What are some good movies and TV shows that you watched this year? You do not have to narrow down your selection to titles that came out this year, but feel free to give one a shotout.

Jerry Rivers shares a report from TechCrunch, adding: "...and it took the music service seven months to notice." From the report: In a data breach notification filed with the California attorney general's office, the music streaming giant said the data exposed "may have included email address, your preferred display name, password, gender, and date of birth only to certain business partners of Spotify." The company did not name the business partners, but added that Spotify "did not make this information publicly accessible." The company says the vulnerability existed as far back as April 9 but wasn't discovered until November 12. It didn't say what the vulnerability was or how user account data became exposed.

"We have conducted an internal investigation and have contacted all of our business partners that may have had access to your account information to ensure that any personal information that may have been inadvertently disclosed to them has been deleted," the letter read.

Ahsoka Tano, the popular character from The Mandalorian, Star Wars: The Clone Wars and Star Wars: Rebels, is finally getting her own series starring Rosario Dawson. It's set within the timeline for The Mandalorian and will debut on Disney Plus around Christmas of 2021. CNET reports: Disney revealed the news Thursday during an investor presentation, where the company also announced its plans for upcoming movie releases -- both theatrical and streaming on Disney Plus. Ahsoka made her live-action debut in The Mandalorian episode titled The Jedi. In the episode, Mando (Pedro Pascal) continues his quest to bring Baby Yoda (aka The Child) to former Jedi Ahsoka Tano in the years following Return of the Jedi. [...] Not much has been revealed as of yet about the new Ahsoka Tano live-action series for Disney Plus, but fingers crossed we get to see more characters from both Star Wars: The Clone Wars and Star Wars: Rebels pop up in the new adventures. UPDATE: In addition to Star Wars: Ahsoka, Lucasfilm also announced Star Wars: Rangers of the New Republic, a new Original Series set within the timeline of The Mandalorian.

"The two series are just several of the new Star Wars shows coming to Disney Plus in the future, along with Star Wars: Andor, Obi-Wan Kenobi, Star Wars: Lando, The Acolyte, the animated Clone Wars spin-off The Bad Batch, and the anime anthology Star Wars: Visions," adds The Verge.

The former head of Israel's space program, Haim Eshed, says space aliens have reached an agreement with the U.S. government to stay mum on the experiments they conduct on Earth -- as well as their secret base on Mars -- until mankind is ready to accept them. The New York Post reports: "The aliens have asked not to announce that they are here [because] humanity is not ready yet," Eshed told Israeli paper Yedioth Aharonoth, according to the Jewish Press. The Jewish Press -- speculating that Eshed, 87, may have gone to insanity and beyond -- goes on to unspool his tangled web, which claims the involvement of President Trump and interplanetary diplomacy.

"Trump was on the verge of revealing [aliens existence], but the aliens in the Galactic Federation are saying, "Wait, let people calm down first,'" Eshed, who helmed Israel's space security program from 1981 to 2010, reportedly said. "They don't want to start mass hysteria. They want to first make us sane and understanding." Until that day, aliens have secured an agreement to keep their moves under wraps, said Eshed, noting that the extraterrestrials come in peace.

"There's an agreement between the U.S. government and the aliens. They signed a contract with us to do experiments here. They, too, are researching and trying to understand the whole fabric of the universe, and they want us as helpers." One of the hubs of the cooperation is a base on Mars -- where, by the way, Eshed claims American astronauts have already set foot. "There's an underground base in the depths of Mars, where their representatives are, and also our American astronauts," Eshed reportedly said. Eshed added: "If I had come up with what I'm saying today five years ago, I would have been hospitalized. Wherever I've gone with this in academia, they've said, 'The man has lost his mind,'" he reportedly said. "Today they're already talking differently. I have nothing to lose. I've received my degrees and awards, I am respected in universities abroad, where the trend is also changing."

At the end of a record-setting year of news consumption, Amazon Fire TV said local TV stations in 12 U.S. cities will be added to Amazon's news app, with another 90 on deck for 2021. From a report: The initial dozen stations are in New York, LA, Philadelphia, Chicago, Dallas, Atlanta, Houston, Miami, Tampa, Boston, San Francisco and Seattle. The roster includes CBSN Chicago, ABC7/WABC-TV New York, KIRO7 Seattle, and News 12 New York. In a year marked by Covid-19, a presidential election and racial unrest, overall news consumption has surged 48%, according to Nielsen. Amazon's news app offers free live and on-demand news from ABC News Live, CBS News, Reuters, Cheddar and other providers. The ad-supported app is built into Fire TV streaming media players and smart TVs in the U.S. Local broadcast stations have faced major challenges during the streaming boom, as the pay-TV bundle shrinks and viewership and ad revenues continue to decline. Due to a number of technological and industry-relations issues, most large station groups have not put station signals online in a coordinated fashion, though they stream select content on social media or their own websites.

The Verge writes: Maybe you're feeling nostalgic for a classic James Bond film following Sean Connery's death in late October. Or perhaps you're simply feeling a gap given that the next film, No Time to Die, got pushed back to April 2021 or beyond. Either way, you can now binge a sizable selection of the James Bond collection completely for free (with ads) from YouTube, Peacock (with its free subscription), and PlutoTV...

You can also find most of the films on Hulu and Amazon Prime this month, though you'd have to pay for those subscriptions, and Netflix has Casino Royale, Quantum of Solace, and three Pierce Brosnan flicks including GoldenEye — newly relevant now that the famed Arecibo Observatory, which gets destroyed in the film, has also collapsed in real life.

"People taking a stroll on Sunday morning stumbled upon another mysterious monolith," reports Insider.com. "This one was found in a northern province of the Netherlands." The monolith was covered in ice and surrounded by a small pool of water, according to local reports. The hikers told the Dutch paper Algemeen Dagblad that they're not sure how the monolith got there. They said they found no footprints around it that would indicate someone placed it there intentionally.
And that monolith that disappeared in Atascadero, California has not-so-mysteriously re-appeared, as a group of three local artists takes credit for both creating the original and for successfully retrieving it to restore it to its former glory. "After learning of the second monolith, Travis Kenney had a thought," writes the relationship site Your Tango. "There were three monoliths in 2001: A Space Odyssey. Why not build the third themselves and make the triad complete...?"

"It was meant to be something fun, a change of pace from the kind of conversations 2020 has been plagued with — so much negativity and separation among the people in our country."
All the thanks these men really needed was delivered in the positive energy that quickly took hold of their home town. The presence of this now internationally followed mysterious object brought with it an uplifting local pride, as well as a sense of childlike wonder... The monolith's creators quietly made the hike back up to observe people's reactions throughout the day. When they arrived at the top each time, they found themselves soaking in the glow of the many smiles they encountered on faces of visitors. some of whom drove for hours to see the shining obelisk for themselves...

While you may think of these monoliths as another square on your 2020 bingo card, it's worth noting that the purpose of the monoliths in 2001: A Space Odyssey was to further the advancement of intelligent life. Cynics can say that sounds cheesy, but for the sake of full disclosure, I know McKenzie personally and can affirm without doubt or irony that they wanted nothing more than to offer their fellow humans some joyful light in these dark times.

"There was no esoteric agenda," said McKenzie.

"Our topline," added Jared Riddle, "Let's get outside and laugh."
70 miles away yet-another monolith "was discovered by campers on Saturday in San Luis Obispo County in Los Padres National Forest," reports a California newspaper. "We were super happy that someone/group went to all that work," Matt Carver wrote in a Facebook message to The Tribune. "It really did make our day to find it! I think we had huge smiles on our faces for the rest of the ride home."

The second monolith resembles the monolith in Atascadero, but the structure's top features "CAUTION" written in red and a picture of a UFO beaming in a human.
But wait! Insider.com reports that another mysterious monolith has appeared in Pittsburgh — "intentionally placed outside a candy shop by an owner who was trying to attract attention to his small business." Christopher Beers, owner of Grandpa Joe's Candy Shop, asked a friend to make the 10-foot-tall structure and placed it outside his store as a marketing ploy.

Grandpa Joe's Candy Shop shared the news using a 30-minute video on Facebook. In a Facebook post on Friday, the shop said: "Come see the Monolith before it mysteriously disappears!"
Within one day someone did in fact steal the monolith, reports the Pittsburgh Tribune-Review. But Grandpa Joe's owner Beers whipped up another one to replace it. "This one is much heavier and bolted into the ground. That's not a challenge. That's just a statement." Beers said he didn't report the theft to police because they have more important things to deal with... "That's not the story," Beers said of the theft. "The story is I built something fun and made people laugh and we put Pittsburgh on the map. I'm not worried about whoever took it."

Beers said the new monolith will stay up for a couple a days before "it'll mysteriously disappear just like all the others."
Business Insider reports that monolith jokes have now also appeared in tweets from a wide variety of brands, including Walmart, Southwest Airlines, Ocean Spray, McDonald's, Steak-umm, and MoonPie.

And meanwhile, the headline at one Denver news site reports that "Monolith mania comes to Colorado as local businesses report structures 'appearing' outside shops," citing the arrival of a monolith outside McDevitt Taco Supply and on the patio of Morrison Holiday Bar.

Long-time Slashdot reader destinyland writes: Advent of Code isn't the only geeky tradition that's continuing in 2020. "This is going to be the first full year with Raku being called Raku," notes the site raku-advent.blog. "However, it's going to be the 12th year (after this first article) in a row with a Perl 6 or Raku calendar, previously published in the Perl 6 Advent Calendar blog." The tradition continues, with a new article about the Raku programming language every day until Christmas.

And meanwhile over at perladvent.org, the Perl Advent Calendar is also continuing its own article-a-day tradition (starting with a holiday tale about how Perl's TidyAll library "makes it trivial for the elves to keep their code formatting consistent and clean.")

But they're not the only ones. "Pandemic or not, Christmas time is a time for wonder, joy and sharing," writes Kristofer Giltvedt Selbekk from Oslo-based Bekk Consulting (merging technology with user experience, product innovation and strategy). So this year they're "continuing our great tradition of sharing some of the stuff we know every December" with 11 different advent calendar sites sharing articles (or, on one site, podcast episodes), on topics including JavaScript, Kotlin, React, Elm, functional programming, and cloud computing.

And if you're more interested in outer space, this also marks the 13th year for the official Hubble Space Telescope Advent Calendar. "Every day until Friday, December 25, this page will present one new incredible image of our universe from NASA's Hubble telescope," explains its page at the Atlantic.
There's also a series of daily coding challenges called "24 days of JavaScriptmas" at the tutorial site Scrimba, which has turned the event into a marketing opportunity by promising a $1,000 prize on Christmas Eve to one lucky participant chosen from the ones who publicized their solutions on Twitter.

Ben Bova "was the author of more than 120 works of science fact and fiction," according to Wikipedia, and was also a six-time winner of the Hugo Award. "He was also president of both the National Space Society and the Science Fiction Writers of America."

Tor.com reports Bova has passed "due to complications from COVID-19 and a stroke..." Born in 1932, Bova brought experience to the science fiction genre that few authors could match: he worked as a technical editor for the U.S.'s Project Vanguard, the first effort on the part of the country to launch a satellite into space in 1958. Bova went on to work as a science writer for Avco Everett Research Laboratory, which built the heat shields for the Apollo 11 module, putting man on the Moon and ensuring that science fiction would continue to increasingly define the future.

It was around that time that Bova began writing and publishing science fiction. He published his first novel, The Star Conquerors, in 1959, and followed up with dozens of others in the following years, as well as numerous short stories that appeared in publications such as Amazing Stories, Analog Science Fact and Fiction, Galaxy Magazine, The Magazine of Fantasy and Science Fiction, and others. In 1971, he took over the helm of Analog following the death of its long-running editor, John W. Campbell Jr. — a huge task, given Campbell's influence on the genre to that point... From there, he became the first editor of Omni Magazine until 1982, and consulted on television shows such as The Starlost and Land of the Lost.

While Bova wrote an episode of The Land of the Lost, his best-known works "involved plausible sciences about humanity's expansion into the universe, looking at how we might adapt to live in space..." notes Tor.

The Encyclopedia of Science Fiction argues that "the straightforwardness of Bova's agenda for humanity may mark him as a figure from an earlier era; but the arguments he laces into sometimes overloaded storylines are arguments it is important, perhaps absolutely vital, to make."

An anonymous reader quotes a report from Motherboard: Two months ago, esports pro Seth "Scump" Abner logged into the Call of Duty: Black Ops Cold War multiplayer alpha and found himself struggling. Not because of any major gameplay changes developer Treyarch had made, Cold War plays like any other Call of Duty from the past decade, but rather because of the players Abner was being put up against: They were all good. This, Abner felt, wasn't normal. He should know: he's a world champion, he spends dozens of hours every week playing against the best in the world, and dozens more streaming his "casual" play on Twitch. Why was he having to suddenly work so hard to win games? A few hours into the alpha test weekend, Abner came up with an answer: it was the skill-based matchmaking (SBMM).

Skill-based matchmaking, as you can guess, is a type of multiplayer matchmaking system in which players' are pitted against other players of similar skill level. In other words, the Black Ops Cold War alpha was purposefully matching Abner up against players with players who were just as good as him. This, he felt, was not good. "[Skill-based matchmaking] does not belong in Call of Duty. There should be a ranked playlist for people to sweat in," he tweeted as the alpha weekend was coming to a close. "I'm not trying to play Scuf wielding game fuel chugging demons with szn in their psn on Miami TDM." Abner wasn't the only esports pro to take issue with this system. With the release of Cold War last week, a number of notable streamers have echoed Abner's criticisms. Skill-based matchmaking, they argue, takes their agency away, forcing them into a purgatory of having to play their "best" every single game.

These critics point to a number of games like Call of Duty: Black Ops 2 and Halo 3 as examples games who have gotten multiplayer "right" by letting players choose between a "ranked" playlist and "unranked" playlist -- offering the freedom to decide when they want to sweat and when they want to kick back and own some noobs. Modern multiplayer developers have made a serious misstep in implementing skill-based matchmaking across the board, they argue, and they should go back to the way things used to be. This all sounds reasonable, were it not for the fact that skill-based matchmaking has been in every major multiplayer shooter since Halo 2. [...] The issue today is not that skill-based matchmaking exists, but that players are now aware of just how prevalent it is. Up until recently, one could assume that joining an "unranked" playlist meant they were being dropped into matches with the entire playerbase, and thus who they played against was purely random. Under this false assumption, it's easy to wave away bad games as flukes, while conveniently believing that any good games were the result of skill. Now that most know that they're being matched with people with similar skill levels all the time, they can't help but perceive their opponent as equals. In closing, Steve Rousseau writes via Motherboard: "The unavoidable truth about multiplayer matchmaking is that there will always be winners and losers. Someone's success always comes at the expense of someone else's failure. When players ask to be put into matches in which they can reliably chill and get 20 kills while only dying 10 times, this inevitably requires someone else to die 20 times. What they're asking for is special treatment. And that's just not fair."

What if your digital assistant could battle rap? That may sound far-fetched, but Gil Weinberg, a music technologist at the Georgia Institute of Technology, has adapted a musical robot called Shimon to compose lyrics and perform in real time. From a report: That means it can engage in rap "conversations" with humans, and maybe even help them compose their own lyrics. Shimon, which was intentionally designed to sound machinelike (listen here), is meant to be a one-of-a-kind musical collaborator -- or an inhuman rap-battle opponent. Computer-generated music dates back to the 1950s, when early computers used algorithms to compose melodies. Modern robots can use machine learning to ad-lib on instruments including the flute and drums. One such machine was an earlier version of Shimon, which could play the marimba and sing. The recently updated robot looks the same; it still consists of a ball-shaped "head," with saucy movable eyebrows above visor-covered eyes, perched at the end of a mechanical arm. But now Weinberg claims Shimon is the first improvising robot to foray into rap, with its distinct stylistic features that pose unique programming challenges.

The crowning glory of rap lies in the lyrics. On top of semantic content, the words need to adhere to an aesthetically pleasing beat and rhythm, all while delivering multiple layers of poetic complexity. In a recent paper, published in the proceedings of the 11th International Conference on Computational Creativity 2020, Weinberg's research team outlines the technical advances that brought a rapping Shimon to life. When Shimon battle raps, software converts its human opponent's spoken lyrics into text. The robot's system identifies keywords from this, and generates new lyrics based on several custom data sets of words that Shimon has been trained on (using deep-learning models). These data sets can come from any text: the work of Lil Wayne, JAY-Z or other rappers; lyrics from other genres; or even nonmusical literary works. Imagine how Shakespeare or Jane Austen might sound if they rapped; Shimon could simulate that for you.

Joshua Topolsky, writing at Input Mag: Movies are, by their very nature, good. Movies are one of the best things to have happened to the human race, probably ranking right up there in the top 5 with eating, sex, indoor plumbing, and music. We've probably all had formative experiences in one way or another around movies, and for many of us those experiences took place in a classic multiplex, surrounded by other like-minded film fans. But over the last two decades or so, the movie-going experience has been degraded by turns, both in terms of the physical reality of packing hundreds of people into a shared experience with a world of increasing distractions, and in the quality of the "blockbuster" fare being peddled by studios. This pandemic has made us all take a long, hard look at what has really been working for humanity and what hasn't, and I think the theater experience -- at least the massive, multi-screen one we've been living with -- might be dying at just the right time.

There are myriad contributors to this realization. For me, it starts with the basic reality that a truly epic film-watching experience can now be had in your house, with all the big-screen bombast and overwhelming audio that theaters have long touted as their domain alone. A fairly cheap, big-screen 4K TV, and an accompanying surround sound setup will put you right back in the theater recliner, except you have full control over the experience. Whether that means being able to pause for bathroom and snack breaks, having the option to just switch the film if you don't like what you're seeing, or being able to return to something over a period of time, watching at home can not only be as good as watching in a theater -- it can be better.

When Warner Bros. announced that "Wonder Woman 1984" would land on the streaming service HBO Max on Christmas, the same time it debuts in theaters, many expected it to be an isolated case in response to an unprecedented pandemic. From a report: Instead, the studio will deploy a similar release strategy for the next twelve months. In a surprising break from industry standards, Warner Bros.' entire 2021 slate -- a list of films that includes "The Matrix 4," Denis Villeneuve's "Dune" remake, Lin-Manuel Miranda's musical adaptation of "In the Heights," Sopranos prequel "The Many Saints of Newark," and "The Suicide Squad" -- will debut both on HBO Max and in theaters on their respective release dates. The shocking move to simultaneously release movies day-and-date underscores the crisis facing movie theaters and the rising importance of streaming services in the wake of a global health crisis that's decimated the film exhibition community.

An anonymous reader quotes a report from Music Business Worldwide: According to a document published last week, Daniel Ek's company is seeking a patent for its "Plagiarism Risk Detector And Interface" technology, which pertains to "Methods, systems and computer program products..for testing a lead sheet for plagiarism." As explained in the filing -- and as our songwriter/musician readers will already know -- a "lead sheet" is a type of music score or musical notation for songs denoting their melody, chords and sometimes lyrics or additional notes. Spotify's invention would allow for a lead sheet to be fed through the platform's "plagiarism detector," which would then, "having been trained on a plurality of preexisting encoded lead sheets," immediately compare the composition in question to all other songs stored in its database.

A set of messages would then be displayed -- describing a detected level of plagiarism regarding "a plurality of elements" such as a chord sequence, melodic fragments, harmony, etc. of a song. The AI software would also potentially calculate "a similarity value" of the song in question vs. other songs in the Spotify lead sheet library. These technology could work the other way around, too, says Spotify's filing, reassuring a songwriter that "the melodic fragment [of your song] appears to be completely new." One particularly interesting element of this is that it would take place in near-real time, allowing a songwriter or composer to tweak elements of their work to avoid infringement before they (and/or their record label) spent the big bucks on recording a final version. Spotify's filing adds that "in some embodiments a link to the media content item that might be infringed (e.g., a track of an album) is provided so that a [songwriter] can quickly... listen to the potentially plagiarized work."

Discovery is the latest media company to jump into the ever more crowded streaming wars. It will launch its streaming service Discovery+ on Jan. 4, 2021. The service will include a $4.99 per month ad-supported tier and a $6.99 per month ad-free tier. From a report: The lower $4.99 tier costs the same as NBCUniversal-owned Peacock's premium tier with ads. The ad-free $6.99 tier is on par with what Disney+ costs. Both offerings are much less expensive than WarnerMedia's HBO Max, which costs $14.99 a month, and Netflix, which raised its standard plan to $13.99 a month in Oct. Discovery is also partnering with Verizon, which will give 55 million customers up to 12 months of the ad-free Discovery+ plan for free, depending on their wireless plan with the carrier.