exempted from this IIRC. You should consult another copyright attorney. Is your cinema inside the US?
Read this -
http://www.ascap.com/music-car... [ascap.com]
Irony (Score:5, Insightful)
"The tech companies who benefit from the DMCA today were not the intended protectorate when it was signed into law two decades ago."
Well, the music industry that benefit from copyright now were not the intended protectorate when copyright was signed into law, but I guess that doesn't fit with the narrative.
Why don't they bring up some struggling artists instead of those who the record industry didn't screw over? Oh right, no-one actually cares about those.
Real Irony (Score:5, Insightful)
Irony is Deadmau5 signing this bullshit. YouTube made him more than just another shitty club DJ, and stealing content via "remixing" and "sampling" is how he "made" music in the first place.
Its just proof those who get on top want to cut all the ladders so no one else can join them.
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"Irony is Deadmau5 signing this bullshit...."
What makes you think that he signed it?
All we have up to now is the RIAA assertion that he did.
This is a quote supposedly from the "Artists":
“The next generation of creators may be silenced if the economics don’t justify a career in the music industry,”
Now go ahead, Google it. I got 7 results, all of them quoting the RIAA Press release.
Why, on this particular subject, is Slashdot collectively willing to believe _anything_ stated as fact by the R
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Even just from the wording of it, it is abundantly clear that it does not come from any performing artist that I know of.
April 1st (Score:3)
Well the article was published on April 1st, that's more or less the one sensible explanation.
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>Implying those borg have ever had a sense of humor.
Nay, I say we hang them with 8-tracks.
The tape in an 8-track cartridge would never hold enough weight to hang them properly.
I say we spread them across eight tracks and use a Train (TM) as a Milling Machine (TM) to make Meat Loaf (TM) out of them, then cover them with Beattles (TM) that will eat the evidence so the Police (TM) can't put us on Deathrow (TM).
" not the intended protectorate " (Score:5, Insightful)
"not the intended protectorate" ?
neither were the artists. the intended protectorate of copyright law, from the VERY BEGINNING has been the PUBLIC GOOD
public good only comes from encouraging creation of useful arts and sciences by granting a monopoly for a SHORT TIME and then releasing the content into the public domain.
copyright terms need to go back to 14 years, and in the internet age, even that might as well be a billion years.
She's just mad because (Score:2)
she have to wait a few months to get that gold plated shark tank installed in the bar next to her pool.
https://www.youtube.com/watch?... [youtube.com]
#WheresTheFairUse (Score:5, Interesting)
Some details to keep in mind as this unfolds.
Yes, a hundred or two "creators" such as those in the list above have asked the copyright office to expand the DMCA to remove more of our rights and to take more from the public than they already are.
But *hundreds of thousands* of "creators" that produce content on youtube using nothing but content they create themselves and is copyright to themselves have asked the copyright office to fix the DMCA by providing evidence how it is illegally used to harass, steal money from people with no audio what so ever in their videos, restrict opinions of those using nothing but their voice, and otherwise game the system to cause harm to them.
Hundreds of thousands of people vs a couple hundred.
It will be very telling to see how this latest DMCA petition plays out.
Some videos on the subject for those interested:
Doug Walker [youtube.com]
MundaneMatt [youtube.com] regarding Jim Sterlink vs Digital Homicide
The game studio started an attack against Jim for his unflattering* review, threatened a DMCA take down as revenge, and proceeded to do so.
Jim is now one of only 12 youtube channels "protected" so any copyright claim is handled by a human being.
Brad Jones [youtube.com] video that is long and you don't need to watch more than a few seconds of - that got a copyright strike that stole his ad revenue.
Note that it is three people sitting in a car in a parking lot talking. Nothing else.
And these are only the big subscriber base channels that can complain and be heard.
Uncountable small channels are taken offline with zero recourse for not using copyright material they didn't make themselves all the time, and nearly no one hears about it due to their small size.
These couple hundred artists claim "The growth and support of technology companies should not be at the expense of artists and songwriters" ?
How about the artists and songwritters, harassers, trolls, and people who don't like what you say shouldn't be protected at the expense of the rights of everyone else.
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If there is one tweak it is this here. Give the takedown some teeth if you accuse and you get it wrong. Instead of the takedown now which is nothing more than a method to harass and steal money.
The problem is *if* we let them open this sucker back up who the hell knows what sorts of other provisions they will tack in. *That* I am more scared of than anything else. I seriously do not trust my congress or senate to do the right thing.
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People did *exactly* that. Guess what? Did not work. Those guys got their own special system setup in the big providers. You don't think they were suing them because they wanted money do you? They wanted special access to set the rules as laid out by law for them.
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A takedown notice has no force of its own. If you send a takedown notice, and don't get a takedown, then the hosting company as well as the original poster are liable should you sue. That's all it means.
The artists are confused (Score:5, Insightful)
So Katy Perry who earned between 30-50 million every year between 2009 and 2014 (sorry not verified, but I suspect ball-park is not far off) thinks she's losing out because of the modern internet.
There are so many things wrong with this. Firstly, it's the record companies that are suffering. But they are suffering because artists don't really need them nowadays. They used to have a monopoly on the recording studios and publicity, but with modern electronics and software that allows you to find music you might like on spotify, soundcloud, youtube, what role do they play now? If they can get the artists on their side to help them with their profits, bonus to them, but sorry artists - you're being fooled.
Secondly, I frankly don't think Katy Perry deserves the multimillions of dosh, when I spend more time listening to and appreciate more the artists who put up their music for free on soundcloud. Don't get me wrong, I like the odd track from Katy Perry, but there's some great stuff being made by people who I don't think are doing it to be multimillionaires.
I think we're at a golden age of music precisely because of sites like soundcloud and youtube. It's important that money flows from listeners to the artists, but less should go to Kate Perry and more to the great and many artists I actually listen to.
Re:The artists are confused (Score:5, Insightful)
Katy Perry is just the figurehead for her music really. The lyrics were written by someone else (probably a team of people). The music was composed by another composer or composers. The musical production was done by a whole team of producers, technicians and assorted experts. The marketing team made sure her music was played, which is the only reason you ever heard it. Her stage show was designed in conjunction with a whole team of artists, and only made possible by teams of dancers and technical types. And if it wasn't for the various social media and content platforms she would never have become anywhere near as popular as she is.
So... who should be the beneficiary if any copyright windfall? Katy et al?
Comment removed (Score:4, Informative)
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Katy Perry is only trying to do what's best for Left Shark.
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You make the case that a lot of people who deserve to get paid were involved.
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Katy Perry is just the figurehead for her music really. The lyrics were written by someone else (probably a team of people).
First a disclaimer. I'm not a Katy Perry fan. Not in a snobby way, I've just not listened to any so I don't have a judgement either way (I with very few exceptions either listen to nothing (usually) stuff I already own (occasionally), stuff that has impinged on my consciousness and I like (via films, music in coffee shops, etc) and rarely streaming inernet radio (but only if it plays
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Bandcamp's doing OK, though.
You don't say (Score:3)
http://www.michaelgeist.ca/200... [michaelgeist.ca]
and finally
http://www.michaelgeist.ca/201... [michaelgeist.ca]
From one artist to another
http://www.gerryhemingway.com/... [gerryhemingway.com]
http://www.gerryhemingway.com/... [gerryhemingway.com]
Or something (Score:3)
The law was to give host systems safe harbor by allowing them to escape a lawsuit as long as they took down infringing stuff in a timely way when complained to. Other coutries allow lawsuits, and to their detriment as it hampers their Internet industry.
Be very careful if you want to mess with this law.
One solution would be to direct the copyright black market profits for that infringement to the rightful owners when a successful copyright notice is made.
This should all be easy and automated, and will not endanger hosting companies with near infinite lawsuits.
FEED Christina Aguilera, Katy Perry, deadmau5! (Score:5, Funny)
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Intended protectores (Score:4, Insightful)
"The tech companies who benefit from the DMCA today were not the intended protectorate when it was signed into law two decades ago."
Neither are the artists. It was intended to protect the recording industry, and specifically (among other intents) to protect their ability to rob the artists blind at every opportunity.
If it gets updated, it will be to expand the protections of the industry, at the expense of the artists, same as before.
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The DCMA gave hosting services such as youtube immunity from prosecution provided they had a take down process.
Which has been relentlessly abused by big media companies with automated systems that routinely misidentify content that isn't theirs to send takedown notices for. Without consequence.
The content owners, be they artist or record company, can no longer sue for damages.
They don't need to, if they can have anything taken down, any time, via an automated system, with no fear of consequences even if they commit perjury doing so (the DMCA takedown notices are sent under penalty of perjury, after all, though despite the, literally, tens or hundreds of thousands of bogus notices, not a single pros
There's a quote.... (Score:5, Funny)
"The tech companies who benefit from the DMCA today were not the intended protectorate when it was signed into law two decades ago."
In other words "The god-awful changes we paid congress for two decades ago didn't work out the way we thought. Do something different!"
I won't argue that there are problem with Copyright law and the DMCA, but this quote tells us everything we need to know about the people signing the petition.
You (Score:2)
Peers claim... (Score:2)
Bollocks (Score:4, Interesting)
Problems with copyright infringement (Score:4, Interesting)
There are certainly huge problems with copyright infringement on the internet. Though not the way this shameless plug is suggesting.
First, some background on music: The artists are usually paid in the single percentages of the revenue. The label gets a huge cut, some goes to retail and some covers expenses. Artists get around 3-5% of a sale from a CD at a store. I think it is less (half?) for downloads. The overwhelming majority of people that produce music can't live off record sales. If people earn money, then they do it through playing live, commissioned work or sales of merchandise. Which is why most artists happily give a way their recorded music in the hopes that people will listen to it. Those 0,000001% of artists you see that earn a good living (or are even rich) through sales of their music are a tiny exception. Why should laws be crafted for them anyways? Because it isn't even about them. The whole thing is about the record industry itself, of which those 'artists' are just the front. Behind each sold recording are countless technicians, pencil pushers, lawyers, office workers, managers and marketing people that earn money. And those companies are the ones behind the lobbying. They set up this campaign and probably told their 'talent' to simply sign on the dotted line.
So this letter isn't from or about artists. This is about a couple large companies that are fighting for a greater control of their product. It's not even that they lose so much money on Youtube. Someone who plays a song on Youtube is actually more likely to buy something from the record company than someone who doesn't. It is mostly marketing. And the companies make use of that. But they would like even greater control and the option of sending out more bills to people.
But we have a huge problem with copyright on the internet. Just not with music or movies. Small time artists get ripped of all the time. Especially photographers. How much stuff is shared on Facebook and Imgur every day? A lot of that is done by artists, whose copyright is trampled on very frequently. But those photographers are just small people and not companies. Hence no one gives a damn about them and their rights. In fact companies like Google, Facebook and other new media companies largely built their empires on these infringements. The latest blatant example would be Facebook video, where some scumbags rip videos off Youtube and upload them to Facebook to make a little money. The original Youtube uploader gets nothing. Even if they produce content and live off that.
In Germany we have a startup (heftig.co), which is producing clickbait in the purest form. They are a heralded startup that have grown exponentially over the last year. They simply take content from places like Reddit, make up a clickbait title and deliver it via Facebook.
There are tons of examples like that.
The whole copyright debate is taking place in the entirely wrong field, because it is about large companies and their fight for more control of distribution channels (and some fights over money, they would surely like Google to cough up more) and money, instead of creators.
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There are certainly huge problems with copyright infringement on the internet. Though not the way this shameless plug is suggesting.
First, some background on music: The artists are usually paid in the single percentages of the revenue. The label gets a huge cut, some goes to retail and some covers expenses. Artists get around 3-5% of a sale from a CD at a store. I think it is less (half?) for downloads. The overwhelming majority of people that produce music can't live off record sales. If people earn money, then they do it through playing live, commissioned work or sales of merchandise. Which is why most artists happily give a way their recorded music in the hopes that people will listen to it. Those 0,000001% of artists you see that earn a good living (or are even rich) through sales of their music are a tiny exception.
And that is exactly why I buy my music from places like Bandcamp or Bigcartel or Indiemerch or similar sites where the artists get paid more directly, and also why I go to tons of concerts and almost always buy some kind of merch while I'm there. Because that's where they make money (if they make money at all).
Australian band Ne Obliviscaris laid out their expenses for touring and being a band in general. If they do an overseas tour, which they pretty much have to as a progressive death metal band in order
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In French law there is "author's right". It seems to be about entirely the same as copyright (afterall there are old international conventions) but the creator may get to keep a moral right. It's likely a good thing but it's so that the creator gets honor and attribution from it not more money. You can sign away your other rights (afaik).
Wrong victims (Score:3)
The vast majority of songs composed and written and their performances are not owned by these people. Most of them sold away their rights somewhere in the process of signing up with a record label.
So the aggrieved party for most of these songs is the record label. They should pursue it if they wish.
By the same token, these artists won't make much or even any money at all off this. Whatever you might pay to Spotify or other services, and the fees radio stations and internet services pay ... almost none of that money gets back to the artists. It goes to the owners of the material, which is often the record labels.
Here's an analogy. You work for Acme Hammer company and you make hammers all day. Acme pays you for this, a buck a hammer. They even paid in advance for 1000000 hammers so life is good. You make a lot of hammers and soon Acme has a warehouse full of hammers.
Somebody breaks into the warehouse and takes all the hammers. Empties it out. Do you get mad? No. because YOU got paid. The hammers don't belong to you. You sold them to Acme. Acme is screwed, or hammered, but you cannot go file a police report or insurance claim. It wasn't your property at the time it got taken.
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But what if you spent all that money getting hammered on screwdrivers?
Or what? (Score:2)
What are you gonna do if your childish tantrum "but I wannawannawanna!" doesn't accomplish your wishes? You're gonna stop making music?
I really fail to see the threat.
here would be a nice response (Score:5, Funny)
"Dear Christina, We're sorry that you feel that we are using your name and your content on YouTube against your best interest. Unfortunately, our business model doesn't allow to pay you any more than we already do through the licensing organizations set up for that purpose. However, to eliminate any questions of improper use of your likeness, your voice, or your other creations, such as they are, we have simply eliminated you from all our search indexes. That means that users of our services searching for 'Christina Aguilera' or variants thereof, will now simply receive no results. Likewise, we will remove stories about you from our news channels as much as we can. Of course, you are still free to pay for advertising and self-promotion on any of our services. Sincerely, etc. etc."
The right to convert rights to capital. (Score:2)
"Give us more money!" (Score:2)
Somehow I doubt this initiative will be backed by the artists who need every album to sell a little better than the one before, the ones who beg for full venues every night on tour, the ones who are living and breathing the life of an artist, and the ones who don't just sit in their mansions while watching the money roll in.
No (Score:2)
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I guess Hershey's hooks 1000's of new addicts. Or did you mean coca? I'm confused.
Re:And In A Unrelatged News Story (Score:4, Funny)
Dude has been snorting cocoa powder all these years. Wondering what all the fuss is about.
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Dude has been snorting cocoa powder all these years. Wondering what all the fuss is about.
Ah, that explains it. The employees didn't get the higher wages through collective bargaining. They were all brown-nosing.
Re: Propping up a dead horse (Score:2)
But I make the very best buggy whips!
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The days of making money on copies of music is over. Let it spread freely so more people will see you live. You're going to have to work for your income. The middleman industry? Technology has made you obsolete. Go die now.
The thing is, I have practically zero interest in seeing live music. So people like me will be free-riders if we don't have to pay for downloads.
If you're a young, passionate music fan who goes to gigs every night it's easy to forget that not everyone else is that bothered.
Re:Technology Also Helps (Score:5, Funny)
Metallica's gotta eat
Do we get to vote on that?
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We'll compromise, and let only Lars starve to death.
Re:Hate to agree (Score:5, Insightful)
That's total bullshit. Christina Aguilera is signed with RCA records, and RCA has an agreement with Google for all her content. Therefore, she and her record label are both being compensated. In fact, RCA has has been trying to scam Google out of money through generating fake views. [newmediarockstars.com]
No, the actual problem is that gullible people like you are letting themselves be manipulated by wealthy "artists" like Christina who are in bed with big record labels. And together, jerks like her and their record labels screw over both the public and smaller artists.
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Why would any one bother wasting their efforts to create when they're not compensated?
Because their love of music exceeds their love of money. It's not hard to tell the musicians who are performing for the love of music from whose who are only in it for the money.
Contrary to popular belief, musicians have to eat, put a roof over their heads, and provide for their family, just like everyone else. Unless you're suggesting that no one make music their livelihood, this is an empty reply from non-reality.
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I tend to work on making new games for old consoles. I know I can't put a roof over my head doing that no matter how much I enjoy it. That doesn't stop me from doing it in my spare time while I work a REAL job.
But that doesn't mean you have to allow other people (including "incorporated" people) to make money off your work.
Wait, what just happened there, did I advance the argument for the music industry?
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"Contrary to popular belief, musicians have to eat, put a roof over their heads, and provide for their family, just like everyone else. "
Contrary to popular belief, if a person can't make ends meet with their current job, they're actually free to rethink their career choices. They aren't OWED a paycheck just because they (claim to) love doing something.
I tend to work on making new games for old consoles. I know I can't put a roof over my head doing that no matter how much I enjoy it. That doesn't stop me from doing it in my spare time while I work a REAL job.
But say your games were played by millions of people, wouldn't you think it reasonable that you got some sort of remuneration? And big budget games and movies need to be funded from somewhere.
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The entertainers I support don't really give a damn about a few more million since they care about the fans.
Ah, the innocence of youth!
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As far as I know, baseball is still free to watch on TV and the players still make bazillions so content protection is not the problem.
The TV companies have to pay for the right to show the games. Advertisers have to pay for the right to advertise during the game.
It's only "free" to the consumer because the money is made elsewhere.