At this weekend's Comic-Con, "Excitement has been high over the sneak peeks at Tron: Ares and Predator: Badlands," reports CNET. (Nine Inch Nails has even recorded a new song for Tron: Ares .)

A few highlights from CNET's coverage:

• The Coyote vs. Acme movie will hit theaters next year "after being rescued from the pile of scrapped ashes left by Warner Bros. Discovery," with footage screened during a Comic-Con panel.

• The first episode of Alien: Earth was screened before its premiere August 12th on FX.

• A panel reunited creators of the animated Avatar: The Last Airbender for its 20th anniversary — and discussed the upcoming sequel series Avatar: Seven Havens.

• A trailer dropped for the new Star Trek: Starfleet Academy series on Paramount+ ("Star Trek Goes Full Gen Z..." quips one headline.)

To capture some of the ambience, the Guardian has a collection of cosplayer photos. CNET notes there's even booths for Lego and Hot Wheels (which released toys commemorating the 40th anniversary of Back to the Future and the 50th anniversary of Jaws).

But while many buildings are "wrapped" with slick advertisements, SFGate notes the ads are technically illegal, "with penalties for each infraction running up to $1,000 per day," (according to the San Diego Union-Tribune). "Last year's total ended up at $22,500."

The Union-Tribune notes that "The fines are small enough that advertisers clearly think it is worth it, with about 30 buildings in the process of being wrapped Monday morning."

An Argentine captured naked in his yard by a Google Street View camera has been awarded compensation by a court after his bare behind was splashed over the internet for all to see. From a report: The policeman had sought payment from the internet giant for harm to his dignity, arguing he was behind a 6 1/2-foot wall when a Google camera captured him in the buff, from behind, in small-town Argentina in 2017. His house number and street name were also laid bare, broadcast on Argentine TV covering the story, and shared widely on social media.

The man claimed the invasion exposed him to ridicule at work and among his neighbors. Another court last year dismissed the man's claim for damages, ruling he only had himself to blame for "walking around in inappropriate conditions in the garden of his home." Google, for its part, claimed the perimeter wall was not high enough.

Indian studio Eros International plans to re-release the 2013 Bollywood romantic drama "Raanjhanaa" on August 1 with an AI-generated alternate ending that transforms the film's tragic conclusion into a happier one. The original Hindi film, which starred Dhanush and Sonam Kapoor and became a commercial hit, ended with the protagonist's death. The AI-altered Tamil version titled "Ambikapathy" will allow the character to survive.

Director Aanand L. Rai condemned the decision as "a deeply troubling precedent" made without his knowledge or consent. Eros CEO Pradeep Dwivedi defended the move as legally permitted under Indian copyright law, which grants producers full authorship rights over films. The controversy represents what appears to be the first instance of AI being used to fundamentally alter a completed film's narrative without director involvement.

Spotify was found publishing AI-generated songs on the official pages of deceased artists like Blaze Foley and Guy Clark -- without permission from their estates or labels. The tracks, flagged for deceptive content and now removed, were uploaded via TikTok's SoundOn distribution platform. "We've flagged the issue to SoundOn, the distributor of the content in question, and it has been removed for violating our Deceptive Content policy," a Spotify spokesperson told 404 Media. From the report: McDonald, who decided to originally upload Foley's music to Spotify in order to share it with more people, told me he never thought that an AI-generated track could appear on Foley's page without his permission. "It's harmful to Blaze's standing that this happened," he said. "It's kind of surprising that Spotify doesn't have a security fix for this type of action, and I think the responsibility is all on Spotify. They could fix this problem. One of their talented software engineers could stop this fraudulent practice in its tracks, if they had the will to do so. And I think they should take that responsibility and do something quickly."

McDonald's suggested fix is not allowing any track to appear on an artist's official Spotify page without allowing the page owner to sign off on it first. "Any real Blaze fan would know, I think, pretty instantly, that this is not Blaze or a Blaze recording," he said. "Then the harm is that the people who don't know Blaze go to the site thinking, maybe this is part of Blaze, when clearly it's not. So again, I think Spotify could easily change some practices. I'm not an engineer, but I think it's pretty easy to stop this from happening in the future."

Marvel Studios president Kevin Feige "isn't interested in your theories of superhero fatigue, which he doesn't buy as real," writes The Hollywood Reporter. Feige points to the $400 million worldwide box office for Superman (which another article notes in only its second weekend "has already passed up the entire lifetime run of Marvel's Thunderbolts*.")

So how is Marvel moving forward? Yes, Feige knows Marvel made too many movies and shows (and the other things they did wrong). From the first Iron Man in 2008 through Avengers: Endgame in 2019, Marvel produced around 50 hours of screen storytelling. In the six years since Endgame, the number jumps to an astounding 102 hours of movies and television. 127 hours if you include animation. "That's too much," Feige said.

He characterized the time period after Endgame as an era of experimentation, evolution and, unfortunately, expansion. And while he's proud of the experimentation — he points to WandaVision and Loki as some of the best stories they've made — he admits "It's the expansion that is certainly what devalued" that output. Being high on success also may have pushed them to readily agree to try to deliver more programming at a time when Disney and the rest of Hollywood were engaged in the streaming wars. "It was a big company push... [T]here was a mandate that we were put in the middle of, but we also thought it'd be fun to bring these to life."

Marvel has already pulled back the amount of movies and shows it will make. Some years may even only have one movie. Certainly there will be years with only one show released. Also, Marvel has started "grinding down" on budgets, with movies costing up to a third cheaper than the films from 2022 or 2023.
Feige also explains why Thunderbolts* struggled at the box office (even though he's called it a "very, very good movie"). The massive expansion into television and focus on Disney+ led to the feeling that watching Marvel was becoming a type of homework. "It's that expansion that I think led people to say, 'Do I have to see all of these? It used to be fun, but now do I have to know everything about all of these?' And I think The Marvels hit it hardest where people are like, 'Okay, I recognize her from a billion dollar movie. But who are those other two? I guess they were in some TV show. I'll skip it.'" Which had an effect on Thunderbolts*, which featured characters that were seen on various platforms, including some only on shows.
The article notes Friday's release of Fantastic Four: First Steps is Marvel Studios' first crack at the characters after "a trio of movies of various quality and box office made by Twentieth Century Fox before its 2019 acquisition by Disney." And the article also acknowledges "the never-released, 1994 feature produced low-budget king Roger Corman. (Fun fact: the four stars of that movie cameo in Fantastic Four: First Steps.)"

"I vibe coded a little game called Coldplay Canoodlers," reads the X.com post by gaming enthusiast/songwriter Jonathan Mann. "You're the camera operator and you have to find the CEO and HR lady canoodling. 10 points every time you find them."

Mann's post includes a 30-second clip from the game, which is playable here.

Forbes notes that the TikTok video of the couple's reaction has drawn more than 100 million views — and that the married-to-someone-else CEO has now tendered his resignation from his dataops company Astronomer (which was accepted). The company is now searching for a new chief executive, according to a statement posted on LinkedIn. ("Comments have been turned off on this post...")

"Our leaders are expected to set the standard in both conduct and accountability, and recently, that standard was not met."

But songwriter Mann saw a chance to have some fun, writes Forbes: Mann used ChatGPT to make the "Coldplay Canoodlers" game, inputting such prompts as: "Can you generate an 8-bit pixel image of a stadium concert viewed from the stage" and "there should be a large jumbotron somewhere up in the stadium seats." He also entered rough drawings of the visual style he envisioned... The response to the game, Mann said in an interview, has been unexpected. "I have gone viral many times with my songs," he said. It's "very strange to have it happen with a game I made in four hours."
Songwriter Mann has been sharing an original song online every day for over 17 years. Last summer Slashdot also covered Mann's attempts to sell NFTs of his songs, and his concerns about SEC regulations. (This led him to file a real-world legal challenge — and to write a song titled "I'm Suing the SEC".) So with all the attention this weekend to his instant game, there was nothing to do but... write a new song about it.

And minutes ago on X.com, Mann also posted a new update about his game.

"I turned it into an NFT."

"Took some time," Mann explained later. "But I vibe coded my own ERC-721 contract and minted the game as a playable NFT. (Plays great on OpenSea)."

Microsoft has shut down its Movies & TV storefront on the Microsoft Store, ending the ability to purchase new entertainment content on Windows PCs and Xbox consoles. The company announced that as of July 18, users can no longer buy or rent movies and TV shows through Microsoft.com, the Microsoft Store on Windows, or the Microsoft Store on Xbox.

Customers who previously purchased content from the Microsoft Store can continue accessing their libraries through the Movies & TV app, which remains available for download. Microsoft will not offer refunds for recent purchases. US customers can use the Movies Anywhere service to sync their purchased content to other compatible platforms.

Major US theater chains including Cinemark, Regal and Marcus have held preliminary talks about jointly marketing their big-screen theaters to compete with Imax, according to Bloomberg. The discussions have focused on setting shared standards for the chains' "premium large-format" theaters, with options including uniting around a new brand name or adding an industrywide designation that would serve as a stamp of approval for their locations.

The chains are motivated by Imax's growing influence in the industry, as the company consistently generates more than 10% of the box office for blockbusters despite operating only 372 US locations. AMC Entertainment, the largest chain and biggest operator of Imax screens in the US, is not participating in the deliberations, the report added.

Bruce66423 shares a report from The Guardian: They went viral, amassing more than 1m streams on Spotify in a matter of weeks, but it later emerged that hot new band the Velvet Sundown were AI-generated -- right down to their music, promotional images and backstory. The episode has triggered a debate about authenticity, with music industry insiders saying streaming sites should be legally obliged to tag music created by AI-generated acts so consumers can make informed decisions about what they are listening to. [...]

Several figures told the Guardian that the present situation, where streaming sites, including Spotify, are under no legal obligation to identify AI-generated music, left consumers unaware of the origins of the songs they're listening to. Roberto Neri, the chief executive of the Ivors Academy, said: "AI-generated bands like Velvet Sundown that are reaching big audiences without involving human creators raise serious concerns around transparency, authorship and consent." Neri added that if "used ethically," AI has the potential to enhance songwriting, but said at present his organization was concerned with what he called "deeply troubling issues" with the use of AI in music.

Sophie Jones, the chief strategy officer at the music trade body the British Phonographic Industry (BPI), backed calls for clear labelling. "We believe that AI should be used to serve human creativity, not supplant it," said Jones. "That's why we're calling on the UK government to protect copyright and introduce new transparency obligations for AI companies so that music rights can be licensed and enforced, as well as calling for the clear labelling of content solely generated by AI."

Liz Pelly, the author of Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist, said independent artists could be exploited by people behind AI bands who might create tracks that are trained using their music. She referred to the 2023 case of a song that was uploaded to TikTok, Spotify and YouTube, which used AI-generated vocals claiming to be the Weeknd and Drake. Universal Music Group said the song was "infringing content created with generative AI" and it was removed shortly after it was uploaded.

Aurelien Herault, the chief innovation officer at the music streaming service Deezer, said the company uses detection software that identifies AI-generated tracks and tags them. He said: "For the moment, I think platforms need to be transparent and try to inform users. For a period of time, what I call the "naturalization of AI', we need to inform users when it's used or not." Herault did not rule out removing tagging in future if AI-generated music becomes more popular and musicians begin to use it like an "instrument." At present, Spotify does not label music as AI-generated and has previously been criticized for populating some playlists with music by "ghost artists" -- fake acts that create stock music. Bruce66423 comments: "Artists demand 'a warning' on such material. Why? If it is what the people want..."

James Gunn's Superman "appears to be succeeding in rebooting DC Studios and its most iconic comic book franchise," writes The Hollywood Reporter, noting the film is "headed for a possible record domestic box office debut of $115 million to $120 million." Gunn is in a unique position, being both the film's writer-director and the co-head of the Warner Bros.-owned DC, which he co-runs with Peter Safran. Overseas, Superman is launching to $100 million-plus from 78 markets after earning $40 million midweek from its first raft of international markets for an early global total of $96.5 million through Friday. Superman will be the first superhero film to cross $100 million in its North American bow since Marvel Studios and Ryan Reynolds' Deadpool & Wolverine launched to $211 million in summer 2024 ("superhero fatigue" has become part of the Hollywood lexicon). And it's the first DC title to cross $100 million in eight long years since Wonder Woman debuted to $103.3 million in 2017.

And if the $225 million tentpole comes in north of $116.6 million, it will beat Zack Snyder's 2013 film Man of Steel ($116.7 million) to rank as the biggest domestic launch ever for a solo Superman pic, not adjusted for inflation. Snyder's mash-up Batman v Superman: Dawn of Justice scored the biggest DC opening of all time when earning $166.6 million over Easter weekend in 2016... Gunn's movie is only the third Hollywood title of 2025 to launch north of $100 million after fellow Warners tentpole A Minecraft Movie, which opened to $162.8 million, and Disney's live-action Lilo & Stitch, which sewed up $146 million in its debut. Crossing the century mark is no small feat for any movie in the post-pandemic era, and particularly for the troubled superhero genre.

The pic should enjoy a long run thanks to strong word-of-mouth. Critics and audiences alike are embracing the film. The pic earned an A- CinemaScore from moviegoers, the same grade given to Man of Steel and ahead of Superman Returns' B+. The audience score on Rotten Tomatoes is a stellar 94 percent, while the critics' score is a pleasing 82 percent...

Other upcoming DC Studios projects include HBO's Green Lantern series, Lanterns, and a Supergirl movie due out in 2026.
Superman's weekend debut at nearly $130 million domestically smashes early estimates of around $90 million (according to a senior media analyst at Comscore).

And the film also got a positive reaction from the author of the cultural history Superman: The Unauthorized Biography (writing for NPR): Recent attempts to tell live-action Superman stories have shied away from his bright, hopeful, altruistic nature in favor of making him more cool and relatable (read: dark and brooding). That's not who he is; it never has been. Superman is an ideal. He represents the best we can aspire to be. He's not the hero you relate to, à la Peter Parker/Spider-Man's ongoing struggle to pay his rent and buy Aunt May her damn medicine. He's the hero who inspires you, who shows you the way...

It doesn't have to be about slogging through trauma and shame and shadow-selves and endlessly tedious redemption arcs. Sometimes, it's simpler, cleaner, brighter. And also? Not for nothing? More fun.

Warner Bros. releases a $225 million Superman reboot this week that executives consider the studio's final chance to build a successful cinematic universe rivaling Marvel's dominance. The film, written and directed by James Gunn, serves as the foundation for DC Studios' planned expansion into multiple films and television shows.

Warner Bros. Discovery CEO David Zaslav appointed Gunn and producer Peter Safran to lead the newly unified DC Studios in 2022, ending decades of corporate infighting that prevented the company's superheroes from matching Marvel's success. The Disney-owned Marvel Cinematic Universe has generated $32 billion across 36 films since 2008. Warner executives want the movie to gross over $500 million globally, according to WSJ. If successful, this would mark the first year since 2008 that DC outperforms Marvel at the box office.

After discovering that ChatGPT was falsely telling users that Soundslice could convert ASCII tablature into playable music, founder Adrian Holovaty decided to actually build the feature -- even though the app was never designed to support that format. TechCrunch reports: Soundslice is an app for teaching music, used by students and teachers. It's known for its video player synchronized to the music notations that guide users on how the notes should be played. It also offers a feature called "sheet music scanner" that allows users to upload an image of paper sheet music and, using AI, will automatically turn that into an interactive sheet, complete with notations. [Adrian Holovaty, founder of music-teaching platform Soundslice] carefully watches this feature's error logs to see what problems occur, where to add improvements, he said. That's where he started seeing the uploaded ChatGPT sessions.

They were creating a bunch of error logs. Instead of images of sheet music, these were images of words and a box of symbols known as ASCII tablature. That's a basic text-based system used for guitar notations that uses a regular keyboard. (There's no treble key, for instance, on your standard QWERTY keyboard.) The volume of these ChatGPT session images was not so onerous that it was costing his company money to store them and crushing his app's bandwidth, Holovaty said. He was baffled, he wrote in a blog post about the situation.

"Our scanning system wasn't intended to support this style of notation. Why, then, were we being bombarded with so many ASCII tab ChatGPT screenshots? I was mystified for weeks -- until I messed around with ChatGPT myself." That's how he saw ChatGPT telling people they could hear this music by opening a Soundslice account and uploading the image of the chat session. Only, they couldn't. Uploading those images wouldn't translate the ASCII tab into audio notes. He was struck with a new problem. "The main cost was reputational: New Soundslice users were going in with a false expectation. They'd been confidently told we would do something that we don't actually do," he described to TechCrunch.

He and his team discussed their options: Slap disclaimers all over the site about it -- "No, we can't turn a ChatGPT session into hearable music" -- or build that feature into the scanner, even though he had never before considered supporting that offbeat musical notation system. He opted to build the feature. "My feelings on this are conflicted. I'm happy to add a tool that helps people. But I feel like our hand was forced in a weird way. Should we really be developing features in response to misinformation?" he wrote.

Restaurants and bars face mounting financial pressure from music licensing fees as the number of Performing Rights Organizations has expanded from three dominant players to at least six nationwide. The National Restaurant Association reports members pay an average of $4,500 annually for music licenses, representing 0.5% of total sales for small establishments. Hotels have experienced even steeper increases, with one major chain seeing costs rise 200% from 2021-2025, and some properties facing 400% jumps.

The proliferation stems from streaming's revenue surge, which attracted new PROs seeking market share. Since many songs involve multiple songwriters affiliated with different organizations, venues must secure licenses from each PRO or risk lawsuits carrying penalties up to $150,000 per infringement.

Apple displayed a full-screen ad for "F1 The Movie" in its TV app that linked directly to a web browser for ticket purchases without showing warning screens that the company requires other developers to include when directing users outside their apps.

The "Buy Tickets" button sent users to the F1 movie website in their default browser without confirmation dialogs or interstitial warnings. Apple mandates that third-party developers show scare sheets when linking out of apps to sell digital content, but considers movie tickets a "real-world experience" exempt from its In-App Purchase system.

Further reading: iPhone Customers Upset By Apple Wallet Ad Pushing F1 Movie.

An anonymous reader shares a report: Netflix doubled down on its global anime strategy over the weekend, unveiling a slate of new titles and fresh footage during its showcase at Anime Expo in Los Angeles.

The company also shared updated viewership data highlighting just how far Japanese anime has come in expanding from its former niche into a powerhouse global content category. According to Netflix, more than 50 percent of its members -- amounting to over 150 million households, or an estimated 300 million viewers -- now watch anime. The company says anime viewership on the platform has tripled over the past five years, with 2024 marking a record-breaking year: 33 anime titles appeared in Netflix's Global Top 10 (Non-English) rankings, more than double the number in 2021.

"The China Film Foundation, a nonprofit fund under the Chinese government, plans to use AI to revitalize 100 kung fu classics including Police Story, Once Upon a Time in China and Fist of Fury, featuring Jackie Chan, Jet Li and Bruce Lee, respectively," reports the Los Angeles Times.

"The foundation said it will partner with businesses including Shanghai Canxing Culture & Media Co., which will license 100 Hong Kong films to AI companies to reintroduce those movies to younger audiences globally." The foundation said there are opportunities to use AI to tell those stories through animation, for example. There are plans to release an animated version of director John Woo's 1986 film A Better Tomorrow that uses AI to "reinterpret" Woo's "signature visual language," according to an English transcript of the announcement....

The project raised eyebrows among U.S. artists, many of whom are deeply wary of the use of AI in creative pursuits. The Directors Guild of America said AI is a creative tool that should only be used to enhance the creative storytelling process and "it should never be used retroactively to distort or destroy a filmmaker's artistic work... The DGA strongly opposes the use of AI or any other technology to mutilate a film or to alter a director's vision," the DGA said in a statement. "The Guild has a longstanding history of opposing such alterations on issues like colorization or sanitization of films to eliminate so-called 'objectionable content', or other changes that fundamentally alter a film's original style, meaning, and substance."

The project highlights widely divergent views on AI's potential to reshape entertainment as the two countries compete for dominance in the highly competitive AI space.... During the project's announcement, supporters touted the opportunity AI will bring to China to further its cultural message globally and generate new work for creatives. At the same time, they touted AI's disruption of the filmmaking process, saying the A Better Tomorrow remake was completed with just 30 people, significantly fewer than a typical animated project. China is a "more brutal society in that sense," said Eric Harwit, professor of Asian studies at the University of Hawaii at Manoa. "If somebody loses their job because artificial intelligence is taking over, well, that's just the cost of China's moving forward.... You don't have those freestanding labor organizations, so they don't have that kind of clout to protest against the Chinese using artificial intelligence in a way that might reduce their job opportunities or lead to layoffs in the sector..."

The kung fu revitalization efforts will extend into other areas, including the creation of a martial arts video game.
The article also includes an interesting statistic. "Many people in China embrace AI, with 83% feeling confident that AI systems are designed to act in the best interest of society, much higher than the U.S. where it's 37%, according to a survey from the United Nations Development Program."

Neil Druckmann and Halley Gross, two pivotal creative forces behind HBO's The Last of Us adaptation, have stepped away from the series before work begins on Season 3. Druckmann is focusing on new projects at Naughty Dog, while Gross hinted at other upcoming creative endeavors, leaving showrunner Craig Mazin at the helm. Ars Technica reports: Both were credited as executive producers on the show; Druckmann frequently contributed writing to episodes, as did Gross, and Druckmann also directed. Druckmann and Gross co-wrote the second game, The Last of Us Part 2.

Druckmann said in his announcement post: "I've made the difficult decision to step away from my creative involvement in The Last of Us on HBO. With work completed on season 2 and before any meaningful work starts on season 3, now is the right time for me to transition my complete focus to Naughty Dog and its future projects, including writing and directing our exciting next game, Intergalactic: The Heretic Prophet, along with my responsibilities as Studio Head and Head of Creative. Co-creating the show has been a career highlight. It's been an honor to work alongside Craig Mazin to executive produce, direct and write on the last two seasons. I'm deeply thankful for the thoughtful approach and dedication the talented cast and crew took to adapting The Last of Us Part I and the continued adaptation of The Last of Us Part II."

And Gross said: "With great care and consideration, I've decided to take a step back from my day-to-day work on HBO's The Last of Us to make space for what comes next. I'm so appreciative of how special this experience has been. Working alongside Neil, Craig, HBO, and this remarkable cast and crew has been life changing. The stories we told -- about love, loss, and what it means to be human in a terrifying world -- are exactly why I love this franchise. I have some truly rad projects ahead that I can't wait to share, but for now, I want to express my gratitude to everyone who brought Ellie and Joel's world to life with such care."

Amazon plans to shut down its standalone Freevee app in August, according to an in-app notice to users. From a report: The free, ad-supported streaming service is directing viewers to continue watching Freevee content on Prime Video.

"Prime Video is the new exclusive home for Freevee Tv show, movies, and Live TV," the notice to readers states. "The Freevee app will be accessible until August 2025. Continue watching your favorite Free Originals and our library of hit movies, shows, and live TV on Prime Video for free, no subscription needed. Download Prime Video to get started and sign-in with your Amazon account."

An anonymous reader shares a report: Lorde [a popular New Zealand singer and songwriter] fans are clearly struggling to play the CD version of her new album. Customers who purchased the special edition of Virgin released on a transparent plastic disc are reporting on Reddit and TikTok that many CD players, car stereos, and other sound systems they've tried are unable to play it.

AMC Theatres now warns customers that movies start 25-30 minutes after the listed showtime to account for ads and trailers, "making it easier for moviegoers to know the actual start time of their film screening," reports The Verge. From the report: Starting today, AMC will also show more ads than before, meaning its preshow lineup may have to be reconfigured to avoid exceeding the 30-minute mark. The company made an agreement with the National CineMedia ad network that includes as much as five minutes of commercials shown "after a movie's official start time," according to The Hollywood Reporter, and an additional 30-to-60-second "Platinum Spot" that plays before the last one or two trailers.

AMC was the only major theater chain to reject the National CineMedia ad spot when it was pitched in 2019, telling Bloomberg at the time that it believed "US moviegoers would react quite negatively." Now struggling financially amid an overall decline in movie theater attendance and box-office grosses, AMC has reversed course, telling The Hollywood Reporter that its competitors "have fully participated for more than five years without any direct impact to their attendance."