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Television Sci-Fi

It's the 50th Anniversary of 'Star Trek: the Animated Series' (bbc.com) 60

Star Trek: The Animated Series was a half-hour Saturday morning cartoon that premiered exactly one half century ago — yesterday. You can watch its opening credits sequence on YouTube — with its strange 1970s version of the theme song. CBS's YouTube channel also offers clips from various episodes.

Starting in 1973, it ran for two seasons — a total of just 22 episodes. But the BBC notes it kept Star Trek in people's minds after the original series had been cancelled in 1969: While The Original Series had struggled in the ratings during its initial run, the show thrived in syndication, and created the phenomenon of fan conventions (think Comic-con in the present day). Because of this, studios were interested in more Star Trek, but there was a problem: the sets had been scrapped, the costumes were gone, and it would have been cost-prohibitive to rebuild everything from scratch. NBC settled on a different approach: an animated series.

According to The Fifty-Year Mission by Mark Altman and Edward Gross (an oral history of Star Trek), Gene Roddenberry wasn't overly interested in an animated show in and of itself. However, he was willing to go along with it because he saw it as a stepping stone to another live-action show or a feature film. An animated show would energise fans, he thought, so he agreed on the condition that he would have full creative control of The Animated Series. After a fight, the network gave in. The full, regular cast returned, with the exception of Walter Koenig's Pavel Chekov, who was cut for budget reasons...

[I]t was very much conceived of as a continuation of The Original Series. Some of the episodes were direct sequels, such as More Tribbles, More Trouble, which is a continuation of the classic The Trouble with Tribbles, and featured the return of Cyrano Jones... [Another episode was a sequel to The City on the Edge of Forever.] Dorothy (DC) Fontana led a group of writers from the original show who mostly wrote for a traditional, adult Star Trek audience. That's why the show didn't catch on — while it was well-received by critics, it might have done better in prime time. The show won a Daytime Emmy for best children's series, but it was cancelled after two years because of low ratings. Roddenberry then moved on to work on another live-action series, called Phase II, which would eventually become Star Trek: The Motion Picture...

Whatever is decided regarding "the canon", The Animated Series sits firmly within Star Trek's guiding ethos: Gene Roddenberry's vision for a utopian future where humans coexist peacefully with aliens as part of a Federation, and there's no poverty or war.

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It's the 50th Anniversary of 'Star Trek: the Animated Series'

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  • Good Stories (Score:5, Interesting)

    by bill_mcgonigle ( 4333 ) * on Sunday September 10, 2023 @12:43AM (#63836008) Homepage Journal

    Most of them were good scripts - several by good writers left over from ToS.

    I watched them with my daughter a decade ago and a good time was had.

    No Starship Captains screaming for genocide back then. Ah, Gene, ya old bastard, they ruined your vision.

    • Re:Good Stories (Score:5, Interesting)

      by AmiMoJo ( 196126 ) on Sunday September 10, 2023 @09:04AM (#63836468) Homepage Journal

      Roddenberry actually disliked a lot of TOS. He wanted to go much further than the studio allowed him to. TNG was closer to what he wanted, but even that was a long way off from his vision in many ways.

      Trek has to keep reinventing itself, because real life moves forward. The mortality plays of the 60s wouldn't work in the 90s, when things like equality for black people and women were much more widely accepted.

      The best captain of the 90s was Sisko, because he was willing to do what needed to be done. Picard and Kirk had the luxury of always being able to choose the moral path, take the higher ground. Sisko had to make the difficult choices with no good options.

    • "they ruined your vision"

      Let's not kid ourselves: Gene's vision was of fucking a bunch of different women.

  • The Soft Weapon (Score:5, Interesting)

    by roc97007 ( 608802 ) on Sunday September 10, 2023 @01:18AM (#63836030) Journal

    One of the episodes was a fairly accurate version of Larry Niven's short story "The Soft Weapon".

    • Yes! This one stuck with me even all these many years later. The fact that it was a cartoon was the only thing "for kids" about it.
      • I like that they substituted Spock for Nessus in the original story. It made sense in context.

    • Young Spock (Score:4, Insightful)

      by Excelcia ( 906188 ) <slashdot@excelcia.ca> on Sunday September 10, 2023 @01:45AM (#63836052) Homepage Journal

      And JJ lifted the young Spock scene from TaS episode 2 wholesale and used it in his movie. Of course, JJ does that. Take TaS, Diane Carey's novel Dreadnought, and Wrath of Khan, stick them in a blender, and hit FRAPPE and that's JJ Trek. With anything resembling plot either reduced to 30 seconds of attention span at a time, or just accidental leftover elements from the stories he lifted that managed to make it through the blender.

      • My theory is that Abrams has some kind of mental impediment. He's able to recognise when something is popular, yet can't seem to understand why people like it. That'd explain why he throws things together, the 'memberberries', yet outside of context that'd make people happy.

        He and his flying monkeys have left a trail of destruction. The only reason Abrams didn't get to destroy DC on film is because Warner got to it first, and now they've released him from contract now there's little left.

        • Abrams is a hack of a writer. He knows how to steal plots and ideas, but he doesn't have a clue why he should or why those ideas worked originally.

          And this is why it doesn't work in his scripts. He understands what worked, but he has no idea why it did, so he can't adapt the ideas to his work.

      • by AmiMoJo ( 196126 )

        Young Spock was probably the best part of TAS.

        There was an episode where the men went crazy and the women had to save them. Can you imagine the rage if it was released today? I think a lot of kids at the time realised how silly sexism was back then, which was an improvement over Turnabout Intruder.

      • by Dadoo ( 899435 )

        And JJ lifted the young Spock scene from TaS episode 2 wholesale and used it in his movie.

        As far as I know, that's Star Trek canon. Why wouldn't he? IMO, that's one of the few good things he did with his version of Trek.

        With anything resembling plot either reduced to 30 seconds of attention span at a time, or just accidental leftover elements from the stories he lifted that managed to make it through the blender.

        There I'll agree with you.

      • by Salvage ( 178446 )

        Sounds about right. JJ Abrams movies are mindless action/adventure style flicks with an <X> theme/skin/style. Where <X> is Star Trek or whatever.

        If that's what you're looking for, great. If you wanted an <X> movie, you're out of luck.

        Naturally, that level of mindlessness is likely easy for today's AI to generate....

        • Naturally, that level of mindlessness is likely easy for today's AI to generate....

          OMG! JJ Trek was made by an AI! JJ IS AN AI!

          TBH, it kinda does have that feel. His movies hit that uncanny valley sort of feeling. Like they are almost a story, but just off in so many ways, that it's like an alien society that had been watching us made it. Just not quite getting what actually made the story bits he stole good, and using them all in not quite the right way. The lead-out from one element doesn't quite tie into the lead-in to the next because they are different story-lines with differen

    • Re:The Soft Weapon (Score:5, Informative)

      by VanessaE ( 970834 ) on Sunday September 10, 2023 @07:56AM (#63836412)

      That's "The Slaver Weapon", to be specific. It ought to be accurate, as DC Fontana brought Larry Niven in to adapt his story into the Star Trek episode.

      • This is interesting, because I have one of Larry Niven's Known Space novels somewhere, in which the 'forward' section contains a commentary by Niven that he denied a studio the rights to do a crossover cartoon with Star Trek, the Kzinti, and the Slavers. Being a pessimist, I guessed the studio went ahead and made the cartoon and got in trouble afterward. However, the timeline and outcome make more sense if Niven were initially negative about the project, wrote the forward about it, and then eventually got
      • Well, ok, to be specific, it may have been called "the slaver weapon" on the show but the original Niven short story was indeed "the soft weapon".

    • This is the only reason I remember the series. Still have this episode on VHS, even though I don't have a player to watch it on.
    • Re:The Soft Weapon (Score:5, Informative)

      by chas.williams ( 6256556 ) on Sunday September 10, 2023 @08:30AM (#63836438)
      In fact, it was a Larry Niven story re-written into an episode. The Kzin are canon in the Star Trek universe.
  • by YetAnotherDrew ( 664604 ) on Sunday September 10, 2023 @06:13AM (#63836286)
    The only real problem with the series is the common Filmation tropes, especially Filmation incidental music. Honestly, it's more off-putting than laugh tracks would be.
  • by Zontar_Thing_From_Ve ( 949321 ) on Sunday September 10, 2023 @07:37AM (#63836400)
    The Animated Series is canon. The people who run Star Trek now have made this clear.

    Why is this a question? Well, back in the 1970s, some guy worked for Gene Roddenberry and he wanted a raise. Gene, who was notoriously cheap, didn't want to give the guy a raise but also didn't want to lose him, so instead Gene gave the guy some kind of title that suggested the guy was the person who made decisions on what was and wasn't canon. This guy hated The Animated Series, so he said "It's not canon". Gene is long dead, the guy is either dead or not part of Star Trek any more, so the validity of the "not canon" decision has been questioned and now it's canon.
    • >The Animated Series is canon.

      It must have been fairly well done, because I remember a couple of things from it but remember them as from the original live action series.

      I might just have to find a copy to watch somewhere.

    • by AmiMoJo ( 196126 )

      Some of it is canon, some of it is ignored. Same as every other Trek show, to some extent.

      For example, according to TOS, in that era women couldn't be captains. That seems to have been abandoned, with female captains all around that era on other shows.

      We probably aren't going to see the Kzin again either.

      • We probably aren't going to see the Kzin again either.

        Already have, in several Lower Decks episodes, and one Picard episode.

        • by AmiMoJo ( 196126 )

          Huh, you are right. Apparently their empire was shown on a star map in TNG too.

          Furries are officially part of Star Trek.

  • Re-do It! (Score:5, Interesting)

    by crow ( 16139 ) on Sunday September 10, 2023 @09:49AM (#63836502) Homepage Journal

    The big complaint is the animation quality. So why not throw it out, keep the sound track, and start over? The stories are great.

    • Those negative space Filmation faces are a bit creepy and cardboard to these eyes. So yeah! Since that's how animation is done anyway. And nearly the whole voice cast is there.
      I say: mellow anime in realistic style (no rubber face), with deep shadowing for cel animation. "painted" CG for space and i dunno go crazy with the backgrounds maybe something impressionistic vs ralph mcquarrie. someone should just do this. hm.

  • It would get more of its due today if the art hadn't been at the worst time in the history of animation, the Hanna-Barbera period.
  • I remember watching it as a kid in 1973 and being pretty disappointed.

    To my young mind, the fact that it was animated meant that it could have had scenes with dozens of starships. Complex space battles with Klingons. It could have strange unimaginable aliens and alien worlds. On and on.

    Instead, aside from a few nods like another alien on the bridge it was mostly just a 2D drawn version of the live action show.

    I mean when they put the crew in space the didn't even put them in space suits. They jus
  • I saw it during it's original run on Saturday morning TV, it was really great and it hit the spot for Star Trek fans dying for more. Yes the animation was not that great but it was 1972 and they did it with as small a budget as possible but the stories were wonderful and we got most of the original actors plus Stanley Adams as Cyrano Jones, Roger C. Carmel as Harry Mudd and Mark Leonard as Sarek. And I don't agree that "it didn't catch on" because Star Trek fans loved it but it was on Saturday morning and t

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