Amazon Prime is launching a new Shark Tank-style competition show where contestants pitch products to a panel of celebrity investors and a live audience called "The 100." If a product wins audience approval, it gets featured in Amazon's Buy It Now Store, accessible via QR codes during episodes. The show, called Buy It Now and hosted by JB Smoove, premieres on October 30, 2024. You can watch a trailer for it on YouTube. The Verge reports: The company announced the show earlier this year but has now released a trailer showing what it will look like. Contestants pitch their ideas to the audience. If the crowd votes for them, then the panelists pick which ones will show up on Amazon's Buy It Now Store: a new storefront launching alongside the show that viewers can reach using a QR code that shows up during episodes. One presenter per episode will get a $20,000 prize, too.

Apart from Smoove -- who you may remember from Curb Your Enthusiasm and Harley -- the show will feature "a star-studded rotating panel of celebrity panelists," including Gwyneth Paltrow, Anthony Anderson, Tabitha Brown, Tony Hawk, and Christian Siriano. It will also include three Amazon executives, and Ring founder and current CEO of Door.com (formerly Latch) Jamie Siminoff will serve as the "resident judge and entrepreneurial panelist." Oh, and those panelists will be selling their own products on that Buy It Now Store.

DirecTV has agreed to acquire struggling rival Dish Network, creating a satellite TV behemoth with nearly 20 million subscribers. The complex transaction, announced Monday, involves private equity firm TPG acquiring a majority stake in DirecTV from AT&T for $7.6 billion. DirecTV will then purchase Dish for $1 and assume its debt.

The deal provides a lifeline for Dish, which faces $2 billion in debt due November with only $500 million in available cash. EchoStar, Dish's parent company, will retain its wireless spectrum investments and operate independently. Subject to regulatory approval and creditor agreement, the merger is expected to close in late 2025. DirecTV and TPG will provide $2.5 billion to cover Dish's immediate financial needs. The deal's fate remains uncertain, as a similar 2002 merger attempt was blocked on antitrust grounds.

An anonymous reader shares a report: Songs by Adele, Bob Dylan, Green Day, R.E.M., Burna Boy, Rush and many others are currently unplayable on YouTube in the U.S. due to a legal dispute between the platform and the performing rights organization SESAC. Attempts to play many, but not all, songs by those artists on Saturday met with the following message: "This video contains content from SESAC. It is not available in your country."

A similar dispute between Universal Music Group and TikTok raged on for several months earlier this year before being resolved. In a statement to Variety, a YouTube rep said: "We have held good faith negotiations with SESAC to renew our existing deal. Unfortunately, despite our best efforts, we were unable to reach an equitable agreement before its expiration. We take copyright very seriously and as a result, content represented by SESAC is no longer available on YouTube in the US. We are in active conversations with SESAC and are hoping to reach a new deal as soon as possible." A source close to the situation tells Variety that the previous deal actually does not expire until next week, and suggests that YouTube's move is a negotiating tactic. SESAC is far smaller than ASCAP and BMI -- with approximately 30,000 members and 1.5 million compositions while ASCAP has nearly 800,000 members -- but as the caliber of artists affected by the block shows, it represents a comparatively large percentage of the marketplace.

A U.S. Trademark Office tribunal canceled Marvel and DC's jointly owned "Super Hero" trademarks after the companies failed to respond to a request by London-based Superbabies Ltd, which argued the marks couldn't be owned collectively or monopolize the superhero genre. The ruling was "not just a win for our client but a victory for creativity and innovation," said Superbabies attorney Adam Adler of Reichman Jorgensen Lehman & Feldberg. "By establishing SUPER HEROES' place in the public domain, we safeguard it as a symbol of heroism available to all storytellers." Reuters reports: Rivals Marvel and DC jointly own four federal trademarks covering the terms "Super Hero" and "Super Heroes," the oldest of which dates back to 1967. Richold writes comics featuring a team of super-hero babies called the Super Babies. According to Richold, DC accused his company of infringing the "Super Hero" marks and threatened legal action after Superbabies Ltd applied for U.S. trademarks covering the "Super Babies" name. Marvel and DC have cited their marks in opposing dozens of superhero-related trademark applications at the USPTO, according to the office's records. Superbabies petitioned the office to cancel the marks in May. It argued that Marvel and DC cannot "claim ownership over an entire genre" with their trademarks, and that the two competitors cannot own trademarks together.

An anonymous reader shares a report: Apple is rethinking its movie strategy after the disappointing box office performance of several big-budget films, including Martin Scorsese's Killers of the Flower Moon, Napoleon, Argylle and Fly Me to the Moon. Apple canceled plans to release Wolfs -- an action comedy starring George Clooney and Brad Pitt -- in thousands of theaters globally. Instead, the picture made its debut in a limited number of venues before it became available on the Apple TV+ streaming service on Sept. 27. Apple plans to use a similar approach with the next few titles on its calendar, including the World War II drama Blitz. Apple, which previously had intended to spend about $1 billion annually on blockbusters for cinemas, won't return to the big screen with a wide, global theatrical release until June with F1 -- a film starring Pitt as a former Formula One driver who returns to racing to mentor a rising star.

[...] Apple is pulling back from theaters at the same time Netflix Inc. and Amazon are reworking their movie strategies. Earlier this year, Netflix hired producer Dan Lin to oversee its film studio, which had spent billions of dollars a year to produce more films than any other company in Hollywood. Yet Netflix struggled to control the quality and cost of its slate, which in some years approached 50 movies. For every hit, such as Bird Box, there were several misses. Lin's predecessor Scott Stuber also clashed with management over its strategy for movie theaters. Stuber wanted to release movies such as Scorsese's The Irishman and the Knives Out sequel Glass Onion widely in cinemas, but he couldn't persuade Netflix co-Chief Executive Officer Ted Sarandos. Lin aims to make fewer movies and develop more projects in-house to keep costs down. He has considered scrapping several of the more expensive projects in development at Netflix.

Disney has officially launched its password and account-sharing crackdown, rolling out what it is calling its "paid sharing program" to users in the U.S. and in many regions around the world this week. The rollout follows the company sharing plans to crackdown on unauthorized usage on its streaming service earlier this year. From a report: The paid sharing program has a couple of options for users, per a blog post published Wednesday: People sharing an account with someone outside their household can add that person as an "Extra Member" for $6.99 per month for Disney+ Basic, or $9.99 for Disney+ Premium, both discounts to the normal retail price. Only one Extra Member will be allowed per account, and it is not available as part of the Disney Bundle. In addition, users sharing an account can also subscribe to Disney+ themselves, and can transfer an eligible profile to the new account to keep their watch history and settings. The password-cracking effort has helped Netflix boost its subscribers count in recent quarters.

LG has started displaying ads on TV screensavers, intensifying the proliferation of ads in smart TV software. The South Korean company quietly announced the move to advertisers on September 5, forgoing a public statement to consumers.

In November, ByteDance's TikTok Music will be shut down in all the countries it currently operates in, including Indonesia, Brazil, Australia, Singapore, and Mexico. A notice on the service's website reads: "We are sorry to inform you that TikTok Music will be closing on 28 November 2024." TechCrunch reports: Subscribers can continue to use the service until November 28, after which renewals will be automatically canceled, the notice said. Users who want to transfer their playlists to other streaming services will need to do so by October 28, and refund requests need to be submitted by November 28. TikTok said that it will continue partnering with music streaming services rather than competing with them. In February, the company launched the "Add to Music" feature on TikTok that lets users add tracks directly to a playlist on Apple Music, Amazon Music, or Spotify.

TikTok Music was rooted in a ByteDance product called Resso, which was first launched in India and Indonesia in 2019 and later expanded to Brazil. In 2023, ByteDance rebranded Resso to TikTok Music in Brazil and Indonesia, and soon after expanded it to Singapore, Australia, and Mexico. Resso was banned early this year in India. "Our Add to Music App feature has already enabled hundreds of millions of track saves to playlists on partner music streaming services. We will be closing TikTok Music at the end of November in order to focus on our goal of furthering TikTok's role in driving even greater music listening and value on music streaming services, for the benefit of artists, songwriters, and the industry," Ole Obermann, global head of Music Business Development, TikTok, said in a statement.

An anonymous reader quotes a report from the Hollywood Reporter: In a major coup for the artificial intelligence company, Stability AI says that Avatar, Terminator and Titanic director James Cameron will join its board of directors. Stability AI is the firm that developed the Stable Diffusion text-to-image generative AI model, an image- and video-focused model that is among those being closely watched by many in Hollywood, particularly in the visual effects industry. In fact, Stability AI's CEO, Prem Akkaraju, is no stranger to the business, having previously served as the CEO of visual effects firm WETA Digital. Sean Parker, the former president of Facebook and founder of Napster, also recently joined the AI firm as executive chairman.

As a director, Cameron has long been eager to push the boundaries of what is technologically possible in filmmaking (anyone who has seen the Terminator franchise knows that he is also familiar with the pitfalls of technology run amok). He was among the earliest directors to embrace the potential of computer-generated visual effects, and he continued to use his films (most recently Avatar: The Way of Water) to move the entire field forward. "I've spent my career seeking out emerging technologies that push the very boundaries of what's possible, all in the service of telling incredible stories," Cameron said in a statement. "I was at the forefront of CGI over three decades ago, and I've stayed on the cutting edge since. Now, the intersection of generative AI and CGI image creation is the next wave. The convergence of these two totally different engines of creation will unlock new ways for artists to tell stories in ways we could have never imagined. Stability AI is poised to lead this transformation. I'm delighted to collaborate with Sean, Prem, and the Stability AI team as they shape the future of all visual media."

Indian filmmaker Ram Gopal Varma is ditching human musicians for artificial intelligence, saying he'll use only AI-generated tunes in future projects, a move that underscores AI's growing reach in creative industries. From a report: The filmmaker and screenwriter, known for popular Bollywood movies including Company, Rangeela, Sarkar, and Satya has launched a venture, called RGV Den Music, that will only feature music generated from AI apps including Suno and Udio, he told TechCrunch. Varma said he will use the AI-generated music in all his projects, including movies. The entire background score on his new feature movie, called Saree, is also AI-generated, he said. In an interview, Varma urged artists to embrace AI rather than resist it. "Eventually, the music comes from your thoughts. You need to have clarity on what you want the app to produce. It's the taste that will matter," he said.

Amazon is joining the Motion Picture Association as its seventh member, alongside Paramount Pictures, Sony Pictures, Universal Studios, The Walt Disney Studios, Warner Bros. Discovery and Netflix. Engadget reports: Amazon was already involved with the MPA, having worked with its Alliance for Creativity and Entertainment, an anti-piracy coalition, as a governing board member since 2017. MGM (which Amazon bought in 2022) was previously an MPA member from 1928 until 2005. Amazon's involvement with the MPA speaks to the foothold that the company has in entertainment. The fact that Amazon and Netflix are both members also highlights the major influence of streaming over the industry at large. "The MPA is the global voice for a growing and evolving industry, and welcoming Prime Video & Amazon MGM Studios to our ranks will broaden our collective policymaking and content protection efforts on behalf of our most innovative and creative companies," Charles Rivkin, MPA chairman and CEO, said in a statement. "MPA studios fuel local economies, drive job creation, enrich cultures and bolster communities everywhere they work. With Prime Video & Amazon MGM Studios among our roster of extraordinary members, the MPA will have an even larger voice for the world's greatest storytellers."

An anonymous reader quotes a report from Ars Technica, written by Scharon Harding: TCL has come under scrutiny this month after testing that claimed to examine three TCL TVs marketed as quantum dot TVs reportedly showed no trace of quantum dots. [...] Earlier this month, South Korean IT news publication ETNews published a report on testing that seemingly showed three TCL quantum dot TVs, marketed as QD TVs, as not having quantum dots present. Hansol Chemical, a Seoul-headquartered chemicals company, commissioned the testing. SGS, a Geneva-headquartered testing and certification company, and Intertek, a London-headquartered testing and certification company, performed the tests. The models examined were TCL's C755, said to be a quantum dot Mini LED TV, the C655, a purported quantum dot LED (QLED) TV, and the C655 Pro, another QLED. None of those models are sold in the US, but TCL sells various Mini LED and LED TVs in the US that claim to use quantum dots. According to a Google translation, ETNews reported: "According to industry sources on the 5th, the results of tests commissioned by Hansol Chemical to global testing and certification agencies SGS and Intertek showed that indium... and cadmium... were not detected in three TCL QD TV models. Indium and cadmium are essential materials that cannot be omitted in QD implementation." The testing was supposed to detect cadmium if present at a minimum concentration of 0.5 mg per 1 kg, while indium was tested at a minimum detection standard of 2 mg/kg or 5 mg/kg, depending on the testing lab. [...]

In response to the results from SGS and Intertek, a TCL representative told ETNews and The Korea Times that TCL is "manufacturing TV sets with QD films supplied by three companies" and that "the amount of quantum dots... in the film may vary depending on the supplier, but it is certain that cadmium is included." TCL also published testing results on May 10 commissioned by Guangdong Region Advanced Materials, one of TCL's quantum dot film suppliers. Interestingly, SGS, one of the companies that found that TCL's TVs lacked quantum dots, performed the tests. This time, SGS detected the presence of cadmium in the TV films at a concentration of 4 mg/kg (an image of the results can be seen via ETNews here). TCL also said that it "confirmed the fluorescent characteristics of QD," per Google's translation, and provided a spectrogram purportedly depicting the presence of quantum dots in its TVs' quantum dot films. [...]

TCL obviously has reason to try to push results that show the presence of cadmium. However, some analysts and publications have pointed out that Hansol could have reason to push results claiming the opposite. As mentioned above, Hansol is in the chemical manufacturing and distribution business. It notably does not sell to TCL but does have a customer in TCL rival Samsung. Taking a step back further, Hansol is headquartered in Seoul and is considered a chaebol. TV giants Samsung and LG are also chaebols, and the South Korean government has reported interest in Samsung and LG continuing to be the world's biggest TV companies—titles that are increasingly challenged by Chinese brands. It has previously been reported that the South Korean government urged Samsung and LG to meet with each other to help ensure their leadership. The talks resulted in a partnership between the two companies reportedly centered on counteracting high prices that Samsung was facing for TV components sold by Chinese companies. With this background in mind, Hansol could be viewed as a biased party when it sought testing for TCL quantum dot TVs. "I'm really puzzled by Hansol's results," said Eric Virey, principal displays analyst at Yole Intelligence. "I have a very hard time believing that TCL would go through the troubles of making ... 'fake' QD films without QDs: this would cost almost as much as making a real QD films but without the performance benefits."

Ars Technica concludes: "As previously stated, it's possible that TCL is indeed using quantum dots but is using them in a small amount alongside phosphor. If true, the performance may not be as high as it would be with other designs, but it would also mean that TCL's quantum dot TVs aren't bogus. As it stands, the situation could benefit from more, preferably third-party, testing..."

"For 75 years Cosm built planetariums," reports a Texas news station, "and then a few years ago realized this technology could take you from the night sky to anywhere under the sun."

So now Los Angeles and Dallas have massive 9,600-square-foot, 8K-resolution screens that one reviewer for SFGate calls "an absolute game-changer" for sports fans. "At its best, Cosm's floor-to-ceiling screen gives anyone with a seat the opportunity to embrace a face full of on-the-field action at such high quality that it can be staggering, almost overwhelming at times — so just be sure to hold on tight, to the handrails and to your wallets."

There's also a bar with a 150-foot band of screens and a rooftop area with mounted TV, but they're "not why anyone has come," SFGate points out. Even the Dome has three distinct floors, though it's the second floor "where full visual immersion happens." The action feels so close, I can almost smell it, and all the focus is pulled to the center of the giant screen. Patrons truly do feel at the absolute heart of the action, with better seats than perhaps they could even pay for at Manchester's Old Trafford stadium. From a sports-viewing standpoint, I can't imagine it gets much better than this... Over the course of just a few minutes, the viewing angle flips from corner looks to right up against the goalkeeper's net, and then it widens out to dead center to catch crisp passes. Some angles put me right in the stands, cheering along with the loyalists at a stadium half a world away...

To be clear, the premium ticket costs are good for recouping Cosm's substantial investment in this gorgeous technological product, which has been in the works for years. The price tag is also likely to be little issue for any Los Angeles fan with money to spend, but the cost really does lay bare the growing division between the haves and have-nots in American sports society... If you paid $20 for a general admission entry that mostly just grants access to the fringes of the action, well ... good luck getting the most out of the Dome... The edges of the massive screen are stretched to comic effect, making the fisheye perspective more disorienting than fun. At the center of the room, it feels like you're absolutely in the meat of the action; at the fringes, you're left to pick at a few digital bones...

[F]or the rest of us, the normal sports fans who like to sway with strangers during the seventh-inning stretch, the ones who want to be able to take their kids to a game without feeling quite so financially wrung out, Cosm is yet another troubling sign of big, expensive things to come. Being a fan of a sports franchise in 2024 is an increasingly costly proposition. Watching your favorite NFL team now requires cable access, as well as multiple streaming services like Amazon Prime... There is no question that Cosm is a unique experience and that it will absolutely have a hand in transforming the modern digital sports-watching landscape, especially for those who want a digital re-creation of the best seat in the house over the camaraderie of a shared, in-person sports experience. The place will be able to charge incredible sums for the Super Bowl or World Series games, and — when at its best, with a prime seat in the middle of the action — the cost will be justifiable for many.

But for the folks at the financial fringes, the ones with the most spirit and often the least to spend, Cosm undoubtedly feels like a widening of the economic chasm that is pulling fans and their favorite teams further apart.
Besides sports events, Cosm's Dome also offers other immersive experiences like Circque du Soleil's "O" and Planetary Collective's "Orbital".

Another Cosm location is planned for Phoenix in 2025.

An anonymous reader quotes a report from Ars Technica: Researchers still don't know the cause of a recently discovered malware infection affecting almost 1.3 million streaming devices running an open source version of Android in almost 200 countries. Security firm Doctor Web reported Thursday that malware named Android.Vo1d has backdoored the Android-based boxes by putting malicious components in their system storage area, where they can be updated with additional malware at any time by command-and-control servers. Google representatives said the infected devices are running operating systems based on the Android Open Source Project, a version overseen by Google but distinct from Android TV, a proprietary version restricted to licensed device makers.

Although Doctor Web has a thorough understanding of Vo1d and the exceptional reach it has achieved, company researchers say they have yet to determine the attack vector that has led to the infections. "At the moment, the source of the TV boxes' backdoor infection remains unknown," Thursday's post stated. "One possible infection vector could be an attack by an intermediate malware that exploits operating system vulnerabilities to gain root privileges. Another possible vector could be the use of unofficial firmware versions with built-in root access." The following device models infected by Vo1d are: [R4, TV BOX, KJ-SMART4KVIP].

One possible cause of the infections is that the devices are running outdated versions that are vulnerable to exploits that remotely execute malicious code on them. Versions 7.1, 10.1, and 12.1, for example, were released in 2016, 2019, and 2022, respectively. What's more, Doctor Web said it's not unusual for budget device manufacturers to install older OS versions in streaming boxes and make them appear more attractive by passing them off as more up-to-date models. Further, while only licensed device makers are permitted to modify Google's AndroidTV, any device maker is free to make changes to open source versions. That leaves open the possibility that the devices were infected in the supply chain and were already compromised by the time they were purchased by the end user. "These off-brand devices discovered to be infected were not Play Protect certified Android devices," Google said in a statement. "If a device isn't Play Protect certified, Google doesn't have a record of security and compatibility test results. Play Protect certified Android devices undergo extensive testing to ensure quality and user safety."

Users can confirm if their device runs Android TV OS via this link and following the steps here.

An anonymous reader quotes a report from Ars Technica: One of the things enterprise storage and destruction company Iron Mountain does is handle the archiving of the media industry's vaults. What it has been seeing lately should be a wake-up call: roughly one-fifth of the hard disk drives dating to the 1990s it was sent are entirely unreadable. Music industry publication Mix spoke with the people in charge of backing up the entertainment industry. The resulting tale is part explainer on how music is so complicated to archive now, part warning about everyone's data stored on spinning disks. "In our line of work, if we discover an inherent problem with a format, it makes sense to let everybody know," Robert Koszela, global director for studio growth and strategic initiatives at Iron Mountain, told Mix. "It may sound like a sales pitch, but it's not; it's a call for action."

Hard drives gained popularity over spooled magnetic tape as digital audio workstations, mixing and editing software, and the perceived downsides of tape, including deterioration from substrate separation and fire. But hard drives present their own archival problems. Standard hard drives were also not designed for long-term archival use. You can almost never decouple the magnetic disks from the reading hardware inside, so that if either fails, the whole drive dies. There are also general computer storage issues, including the separation of samples and finished tracks, or proprietary file formats requiring archival versions of software. Still, Iron Mountain tells Mix that "If the disk platters spin and aren't damaged," it can access the content.

But "if it spins" is becoming a big question mark. Musicians and studios now digging into their archives to remaster tracks often find that drives, even when stored at industry-standard temperature and humidity, have failed in some way, with no partial recovery option available. "It's so sad to see a project come into the studio, a hard drive in a brand-new case with the wrapper and the tags from wherever they bought it still in there," Koszela says. "Next to it is a case with the safety drive in it. Everything's in order. And both of them are bricks." "Optical media rots, magnetic media rots and loses magnetic charge, bearings seize, flash storage loses charge, etc.," writes Hacker News user abracadaniel in a discussion post about the article. "Entropy wins, sometimes much faster than you'd expect."

Television has ceased to be the main source of news in the UK for the first time since the 1960s as Britons turn increasingly to online news and social media apps, according to research by the media regulator. From a report: Ofcom said on Tuesday that viewing of TV news had continued to fall steeply, with online platforms such as Facebook, YouTube and TikTok and digital versions of broadcasters now slightly more widely used as a source of news.ÂIn its annual study of audience habits, the watchdog said 71 per cent of adults obtained news online, compared with 70 per cent via TV -- a finding it described as "marking a generational shift in the balance of news media."

The reach of TV news has fallen from 75 per cent last year. More than four-fifths of people between the ages of 16 and 24 obtained their news from social media, Ofcom found. The report underlines the pressure on more traditional linear broadcasters such as the BBC, Sky and Channel 4 to accelerate moves to digital platforms, which include their own streaming sites as well as social media apps such as TikTok.Â

James Earl Jones, the beloved actor best known for his roles in "Field of Dreams," "The Lion King," and "Star Wars," has died at the age of 93. Deadline reports: Widely regarded as among the world's great stage and screen actors Jones is one of the few entertainers to have won the EGOT (Emmy, Grammy, Oscar, Tony), though his Academy Award was Honorary. Jones has received two Primetime Emmy Awards, a Daytime Emmy, a spoken-word Grammy Award in 1977 and three Tony Awards.

The actor amassed nearly 200 screen credits during his brilliant 60-year career, starting some early-'60s TV guest roles and Stanley Kubrick's 1964 classic Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964). He probably is best known for his voice role as the dastardly Darth Vader in George Lucas' original Star Wars trilogy: Star Wars (1977) The Empire Strikes Back, 1980) and Return of the Jedi (1983). He also reprised the villainous role in Star Wars: Episode III -- Revenge of the Sith (2005), Rogue One: A Star Wars Story (2016), Star Wars: Episode IX -- The Rise of Skywalker (2019) and TV's Obi-Wan Kenobi and Star Wars: Rebels.

Movie fans will remember such chilling, immortal Vader quotes as "When I left you, I was but the learner -- now I am the master," "I find your lack of faith disturbing" and, of course, "No, I am your father."

In a newsletter for Bloomberg, Ashley Carman discusses the rising trend of long podcasts and their surprising popularity among listeners. "By today's standards of interminable podcast discussions, a nearly three-hour recording isn't even particularly notable," she writes, highlighting recent episodes from Joe Rogan (2 hours; 16 minutes with Adam Sandler), Lex Fridman (8 hours; 37 minutes with Elon Musk), and the Acquired podcast (3 hours; 38 minutes with Lockheed Martin). "Increasingly, podcasters are pushing the outer limits of episode length while stress testing the endurance of their audiences. Popular podcast gabfests can now run on for half a workday or longer." From the report: One might assume such marathon episodes must be the result of a hands-off approach to editing. But this is not the case, said Ben Gilbert, co-host of the Acquired podcast. Every month, he and his co-host David Rosenthal release a three- to four-hour podcast, detailing the story of a specific company. The in-depth histories, he said, are the result of nine-hour recording sessions and a month of research.

"It's not important to ship every good minute," Gilbert said. "It's important to ship only great minutes. If you're actually intellectually honest with yourself, that's how to release a really good product." Even with the longer runtimes, he said, their audience listens to the vast majority of each episode. Consider their deep dive on Lockheed Martin, which runs for three hours and 38 minutes. On Apple Podcasts, the average listener consumed 70% of the show, he said. An episode on Nike, which clocks in at upwards of four hours, had an average consumption rate of 68%. "Every time we made something longer... people only seemed to love it more," he said. On the show's website, the hosts describe the episodes as "conversational audiobooks." [...]

[Jack Sylvester, executive director at Flight Studio, the Bartlett-founded podcast company behind Diary of a CEO] said the team can view data around how much of the audience consumes episodes on YouTube's TV app versus on a phone, tablet or computer. TV usage, he said, is ticking up. To give viewers a reason to keep the show on as their primary viewing experience, they're now making sure the videos have a top-quality polish. Still, in a world in which people scoff at the prospect of a three-hour movie -- and short-form video is the dominant consumption trend in entertainment -- these podcasters are eagerly meandering in the opposite direction. "The short-form obsession ended up creating white space for us," said Gilbert of Acquired. "Whenever you have a trend, that means there's people who feel left behind and want to flock to something new. This sets us apart."

For the first time, a U.S. court has ordered the exposure of identities behind anime leaker accounts on X following complaints from producers of Jujutsu Kaisen and Demon Slayer. The order was revealed by Japanese anti-piracy organization CODA (Content Overseas Distribution Association). CBR reports: The order to disclose their identities was issued on Aug. 20 and served on Aug. 30, meaning that these Jujutsu Kaisen and Demon Slayer leakers will be forced to out themselves, lest they face further legal troubles. Several CODA member companies, which include Kodansha (Attack on Titan), Toei Animation (One Piece) and more collected evidence on these accounts; CODA's report states that it has also received other inquiries about other anime and is preparing for further action. "We will continue to work with the rights holders of the victims to take strict action based on the information of the account owners that comes to light, and will demand severe punishment for these leak accounts," it concludes.

Federal investigators have indicted a North Carolina man over a scheme in which he allegedly used bot accounts and hundreds of thousands of AI-generated songs to earn more than $10 million in royalty payments from the major streaming services. RollingStone: The case is a landmark development in the still-developing music streaming market, with the U.S. Attorney's Office for the Southern District of New York calling it the first criminal case involving artificially inflated music streaming. In the indictment, the prosecutors say that for the past seven years, North Carolina musician Michael Smith had been running a complex music streaming manipulation scheme to fraudulently profit off of billions of streams from bot accounts. "At a certain point in the charged time period, Smith estimated that he could use the Bot Accounts to generate approximately 661,440 streams per day, yielding annual royalties of $1,207,128," the prosecutors said in the indictment announcement.

Smith, 52, was charged with wire fraud conspiracy, wire fraud and money laundering conspiracy, totaling to a combined maximum of 60 years in prison if convicted. "Through his brazen fraud scheme, Smith stole millions in royalties that should have been paid to musicians, songwriters, and other rights holders whose songs were legitimately streamed," said Damian Williams, U.S. Attorney for the Southern District of New York. "Today, thanks to the work of the FBI and the career prosecutors of this Office, it's time for Smith to face the music."