All those original shows on streaming services brought us "peak TV." But the New York Times reports on the flipside: back in the cable universe, they're experiencing "zombie TV": In 2015, the USA cable network was a force in original programming. Dramas like "Suits," "Mr. Robot" and "Royal Pains" either won awards or attracted big audiences. What a difference a few years make. Viewership is way down, and USA's original programming department is gone. The channel has had just one original scripted show this year, and it is not exclusive to the network — it also airs on another channel. During one 46-hour stretch last week, USA showed repeats of NBC's "Law & Order: Special Victims Unit" for all but two hours, when it showed reruns of CBS' "NCIS" and "NCIS: Los Angeles."

Instead of standing out among its peers, USA is emblematic of cable television's transformation. Many of the most popular channels — TBS, Comedy Central, MTV — have quickly morphed into zombie versions of their former selves. Networks that were once rich with original scripted programming are now vessels for endless marathons of reruns, along with occasional reality shows and live sports... Advertisers have begun to pull money from cable at high rates, analysts say, and leaders at cable providers have started to question what their consumers are paying for. In a dispute with Disney this year, executives who oversee the Spectrum cable service said media companies were letting their cable "programming house burn to the ground...."

The media companies that own the channels are in a bind. The so-called cable bundle was enormously profitable for media companies, and more than 100 million households subscribed at the peak. But subscribers are rapidly declining as people migrate toward streaming. Now roughly 70 million households subscribe to cable. As a result, most media companies are pulling resources from their individual cable networks and directing investment toward their streaming services. Peacock, which is owned by NBCUniversal, also the parent of USA, has begun making more and more original scripted shows over the last three years.

However, most streaming services are hemorrhaging cash. (An NBCUniversal executive said this week that Peacock would lose $2.8 billion this year.) Cable, although it is getting smaller, remains profitable.
Media analyst Michael Nathanson believes last year was saw a "tipping point" when cable advertising decreased — by double-digit percentages — in five consecutive fiscal quarters. "Advertisers are starting to realize that there's really nothing on here and they shouldn't pay for it."

One consultant who works with entertainment companies and used to run marketing at the Oxygen cable network tells the newspaper that cable channels "are being stripped for parts." The article calculates that in 2022 there were 39% fewer scripted programs on basic and premium cable than there were in 2015.

"Reruns are filling the hole."

Samuel Axon reports via Ars Technica: The trailer for Amazon's Fallout TV series dropped this weekend, and it's either craven fan service or wonderfully authentic, depending on your point of view. The trailer depicts a lead character leaving a vault after an apparent catastrophe, discovering the broken world outside, and encountering ridiculous monsters as well as factions like the Brotherhood of Steel. It also features some extreme gore, which you'd expect from Fallout.

We've written a few times about the slowly unfolding saga of this show, which has Westworld's Lisa Joy and Jonathan Nolan as producers. To be clear, though, they won't actually be the showrunners; that honor goes to Geneva Robertson-Dworet (Captain Marvel, Tomb Raider) and Graham Wagner (Portlandia, The Office, Silicon Valley). The two showrunners each cover one-half of what Fallout has traditionally been: Robertson-Dworet brings the sci-fi action credentials, and Wagner brings the satirical comedy. As announced in October, the show will premiere on April 12th, 2024, exclusively via Prime Video.

In 2024, the Pixar films that debuted on Disney+ during the COVID-19 pandemic years when theaters were shut down will be returning to the big screen. Those include Soul, Luca and Turning Red. Engadget reports: Soul will get a theatrical release on January 12, Turning Red will hit cinemas on February 9 and Luca will emerge on a silver screen near you on March 22. Given that these movies have been around for as long as three years, it's unlikely that they'll set the box office charts alight. But the theatrical releases mean you'll have a chance to enjoy these films as originally intended.

Rockstar Games has officially revealed the trailer for Grand Theft Auto VI, which is coming in 2025. You can watch it on YouTube. IGN reports: The trailer gives us a look at the game's female protagonist, a first for the series. Her name is Lucia, and that she starts off in prison -- "bad luck, I guess," she quips. The trailer confirms, too, that it's set in Vice City with a large sign - not a huge surprise for those who've been following the series, but exciting nonetheless. In addition to lots and lots of quick shots of crime, we also get glimpses of TikToks and live-streams, hinting that social media will be a big part of this game.

It all takes place as Tom Petty's "Love Is a Long Road" plays in the background, appropriate for the many car-related crimes we see. And yes, true to the Florida setting, there are alligators in locations where they shouldn't be. It ends by showing us a little more of Lucia and a male character, seemingly both lovers and partners-in-crime. "The only way we're gonna get through this is by sticking together and being a team," Lucia says at one point. Fans have been talking about GTA 6 ever since GTA 5 was released in 2013, perhaps unsurprisingly as IGN deemed that one a "masterpiece" in our review.

ExpressVPN is the biggest VPN company so far to take advantage of the VPN support available in tvOS 17. According to The Verge, ExpressVPN will let Apple TV users connect to servers "in any of 105 countries around the world" so they can watch geo-restricted content around the world. From the report: To download it, you'll need to make sure you're on tvOS 17 -- earlier versions don't support native VPN apps at all. Once set up, the app will route your traffic through faraway servers before forwarding them to whatever streaming service or other internet server the Apple TV contacts. ExpressVPN on the Apple TV uses the company's Lightway protocol. Reddit users reported spotting the app last week. Most said they could switch countries to get around region restrictions, though some had issues logging in or getting it to work with specific apps. It's also a basic experience that lacks advanced VPN features like split tunneling, which dynamically applies the VPN connection to certain services as needed, freeing users from managing it manually.

"Advent of Code" has begun. New programming puzzles will appear every day until Christmas at AdventOfCode.com — and the annual event (first started in 2015) has grown into a worldwide phenomenon. This year's first puzzle has been completed by over 150,000 programmers (with another 115,652 completing Day Two's puzzle). And 108,000 fans have also joined the Advent of Code subReddit.

Contest-related comments are popping up all around the web. Some participants are live streaming their puzzle-solving efforts on Twitch. Self-described computer nerd Gary Grady is tweeting cartoons about each day's puzzle. JetBrains is even giving away some prizes in their "Advent of Code with Kotlin" event. And JetBrains developer advocate Sebastian Aigner is also hosting daily livestreams about each puzzle.

It's hard to overstate how big this event has become. This year's event attracted 60 sponsors, including Kotlin (for the third consecutive year), as well as Spotify, Shopify, and Sony Interactive Entertainment (as well as JPMorgan Chase, Bank of America, and American Express). Individual donors can get a special badge next to their name, and there's also a shop selling coffee mugs and t-shirts. But at its core is real-world developer Eric Wastl (plus a team of loyal beta-testers) sharing his genuine fondness for computer programming. Wastl is also the creator of a satirical web page for the fast, lightweight, cross-platform framework Vanilla JS ("so popular that browsers have been automatically loading it for over a decade") and also curates a collection of "things in PHP which make me sad".

And you can find him on X sharing encouraging comments for this year's participants.

Gene Simmons is 74 years old. But as the singer for the classic rock band KISS left the stage after their final show, USA Today reports there was a surprise: in the most on-brand KISS move even by KISS standards, before the quartet likely hit their dressing rooms after disappearing on stage in the blizzard of smoke and confetti that accompanied the set-closing "Rock and Roll All Nite," a message blasted on the video screens: "A new KISS era starts now."

Digital avatars of the band followed, playing their anthem, "God Gave Rock and Roll To You."
ABC News reports: The avatars were created by George Lucas' special-effects company, Industrial Light & Magic, in partnership with Pophouse Entertainment Group, the latter of which was co-founded by ABBA's Björn Ulvaeus. The two companies recently teamed up for the "ABBA Voyage" show in London, in which fans could attend a full concert by the Swedish band — as performed by their digital avatars. Per Sundin, CEO of Pophouse Entertainment, says this new technology allows Kiss to continue their legacy for "eternity." He says the band wasn't on stage during virtual performance because "that's the key thing," of the future-seeking technology. "Kiss could have a concert in three cities in the same night across three different continents. That's what you could do with this."

In order to create their digital avatars, who are depicted as a kind of superhero version of the band, Kiss performed in motion capture suits.

Experimentation with this kind of technology has become increasingly common in certain sections of the music industry. In October K-pop star Mark Tuan partnered with Soul Machines to create an autonomously automated "digital twin" called "Digital Mark." In doing so, Tuan became the first celebrity to attach their likeness to OpenAI's GPT integration, artificial intelligence technology that allows fans to engage in one-on-one conversations with Tuan's avatar. Aespa, the K-pop girl group, frequently perform alongside their digital avatars — the quartet is meant to be viewed as an octet with digital twins. Another girl group, Eternity, is made up entirely of virtual characters — no humans necessary.
Kiss frontman Paul Stanley told ABC News that "The band deserves to live on because the band is bigger than we are."

Sony is about to delete tons of Discovery shows from PlayStation users' libraries even if they already "purchased" them. Why? Because most users don't actually own the digital content they buy thanks to the mess of online DRM and license agreements. Some of the soon-to-be-deleted TV shows include Mythbusters and Naked and Afraid. Kotaku reports: The latest pothole in the road to an all-digital future was discovered via a warning Sony recently sent out to PlayStation users who purchased TV shows made by Discovery, the reality TV network that recently merged with Warner Bros. in one of the most brutal and idiotic corporate maneuvers of our time. "Due to our content licensing arrangements with content providers, you will no longer be able to watch any of your previously purchased Discovery content and the content will be removed from your video library," read a copy of the email that was shared with Kotaku.

It linked to a page on the PlayStation website listing all of the shows impacted. As you might imagine, given Discovery's penchant for pumping out seasons of relatively cheap to produce but popular reality TV and documentary-based shows, there are a lot of them. They include, but are not limited to, hits such as: Say Yes to the Dress, Shark Week, Cake Boss, Long Island Medium, Deadly Women, and many, many more. [...] Now, essentially anything you buy on PSN, whether a PS5 blockbuster or, uh, Police Women of Cincinnati, is essentially just on indefinite loan until such time as the PlayStation servers die or the original copyright owner decides to pull the content.

On December 14, 2023, three Grand Theft Auto games will officially become available for Netflix members on the App Store, Google Play, and in the Netflix mobile app. IGN reports: Those who can't wait to jump into Grand Theft Auto III - The Definitive Edition, Grand Theft Auto: Vice City - The Definitive Edition, and Grand Theft Auto: San Andreas - The Definitive Edition can pre-register today to get ready for December 14 and play as soon as they are available. The addition of these three classic Grand Theft Auto games will bring Netflix's gaming library to over 80 titles, and all of these games are available to all Netflix subscribers without any ads, in-app purchases, or extra fees.

Microsoft is returning to the Bliss hill once again with this year's entry in its now-traditional ugly retro-computing sweater series. From a report: Blue hemming at the bottom and on the sleeves evokes Windows XP's bright-blue taskbar, and in case people don't immediately recognize Bliss as "a computer thing," there's also a giant mouse pointer hovering over it. The sweater is available from size small up to a 3XL, and costs $70 regardless of which version you buy. All sizes are currently expected to arrive sometime between December 2 and 6.

Global pay TV penetration (the number of pay TV subscriptions relative to the number of households) is set to decline for the first time ever in 2024 following a peak penetration of 60.3% in Q4 2023. This decline will continue into the forecast period, with a drop of almost 4 percentage points by the end of 2028, according to Ampere's latest forecasts, which cover 96 markets. From a report: This decline in pay TV penetration has been driven primarily by the Americas, and in particular North America which has seen its pay TV penetration almost halve from a high of 84% in 2009 to 45% in 2023. In the case of North America, this drop has been caused by a combination of high costs (currently over $90 per month) and competition from a mature SVoD market which is driving customers increasingly to cut the cord.

However, the recent distribution deal between Disney and Charter in the US, which saw select Disney streaming products bundled into Charter's TV packages, demonstrates that cable operators in the region remain a powerful force as distribution partners, giving streamers the ability to reach a larger and potentially untapped audience base. In addition to North America, Latin America has also shown large declines in pay TV penetration, with a drop of around 10 percentage points since its peak of 42% in 2016. On the contrary, the APAC and Europe have shown the highest penetration growth in recent years, with large gains coming from China, especially after China Mobile acquired an IPTV license in 2018. The growth in these regions has largely come from low-cost IPTV services which are often bundled into broadband packages for a low cost, and helps drive pay TV subscriptions in these areas. In Europe, markets such as Portugal, Serbia and Hungary are expected to see further growth in the forecast period.

"Several of your films have explored artificial intelligence," Rolling Stone pointed out to 85-year-old Ridley Scott, before asking: "Does AI worry you?" Ridley Scott: I always thought the world would end up being run by two corporations, and I think we're headed in that direction. Tyrell Corp in Blade Runner probably owned 45-50% of the world, and one of his playthings was creating replication through DNA. Tyrell thinks he's god and in the first Blade Runner has made a Nexus female. And the Nexus female will have a limited lifespan because AI will get dangerous. We have to lock down AI. And I don't know how you're gonna lock it down. They have these discussions in the government, "How are we gonna lock down AI?" Are you fucking kidding? You're never gonna lock it down. Once it's out, it's out. If I'm designing AI, I'm going to design a computer whose first job is to design another computer that's cleverer than the first one. And when they get together, then you're in trouble, because then it can take over the whole electrical-monetary system in the world and switch it off. That's your first disaster. It's a technical hydrogen bomb. Think about what that would mean?

Rolling Stone: I wanted to ask you about what effect you think AI will have on Hollywood as it was a big sticking point in the writers' strike, in particular. One fear is that studios will plug a book into AI, have it crap out an "adaptation," and then pay actual screenwriters day rates to punch it up.

Ridley Scott: Yeah. They really have to not allow this, and I don't know how you can control it. Another AI expert said, "We are way over-panicking. Of course, I have a computer that can defeat a chess master in an hour because we can feed him every conceivable move from data, and it'll process 1,900 conceivable moves on what the person will do next in seconds, and the guy is in trouble." There's something non-creative about data. You're gonna get a painting created by a computer, but I like to believe — and I'm saying this without confidence — it won't work with anything particularly special that requires emotion or soul. With that said, I'm still worried about it.
The article also looks back more than 40 years, to when Ridley Scott was going to direct Dune in between filming Alien and Blade Runner. Scott says he had "a really good screenplay, had all the sets to go" — but the producer had wanted to save money by filiming it in Mexico City, and Scott "didn't love" the idea of spending a year there.

It was November 23rd of the year 1963 that Doctor Who first premiered on the BBC. And the many years since then have wrought their changes, writes the BBC: Events on screen and off have shaped the character's personality, their face changing to reflect Britain itself, and every version building on what has gone before. To truly understand Who, you have to know your history...

[T]he series was originally intended to teach children history as much as thrill them... [T]he Daleks were shouty miniaturised tanks, terrifying to a nation that had lived through World War 2... Scripts by the likes of Douglas Adams (who wrote The Hitchhiker's Guide to the Galaxy) leaned into the show's inherent strangeness... Interestingly, the new specials and series involve Marvel-owner Disney, who will stream it outside the UK and Ireland, in turn helping boost the budget.
The article handily summarizes the last 60 years. ("Perhaps the most shocking revelation of [2010 showrunner Steven Moffat's] tenure was a hitherto unseen, past version of the Doctor, played by John Hurt. Other writers would take this idea and run with it...") The article ends with the words, "Only time will tell."

And elsewhere another BBC article notes that today "the TARDIS is set to return to BBC One and iPlayer." With David Tennant as the Fourteenth Doctor and Catherine Tate reprising her role as Donna Noble the popular duo will make their spectacular return to mark the show's 60th anniversary with three special episodes running each Saturday from the 25th November...

Neil Patrick Harris as the Toymaker [is] set to cause all kinds of mayhem. It's going to be an unmissable cosmic adventure, all before Ncuti Gatwa gets the keys to the TARDIS over the festive season.
Thanks to Alain Williams (Slashdot reader #2,972) for sharing the article.

Long-time Slashdot reader destinyland writes: The popular party game "Cards Against Humanity" continued their tradition of practical jokes on Black Friday. They created a new social network where users can perform only one action: posting the word "yowza."

Then announced it on their official social media accounts on Instagram, Facebook, and X...

Regardless of what words you type into the window, they're replaced with the word yowza. "For just $0.99, you'll get an exclusive black check by your name," reads an announcement on the site, "and the ability to post a new word: awooga."

It's a magical land where "yowfluencers" keep "reyowzaing" the "yowzas" of other users. And there's also a tab for trending hashtags. (Although, yes, they all seem to be "yowza".) But they've already gotten a write up in the trade industry publication Advertising Age.

"With every bad thing happening in the world, social media is always right there, making it worse," a spokesperson said.... "[W]e asked ourselves: Is there a way we could make a social network that doesn't suck? At first, the answer was 'no.' The content moderation problem is just too hard. And then we thought, why not solve the content moderation problem by having no content? That's Yowza...."

When creating your profile on the network there's a dropdown menu for specifying your age and location — although all of the choices are yowza. More details from Advertising Age:

The company said the word "yowza" was the first that came to mind when its creative teams were brainstorming—and it just stuck. "It's dumb, it's ridiculous, it means nothing. It's perfect," the rep said.

And the service is still evolving, with fresh user upgrades. The official Yowza store will now also sell you the ability to also post the word Shazam — for $29.99. (Also on sale are 100,000 followers — for 99 cents.) But there's also an official FAQ which articulates the service's deep commitment to protecting their users' privacy.

Do you promise you won't share my private information with the Chinese Communist Party, like TikTok?

Yowza.

No one is a prophet in their own land, including European Central Bank President Christine Lagarde, who admitted on Friday that her son lost "almost all" of his investments in crypto assets, despite copious warnings. From a report: Lagarde has long railed against cryptocurrencies, calling them speculative, worthless and a tool often used by criminals for illicit activity. "He ignored me royally, which is his privilege," Lagarde told a town hall with students in Frankfurt. "And he lost almost all the money that he had invested."

"It wasn't a lot but he lost it all, he lost about 60% of it," Lagarde added. "So when I then had another talk with him about it, he reluctantly accepted that I was right." The ECB chief has two sons in their mid-30s but did not say which one she was referring to. The ECB has called for global regulation of crypto assets both to protect consumers who are unaware of the risk and to close a loophole that can be used to channel funding to terrorists or lets criminals launder cash.

As 2023 slowly comes to an end I wondered what your picks are for the best movies and TV shows that came out this year. What films or series did you enjoy the most? Share your favorites and why you think they stand out above the rest.

OLED monitors risk burn-in, especially with static images. Newer models combat this using improved materials, algorithms, efficiencies, features, and heat management. However, long-term data is minimal as quality selection is recent. An unexpected quirk applies to ultrawides: playing 16:9 content creates brighter center areas versus darker sides, quickening OLED degradation. In an extreme test by RTINGS, Samsung ultrawides developed heavy differential wear in just 700 hours. ArsTechnica adds: Even OLED monitors that have already been released can see their capabilities change in a way that could impact burn-in risk. For example, the Odyssey G8 monitor got a firmware update in August that removed the ability to use the Peak Brightness setting in SDR mode. While this is just one specific mode that, again, some users might not use, it's worth noting how this could change the amount of wear an OLED monitor could see. RTINGS' review said that after the firmware update, the monitor's max luminance "when displaying a bright highlight in an SDR scene" went from 331 nits to 230 nits. Samsung hasn't confirmed the reasons for this change, but such changes highlight how OLED monitor burn-in risk can change from use to use and from update to update, across different products.

Laura Snapes reports via The Guardian: Spotify is to phase out its service in Uruguay after the passing of a new music copyright bill requiring "fair and equitable remuneration" for authors, composers, performers, directors and screenwriters. In October, the country's parliament voted on a budget bill that included two new articles: per article 284, social networks and the internet are to be added "as formats for which, if a song is reproduced, the performer is entitled to financial remuneration" -- namely if a link to a song is shared online. Article 285 will put into copyright law the "right to a fair and equitable remuneration" for all "agreements entered into by authors, composers, performers, directors and screenwriters with respect to their faculty of public communication and making available to the public of phonograms and audiovisual recordings."

In response, Spotify said in a statement on November 20 that without changes to the 2023 Rendicion de Cuentas law, the streaming platform "will, unfortunately, begin to phase out its service in Uruguay effective January 1, 2024" and cease trading in the market in February 2024. The Swedish company seeks confirmation on whether additional costs to be paid to musicians are the responsibility of rights holders or the streaming platforms, arguing that the latter means that it would be required "to pay twice for the same music," Music Business Worldwide reports. The statement continued: "Spotify already pays nearly 70% of every dollar it generates from music to the record labels and publishers that own the rights for music, and represent and pay artists and songwriters. Any additional payments would make our business untenable." The platform claimed that it had contributed to a 20% growth in Uruguay's music industry in 2022. That year, the South American nation was the 53rd largest market for music.

An anonymous reader writes: Christopher Nolan made headlines earlier this month when he took a playful jab at streaming platforms while discussing the upcoming home release of "Oppenheimer." The atomic bomb drama, which grossed a staggering $950 million in theaters worldwide, is hitting Blu-ray and other digital platforms this month. Nolan said at a recent "Oppenheimer" screening that it's important to own the film on Blu-ray so that "no evil streaming service can come steal it from you." He told The Washington Post in a follow-up interview: "It was a joke when I said it. But nothing's a joke when it's transcribed onto the internet. There is a danger, these days, that if things only exist in the streaming version they do get taken down, they come and go," the director added.

Streamers have become notoriously known in the last year for pulling original titles from their platforms in order to license them out elsewhere and open up potential revenue streams. When such titles are streaming-only offerings, their removal makes it impossible to view the films elsewhere. Such was the case this year with the Disney+ movie "Crater," for instance. The streaming-only family adventure was pulled from Disney+ in June and could not be viewed anywhere until it was reissued as a digital release months later in September. For Nolan, owning physical media is the only way to combat such streaming trends. Guillermo del Toro agrees, having shared Nolan's recent quotes on X (formerly Twitter) and adding his own commentary on the issue. "Physical media is almost a Fahrenheit 451 (where people memorized entire books and thus became the book they loved) level of responsibility," del Toro wrote to his followers. "If you own a great 4K HD, Blu-ray, DVD etc etc of a film or films you love...you are the custodian of those films for generations to come."

"NFTs aren't gone yet," writes the Verge.

"Disney will launch an 'all-new socially driven collectible experience' called Disney Pinnacle later this year, turning characters from Pixar, Star Wars, and its classic animated films into tradable digital pins." While announcing Pinnacle, Disney and its partner Dapper Labs won't even say the word "NFT." Dapper Labs still calls itself "the NFT company," but between a variety of scams, an eye-blistering episode at a recent Bored Ape event, and a market that has plunged since peaking in early 2021, that's a term they apparently will steer clear of. The only thing available on the site right now is a privacy policy that makes clear this is a Dapper Labs effort that's licensing content from Disney — not an in-house effort on the level of Disney Plus.

The NFT collection is being launched through an iOS app, and a spokesperson tells CoinDesk that web and Android applications will come later.
The Disney Pinnacle website has a few seconds of background animation showing the pins — and, of course, a waitlist signup form.