"On the 2-year anniversary of DC and Warner Bros.' Justice League, Wonder Woman and Batman themselves have joined fans' calls for the release of director Zack Snyder's cut of the much-maligned 2017 film," reports Entertainment Weekly: Both Ben Affleck and Gal Gadot tweeted "#ReleaseTheSnyderCut" on Sunday, with Gadot also posting a photo of her character, Diana Prince/Wonder Woman... Affleck and Gadot joined other DC actors, like Ray Fisher (Cyborg) and Christina Wren (Major Carrie Farris), who posted on social media for the anniversary to demand the release of Snyder's original vision for Justice League...

Jason Momoa and director Kevin Smith added fuel to the fire this summer after they said they've either seen the Snyder cut or heard about it from reliable sources. In August, Momoa posted an Instagram video with Snyder, saying the director had shown him the cut and that it was "ssssiiicccckkkkkk." Smith was less complimentary, saying the cut was "not a finished movie by any stretch of the imagination."

Still, it is a big deal that Justice League's own stars are calling for a redo of sorts.
Momoa, who plays Aquaman, said in early November "I think the public needs to see it," according to CNET. But The Hollywood Reporter isn't convinced that will happen.

"Despite the groundswell, and speculation that a Snyder Cut could go to Warner Bros.' upcoming streaming service HBO Max, insiders tell The Hollywood Reporter no announcement of a release of a Snyder Cut is imminent.

An anonymous reader quotes ZDNet: Hackers didn't waste any time and have started hijacking Disney+ user accounts hours after the service launched. Many of these accounts are now being offered for free on hacking forums, or available for sale for prices varying from $3 to $11, a ZDNet investigation has discovered... Many users reported that hackers were accessing their accounts, logging them out of all devices, and then changing the account's email and password, effectively taking over the account and locking the previous owner out...

Two users who spoke with ZDNet on the condition we do not share their names admitted that they reused passwords. However, other users said online that they did not, and had used passwords unique for their Disney+ accounts. This suggests that in some cases hackers gained access to accounts by using email and password combos leaked at other sites, while in other cases the Disney+ credentials might have been obtained from users infected with keylogging or info-stealing malware.

The speed at which hackers have mobilized to monetize Disney+ accounts is astounding.

Hulu said Friday it will increase the price of its online cable TV alternative product Hulu Live by $10 to $55 a month in what is the latest sign providers are having trouble making money on discounted packages of channels that rival cable. From a report: Hulu Live, which offers about 60 channels such as ESPN and CNN, was first introduced two years ago. The price increase takes effect Dec. 18, the company said in a statement. So-called skinny bundles -- cheaper online alternatives to cable packages -- have struggled recently as budget-conscious consumers seem more willing to just cut out traditional cable networks entirely. Sony is shutting down its offering, PlayStation Vue, in January.

Streaming services are the hottest thing in entertainment these days. But when it comes to getting the word out about the newest offerings, it's traditional media that often benefits. From a report: Apple, Disney and other big tech and media giants are increasingly turning to outlets like TV, billboards and newspapers to promote their new online products. Spending on broadcast and cable ads by streaming services jumped 19% to $209 million over the past 10 weeks, according to data from researcher ISpot.TV. The biggest spender was Apple, which launched its Apple TV+ service on Nov. 1. It accounted for almost one-quarter of the spending, followed closely behind by Amazon.com , with $37 million in TV ad purchases.

"Television is the easiest place to find people who like TV," said Brian Wieser, global president of business intelligence for GroupM, the ad buying unit of WPP. Disney, which introduced its new Disney+ streaming service on Tuesday, relied heavily on its own networks for marketing. Ads ran on ESPN's Monday Night Football, while ABC aired the first episode of the service's new "High School Musical" series the Friday before the launch. The company also promoted the service on its radio network and in the hotel rooms at its theme parks.

An anonymous reader shares a report: A simple glance at torrent websites shows that plenty of people are stealing from the brand new steaming services -- episodes of The Mandalorian and Dickinson all have hundreds or thousands of seeders and are among the most popular shows on torrent sites. I reached out specifically to Disney, Apple, and Netflix to ask what their policy was on going after pirated content, and haven't heard back, but it's obvious that these companies assume that at least some of their viewers aren't paying the full price for their services. Given that you can watch as many as six simultaneous streams with Apple TV+, and four with Disney+ and the top Netflix package, the more common form of piracy -- password sharing -- is built into the system. But for pirates who don't have any access to the legit services, what makes stealing content particularly appealing in this age is that there are few if any people who face consequences for the crime.

Since the discontinuation of the "six strikes" copyright policy in 2017, there's been lax enforcement of copyright laws. Rather than going after individuals for exorbitant fines for downloading a handful of songs like copyright holders did a decade ago, enforcement these days has focused on the providers of pirated content, with the much more efficient goal of taking down entire streaming sites rather than just a few of their visitors. Of course, as the continued resilience of The Pirate Bay shows, the current strategy isn't particularly effective at stopping piracy, either. But it does mean that those who only download already-stolen content are safer than they've ever been.

Microsoft has added more than 50 new games to the preview of its Project xCloud game streaming service, including Devil May Cry 5, Tekken 7 and Madden 2020. Engadget reports: In a blog post today, Microsoft said it'll send out a new wave of xCloud preview invites to gamers in the US, UK and South Korea. Starting next year, it also plans to expand the preview to Canada, India, Japan and Western Europe. If you live in one of those countries, you can sign up for the preview here and hope you get selected.

For now, the xCloud preview is only available for Android phones and tablets, but Microsoft says next year it'll also be headed to Windows PCs and other devices. I'm sure Roku owners would be pleased, but it'd be even more intriguing if Microsoft could eventually bring the xCloud preview to smart TVs and Apple devices. While testers need to use Xbox controllers with the service now, Microsoft also says it'll work with other bluetooth controllers next year, including Sony's Dual Shock 4 and Razer's entries. Yes, you'll soon live in a world where you can play Halo with a PlayStation branded gamepad. Among other tidbits, the xCloud preview will also let gamers stream titles they already own next year, as well those made available through Xbox GamePass for subscribers.

Freshly Exhumed shares a report from The Guardian: George Lucas, whose departure from all things Star Wars seems to have been greatly exaggerated -- appears to have yet again doctored the famous Greedo scene in 1977's Star Wars [prior to it being shown on the Disney+ streaming service]. The scene depicts the Mos Eisley cantina in which Harrison Ford's Han Solo is confronted by an alien bounty hunter and winds up shooting him dead in a brief flurry of blaster fire. It has been much discussed over the years, largely because Solo shot Greedo in cold blood in the original, "Han shot first" 1977 cut, while in later versions Lucas re-edited the footage to depict Greedo as the aggressor, with Han returning fire in self-defense. Many fans have speculated about what effect that subtle change had on Han's transformation in the original trilogy from cold-hearted hustler to hero of the resistance. Now Lucas has tinkered all over again, to further muddy the waters.

As seen on new streaming service Disney+, the scene features Han and Greedo shooting at roughly the same moment -- to be fair, this is a change introduced several years back. But now, Greedo appears to utter the phrase "MacClunkey!" before succumbing to his wounds. Reports suggest Lucas made the changes some years ago, perhaps around the time he sold Lucasfilm to Disney for $4 billion, in 2012. Celebrities such as Stephen King and Patton Oswalt have speculated about what the re-edit means for the future of Star Wars, though nobody seems to have much of a clue.

An anonymous reader quotes a report from Ars Technica: Google has a long and well-documented history of launching new services only to shut them down a few months or years later. And with the launch of Stadia imminent, one launch game developer has acknowledged the prevalence of concerns about that history among her fellow developers while also downplaying their seriousness in light of Stadia's potential. "The biggest complaint most developers have with Stadia is the fear that Google is just going to cancel it," Gwen Frey, developer of Stadia launch puzzle game Kine, told GamesIndustry.biz in recently published comments. "Nobody ever says, 'Oh, it's not going to work,' or 'Streaming isn't the future.' Everyone accepts that streaming is pretty much inevitable. The biggest concern with Stadia is that it might not exist."

While concerns about Stadia working correctly aren't quite as nonexistent as Frey said, early tests show the service works well enough in ideal circumstances. As for the service's continued existence, Frey thinks such concerns among other developers are "kind of silly." "Working in tech, you have to be willing to make bold moves and try things that could fail," Frey continued. "And yeah, Google's canceled a lot of projects. But I also have a Pixel in my pocket, I'm using Google Maps to get around. I only got here because my Google Calendar told me to get here by giving me a prompt in Gmail. It's not like Google cancels every fucking thing they make." "Nothing in life is certain, but we're committed to making Stadia a success," said Stadia Director of Product Andrew Doronichev in July. "Of course, it's OK to doubt my words. There's nothing I can say now to make you believe if you don't. But what we can do is to launch the service and continue investing in it for years to come."

The Walt Disney Company said Wednesday that its new streaming service Disney+ had 10 million sign-ups since it launched Tuesday at midnight. From a report: Disney wouldn't release the number if the company didn't think it represented a major milestone. Disney told investors in the spring that it hopes to reach 60 million to 90 million subscribers by 2024. The number is also notable, considering the service launched with a few hiccups. Early reports on Tuesday suggested the technology for Disney+ began crashing on launch day. Analysts anticipated strong consumer interest prior to the launch of the new service. Polling suggests that consumers were interested in the service at launch because of the access to Disney's movie catalog, as well as its new show, "The Mandalorian."

Now that we have arrived in Blade Runner's November 2019 "future," the BBC asks what the 37-year-old film got right. Slashdot reader dryriver shares the report: [B]eyond particular components, Blade Runner arguably gets something much more fundamental right, which is the world's socio-political outlook in 2019 -- and that isn't particularly welcome, according to Michi Trota, who is a media critic and the non-fiction editor of the science-fiction periodical, Uncanny Magazine. "It's disappointing, to say the least, that what Blade Runner "predicted" accurately is a dystopian landscape shaped by corporate influence and interests, mass industrialization's detrimental effect on the environment, the police state, and the whims of the rich and powerful resulting in chaos and violence, suffered by the socially marginalized."

[...] As for the devastating effects of pollution and climate change evident in Blade Runner, as well as its 2017 sequel Blade Runner 2049, "the environmental collapse the film so vividly depicts is not too far off from where we are today," says science-fiction writer and software developer Matthew Kressel, pointing to the infamous 2013 picture of the Beijing smog that looks like a cut frame from the film. "And we're currently undergoing the greatest mass extinction since the dinosaurs died out 65 million years ago. In addition, the film's depiction of haves and have-nots, those who are able to live comfortable lives, while the rest live in squalor, is remarkably parallel to the immense disparity in wealth between the world's richest and poorest today. In that sense, the film is quite accurate." [...] And it can also provide a warning for us to mend our ways. Nobody, surely, would want to live in the November 2019 depicted by Blade Runner, would they? Don't be too sure, says Kressel.

"In a way, Blade Runner can be thought of as the ultimate cautionary tale," he says. "Has there ever been a vision so totally bleak, one that shows how environmental degradation, dehumanization and personal estrangement are so harmful to the future of the world? "And yet, if anything, Blade Runner just shows the failure of the premise that cautionary tales actually work. Instead, we have fetishized Blade Runner's dystopian vision. Look at most art depicting the future across literature, film, visual art, and in almost all of them you will find echoes of Blade Runner's bleak dystopia. "Blade Runner made dystopias 'cool,' and so here we are, careening toward environmental collapse one burned hectare of rainforest at a time. If anything, I think we should be looking at why we failed to heed its warning."

You can almost hear the sigh of relief from the global Sega fan community. The new Sonic the Hedgehog movie trailer, which Paramount released this morning, is a giant improvement. From a report: Our spiky hero no longer looks like a nightmarish experiment in avant garde taxidermy. The human teeth have been extracted. He has big doe eyes, not the sinister mini-peepers of the original trailer. The new design genuinely captures a lot of what original character designer Naoto Ohshima set out to achieve -- a cool but cuddly mascot, infusing Japanese kawaii sensibilities with American attitude. His fur is bright, mimicking the famed Sega blue of the company's classic arcade games. He is no longer absolutely terrifying, an important achievement for a family film.

Disney Plus launched early Tuesday, and users are already complaining of service failures. From a report: So far, Disney Plus complaints are clustered in big cities in the Eastern US and Canada, lining up with the the areas likely to experiencing peak demand early Tuesday morning, according to outage tracker DownDetector. The tracker also showed complaints in the Netherlands, where Disney Plus launched as a subscription service Tuesday after operating as a free beta app for weeks. Disney said that demand for Disney Plus has exceeded its "high expectations."

"We are pleased by this incredible response and are working to quickly resolve the current user issue. We appreciate your patience," the company said in a statement. The complaints run a gamut of errors, including difficulties logging in, inability to stream, app failures, shows and movies disappearing from the library and other problems.

As we approach the November 19th launch date of Stadia, Google has revealed there will be just 12 games available to start. ExtremeTech reports: Stadia is similar to GeForce Now and Microsoft's upcoming xCloud service. Instead of downloading a game or buying a physical copy, Stadia renders the games on a Google server and streams the video down to your devices. Companies have been trying to figure this out for almost a decade, ever since OnLive began offering cloud gaming services in 2010. Even if Stadia works perfectly, it won't matter if it lacks content. The initial launch lineup has a little of everything, but the emphasis is on little. Here's the list of games you'll be able to buy on November 19th: Assassin's Creed Odyssey; Destiny 2: The Collection; GYLT; Just Dance 2020; Kine; Mortal Kombat 11; Red Dead Redemption 2; Rise of the Tomb Raider; SAMURAI SHODOWN; Shadow of the Tomb Raider: Definitive Edition; Thumper; and Tomb Raider: Definitive Edition.

Google has, of course, announced other games for Stadia. Anything previously announced like Darksiders Genesis and Borderlands 3 will come later. Google promises the latter will launch on Stadia in 2019 along with more titles like Rage 2, Grid, and Metro Exodus. Stadia launches on November 19th exclusively for players who ordered the Founder's Edition starter kit. That comes with three months of Stadia Pro ($10 per month after), a limited edition controller, a Chromecast Ultra, and a copy of Destiny 2. The base version of Stadia, which lacks 4K support will be available early next year. That one doesn't include a monthly fee, but you still have to pay for the games.

Luke Skywalker wasn't going to be the only Jedi in the final Star Wars movie, reports Yahoo Entertainment: In the original version of the ninth and final installment, The Rise of Skywalker, his sister, Leia (played by Carrie Fisher), was going to emerge as a full-fledged Jedi warrior, complete with her very own lightsaber. That's according to no less an authority than Fisher's real-life brother, Todd Fisher, who filled us in on what the plan was for his sister's iconic character prior to her sudden death in December 2016. "She was going to be the big payoff in the final film," Fisher reveals exclusively to Yahoo Entertainment. "She was going to be the last Jedi, so to speak. That's cool right....? People used to say to me, 'Why is it that Carrie never gets a lightsaber and chops up some bad guys,'" Fisher says, noting that Alec Guinness was roughly the same age when Obi-Wan Kenobi battled Darth Vader in A New Hope. "Obi-Wan was in his prime when he was Carrie's age...!"

Unfortunately, a version of The Rise of Skywalker where Leia picks up her father and brother's chosen weapon can only exist in our imaginations. After Fisher's death, her alter ego's arc had to be re-conceived by returning director J.J. Abrams, who previously directed the actress in 2015's The Force Awakens. "The truth is that J.J. Abrams was great friends with Carrie... he had an extraordinary sense of love for her," her brother says. It was that love that led the filmmaker to make a bold, and creatively risky decision: take unused footage of Leia left over from The Force Awakens and make it part of The Rise of Skywalker. "They had eight minutes of footage," Fisher tells us. "They grabbed every frame and analyzed it... and then reverse-engineered it and [got] it into the story the right way. It's kind of magical."

"The news just keeps getting worse for Terminator: Dark Fate," reports CinemaBlend: It had a disappointing opening last week and a sharp drop in its second weekend at the box office. It also had the worst Friday-to-Friday drop of any other Terminator sequel in the franchise... According to Forbes, it made only $2.8 million on Friday, November 8, marking a 73% drop from opening day on November 1...

[A]t this point, Terminator: Dark Fate is only expected to make just over $10 million this weekend, which would be a drop of 65% from last weekend. That is pretty big considering Dark Fate only started with a $29 million opening weekend. To go back to Terminator Salvation, that movie opened to $42.5 million 10 years ago, so even a slightly bigger week-to-week percentage drop gave it more money than Dark Fate...

Terminator: Dark Fate cost between $185-$195 million to make, not including marketing costs. According to Deadline, the movie will have to make $470 million worldwide to break even. If it were making a killing at the international box office, that might happen. But it's not exactly crushing overseas either. Going into this second weekend, the film was only at $135 million worldwide, with $94M of that from the foreign box office. That's a lot more than domestic, but the addition of this weekend's numbers, and whatever comes next week and beyond, probably won't be enough to hit that break even point... [E]ven if you too think you know where James Cameron was going with his Terminator trilogy plans after Dark Fate, it's unlikely now that those plans will see the light of day.
Forbes calls it "a sign that making a better sequel couldn't save a franchise for which general audiences stopped caring decades ago... [I]t's an example of the studios looking at the threat posed by video-on-demand and streaming and giving theatrical audiences exactly what they don't want."

Meanwhile, they write, the movie Joker has become the most profitable comic book movie of all time, earning $958.7 million worldwide on a budget of just $62.5 million.

A new article at Motherboard remembers when the MIDI file format became the main way music was shared on the internet "for an incredibly short but memorable period of time..." [I]n the hunt for additional features, the two primary developers of web browsers during the era -- Microsoft and Netscape -- added functionality that made audio files accessible when loading websites, whether as background music or as embedded files with a dedicated player. Either way, it was one of the earliest examples of a plug-in that much of the public ran into -- even before Flash. In particular, Microsoft's Internet Explorer supported it as far back as version 1.0, while Netscape Navigator supported it with the use of a plug-in and added native support starting in version 3.0. There was a period, during the peak of the Geocities era, where loading a website with a MIDI file was a common occurrence.

When Geocities was shut down in 2019, the MIDI files found on various websites during that time were collected by The Archive Team. The Internet Archive includes more than 51,000 files in The Geocities MIDI Collection. The list of songs, which can be seen here, is very much a time capsule to a specific era. Have a favorite song from 1998? Search for it in here, sans spaces, and you'll probably find it...! They sound like a musical time capsule, and evoke memories of a specific time for many web surfers of the era. "Even in an age of high-quality MP3s, the chintzy sounds of MIDI files resonate on the Web," writer Douglas Wolk wrote for Spin in 2000, immediately adding the reason: "They play on just about anything smarter than a Tupperware bowl, and they're also very small...." The thing that often gets lost with these compositions of popular songs done in MIDI format is that they're often done by people, either for purposes of running a sound bank (which might come in handy, for example, with karaoke), or by amateurs trying to recreate the songs they enjoy or heard on the radio.... [I]ts moment in the sun reflected its utility during a period of time when the demand for multimedia content from the internet was growing -- but the ability for computers to offer it up in a full-fat format was limited. (Stupid modems....) MIDI is very much not dead -- far from it. Its great strength is the fact that a MIDI-supporting iPad can communicate with some of the earliest MIDI-supporting devices, such as the Commodore 64.
Using a browser plugin called Jazz-Plugin, their writer even re-discovered John Roache's Ragtime MIDI Library. "[I]t occurred to me that I should spend more time writing about one of the things that makes the Web so special -- labors of love. Unlike any medium before it, the Web gives people with unusual talents and interests a chance to share their passions with fellow enthusiasts -- and with folks like me who just happen to drop by."

A coalition that includes Netflix, HBO and cable-industry titans is stepping up efforts to crack down on password sharing, discussing new measures to close a loophole that could be costing companies billions of dollars in lost revenue each year, Bloomberg reported Friday. From the report: Programmers and cable-TV distributors are considering an array of tactics to cut off people who borrow credentials from friends and relatives to access programming without paying for it. The possible measures include requiring customers to change their passwords periodically or texting codes to subscribers' phones that they would need to enter to keep watching, according to people familiar with the matter. Some TV executives want to create rules governing which devices can be used to access a cable-TV subscription outside the home. While someone logging in from a phone or tablet would be fine, someone using a Roku device at a second location could be considered a likely freeloader, one person said. If none of those tactics work, pay-TV subscribers could someday be required to sign into their accounts using their thumbprints.

An unspecified number of smart TVs manufactured by Samsung will lose native support for Netflix next month, the companies said in an announcement this week. From a report: Netflix app installed -- or available for -- Samsung smart TVs manufactured in 2010 and 2011 (C and D lineups) -- and likely sold for many years after that -- will stop functioning December 2, Samsung alerted customers this week. In a statement, a company spokesperson said these TV models were sold only in the U.S. and Canada. In its statement, the top smart TV manufacturer advised affected customers to look for a game console, streaming media player, set-top box or other devices that still support Netflix app to continue their binge-watching sessions. A Netflix spokesperson cited technical limitations for the change. The developement comes weeks after Netflix alerted several Roku customers that they, too, will lose access to the streaming service on December 1.

Two VFX companies are bringing James Dean back to the big screen to star in the Vietnam era action-drama Finding Jack. Dean passed away in a 1955 car crash at the age of 24. From The Hollywood Reporter: Directed by Anton Ernst and Tati Golykh, the project comes from the filmmakers' own recently launched production house Magic City Films, which obtained the rights to use Dean's image from his family. Canadian VFX banner Imagine Engine will be working alongside South African VFX company MOI Worldwide to re-create what the filmmakers describe as "a realistic version of James Dean." Adapted by Maria Sova from Gareth Crocker's novel, Finding Jack is based on the existence and abandonment of more than 10,000 military dogs at the end of the Vietnam War. Dean will play a character called Rogan, considered a secondary lead role.

While Finding Jack will be live action, The Hollywood Reporter understands that Dean's performance will be constructed via "full body" CGI using actual footage and photos. Another actor will voice him. Preproduction on Finding Jack starts Nov. 17, with a goal for a worldwide release on Veterans Day 2020. Magic City Films is handling the foreign sales. "We searched high and low for the perfect character to portray the role of Rogan, which has some extreme complex character arcs, and after months of research, we decided on James Dean," said Ernst, who also produces with Golykh for Magic City Films alongside Donald A. Barton of Artistry Media Group. "We feel very honored that his family supports us and will take every precaution to ensure that his legacy as one of the most epic film stars to date is kept firmly intact. The family views this as his fourth movie, a movie he never got to make. We do not intend to let his fans down."

Dustin Curtis writes about Apple TV: Apple TV is a hardware device. Apple TV is an app on Apple TV that curates content you can buy from Apple and also content you can stream through other installed apps (but not all apps, and there is no way to tell which ones). Apple TV is an app on iOS/iPadOS devices that operates similarly to Apple TV on Apple TV. Apple TV on iOS/iPadOS syncs playback and watch history with Apple TV on Apple TV, but only if the iOS/iPadOS device has the same apps installed as the Apple TV -- and not all apps are available on all platforms. Apple TV is also an app on macOS, but it does not show content that can only be streamed from external apps on an Apple TV or iOS/iPadOS device.

Apple TV is an app or built-in feature of other devices, like smart TVs and streaming set-top boxes, but when Apple TV is running on a third party device, it does not show content from other installed apps on that device. Apple TV Channels is a feature on all Apple TV apps that lets you subscribe to external services like HBO and Showtime, which then display content within Apple TV. When Apple TV is on Apple TV or iOS/iPadOS, though, most Apple TV Channel services also have their own app. If you are logged into the app, the service's content already shows up in Apple TV. Apple TV Channels can only be viewed within Apple TV; you cannot watch an Apple TV Channel service's content on any non-Apple TV device, app, or the web. [...] Apple TV+ is a subscription streaming service from Apple that functions like an Apple TV Channel but is not an Apple TV Channel. Apple TV+ content can also be viewed in a web browser at tv.apple.com; no other Apple TV apps, devices, or features can be used in a web browser. He adds, "other than that, though, Apple TV is relatively straightforward."