Amazon's 'Lord of the Rings' Prequel Ends Season One. What Did You Think? (msn.com) 288
Friday Amazon released the season finale for The Lord of the Rings: The Rings of Power. But Amazon's 8-episode first season "might have been best known for its extravagant price tag," jokes the Los Angeles Times. It ultimately cost $700 million — making it the most expensive TV show ever — and they note one viewer's assessment that "Visually, it's great. All the money in production shows..." (The Times' critic called it "visibly expensive.")
But can you quantify whether the show is good, great, or something out of Mordor? The Times cites reports that more than 100 million Amazon Prime viewers watched some part of the show (with the premier attracting 25 million viewers on its first day — a new record for the streaming service). Yet they also add that "It's no surprise that a long-gestating TV show based on the mythology behind a beloved fantasy series has garnered mixed reviews from audiences. (In the main, critics have been more positive, according to review aggregation sites like Rotten Tomatoes and Metacritic)."
And CNN is a little less charitable: After initial reviews admired the scope and visual grandeur, though, more critical voices have drifted into the naysaying column, pointing out — as the Daily Telegraph's Duncan Lay put it — that the series "managed to be both pretentious and boring." Forbes' Erik Kain sounded a similar note, writing that after the opening chapters, "The Rings of Power" has demonstrated "how quickly a badly written TV series can wear out its welcome once the shimmer fades."
But there's also this from Business Insider: Creators J.D. Payne and Patrick McKay promise that if viewers were disappointed with season one's story because they expected more Sauron, then they'll dig the second season, which started filming earlier this month. "There may well be viewers who are like, 'This is the story we were hoping to get in season one!,'" McKay told The Hollywood Reporter. "In season two, we're giving it to them."
Indeed, this season accomplished "the hard work of setting up who all those characters are," Amazon Studios head told Variety — possibly hinting again at that surprise reveal of Sauron in the season finale.
And according to The Hollywood Reporter, the show's creators have high hopes for its impact on Season Two: "There's something that Milton does in Paradise Lost that we talked about a lot. Where he makes Satan a really compelling character... Season one opens with: Who is Galadriel? Where did she come from? What did she suffer? Why is she driven?" says Payne. "We're doing the same thing with Sauron in season two. We'll fill in all the missing pieces."
"Sauron can now just be Sauron," McKay adds. "Like Tony Soprano or Walter White. He's evil, but complexly evil. We felt like if we did that in season one, he'd overshadow everything else. So the first season is like Batman Begins, and The Dark Knight is the next movie, with Sauron maneuvering out in the open."
But can you quantify whether the show is good, great, or something out of Mordor? The Times cites reports that more than 100 million Amazon Prime viewers watched some part of the show (with the premier attracting 25 million viewers on its first day — a new record for the streaming service). Yet they also add that "It's no surprise that a long-gestating TV show based on the mythology behind a beloved fantasy series has garnered mixed reviews from audiences. (In the main, critics have been more positive, according to review aggregation sites like Rotten Tomatoes and Metacritic)."
And CNN is a little less charitable: After initial reviews admired the scope and visual grandeur, though, more critical voices have drifted into the naysaying column, pointing out — as the Daily Telegraph's Duncan Lay put it — that the series "managed to be both pretentious and boring." Forbes' Erik Kain sounded a similar note, writing that after the opening chapters, "The Rings of Power" has demonstrated "how quickly a badly written TV series can wear out its welcome once the shimmer fades."
But there's also this from Business Insider: Creators J.D. Payne and Patrick McKay promise that if viewers were disappointed with season one's story because they expected more Sauron, then they'll dig the second season, which started filming earlier this month. "There may well be viewers who are like, 'This is the story we were hoping to get in season one!,'" McKay told The Hollywood Reporter. "In season two, we're giving it to them."
Indeed, this season accomplished "the hard work of setting up who all those characters are," Amazon Studios head told Variety — possibly hinting again at that surprise reveal of Sauron in the season finale.
And according to The Hollywood Reporter, the show's creators have high hopes for its impact on Season Two: "There's something that Milton does in Paradise Lost that we talked about a lot. Where he makes Satan a really compelling character... Season one opens with: Who is Galadriel? Where did she come from? What did she suffer? Why is she driven?" says Payne. "We're doing the same thing with Sauron in season two. We'll fill in all the missing pieces."
"Sauron can now just be Sauron," McKay adds. "Like Tony Soprano or Walter White. He's evil, but complexly evil. We felt like if we did that in season one, he'd overshadow everything else. So the first season is like Batman Begins, and The Dark Knight is the next movie, with Sauron maneuvering out in the open."
Awful, verging on painful. (Score:2, Insightful)
Re: Awful, verging on painful. (Score:2)
Re:Awful, verging on painful. (Score:5, Insightful)
You know... people jumping straight to racism is wearing thin. And it is *racist* or *sexist* to assert without evidence that *anyone* who doesn't like something is racist or sexist.
Could be black elves bugged him.
Could be the unrealistic diversity bugged him.
Could be it was sexism.
Could be it was gawdawful writing.
Could be folks felt it was misandrist.
Could be it was bad acting.
Could be it was a weak plot.
Could be it was a mary sue like lead.
Could be the characters were constantly lucky to advance the plot.
Could be the characters made decisions not based on *who* they were but what the plot needed them to choose.
Could be the reason is hard to define- but viewed next to the Hobbit and Lord of the Rings- it's just bad ("nt").
Re:Awful, verging on painful. (Score:5, Insightful)
Oh my god this! Why is it that everyone thinks that someone is part of some culture war these days. Having an ethnic character / female character in the story does not excuse what fundamentally is the problem with many of these shows / movies: Really shitty writing.
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Because writing compelling narratives is hard. Admitting that your show is a flop is even harder. Accusing your own fans of wrongthink is easy!
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I think you (partially) missed the point, unless you think the GP is moon lighting as a Hollywood executive. The issue here is not only on a toxic studio side, but also an equally toxic fan-base. The kind that confuse bad righting with some kind of woke culture war they are losing.
Movies have always been "woke". They've always pushed a message, a narrative of sorts. The difference is when they are well written you praise them. The issue here is that they are not well written, and rather than recognise that
Re:Awful, verging on painful. (Score:5, Insightful)
I will absolutely dare to assume that the target audience are not Tolkien fans.
So, they spent a lot of money to make a show that isn't aimed at the IP's target audience, and instead they chose to cram modern allegory and cater towards political ideologists? That doesn't make any sense to me, so there must be something that I'm missing. Or maybe the show-runners are missing something since it bombed.
The show-runners even admitted that they anticipated backlash from Tolkien fans (because they weren't respecting the lore). What they didn't anticipate was that the general consumer would find it poorly written, uninteresting and boring. So they basically wrote a show that isn't interesting to anyone except those who specifically want to see feminism tropes and leftist allegory in their entertainment.
Re:Awful, verging on painful. (Score:4, Insightful)
>So, they spent a lot of money to make a show that isn't aimed at the IP's target audience, and instead they chose to cram modern allegory and cater towards political ideologists? That doesn't make any sense to me, so there must be something that I'm missing. Or maybe the show-runners are missing something since it bombed.
It follows the familiar pattern of wearing an existing, often beloved property as a skin suit. There is no attempt to be true to the source/original. Instead the show runner comes in with a story they want to tell, for which the property must be 're-imagined' to fit that story. It's like slapping Pepsi branding on a can of surstromming, then berating the customers when long-time Pepsi drinkers vomit on opening the can.
>The show-runners even admitted that they anticipated backlash from Tolkien fans (because they weren't respecting the lore). What they didn't anticipate was that the general consumer would find it poorly written, uninteresting and boring. So they basically wrote a show that isn't interesting to anyone except those who specifically want to see feminism tropes and leftist allegory in their entertainment.
They massively underestimated the sheer volume of people invested in Tolkien. Peter Jackson's trilogy was massively popular, cementing the public's expectations for Tolkien adaptations. When I deliver training I can guarantee people worldwide will get a LoTR reference. They know what dwarves and elves are, and what they look like. They know Galadriel is a mysterious, almost ethereal magical lady - not an impetuous brawler. Amazon, like the rest of the American media elites, thought they could shit out an incompetent product, the 'diversity' being what would win the day. They do not understand people who live in a world where people just get on, regardless of colour or sex, where offering 'personal pronouns' elicits a response comparable to asking people to not look at you when talking with you.
Re:Awful, verging on painful. (Score:4, Insightful)
It follows the familiar pattern of wearing an existing, often beloved property as a skin suit. There is no attempt to be true to the source/original. Instead the show runner comes in with a story they want to tell, for which the property must be 're-imagined' to fit that story. It's like slapping Pepsi branding on a can of surstromming, then berating the customers when long-time Pepsi drinkers vomit on opening the can.
Hot damn there preacher - you win the internet for the rest of the month! Best analogy ever!
They massively underestimated the sheer volume of people invested in Tolkien. Peter Jackson's trilogy was massively popular, cementing the public's expectations for Tolkien adaptations.
A million times this! There are academic scholars largely making a living off Tolkien. Youtube had many analysis and informational vids from loving fans.
And here is where the people differ from the Rings of power people.
I can make a criticism or disagree or add my own thoughts on interpretations of Tolkien's work, and we can discuss them. The scholars listen politely, and if they disagree, they tell me why. Occasionally I make a point. The community doesn't call anyone who disagrees with them nasty names or make baseless accusations.
It's all based on love and respect of the source material. And the absolute fun of discussing it with others.
Not claiming that critics are racist, sexist and fascist leaning as a standard response.
When I deliver training I can guarantee people worldwide will get a LoTR reference. They know what dwarves and elves are, and what they look like. They know Galadriel is a mysterious, almost ethereal magical lady - not an impetuous brawler.
Let us think about the interaction between Frodo and Galadriel when he attempted to give her the ring. She refused it, happy that she passed the test.
Rings of power Galadriel would have snatched that ring right up, given the way they altered her personality.
And that's the really weird thing in a feminine centered worldview such as is popular today. Why utterly diminish one of the most powerful elves in creation, who can stand husband Celeborn down when he insults Gimli?
They turned her into that unpleasant Brawler you note. A severe downgrade.
Amazon, like the rest of the American media elites, thought they could shit out an incompetent product, the 'diversity' being what would win the day. They do not understand people who live in a world where people just get on, regardless of colour or sex, where offering 'personal pronouns' elicits a response comparable to asking people to not look at you when talking with you.
Wisdom. So many of us, myself included do not even believe in race. Yet these people are utterly obsessed with it.
So many of us, myself included, do not care on whit about who a person wants to have sex with as long as they are consenting adult humans. Yet thse people want to wear who they want to bump uglies with not as a preference, but a challenge.
They are the racists, they are the sexists, and if their desire to eliminate any criticism is any guide, they are the fascist leaning patently evil people they maliciously project on their critics.
And they can't write for crap.
Re: Awful, verging on painful. (Score:4, Interesting)
There is an audience for the most popular work in the genere which is also over 100 years old. It's all the people who haven't read the books or saw the movies yet. Any attempt to expand the cultural exposure at this point will only inspire new readers and writers. Lord of the Rings will always be Lord of the Rings but what people will be inspired to create will be sure to discourage some of the current ip critics and audiences....
I want an all male cast reboot of "Little Women"
It's easy to blame fans, hard to blame yourself (Score:2)
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Oh my god this! Why is it that everyone thinks that someone is part of some culture war these days. Having an ethnic character / female character in the story does not excuse what fundamentally is the problem with many of these shows / movies: Really shitty writing.
What happens is that having people from all different ethnicities and areas of the world simply becomes very jarring in a nordic mythology based world.
But the inclusive crowd who starts screaming "Racist!" if someone notes that it is jarring - well, that's malicious projection on their point.
As well, Amazon is attacking any and all criticism by claiming that those who dare to criticize are racist, sexist, fascists.
We are in an age where a really expensive piece of shit series like Rings of power has
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Hollywood: When you can't take constructive criticism for your show being shit blame the customer for any and all *ism, *ic. /s
i.e. racist, sexist, chauvinist, misogynistic, toxic, homophobic, etc.
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Hollywood: When you can't take constructive criticism for your show being shit blame the customer for any and all *ism, *ic. /s
i.e. racist, sexist, chauvinist, misogynistic, toxic, homophobic, etc.
While I agree, most of the time it's the customer who starts it, mistaking bad writing with some kind of culture war. Look at the thread history right here, there's someone who didn't like the movie, someone who did, and the only thing that was talked about was the colour of an elf.
So yeah, the fans (or foes) actually are exhibiting a *ism in this case, without any help of Hollywood (unless the GP actually is a paid shill which I doubt).
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The parent poster said nothing about race or gender.
The first responder did that.
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There were a lot of posts complaining about the racial diversity and the fact that there are more women in it than in the books. It's not racist or sexist to notice that.
That said, it's just not very good. It went to against House of the Dragon, which was really good, and had lots if sex and violence. Rings of Power never stood a chance.
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I think fundamentally the problem is the peanut gallery knows they don't like something but are too stupid to understand why and therefore jump on "ooooh shiiiiit, a black elf! That must be why I hate it! They are forcing this woke thing on me!" *spittle drops from chin*
HOD had just as diverse a cast (Score:2)
There were a lot of posts complaining about the racial diversity
Also AFAIK House of the Dragon had just as much of a diverse cast yet didn't suffer nearly the same level of negative reviews or viewership drop off... I was waiting for both of them finish to see if either were even worth starting, at some point I will for sure watch Hosue of the Dragon but will not bother wasting my time with Rings of Power... and I can watch Rings of Power for free!
Also I'mm bet if the GOT people were doing Tolkien stuff the
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Eowyn is often used as an example of how LOTR had strong women, but she's the exception that proves the rule. She had to pretend to be a man to get on the battlefield. Clearly there were not opportunities for women to fight professionally in Middle Earth.
The way he wrote women wasn't great either. Not that it wasn't pretty much the norm of the time, and most of the men aren't what you would call deeply fleshed out characters either, but still.
I don't think it was him personally being a misogynist or anything, that's just pretty much how it was back then.
She did the Mulan thing. It is a pity that is despised these days. a Young lady standing up for and protecting her father, learning and growing along the way. The Animated Mulan was a wonderful and charming movie. This woman Eowyn showed she could fight, and while not a main character, played a critical role.
There is one huge problem with the concept that Galadriel in the Rings of power is a strong independent woman. And that problem is that rather than strong independence, she appears extremely insecure
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Could be it's not a faithful adaptation, or deviates too far from the purported source material.
The Tolkien Untangled YouTube channel has been building up an expansive "How The Rings of Power Should Have Been Written (to make them Tolkenian)" playlist [youtube.com] that illustrates one way a faithful adaptation could have been done.
Dialog, Story, Characters (Score:5, Insightful)
The only character who was sane, sensible and which you could sympathise with was the one who was clearly Sauron (although they never said it was). He acted intelligently, was largely honest (although he never said he was Sauron) and to some extent appeared to want to reject his evil nature. That's how screwed up the writing of this show is.
I did not find myself wondering whether the writing of the show is true to Tolkien, I was wondering whether it was written by an adult.
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Galadriel took a chance.
No, she committed suicide. The chance of swimming across an ocean is zero. You swim at ~3 km/h so it would take you 333 hours, or about two weeks to swim 1,000 km which would be a small ocean. You can't last that long without food, drinking water and sleep. If there were some "magical" reason for her to think survival were possible then a good writer would have explained that. As it is I don't think they even realized there was a problem that needed explaining.
A stone sinks because it looks down is a logical explanation in a world where trees walk around and the laws of physics haven't been discovered.
No, it is not because,
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1) Create a new adaptation of a popular work of fiction.
2) Add a few "woke" (for lack of a better word) touches to the production: race / gender swaps, social commentary on our own world, playing by our own modern set of values rather than those the people in the story woud have, and so on.
3) Release a trailer where these "woke" touches are shown. If you want you can double down and emphasize how you deliberately made
Nice gimmick (Score:2)
For free with my Free Shipping membership.
What's not to like?
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Boring (Score:2, Insightful)
Wheel of Time kept me away... (Score:2)
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Wheel of Time gets worse and worse towards the end.
I didn't even bother with this bad LOTR fanfic.
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A lot of people said the same thing after reading the first chapter of the book. Or the first whole book. Some read all the books, and still said it was boring. I myself didn't fully appreciate it until I grew up a little and revisited them.
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Read a few epics and you'll find the same thing. That's kind of the point of an epic involving a war between good and evil and creating an epic tale for England was specifically what Tolkien was doing.
Opposing view about the 1st ep. (Score:3)
It captured the elves very well - aloof, distant. And the scene of the elven ship going back to Valinor was.. very elven?
And it was the only episode that I didn't want to punch at least one harfoot in the face.
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Nope.
We skipped both the fucking money grab that was the hobbit and this one. Hard to bitch much about something you never saw.
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Your wife is right. Very clunky start, but it goes on to improve.
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Then you have Galadriel stating that she was going to kill every last orc so as to torture someone before then killing him and in the very next segment chastising someone else for saying they wanted to kill orcs?
That's not the only example. No, the writers didn't remember dialog from one week to the next.
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Pretty much. You can't have any "preconceived notions", she says.
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No idea (Score:2)
I do not care enough. I would much rather read the LoTR books again than watch some doubtlessly cringe Amazon product.
Good Television (Score:4, Interesting)
I liked it. Better than The Hobbit films, not quite as good as the LOTR films.
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The Hobbit had too much bad cgi. They definitely used more prosthetics and real actors here. The matrix style kung fu was also used sparingly.
Re:Good Television (Score:5, Interesting)
Once I abandoned trying to reconcile RoP with Tolkien's work, I really enjoyed it. I thought it was a lot better than Jackson's work. My major complaint with LotR was everything was a close up, too many one shots and two shots, not enough wide shots, hardly any. There was less of this cheap technique in the Hobbit films, but still too much giant heads talking. RoP was shot with plenty of wide and long shots, so it didn't feel like everything was taking place in a phone booth.
The critics aren't very critical. They nitpick one thing they don't like, and repeat themselves through 5 paragraphs of redundancy. None of the critics in these comments are saying anything intelligible.
I thought RoP did well, squeezed their story into areas about which Tolkien didn't write. Though a lot happens in the Second Age, for most of it it is impossible to tell where characters like Sauron and Galadriel were exactly, There are just some waypoints of known location and action. So RoP took literary license and filled in gaps, such as the creation of Mt Doom and Mordor. They compressed the timeline massively, but once you get over that, it isn't terrible writing, it's just that it contradicts Tolkien in some places, such as The Stranger, who obviously must be Gandalf. Trouble is, Gandalf doesn't arrive in Middle-Earth until 1000 years into the Third Age, and arrives by swan ship to the Grey Havens, not by meteor to the southeast of the Misty Mountains. Gandalf never goes to Rhûn and says so, "to the East I go not." And his talent with fire came from Narya, the red ring, aka ring of fire, so control of fire wasn't an innate ability. These details can drive you crazy, so letting go of these kinds of details is essential. And maybe it isn't Gandalf. Though it does seem obvious, it really can't be for reasons. Everyone seems to think there were only five wizards, but Tolkien was ambiguous:
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I got four episodes in and keep meaning to come back to it.
The real problem is that I just don't care about the characters or the coming of Sauron.
Compare it with House of the Dragon. By the end of the first episode you are invested in the main characters, and even though you know how the story ends, you want to see it play out.
I don't care about the hobbits, or the elves whose names and relevance I don't know. I don't really care who the man who fell to Middle Earth is, it's not a question I really care ab
Re:Good Television (Score:5, Informative)
Compare it with House of the Dragon.
I have. Both have shown 8 episodes. Both have excellent actors, wardrobe, hair and makeup, and sets. In one show, a lot has happened, maybe too much. There's action, there's progress in multiple storylines.. In the other show, very little if anything has happened. One is legitimate fantasy genre, the other is a soap set in the middle ages.
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As I said I only watched the first 4 episodes of Rings, but yeah... Nothing much happened. Some basic set up for the characters, but for example the whole Galadriel deciding to leave and then changing her mind, then needs help to get back... It's all unrelated to the main plot and completely uninteresting.
House of the Dragon packs so much into each episode, but doesn't feel overwhelming, and it all fits together really nicely. They managed to get a lot of story set over a very long period of time done witho
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What do you mean nothing happens? We've gone from a princess and stable line of succession to warring houses and competing claims, with major battles and countless twists and turns in-between.
You watch seems to be broken too, there is way more than 2 minutes of dragon action in more than one episode, let alone the whole season thus far.
I guess if you don't like talking it might seem slow, but the dialogue and intrigue are so good there's never a dull moment. There are no throwaway lines.
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They are literally murdering each other and disfiguring each other on screen.
The wars are shown when they are relevant to the plot and characters. It's excellent economy of storytelling, where a lot of shows would have given us a load of meaningless action scenes. Much more interesting to see the princes fighting.
Besides it was important that the audience not know any more and the Sea Snake's condition than the protagonists did.
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They are literally murdering each other and disfiguring each other on screen.
3 murders and 1 disfiguration in 8 episodes. Ser Criston killed Ser Joffrey, yet Joffrey was a throwaway character with no development, and there was no epilogue to this whatsoever, entirely shock after 5 boring episodes with nothing but fretting. And Larys had his father and brother killed, but the arson was offscreen, and again these are throwaway characters that only appeared in that episode. Aemond lost an eye in a fight with Lucerys.
Did I miss something?
It's excellent economy of storytelling
It's so economical, there's barely any story
Re:Good Television (Score:5, Interesting)
Where things start to break down is the writing of details and individual characters. Galadriel is a massive Mary Sue, with those improbable fights, that ridiculous notion of swimming back from Valinor, the silly jail break, and generally how all characters and events just bend around her. The actions and motivation of a lot of the other characters often made as little sense, the reasons for illogical choices or far-fetched outcomes coming about are left unexplained. I kept asking myself why and how throughout the show.
Some of it is just lazy writing that could have been so much better. For instance, the Harfoots started out with "If you can't keep up, if your cart breaks down, screw you we're leaving you behind", then there was this rousing speech of how they all stood together, after their camp got burnt. Again, no explanation on this change of heart is given. It would have been so much better if the destruction of their camp (maybe a few deaths thrown in) was pitched as the moment their ways changed, thus making it a pivotal event, instead of it merely being some mishap that we're supposed to feel something about.
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People who haven't read the books seem to like it more. The real issue for me is that I just don't care about the characters, and none of them are very interesting as people.
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Then perhaps don't name it after the lore, promote it as being from the lore, and subsequently ignore it?
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I was entertained more from The Hobbits films than over Rings of Power. I do agree that LOTR films were the best.
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There are many things I could forgive... (Score:5, Funny)
Reducing much of the 2nd age to a few short weekend benders between the end of the war of wrath and the forging of the rings? Sure.... Lady Galadrial as an elf hottie on the prowl after conveniently misplacing her hubby? Why not. Morder baked overnight?? Ok. But female dwarfs without beards????!!! Nope! That is a bridge too far!
Pirated it even though I have Prime (Score:5, Insightful)
That said, I loved the show. The story is complicated but they told it well. It is aimed at a fairly wide audience which is fine. I don't need every fantasy to have women in revealing armor that would barely keep them warm let alone protected. As a for thousand year old civilizations that still have a black princess with a white father it might be less realistic but it is necessary. These are stories that are part of our culture and we can't have a culture that large parts of society can't participate in. We are imagining wizards and other monsters, three ships that hold an entire cavalry, splitting boulders with one blow with no eye protection... I think we can suspend our disbelieve in human genetics.
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The probability that something will go wrong or just be inconvenient when streaming movies is just to high.
That is the most bullshit excuse for piracy I've ever heard about a service which literally allows you to download the entire season and watch it at your leisure. Fuck man Amazon even gives you the option to one click download the entire season (unlike Netflix which makes you select each episode).
The pirates have a better quality product than the streamers.
Normally I agree with you. But in this case I'm wondering if you're just a parrot repeating someone else's delusion.
boring (Score:2, Insightful)
First few episodes were so boring I just stopped watching. And I didn't have to pay for it.
Lite Entertainment (Score:2)
Ignore the hype. Take it for what it is, and don't try to read anything deep and meaningful into it.
Entertainment. Nothing more.
It was fun. I enjoyed it, mostly. Some pacing issues.
I would not watch it a second time, but I will watch season two when it comes out.
It could never be good (Score:2)
Tolkien is missing from this series. (Score:5, Interesting)
There's quite a bit missing from this series and it makes me wonder what the series creators were thinking.
1. It doesn't sound like Tolkien at all. The dialogue sounds utterly lifeless, contemporary. By comparison, listening to the film and TV works of the LOTR movies and GoT TV show - you hear the prose of the writer and the prose is one of the culturally-distinguishing features, sometimes to great effect. This series lacks that entirely, it sounds like generic fiction.
2. Galadriel wears a night gown? Galadriel travels in full plate armor? The LOTR movies did a great job of making the elves seem serene and regal and slightly aloof - this series does nothing of the sort. Galadriel wears generic looking outfits, this actress's hair style is so thick that it rarely shows the ears when the elves of the movies all had very fine hair that revealed their ears a lot of the time. I just don't get a sense that she is anything unique or significantly different from the humans beside her. And worse - once she rallies the troops she puts on full plate armor (likely some lighter than air Elfish armor of course, but still). This isn't in keeping with the look of Elves at war at all, they avoid heavy armors because they employ their natural agility and avoidance tactics when fighting.. Ismael Cruz is a much better cast, he does have Elfin qualities, although here again you get no sense that Arondir is a woodland elf with a different and unique culture. He's literally a generic "archer with a cause".
3. The world is mostly just a set. In Tolkien's world the world itself is a character. From moths that aid Gandalf, to forests that shiver and move, Tolkien's planet is alive and steeped in rich magic and mysteries. When trees are decimated in this series, when insects are just bugs, the world itself is totally lifeless. A dead world is not the world of Middle Earth.
This show definitely needs some major work to really feel like it's a derivative work of Tolkien. I don't know if I'd continue watching more generic fiction that uses the words and symbols of Tolkien's world, but doesn't sound or appear like Middle Earth as Tolkien intended.
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This.
If this garbage had been released as generic fantasy with different names, it might've been halfway ok-ish. The way they handled it is an insult to Tolkien at every step. They basically took Tolkiens work and removed Tolkien from it.
Predictable. And in fact I did predict it. (Score:3, Insightful)
Didn't watch (Score:2)
I go by the logic that anything that needs blunt and blatant in-your-face advertising to get eyeballs is usually not worth watching.
And frankly, any time I watched anything on Prime the past 2-3 months, the nag trailer before it was without fail that show. Somehow, I think I've seen already more of it than I could possibly want to.
Dumpster fire (Score:2, Insightful)
I have a Prime subscription. I didn't watch it. (Score:2)
CGI (Score:2)
Didn't watch it. (Score:2)
Don't know.
And from the little I saw of the advertising, I could not POSSIBLY give less of a shit.
And I'm a Tolkien-phile.
How coudl the plot be that bad - SPOILERS (Score:5, Insightful)
SPOILERS:SPOILERS:SPOILERS: Galadriel and a dozen elves are hunting Sauron ice climbing in the far north. Are they in hot pursuit? No, he *might* have been there hundreds of years ago, if at all. Then when the run into a troll, it almost trashes them. So I'm curious, what was their plan if they DID find Sauron - the most powerful being in middle earth.
Then Galadriel jumps off a ship in the middle of the ocean. WTF? Is she planning on swimming thousands of miles back to Middle Earth?
Then is the guy who turns on to be Sauron just hanging out on a raft in the middle of the ocean? Why?
Then the evil guys decide to blow up Mt Doom, with this old sword which was really a key because? Um?
Then the guy who was obviously Gandalf has amnesia? Why? He was sent by the Valar to help stop Sauron
Then Galadriel finds out Sauron has been helping build the rings - and decides not to mention that.
Its endless. The plot makes absolutely not sense at all, the character's behavior makes no sense.
>
To be clear, I don't care about multi-ethnic elves, etc, 100% OK. by me. I have no problem with warrior-women, but that isn't Galadriel.
It's Dead Jim (Score:2)
I saw the first four Jackson movies and gave up. In retrospect I only enjoyed the first one.
My favorite dramatization was the Hobbit audiobook by Andy Serkis.
Is this why Prime went up $30? Jesus.
Beautiful and boring (Score:2)
Sets and costumes are top notch, on level with the Peter Jackson LOTR trilogy.
Plot is mostly people talking for 5 episodes, with big twists and reveals left only for the very last.
Acting is mediocre, with few exceptions like Markella Kavenagh (Nori).
IMHO
Meh (Score:2)
I couldn't make it past the first episode. Making Galadrel a she-warrior ruined it early for me.
Bor ... sorry, just woke up - a snoozer it is. (Score:2)
I have read the posts up to this point, and for all of them that compliment or admire the production values, sets, stories, characters, etc. - I agree. Examine any particular detail, and it has all been well done.
But it is boring. It is one of the biggest yawners I have seen in a long time. It is just slow and labored. There are even "dead air" moments when characters gawk or mug without saying a word, meant to be a dramatic element, but they go on so long that it is painful. If non-essential fluff and
Loved it (Score:2)
The music is what pulled it together emotionally. Bear McCreary is a genius. Each theme is a work of art, The Stranger being the best for me. Khazad dum. Bronwyn and Arondir.
Aesthetically it's 10/10, music, architecture, landscapes, costumes, interior design -- incredible.
They did a great job with the characters. With exception of the Numenor Queen whoever, but honestly nobody was going to like her. Even Adar, he had such a great role. An antihero s
Utter shit (Score:2)
The writing was just so so bad.
Boring and Bad (Score:5, Interesting)
Considering the show separate from a Tolkien connection (i.e., letting it stand on its own and not judging it for being different from Tolkien's books and stories), I'd rate it about 4 or 5 out of 10. Its biggest sin is that it's boring. Another big issue is that the main protagonist is unlikable. There are few other characters that you care much about, either. The writing is...uneven, at best, and outright laughably bad at worst (especially some of the dialogue). The story doesn't make a lot of sense, there are lots of meaningless divergences, meandering plot threads, plot armor that breaks verisimilitude, scenes that "have a point" but are way too much on the nose, and the "twists" are obvious to everyone (except the characters in the show, of course). The acting is not great, either, but I don't blame the actors in this case; I think it's poor writing (and poor dialogue).
When you add in the Tolkien elements it just goes from bad to worse. Terrible casting is a stand out. I'm not talking about casting for the invented characters (they're invented, after all), but for the canonical characters. Some of the greatest figures of the second age (e.g., Gil-Galad, Elrond, Celebrimbor) are cast (and written) as complete dorks. Heck, Celebrimbor doesn't look like a powerful Noldo of the line of Fëanor (or any other line of elf, for that matter); he looks like an old man wearing his grandmother's drapes as a robe. Then there are the timeline oddities and other changes from canon. I could go on at length, but I'll spare you. I understand that a different medium (e.g. TV or film vs. books) might benefit from some alterations, but when that's done it should serve the story, it's tone, etc. in the new medium. The divergences from canon in this show aren't like that at all; they're just kind of thoughtlessly done, even where they're not necessary. Given their approach, I think Amazon should've just skipped the entire Tolkien connection and done their own fantasy show. This thing is about as "Tolkien" as one of those Xena or Hercules shows. Even the show's apologists have started saying stuff like "you need to consider this show as a new or variant story in the overall mythology. It's not trying to tell exactly what Tolkien wrote." Yeah, no kidding. And don't get me wrong, I don't object to original characters and new stories; I think there's plenty of room for that. But I think such new stories are best told within the established framework, doing no damage to the themes, tone, major characters, known 'canon,' et cetera [decider.com]. If you're going to just do your own thing and largely ignore the details of the canon/framework, then why use the framework in the first place? (The only reasonable answer I can come up with for that is to use a popular "brand" for marketing purposes.)
Anyway, this is getting longer than I'd intended. Suffice it to say I really wanted this show to be good. Sadly, it's just not. It's a missed opportunity for something good and worthwhile. Disappointing.
To end with something positive: some of the visuals are nice.
Stop calling valid criticism, so the fans... (Score:3)
They should have instead focused on being true to Tolkien and making good content. and left current year zealotry at the door.
The Boys and The Expanse are two of my favorite shows, Amazon has no excuse for this billion dollar screw up.
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What saddens me is I doubt Amazon management is able to recognize the difference between the Expanse and RoP.
Great Start, Mediocre Middle and Awesome Final (Score:3)
I'm going to re-watch to see if there were any possible clues to what was unveiled in the finale.
Great visuals and very interesting and exciting start. Writing and plot got a little slow in the middle and I started to get a little bored.
Loved the finale. Absolutely fantastic and completely made up for any prior transgressions.
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What, the parent downgraded to -1 AND moderated Funny? Look, you are unable to detect sarcasm, then please don't moderate slashdot posts.
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Re:re-reading the books (Score:5, Insightful)
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I’m curious what modern politics you were seeing?
Re:re-reading the books (Score:5, Insightful)
Lots of words to say you don't know.
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I decided to reread the books again, they are great.
Really? You re-read the whole Silmarillion? Or just the chapters covered in the show?
Did you do the whole of The History of Middle-earth as well?
Re:re-reading the books (Score:5, Insightful)
You didn't find feminism in the books? A woman was the military hero at the climax. You didn't find diversity? There were people who were hobbits, people who were dwarves, people who were humans, people who were elves, people who were orcs, etc etc etc. You didn't find deviant sexual behaviour? There were fairies who had sex with hobbits, humans who had sex with orcs, elves who had sex with humans - sure, none of it was described explicitly, but it was all there in the genealogies. You didn't find cancel culture? Wormtongue was the perfect example of somebody getting canceled solely because he said shitty things that made his society worse. You didn't find any wokeness? The story is a protest against the evils of modern industrial civilization and how it destroys nature and how we should respect indigenous ways of relating with nature, what with the Beornings and the Ents and Bombadil. You didn't find any SJW? The whole frickin' thing is an affirmative action story about how some people who everybody assumes are genetically incapable of being adventure heroes turn out to be the heroes of the adventure.
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Frodo was a bullshit diversity hire to fill a quota by a member of the wizarding elite based on a dumb theory the wizard heard somewhere about diversity making teams perform better. If Frodo had to compete on his merits as someone with proven adventurer skills, he never would have made it and the job would've instead gone to someone who was actually competent.
/s
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You almost got it, only Bilbo was the one who was the diversity hire. He was the apparently completely unfitting member of a party consisting of a bunch of dwarves and a wizard.
Then once Bilbo proved a Hobbit could actually amount to something in an adventure, Frodo, Pippin and Merry went on the next adventure. Without Bilbo's first adventure they almost certainly would never have.
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Comment removed (Score:5, Insightful)
Re:re-reading the books (Score:4, Interesting)
I keep watching stuff lately from the 1990s, and finding myself surprised sometimes at how progressive stuff was back then compared to today...
Yes, the world didn't exist until Millennials reached adulthood, we know. Oh wait, it did, and yes, Hollywood was very diverse in the '80s and '90s.
...where just having a female or black or gay hero is enough to get people screaming about how "woke politics" is being "shoved down their throat."
Create a NEW female or black or gay hero that doesn't suck and everybody would praise them. Sarah Conner is widely acknowledged as a top tier action hero of all time, and she was entirely female. Blade and Spawn are widely acknowledged as the beginnings of the new breed of comic book movie and praised for being a big step up from the '60s and '70s attempts at the genre. Lilo and her big sister are firmly part of Disney's Renaissance in animation. Replace a legacy white male hero with a female or black or gay hero, which is what these people are doing almost exclusively, and you will be denounced as the fraud you are. There is nothing more racist than only seeing legitimacy in legacy white male characters and insisting on co-opting them.
These Hollywood hacks who are so terrible at writing that they don't even dare to create a new female or black or gay character because they know they're BAD at it need to be fired en masse and replaced with people who can at least come up with new names and places, people who aren't so far up their own ass with post-modernist bullshit that they understand the value and purpose of the Hero's Journey, people who aren't so far up their own ass with modern American politics and social ills that they can actually write fiction without larding it down with current day crap that will make it age like unpasteurized milk.
We are regressing as a civilization.
Yes, and Hollywood faux 'progressives' are leading the charge. Ham-fisted, thumb-fingered lazy morons with no sense of scale, no capacity for subtlety, and no clue how to write entertaining stories, which is their damn jobs, not preaching solely for the purpose of displaying their own piety.
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Let me respectfully posit that such a viewpoint is borne from spending too much time on the internet, and not enough with real people. Having done both in many contexts, let me tell you two things.. One, there are extremely few real racists in society
Either you're pretending obviously racist stuff isn't racist, or you're in a serious fucking echo chamber. I encounter obvious racists frequently in the world. Probably one in four of the geezers who came into the RV shop while I worked there managed to squeeze something racist AF into a conversation about a motor home.
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Interesting that you consider interracial sex to be deviancy.
I'm not judging, in the real world sex between humans and other animals is generally considered to be quite deviant. But these are not animals, and yet they are not humans either.
It's just interesting that there is a line somewhere between sex with humans of different skin colour, and sex between humans and elves, that makes them somehow different in your mind.
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Oh, for sure, there's plenty of racial essentialism and drop-of-blood theory in there, too. In that, it seems to be inspired by some of the same romanticism and Gobineau-era elitism that inspired fascism, though Tolkien seemed to find the industrialism and mass nature of fascism abhorrent. (Plus, he made the Jews into basically-good-if-sometimes-greedy characters, which is a good step up from what fascism did to them.)
I think you have a narrow view of feminism, wokeness, and SJW. There's a reason that
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Re:Go Woke... (Score:4, Insightful)
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All woke movies have absolutely bombed and have bankrupted their production companies
House Of The Dragon isn't bombing.
You can pull off wokism if the story works. What you can't do is shame people into watching your dreck. To pull that off you need a gulag system.
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