Warner Bros. ruffled some feathers when it announced it would release all of its new 2021 movies simultaneously on HBO Max, but the company seems to be betting that theaters won't become an apocalyptic wasteland. From a report: Variety reports that the company plans to release Furiosa, the prequel to Max Max: Fury Road, and The Color Purple first in theaters in 2023. Warner's plan to launch next year's films online is a great thing for consumers who would rather stay at home than risk contracting a deadly virus to see, say, Godzilla vs. Kong. But the plan immediately made enemies of some Hollywood veterans. Director Christopher Nolan called HBO Max "the worst streaming service" and accused Warner Bros. of not telling anyone about its plan until just 90 minutes before it was announced.

An anonymous reader quotes a report from TorrentFreak: YouTube says it has found a "smoking gun" to prove that a class-action lawsuit filed by Grammy award-winning musician Maria Schneider and Pirate Monitor Ltd was filed in bad faith. According to the Google-owned platform, the same IP address used to upload 'pirate' movies to the platform also sent DMCA notices targeting the same batch of content.

In a motion to dismiss filed in November, Pirate Monitor said YouTube had provided no "hard evidence" to back up these damaging claims, demanding that the court disregard the allegations and reject calls for the right to an injunction to prevent Pirate Monitor from submitting wrongful DMCA notices in the future. YouTube now provides a taster of some of the supporting evidence it has on file. "Pirate Monitor devised an elaborate scheme to prove itself sufficiently trustworthy to use YouTube's advanced copyright management tools," YouTube begins. "Through agents using pseudonyms to hide their identities, Pirate Monitor uploaded some two thousand videos to YouTube, each time representing that the content did not infringe anyone's copyright. Shortly thereafter, Pirate Monitor invoked the notice-and-takedown provisions of the Digital Millennium Copyright Act to demand that YouTube remove the same videos its agents had just uploaded."

In all, YouTube processed nearly 2,000 DMCA notices it received by Pirate Monitor in the fall of 2019. All of the targeted videos had a uniform length, around 30 seconds each, generated from "obscure Hungarian movies". They had been uploaded in bulk from users with IP addresses allocated to Pakistan. [...] While the nature of the uploads is indeed suspicious, YouTube says that it also found what it describes as a "smoking gun", i.e evidence that the uploads and DMCA notices were being sent by the same entity. "After considerable digging, YouTube found a smoking gun. In November 2019, amidst a raft of takedown notices from Pirate Monitor, one of the 'RansomNova' users that had been uploading clips via IP addresses in Pakistan logged into their YouTube account from a computer connected to the Internet via an IP address in Hungary," YouTube explains. The opposition to Pirate Monitor's motion to dismiss can be found here.

An anonymous reader quotes a report from The Hollywood Reporter: Providing relief via direct assistance and loans to struggling individuals and businesses hit hard by COVID-19 has been a priority for federal lawmakers this past month. But a gigantic spending bill has also become the opportunity to smuggle in some other line items including those of special interest to the entertainment community. Perhaps most surprising, according to the text of the bill being circulated, illegal streaming for commercial profit could become a felony.

It's been less than two weeks since Sen. Thom Tillis (R-NC) released his proposal to increase the penalties for those who would dare stream unlicensed works. In doing so, the North Carolina senator flirted with danger. About a decade ago, Minnesota Sen. Amy Klobuchar made a similar proposal before it ended up dying as people worried about sending Justin Bieber to jail. This time, Tillis' attempt was winning better reviews for more narrowly tailoring the provisions toward commercial operators rather than users. That said, it's had very little time to circulate before evidently becoming part of the spending package. If passed, illegal streaming of works including movies and musical works could carry up to 10 years in jail. That's not the only copyright change either.

The spending bill also appears to adopt a long-discussed plan to create a small claims adjudication system within the U.S. Copyright Office. [...] Among the other parts of the omnibus bill of interest to Hollywood is an extension of Section 181, a tax provision that allows for immediate deduction of television and film production costs up to $15 million. That incentive was scheduled to expire at the end of the year, but would now get an additional five years.

Aleksander Kubica is a postdoctoral fellow at Canada's Perimeter Institute for Theoretical Physics and Institute for Quantum Computing. And he's also the winner of the world's first quantum chess tournament. (It's now available for streaming on Twitch, and begins with a clip of the late Stephen Hawking playing a 2016 game against Ant-Man star Paul Rudd.)

"It's a complicated version of regular chess that incorporates the quantum concepts of superposition, entanglement, and interference," explains Ars Technica (in an article shared by John Trumpian): In quantum chess, there are multiple boards on which the pieces exist, and their number is not fixed. Players can perform "quantum moves" as well as regular chess moves; players just need to indicate which type of move they're performing. Any quantum move will create a superposition of boards (doubling the number of possible boards in the superposition with each quantum move), although the player will see a single board representing all boards at the same time. And any individual move acts on all boards at the same time.

Pawns move the same as in regular chess, but other pieces can make either standard moves or quantum moves, such that they can occupy more than one square simultaneously. In a 2016 blog post, Chris Cantwell of Quantum Realm Games offered the example of a white queen performing a quantum move from D1 to D3. "We get two possible boards. On one board the queen did not move at all. On the other, the queen did move. Each board has a 50 percent chance of 'existence'..."
In 2016 Stephen Hawking had played a game of quantum chess against Paul Rudd in a video which also featured both Keanu Reeves and Alex Winter, stars of the "Bill and Ted" movies.

CNN reports: If it wasn't abundantly clear that content is king, especially in the Covid-19 era, Disney hammered that point home Thursday when it previewed dozens of new series and movies for its Disney+ streaming service. And investors are loving it. Shares of Disney jumped 13% Friday to a new all-time high. The stock is now up more than 20% this year, an impressive feat given that the pandemic has wreaked havoc on Disney's theme park business and forced its movie studios to delay big releases in theaters.

Investors are clearly betting that the streaming strength will offset any lingering weakness in other areas of the House of Mouse empire: Disney raised its forecast for subscriber growth and is upping prices for Disney+. Wall Street analysts rushed to upgrade Disney following Thursday's event. At least 13 analysts boosted their price targets on the stock Friday morning. While Disney initially predicted it would have 60-90 million subscribers by 2024, they're now predicting 230-260 million, CNN reported earlier this week. "The sheer scale of content announced on Thursday was a loud reminder to the rest of the streaming world that Disney+ had an amazing year, acting as a lifeboat to a company ravaged by coronavirus, and that Disney is fully committed to the future of streaming."

Besides the two new Star Wars series announced this week, Disney also announced several new series based on Marvel comic book characters:

• "The Falcon and the Winter Soldier" and "WandaVision"

• Samuel L. Jackson (as Nick Fury) in "Secret Invasion"

• Don Cheadle as War Machine in "Armor Wars"

• More Marvel-based shows about Hawkeye, Moon Knight, "Ironheart" Riri Williams, She Hulk, and Ms. Marvel

• A series of shorts titled "I Am Groot" and a "Guardians of the Galaxy Holiday Special"

Other newly-announced Disney+ shows include:

• A live action Pinocchio starring Tom Hanks
• A reboot of "The Mighty Ducks" starring Emilio Estevez

Christopher Nolan isn't too happy with Warner Bros' decision to send all 17 of its films slated for release in 2021 to HBO Max on the same day they're released. Nolan, whose blockbuster movies for Warner Bros have made billions, called HBO Max "the worst streaming service," adding that this shift in Hollywood is "a sign of great danger for the people who work in the movie industry." NPR reports: Nolan was asked whether the move to streaming is really about the pandemic or something bigger — Netflix had more 2020 Oscar nominations than any other studio. "There is this idea that that's been sort of put forward a lot, that the pandemic is sort of accelerating a trend that was already happening," he said. "But 2019 was the biggest year ever for movies financially. That doesn't suit the narrative that the tech companies or the big corporations kind of want to put out there right now.

"But the reality is there was enormous success in 2019 and 2018 wasn't bad either. If you're asking where moviegoing is going, I think the long-term health of the movie business depends on people's desire to get together and experience a story together. And I don't see any signs that that's going anywhere anytime soon." Would you agree with Nolan, or do you applaud Warner Bros' embrace of streaming?

New submitter Arthur, KBE writes: Harrison Ford will be grabbing his whip and ramming on his hat for a fifth "Indiana Jones" movie, Disney has confirmed -- a mere 41 years after the first installment, "Raiders of the Lost Ark," was released. Disney said in a tweet on Friday that the movie would be produced by its production arm Lucasfilm and released in July 2022, and that "Indy himself, Harrison Ford, will be back to continue his iconic character's journey." The entertainment giant also confirmed the news in an investor presentation, saying the movie was currently in "pre-production." There had been mounting speculation that a new movie was in the works. In February, Ford told Ellen DeGeneres in an appearance on her talk show that production on a new Indiana Jones movie would begin this year. "It's going to be fun. I am excited," he said on the show. "They're great fun to make." The last film from the franchise was 2008's "Indiana Jones and the Kingdom of the Crystal Skull," which came almost 20 years after the third movie, "Indiana Jones and the Last Crusade," which was released in 1989.

What are some good movies and TV shows that you watched this year? You do not have to narrow down your selection to titles that came out this year, but feel free to give one a shotout.

Joshua Topolsky, writing at Input Mag: Movies are, by their very nature, good. Movies are one of the best things to have happened to the human race, probably ranking right up there in the top 5 with eating, sex, indoor plumbing, and music. We've probably all had formative experiences in one way or another around movies, and for many of us those experiences took place in a classic multiplex, surrounded by other like-minded film fans. But over the last two decades or so, the movie-going experience has been degraded by turns, both in terms of the physical reality of packing hundreds of people into a shared experience with a world of increasing distractions, and in the quality of the "blockbuster" fare being peddled by studios. This pandemic has made us all take a long, hard look at what has really been working for humanity and what hasn't, and I think the theater experience -- at least the massive, multi-screen one we've been living with -- might be dying at just the right time.

There are myriad contributors to this realization. For me, it starts with the basic reality that a truly epic film-watching experience can now be had in your house, with all the big-screen bombast and overwhelming audio that theaters have long touted as their domain alone. A fairly cheap, big-screen 4K TV, and an accompanying surround sound setup will put you right back in the theater recliner, except you have full control over the experience. Whether that means being able to pause for bathroom and snack breaks, having the option to just switch the film if you don't like what you're seeing, or being able to return to something over a period of time, watching at home can not only be as good as watching in a theater -- it can be better.

When Warner Bros. announced that "Wonder Woman 1984" would land on the streaming service HBO Max on Christmas, the same time it debuts in theaters, many expected it to be an isolated case in response to an unprecedented pandemic. From a report: Instead, the studio will deploy a similar release strategy for the next twelve months. In a surprising break from industry standards, Warner Bros.' entire 2021 slate -- a list of films that includes "The Matrix 4," Denis Villeneuve's "Dune" remake, Lin-Manuel Miranda's musical adaptation of "In the Heights," Sopranos prequel "The Many Saints of Newark," and "The Suicide Squad" -- will debut both on HBO Max and in theaters on their respective release dates. The shocking move to simultaneously release movies day-and-date underscores the crisis facing movie theaters and the rising importance of streaming services in the wake of a global health crisis that's decimated the film exhibition community.

Disney has digitally removed a lone crew member who accidentally appeared in the background of a recent Mandalorian episode. The Verge reports: The crew member, who the internet lovingly dubbed "Jeans Guy," appeared at the 18:54 mark in season 2, episode 4. Back flat against the wall, the crew member was not in the shot for very long, but they made an impact on Star Wars fans everywhere. People even made mock designs for action figures based on the crew member! You can't buy that kind of love. The Verge has reached out to Disney about the digital erasure. Upon revisiting the scene, however, the crew member is nowhere to be found, something I was worried would happen. The beauty of digital editing technology is that shows and movies can be worked on in homes around the world at a time when it's impossible to be in a shared office space. The downside is that accidental gaffes we've come to love are erased, lost forever in the digital wavelengths of time.

Reuters reports: David Prowse, the English actor who played Darth Vader in the original Star Wars films, has died aged 85, his management company said on Sunday...

The champion weightlifter-turned-actor starred as the body, but not the voice, of one of cinema's best-known villains. Director George Lucas opted to dub another voice onto Prowse's portrayal of the towering, masked antagonist Darth Vader in "Star Wars", "The Empire Strikes Back" and "Return of the Jedi".
More from the Los Angeles Times: Born in Bristol, southwest England, in 1935, Prowse represented England in weightlifting at the Commonwealth Games in the 1950s before breaking into movies with roles that emphasized his commanding size, including Frankenstein's monster in a pair of horror films [and also in the 1967 comedy Casino Royale].

Director George Lucas saw Prowse in a small part in "A Clockwork Orange" and asked the 6-foot-6-inch actor to audition for the villainous Vader or the Wookiee Chewbacca in "Star Wars." Prowse later told the BBC he chose Darth Vader because "you always remember the bad guys."

Physically, Prowse was perfect for the part. His lilting English West Country accent was considered less ideal, and his lines were dubbed by actor James Earl Jones. Prowse was also known to a generation of British children as the Green Cross Code Man, a superhero in a series of road safety advertisements.
An anonymous reader writes: In 2011 he authored an autobiography titled Straight from the Force's Mouth (with a foreword by bodybuilder/Incredible Hulk actor Lou Ferrigno), and his differences with Lucasfilm are chronicled in a 2015 documentary about his career titled I Am Your Father. (You can watch its trailer on its page on Amazon Prime, though the full documentary is currently listed as "unavailable.")
Wikipedia lists some of Prose's other roles, including:

• A Minotaur in the Doctor Who serial The Time Monster
• The Black Knight in the Terry Gilliam film Jabberwocky
• A small role as Hotblack Desiato's bodyguard in the 1981 BBC TV adaptation of The Hitchhiker's Guide to the Galaxy.

Long-time Slashdot reader destinyland writes: It seems like it's inadvisable to sit in a movie theatre during a pandemic. Thousands of theatres still tried showing movies this weekend — but the number of open theatres is dropping, perhaps because the number of people actually buying tickets appears to be plummeting.

For example, there were 2,154 movie theatres open in America this weekend, according to The Hollywood Reporter — roughly 40% of about 5,449 theatres (according to figures they cite from the American media measurement/analytics company Comscore). But the previous weekend there were 2,800 locations still open — over 50%. "Heading into the weekend, 646 movie theaters in the U.S. closed down again virtually overnight amid an alarming surge in COVID-19 cases, according to Comscore. There were also 60 cinemas reclosures in Canada, meaning that in the span of several days, the North American box office lost 706 locations compared to a week ago... Factoring in Canada, the total number of theaters open in North American dropped from 3,096 sites over the Nov. 13-15 weekend to 2,390 theaters..."

But those figures don't tell the whole story. In that same week the box office dropped "as much as 50 percent" — bringing in a nationwide total somewhere around $5 million, the lowest figure since they started re-opening in August. In fact, the #1 film in America — the campy body-swapping horror film Freaky — pulled in a total of just $1.2 million. "The average gross per complex, with 60 percent of these having eight or more screens, was around $4,000 or $500 per screen," reports IndieWire. If you estimate a ticket cost around $10, that comes out to a total for the entire weekend of just 50 people at each screening. "That can't even cover operating costs, especially with half of the revenue going to film rental." (And they also report that some movies did even worse. Jackie Chan's new movie averaged $291 per theatre.)

It could be a chicken-and-egg effect. Movie theatres are reluctant to release their best movies to limited audiences — but then audiences have even less reason to go to the theatres. But another possibility is that millions of people who used to go to the movies decided that it just wasn't worth the risk during a surging pandemic.

78-year-old filmmaker Werner Herzog shared some interesting thoughts before the release of his new documentary on asteroids, Fireball: Visitors From Darker Worlds now available on Apple TV+.

From Herzog's new interview with the science site inverse: Herzog tells Inverse he's less concerned than ever that a meteorite will destroy the Earth, but that doesn't mean we shouldn't still be worried about our own extinction. "It may be 100 million years to go until then," Herzog says, before adding, "within the next thousand years, we may have done such stupid things that we are not around anymore to contemplate it...."

There's a theory that all life on Earth came from a meteorite. Do you think that's possible...?

[I]f you expand the question, it wouldn't surprise me if we found life somewhere outside of our solar system, or even within our solar system, because we share the same chemistry with the universe. We share the same physics with the universe. And we share the same history with the universe. So with trillions and trillions and trillions of stars out there, it's highly likely that somewhere there are some forms of life. Probably not as good and interesting as in movies. We can be pretty certain there are no creatures out there like in Star Wars...

Have you heard the theory that we're living inside a simulation?

Yes, but I don't buy it. Because when I kick a soccer ball from the penalty spot, I know this is for real. If the goalie saves it, oh shit, this is for real.
He also discusses the 1998 asteroid disaster film Deep Impact and his own appearance on Rick and Morty, as well as part on The Mandalorian — and the experience of watching its premiere with 1,000 hardcore Star Wars fans. ("It was unbelievable. The first credit appears and there's a shout of joy that you cannot describe... It's evident Star Wars is a new mythology for our times, whether you like it or not.")

But though Herzog's films "often feature ambitious protagonists with impossible dreams, people with unique talents in obscure fields, or individuals who are in conflict with nature," according to Wikipedia, Herzog insists to Inverse that Elon Musk's plan to build a city on Mars is a "mistake."
In a blistering criticism, Herzog describes the idea as "an obscenity," and says humans should "not be like the locusts...."

Herzog is not opposed to going to Mars at all. In fact, the German filmmaker would "love to go [to Mars] with a camera with scientists." But the long-term vision of a Mars city is a "mistake." Herzog's main concern is that humanity should "rather look to keep our planet habitable," instead of trying to colonize another one.

In short, Mars is not a livable place. There is no liquid water at the surface, or air to breathe. Solar wind means inhabitants would be "fried like in a microwave," Herzog says.

An anonymous reader quotes a report from Ars Technica: AT&T has announced another round of price hikes for DirecTV satellite and U-verse TV services, with monthly prices set to rise up to $9 starting January 17, 2021. "Due to increased programming costs, we're adjusting the price of our video packages," AT&T said in a notice on its website. "Periodically, TV network owners increase the fees they charge DirecTV for the right to broadcast their movies, shows, and sporting events." Of course, AT&T itself determines some of these programming prices because it owns Time Warner.

A $5 monthly increase is coming to DirecTV's 160-channel "Entertainment" package, which currently has a standard rate of $97 a month. A $7 monthly increase is coming to the 185-channel Choice package, currently at $115 a month. A $9 increase is coming to both the 250-channel Ultimate package (currently $142) and the 330-channel Premier package (currently $197). New customers can get those packages for $64.99 to $134.99 under promotional pricing that expires after 12 months. "If you currently have a DirecTV TV promotion, you'll keep that discount until it expires," AT&T said. "Once your promo period ends, you'll pay the new price for your package."

There are also $1 and $3 increases for DirecTV's Basic and Preferred Choice packages for international customers, $6 increases for certain Spanish-language packages, and $8 increases for "Xtra" packages. Only the Minimum service, Family, and ChineseDirect Plus plans are not getting increases. AT&T is raising U-verse TV prices by $5 to $9 a month depending on the package, while keeping the price of the most basic U-verse package the same. U-verse provides TV over AT&T's wired network. As with DirecTV, customers on U-verse promotional pricing won't see the increase until the promotional period ends. DirecTV is also adding a "Federal Cost Recovery Fee of $0.19 per month," similar to a fee that used to be charged once per year. Despite the name, the fee is not mandated by the government. AT&T said the fee covers "expenses that DirecTV pays to the Federal Communications Commission." Ars Technica notes that AT&T did not include any increases for the Regional Sports Network and Broadcast TV fees. It's also decreasing the price of some premium channels. "That includes $3 decreases for Starz, Cinemax, and Showtime," the report says. "There are also decreases of up to $3 for certain add-on bundles that include sports channels. But even with premium channels, there are some price increases, including a $2.96 boost to an add-on bundle that includes HBO Max, Starz, Showtime, Cinemax, and a sports-channel pack."

The full list of price changes can be found here.

Although COVID-19 is surging in the United States and around the world, Warner Bros. still plans to release "Wonder Woman 1984" on Christmas Day -- but its plans are are no longer limited to a theatrical release. From a report: Director Patty Jenkins and star Gal Gadot both posted tweets last night announcing that in in the United States, the film will be released simultaneously in theaters and on WarnerMedia's streaming service HBO Max. "THE TIME HAS COME," Jenkins wrote. "At some point you have to choose to share any love you have to give over everything else. We love our movie as we love our fans, so we truly hope that our film brings a little bit of joy and reprieve to all of you this holiday season." A press release from HBO Max offers a few more details: The film will debut in theaters internationally on December 16, then launch in U.S. theaters and on HBO Max on December 25. It will be available to the streaming service's U.S. subscribers for one month at no additional cost.

In a Wall Street Journal article comparing Apple's HomePod Mini against the competition, a Google spokesperson hinted that the company is working on integrating its Chromecast streaming devices and Nest Audio speakers. The Verge reports: Being able to combine a streaming platform with a smart phone speaker makes a lot of sense for these companies. After all, customers already have all the hardware in their living room -- why not repurpose those speakers to improve the sound of your Netflix movies? Plus, there's the added bonus of inciting customers to stay within a company's ecosystem. You're more likely to buy a HomePod mini if it works with the Apple TV you already have. The ability to link smart speakers to streaming boxes is also something that both Apple and Amazon already offer.

Google's plans are extremely vague for now -- The Wall Street Journal makes no mention of which devices the company is looking to link together, when the feature will arrive, or what sort of use cases it's looking to achieve. But with Google increasingly looking to push users toward its smart home devices, making them all work better together just makes good sense.

Disney+, the streaming service that launched one year ago today, grew to 73.7 million paid subscribers as of early October. TechCrunch reports: That's according to The Walt Disney Company's fourth-quarter earnings report, which covers the company's finances through October 3. The company previously said Disney+ had 60.5 million subscribers as of August 3. The release also includes subscriber numbers for Disney's other streaming services -- Hulu had 36.6 million (including 4.1 million subscribers to Hulu + Live TV), while ESPN had 10.3 million (more than doubling from 3.5 million a year earlier).

Overall, Disney's direct-to-consumer segment saw revenue grow 41% year-over-year to $4.9 billion, while its operating loss fell from $751 million in Q4 2019 to $580 million this year. Disney attributed the shrinking losses to "improved results at Hulu and ESPN+, partially offset by higher costs at Disney+, driven by the ongoing rollout." It was a tough quarter for Disney overall, with the pandemic forcing the company to keep some parks closed and the rest operating at reduced capacity. Disney's revenue fell to $14.7 billion (compared to $19.1 billion during Q4 2019), with a loss of $0.39 per share.

An anonymous reader quotes a report from TorrentFreak: Every week, Netflix sends out thousands of takedown requests, most of which target pirated copies of its movies and TV-shows. Yesterday, however, we spotted a series of copyright infringement notices with a different and rather uncomfortable theme. The streaming giant asked Twitter to remove dozens of tweets that included footage from the French coming-of-age film Cuties. This film hasn't been without controversy and the same can be said about the takedown requests too.

To provide some context, Netflix acquired the global distribution rights for Cuties and started promoting it this summer. This created quite some backlash as many people felt that the young actors had been sexualized after being filmed in all kinds of suggestive poses. We won't go into the various viewpoints on this topic or the lawsuit Netflix faces in Texas over 'lewd visual material.' Opinions from both sides are readily available all over the web, including social media. Netflix didn't cancel Cuties, however, but this week it actively started to pull Cuties clips from Twitter. Not just a handful, but several dozens. Legally the company is allowed to do this of course, as they own the rights. However, it is at least a bit peculiar that the company appears to have targeted only negative tweets. The good news is that the texts of the tweets remain online. We don't know if that is Twitter's decision or if Netflix had a say in it. The takedown requests, which are posted on Lumen, target the full tweet URLs. The flagged tweets, according to TorrentFreak, all condemn Netflix. "The language is quite harsh at times, including terms such as child exploitation, pedophilia, as well as repeated calls to cancel Netflix," it adds.

The company hasn't said why it's suddenly going after Cuties clips on Twitter. "The easy conclusion would be that Netflix is trying to shove these under the carpet," reports TorrentFreak. "However, there are still thousands of similar comments online, so that wouldn't be very effective."

In 1962 Sean Connery became the first actor to appear in movies as secret agent James Bond, and according to long-time Slashdot reader schwit1 was "The best of the many Bonds, by far."

An anonymous reader writes: Connery influenced the character deeply. The Huffington Post once wrote that James Bond wasn't Scottish until Sean Connery played the role. Ian Fleming was still writing his series of James Bond novels, and "After seeing Connery in Dr. No and thinking the actor did a superb job, Fleming wrote Connery's heritage into the character. In the book You Only Live Twice, Fleming wrote that James Bond's father was Scottish and was from the town of Glencoe. Coincidentally, Connery would film Highlander in Glencoe decades later."

Sir Sean Connery — he was also knighted in the year 2000 — performed many other iconic roles throught his long career, even playing the father of Harrison Ford's character in Indiana Jones and the Last Crusade. Leaving Bond behind, Connery appeared in many historical dramas, including the World War II movies The Longest Day and A Bridge Too Far, as well as The Man Who Would Be King, The Name of the Rose, and (in 2003) The League of Extraordinary Gentlemen. But throughout his life he was always in demand for high-quality action films, from The Hunt for Red October to The Rock, even co-starring with Catherine Zeta-Jones in the romantic caper film Entrapment at the age of 69.

And in Terry Gilliam's movie Time Bandits, Connery appears as more than one character, hinting that beneath the individual roles lay some timeless embodiment of strength and goodness itself.