"If you've ever dreamed of living 'a long time ago in a galaxy far, far away,' now is your chance — as long as you've got a spare four to six thousand dollars sitting around," writes SFGate: This week, Walt Disney World announced more details about its new Galactic Starcruiser hotel opening in the spring, an immersive, two-day "Star Wars" experience that evokes the feeling of being in the movies. The tech will be more advanced than any other Disney experience, including Rise of the Resistance at Disneyland and the Star Wars: Galaxy's Edge lands... "Star Wars: Galactic Starcruiser is a revolutionary new 2-night experience where you are the hero," according to Walt Disney World's website. "You and your group will embark on a first-of-its-kind Star Wars adventure that's your own. It's the most immersive Star Wars story ever created — one where you live a bespoke experience and journey further into a Star Wars adventure than you ever dreamed possible."

There are lightsaber experiences, interstellar entertainment, characters hanging around and an overall feeling that you're closer to being in Star Wars than you've ever been in your life. The idea is that you're staying on a luxury space cruise, so immersive that the hotel's windows look out into "space" and you never leave the property unless it's to "board a transport" to Batuu, the land where Star Wars: Galaxy's Edge takes place. Admission to Hollywood Studios is included in the price, as is all of your food and non-alcoholic beverages. But really, for $4,809 for two nights' accommodations for two guests in a studio, they could throw in a space beer or two...

But then again, for some Star Wars fans, you can't put a price on total immersion in the fandom, from cast members acting as though they're really intergalactic travelers to the ability to make infinite Wookee jokes free from the harsh judgements of people who wouldn't spend $4,000 to sleep in a "spaceship."

According to a survey from Consultancy Accenture, young people born in the 90s are less likely to be getting their information about tech careers from school and teachers than social media, TV series and film. ZDNet reports: Social media ranks top for information sources about career aspirations (31%), beating out parents by a small margin (29%) and teachers by a larger margin (24%). Gen Z are more likely to learn about a future in the tech sector from TV and film (27%) than from school (19%). Accenture surveyed 1,000 UK-based 16-21-year-olds on their career aspirations and their long-term options. It found that 44% of young women said they had good digital skills, but only 40% of young men said they did. Despite this, less than a quarter of young people are confident in securing a technology job.

Shaheen Sayed, Accenture's technology lead in the UK & Ireland, said: "If the digital native generation is not turning to technology as a career option, then we have a huge pipeline problem for the technology profession. Young people know technology is completely redefining the world right now -- but their lack of confidence in securing a tech job indicates a worrying disconnect between young people, particularly girls, and a changing jobs market." Those interviewed who were interested in tech jobs said they would most likely choose jobs in AI, data analytics, and cybersecurity. Which makes sense to an extent, given that these are the top three subjects in online tech media at present.

"It's striking that young people are influenced more by digital channels than their connections at home and school when choosing their next steps," said Sayed. "Careers advice will need to meet young people where they are at and paint an engaging picture of the skills required for the economy today. Developing the next generation of tech talent requires more than having coding on the curriculum. Technology moves quickly and subjects must evolve to equip young people with the digital skills that will drive economic growth. Employers are looking for people to work with technologies, like AI, as they tackle global challenges like climate change and become more competitive."

Fandango has revealed that Vudu is merging with its parent company's own streaming service, FandangoNow, to form a single platform that'll take on Vudu's name. The change comes more than a year after it purchased the streaming platform from Walmart. New submitter echopulse writes: The new Vudu service will have more than 200,00 movies and TV shows available to buy, and many for free with ads. It will also be the official movie store for Roku devices, replacing the FandangoNow store. If you have a Fandango account, you can move your movies over to the new service by going to FandangoNow.com

Netflix will stream a documentary next month which will follow the story of the world's first private all-civilian space orbit. Sky News reports: The group will board a SpaceX capsule next month and spend three days orbiting the Earth, becoming Netflix's first documentary "to cover an event in near real-time." The privately chartered flight will be commanded, funded and led by 38-year-old billionaire Jared Isaacman, and aim to support St Jude Children's Research Hospital to the tune of $200 million. He will be joined on board by Sian Proctor, a geoscientist and former NASA candidate, Christopher Sembroski, a US Airforce veteran, and Hayley Arceneaux, a doctor's assistant at St Jude and childhood cancer survivor.

The group will apparently reach a higher altitude than the International Space Station as they orbit the planet in the SpaceX Dragon capsule, dubbed Inspiration4. The quick-turnaround documentary will be made in five parts, with the first two premiering on 6 September. Viewers have been promised behind the scenes access of the mission -- from their selection, to footage from inside the spacecraft while it orbits Earth.

One of Amazon's most anticipated originals to date, a yet-unnamed Lord of the Rings original series, will officially debut on Prime Video on Friday, September 2nd, 2022. The Verge reports: Along with a premiere date, Amazon Studios released an official first image from the forthcoming series, which will be set in Middle-earth's Second Age. The series will take place thousands of years before the events chronicled in J. R. R. Tolkien's The Hobbit and The Lord of the Rings books, and it will follow characters "both familiar and new, as they confront the long-feared re-emergence of evil to Middle-earth."

The image release is tied to the series's production wrap after filming in New Zealand. Fans quickly speculated that the series will be set in Valinor, as the image depicts what appear to be the Two Trees. The untitled project is a huge investment by Amazon in its Prime Video streaming service. The series's first season alone reportedly cost around $465 million to produce. For context about what a massive creative undertaking this series has been for Amazon Studios, the final season of Game of Thrones was reported to have cost as much as $15 million per episode (though its budget was originally around $5 million per episode).

Slashdot reader Dave Knott quotes the BBC's Doctor Who site: Having been in charge of the TARDIS since filming for the Thirteenth Doctor began in 2017, Showrunner Chris Chibnall and the Thirteenth Doctor, Jodie Whittaker, have confirmed they will be moving on from the most famous police box on Earth.

With a six-part Event Serial announced for the autumn, and two Specials already planned for 2022, BBC One has now asked for an additional final feature length adventure for the Thirteenth Doctor, to form a trio of Specials for 2022, before the Doctor regenerates once more.

H_Fisher writes: Only one copy exists of the Wu-Tang Clan album Once Upon a Time in Shaolin, and it was owned by "Pharma Bro" Martin Shkreli. Now, NPR reports that this album has been sold by the U.S. government to an unnamed buyer in order to pay Shkreli's civil forfeiture judgment following his conviction for securities fraud. The album, which was originally sold for $2 million, exists only as one physical CD copy. It was seized along with other assets in 2018, and while the sale price and buyer weren't identified, Shkreli's attorney says that his client has now repaid the $7.4 million forfeiture judgement.

Lucasfilm has hired the YouTuber known as Shamook, whose The Mandalorian deepfake, published in December, has earned nearly 2 million views for improving the VFX used to de-age Mark Hamill. CNET reports: "As some of you may already know, I joined ILM/Lucasfilms a few months ago and haven't had the time to work on any new YouTube content," Shamook wrote in the comment section of a recent video. "Now I've settled into my job, uploads should start increasing again. They'll still be slow, but hopefully not months apart." Shamook said in the comments that his job title is, "Senior Facial Capture Artist."

Lucasfilm confirmed the new hire (via IndieWire). "[Industrial Light and Magic is] always on the lookout for talented artists and have in fact hired the artist that goes by the online persona 'Shamook,'" a Lucasfilm representative said in a statement. "Over the past several years ILM has been investing in both machine learning and A.I. as a means to produce compelling visual effects work and it's been terrific to see momentum building in this space as the technology advances." Shamook also "fixed" The Irishman too.

Valve expects that its recently announced Steam Deck portable gaming console will be able to run "really the entire Steam library" on its 1280x800 LCD screen at frame rates of 30 fps or higher. Ars Technica reports: That's according to a recent IGN video interview in which Valve Hardware Engineer Yazan Aldehayyat said that "all the games that we wanted to be playable had really good [performance], a really good experience" in Steam Deck testing. Valve developer Pierre-Loup Griffais expanded on that statement by saying that "all the games that we wanted to be playable" means "really the entire Steam library." "We haven't really found something we could throw at this device that it couldn't handle yet," he added.

Griffais said initial prototype testing for the Steam Deck focused on older games in the Steam catalog and that there were "games that were coming out last year that just couldn't really run very well on the previous types of prototypes and architectures we were testing." On the finalized version of the hardware, though, he said the company has "achieved the level of performance that is required to run the latest generation of games without a problem." "The entire Steam catalog is available to people who have this device," Aldehayyat added. "That's where we knew we had a product that was going to deliver the experience we were looking for."

Aldehayyat attributed Steam Deck's wide compatibility in part to "future-proofing" internals that include a custom APU incorporating AMD's latest generation of GPU and CPU technology, as well as 16GB of LPDDR5 RAM. Griffais added that the performance scalability of modern PC games helps Steam Deck achieve a playable frame rate at its native 800p resolution (which is relatively low compared to desktop gaming PCs). "If people are still valuing high frame rates and high resolutions on different platforms, I think that content will scale down to our 800p, 30 Hz target very well," he said. "If people start heavily favoring image quality, we might be in a position where we might have tradeoffs, but we're not in a position where we really see that yet." In a follow-up tweet late last week, Griffais clarified that the 30 fps target is the "floor" for what Valve considers playable: "games we've tested and shown have consistently met and exceeded that bar so far. There will also be an optional built-in FPS limiter to fine-tune perf[ormance] vs. battery life."

An anonymous reader writes: As reported by Motherboard, Emily Crose, a FOIA researcher, obtained emailed complaints showing how life at the NSA can be incredibly mundane:

"The cafe menu items and pricing are out of control! Weighing the food to get more money, the scales are not properly adjusted, ripping us off. They stopped serving fried eggs at the OPS1 breakfast bar because it's faster and cheaper to get them. Now if you go to the grill the price is inflated. What's the difference between the grilled chicken at the grill and the grilled chick at the chicken shack?"

A person who used to work in the intelligence community told that they could confirm that the NSA cafeteria is "depressingly bad." "Maybe not the worst cafeteria I've ever eaten in but worse than the time I ate at US run military base mess hall," they said, asking to remain anonymous.

Ratings for the Olympic Games opening ceremony were down 36% compared to 2016, according to preliminary numbers from NBC Universal. From a report: The figures for the Tokyo Games event mark the lowest audience for an Olympics opening ceremony event in over three decades, per Reuters. Roughly $1 billion has been spent on advertising around the Olympics. Ratings are the only real metric marketers can use to justify much of that spend. About 17 million people watched the event on broadcast and streaming, according to NBC. Early broadcast numbers suggest some 10 million people watched the event on linear TV. By comparison, about 26.5 million people and 27.8 million people tuned in to the Olympic opening events in Rio in 2016 and Pyeongchang in 2018, respectively. Some of this is out of NBC's hands. Without fans in the stands, the content may not be as compelling to viewers this year as it has been in the past. Some reviews of the opening ceremony pegged it as downbeat compared to previous ceremonies, others described it as boring.

Comic-Con went virtual again in 2020. (San Diego businesses will miss the chance to profit from the 100,000 visitors the convention usually attracted.) And NPR reports the convention has gotten smaller in other ways: Both Marvel Studios and DC are staying away; as it did last year, DC is again directing its resources towards its own event, DC FanDome, set for mid-October. But fans of shows like Doctor Who, Dexter and Comic-Con stalwart The Walking Dead will have lots to look forward to.
Rotten Tomatoes and The Verge have gathered up the trailers that did premier. Some of the highlights:

• Blade Runner: Black Lotus , an upcoming anime television series set to premiere in late 2021 on Crunchyroll and Adult Swim (co-producing it with Alcon Television Group).
• The upcoming remake of Dune
• J.J. Abrams' new four-part Showtime documentary about UFOs.
• Season 2 of Star Trek: Lower Decks and the new Star Trek: Prodigy, a CGI-animated series about a group of aliens who escape captivity onboard the Enterprise.

But interestingly, one of the more visibile presenters was: NASA. Current and former NASA officials made appearances on several different panels, according to Space.com, including one on modern space law, U.N. treaty-making, and how it all stacks up against the portrayal we get in our various future-space franchises. And a former NASA astronaut was also part of a panel touting a virtual simulation platform, "where students can have access to the same tools that professionals use and in the case of space are given the opportunity to solve real problems related to missions to our Moon, Mars, and beyond... from piloting to terra-forming to creating habitats and spacecraft."

There was also a panel of four NASA engineers titled "No Tow Trucks Beyond Mars," on "how we go boldly where there's no one around to fix it. Hear stories from the trenches of the heartbreaks, close calls, and adventures of real-life landing (and flying!) on Mars and our round-table discussion of what Netflix got right in their movie Stowaway."

Sunday's panels will include an astronomer, an astrobiologist, and a geologist/paleontologist discussing "The Science of Star Wars" with the concept designer for Star Wars episodes 7-9, Rogue One, and Solo.

"Fans of Japanese video games couldn't believe their ears as Olympic athletes paraded into Tokyo's National Stadium during the opening ceremony for the 2020 Games on Friday..." reports the Huffington Post. During the Parade of Nations section of the ceremony, "The orchestra was playing tunes from some of their favorite games." In a celebration of Japanese popular culture that is appreciated worldwide, the entry parade was set to tunes from games developed by Sega, Capcom and Square Enix. It kicked off with "Overture: Roto's Theme" from Dragon Quest. Next up was "Victory Fanfare" from Final Fantasy. The parade featured more tunes from Monster Hunter, Soulcaliber and Sonic the Hedgehog. According to Classic FM, the music from Kingdom Hearts was composed by Yoko Shimomura, who is responsible for the music for some of the biggest video games ever made. Fans were delighted to hear her work being incorporated into the ceremony.

While the list didn't feature widely recognized tunes from cultural juggernauts like Mario Bros. or The Legend of Zelda, the music helped give a sense of atmosphere to the ceremony, which was held in almost an empty stadium due to coronavirus restrictions.
There's even an elaborate doodle at Google.com commemorating the Opening Ceremonies with an anime animation that leads to a multi-level 1980s-style videogame in which Lucky the cat competes in various sporting events. (Though the Huffington Post notes that in the real world, about 1,000 people sat in the 68,000-capacity stadium.)

The Washington Post reports the Japanese public "overwhelmingly opposed hosting the Olympics as a new wave of the pandemic hit the country." But unfortunately, host city Tokyo signed a contract agreeing the event could only be cancelled by the International Olympic Committee, and now "There's the possibility — once utterly remote — that Japanese voters could kick Prime Minister Yoshihide Suga out of power in parliamentary elections later this year."

The nation's big TV companies are calling for a new yardstick. From a report: A trade organization representing Disney, ViacomCBS, NBCUniversal, Fox Corp. and other media giants is calling for the organization that signs off on Nielsen's methodology for measuring TV viewership to yank accreditation, an aggressive maneuver in an era when media outlets and the advertisers who support them are scrambling to figure out how to count viewer eyeballs across an increasingly unwieldy array of new entertainment venues, digital behaviors and screens. The trade group, the VAB, on Wednesday sent a ten-page letter to the Media Rating Council urging the group to pull its backing of Nielsen's ratings, citing Nielsen's diminished ability to count viewership during the coronavirus pandemic. "Nielsen's COVID-period conduct as a ratings service violated at least five minimum standards," the VAB said in its letter, "with the damage done to their largest subscriber clients still creating material negative impact into July 2021."

Nvidia's Shield TVs are some of the best streaming video boxes on the market, but following a recent update to Android TV, Shield TV users are starting to see ads on their home screen and they aren't happy about it. From a report: The latest update to Android TV on Shield TV devices began rolling out earlier this month and featured a small UI redesign that added large banner images to Android TV's home screen, similar to what you get when using Google TV devices like the Chromecast with Google TV. Now technically, Google calls these banner images "recommendations," as they are regularly updated and rotated to help users find new streaming content Google thinks they might enjoy. However, a number of Shield TV users consider these images to be advertisements (especially when they recommend shows on services users aren't even subscribed to), and as such, have taken to showing their displeasure with the recent update by review bombing the listing for the Android TV Home app, which now has a one-star rating across more than 800 reviews.

Long-time Slashdot reader phalse phace writes: 2021 is turning out to be an even stronger year for vinyl album sales than in 2020.

In the first six months of 2021, 19.2 million vinyl albums were sold, outpacing CD volume of 18.9 million, according to MRC Data, an analytics firm that specializes in collecting data from the entertainment and music industries. That is a 108% increase from the 9.2 million that were sold during the same period in 2020.

And according to MRC Data, Record Store Day 2021 helped to sell 1.279 million vinyl albums in the U.S. in the week ending June 17, a record for a Record Store Day week and the third-largest week for vinyl album sales since MRC Data began electronically tracking sales in 1991. Further, with 942,000 vinyl albums sold at independent record stores in the week ending June 17, that marks the largest week ever for the format at the indie sector in MRC Data history.

A committee in the U.K. Parliament says the music industry is weighted against artists, with even successful pop stars seeing "pitiful returns," reports the BBC: They are calling for a "complete reset" of the market, with musicians given a "fair share" of the £736.5 million that UK record labels earn from streaming. In a report, they said royalties should be split 50/50, instead of the current rate, where artists receive about 16%.

The findings came after a six-month inquiry into music streaming. "While streaming has brought significant profits to the recorded music industry, the talent behind it — performers, songwriters and composers — are losing out," said Julian Knight, MP, who chairs parliament's Digital, Culture, Media and Sport committee. "Only a complete reset of streaming that enshrines in law their rights to a fair share of the earnings will do...."

A survey by the Ivors Academy and Musicians' Union found that in 2019, 82% of professional musicians made less than £200 from streaming, whilst only 7% made more than £1,000...

The committee's report said streaming had "undoubtedly helped save the music industry" after decades of piracy, "but it is clear that what has been saved does not work for everyone".
A chart accompanying the article shows that meanwhile streaming services keep 30% of the revenue, while labels end up with 55%.

"Artists who release their own music, or who work with independent labels and distribution companies, tend to get a higher share."

Earlier this week, Netflix announced that it is planning an expansion into video games and has hired a former EA and Facebook executive to lead the effort. Now, according to a recent datamine, the streaming giant may be forming a partnership with PlayStation to bring some of the biggest PlayStation brands to Netflix. IGN reports: Reported by VGC, dataminer Steve Moser appears to have uncovered PlayStation brand imagery and content in the Netflix app code. Moser shared the information via a tweet, including images of both the Ghost of Tsushima box art and some PS5 controllers. It's unclear exactly what this means for Netflix, but if there is a burgeoning partnership between Netflix and PlayStation, it could see Ghost of Tsushima content come to the streaming service in some form.

Moser suggests that the gaming section of Netflix currently has the codename 'Shark', and the placement of PlayStation IP within that suggests a collaborative approach. This wouldn't be the first major deal between Sony and Netflix, as the two companies agreed a deal earlier this year that means movies from Sony Pictures Entertainment will come to Netflix first after their theatrical run. [...] Given that many first-party PlayStation games are narrative-driven adventure games with a focus on cinematic stories, it makes sense to try and adopt games like Ghost of Tsushima and the last of us into movies and TV. Whilst PlayStation already has a games streaming service, PlayStation Now, it could also potentially be looking to push gaming content beyond the PlayStation console ecosystem, as Microsoft has done with Xbox Game Pass.

An anonymous reader quotes a report from CNET: LG's futuristic rollable TV has arrived. The LG Signature OLED R TV is now available in the US for $100,000 -- costing roughly 50 times more than your average 4K OLED TV. But this isn't your average TV. It has a thin, flexible 65-inch OLED screen. The "wow factor" is the TV's ability to roll down into its housing unit when you're not watching a movie or playing a video game in 4K. It also comes with a sound system with Dolby Atmos and Sound Pro, and has Google Assistant and Amazon Alexa built-in for voice control. The TV has three viewing modes: LG calls them "full view," "zero view" and "line view." In full view, the TV is completely unrolled from the base. In zero view, it's wrapped back up, letting you take advantage of just the Dolby Atmos speaker. In line view, part of the TV is unrolled, roughly a quarter of the screen. This unrolled section could show a clock, the weather or photos. If you're interested in purchasing this TV, LG requires you to contact a representative in your region via their website.

Pocket Casts has a new owner. Automattic, which runs WordPress.com and recently purchased Tumblr, announced today that it's acquired Pocket Casts, the well-regarded podcast app. The blog post announcing the purchase didn't offer much in the way of a preview, but it did tease potential future integrations. From a report: "As part of Automattic, Pocket Casts will continue to provide you with the features needed to enjoy your favorite podcasts (or find something new)," the post states. "We will explore building deep integrations with WordPress.com and Pocket Casts, making it easier to distribute and listen to podcasts." Pocket Casts launched in 2010 and sold to NPR and a group of other public media groups eight years later. It's been well-received, particularly from sites like The Verge, because it's available across platforms. It started monetizing through a program called Pocket Casts Plus, which charges users a monthly subscription fee for features like desktop app access and a standalone Apple Watch app, in 2019.